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Keith HaringKeith Haring - Luna Luna Karussell: A Poetic Extravaganza! Pop Up 3D, 19861986
1986
$3,003.56
£2,199.53
€2,500
CA$4,088.60
A$4,582.79
CHF 2,386.13
MX$55,957.86
NOK 30,295.13
SEK 28,717.06
DKK 19,025.76
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About the Item
Keith Haring ( 1958 - 1990 ) - Luna Luna Karussell: A Poetic Extravaganza! Pop up 3D, 1986
Additional information:
Material: Color offset print on colored cardboard, shaped and carved, Pop up 3D
Edited in 1986,
Size unfolded: 30.3 x 60.8 x 24 cm
Signature and date printed on the base.
Limited Edition size: 2000
Edition: Luna Luna Freizeitlanlagen GMBH and Neue Revue, Hamburg, Germany
About the work:
“Luna Luna was a project organised by Andre Heller for “A Fair with Modern Art” which took place in Hamburg in 1987. There were about 30 artists who took part in this project all of whom made objects for the Fair amongst whom was Keith Haring. His idea was for a Merry Go Round for which he made some posters and the Pop-Up sculpture. This was the only such object which he made during his career - and it was no doubt in memory of his hero, Warhol, who had made his famous “Index Book” 20 years earlier. The edition size of the sculpture was 2000 copies. Most of these were destroyed immediately after the Fair in an accident. The supplier bought all the remaining copies at the time. The total number of copies available is said to be “nearly 100 pieces”.”
A regular certificate of authenticity will be included
- Creator:Keith Haring (1958-1990, American)
- Creation Year:1986
- Dimensions:Height: 11.93 in (30.3 cm)Width: 23.94 in (60.8 cm)Depth: 9.45 in (24 cm)
- Medium:
- Period:
- Condition:
- Gallery Location:Varese, IT
- Reference Number:1stDibs: LU1938210641722
Keith Haring
Keith Haring began experimenting with his bold, graphic lines and cartoon-inspired figures on the walls of New York City subway stations in the early 1980s. He called them his “laboratory,” places to develop a radical new aesthetic based on an ideology of creating truly democratic public art.
Haring’s paintings, prints and murals address the universal themes of death, love and sex, as well as contemporary issues he experienced personally, like the crack-cocaine and AIDS epidemics. They derive much of their impact from the powerful contrast between these serious subjects and the joyful, vibrant pictographic language he uses to express them, full of dancing figures, babies, barking dogs, hearts and rhythmic lines, as well as references to pop culture.
To make his art even more accessible, in 1986, Haring opened the Pop Shop in Soho. In a foreshadowing of today’s intermingling of art and fashion, the shop sold merchandise and novelty items featuring imagery by Haring and contemporaries like Kenny Scharf and Jean-Michel Basquiat. While his works sometimes included text, for the most part, he chose to communicate through drawing.
“Drawing is still basically the same as it has been since prehistoric times,” Haring once declared. “It lives through magic.”
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