19th Century More Prints

Solemn Receiving is an original artwork realized in 1872 by Antonio Manganaro. Original colored lithograph. Good conditions, except for the yellowed paper due to the time. This be...

This Map of Oceania is an etching realized in the 19th century. The state of preservation of the artwork is good. At the top of the paper, the inscription “Longitudine del Meridiano...

Captain Daintree's "King Cob, " 1887 Etching

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Edward William Cooke was born in Pentonville. His father, George Cooke, and uncle William Bernard Cooke were also well-known line engravers. Growing up in an environment of artists,...

Planetary System - From Nuovo atlante di geografia universale is an original print realized in 1820 by Luigi Rossi. Original black and white etching. Prin...

View of Cheshire, Connecticut, 1882. Original lithograph was drawn and published by O. H. Bailey & Co. , a prominent 19th century map maker. The map shows a bird’s eye view of the town as it used to be, including street names and old landmarks.  Beautifully colored historic map...

Artist: Anthony van Dyck, After by Amand Durand, Flemish (1599 - 1641) - Jan Snellincx, Medium: Heliogravure, Size: 9.5 x 6 in. (24.13 x 15.24 cm), Printer: Amand Durand, Descripti...

Bird’s Eye View of Glascow original 1888 wood engraving is from The Graphic by H.W. Brewer who was well known for his aerial views of topographical panoramas. He was also the fa...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Jesus Christ presente au Peuple, Year: 1873, Medium: Heliogravure, Size: 12 x 18 in. (30.48 x 45.72 cm), Prin...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Adam et Eve Fugitifs, Year: 1873, Medium: Heliogravure, Size: 7 x 5 in. (17.78 x 12.7 cm), Printer: Amand Dur...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Adam et Eve, Year: 1873, Medium: Heliogravure, Size: 8 x 10 in. (20.32 x 25.4 cm), Printer: Amand Durand, Des...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Chaumiere et la Grange a Foin (B225), Year: 1878 (of original 1641), Medium: Heliogravure, Size: 5 x 12....

Artist: Anthony van Dyck, After by Amand Durand, Flemish (1599 - 1641) - Portrait de Francois Snyders, Medium: Heliogravure, Size: 10 x 6.5 in. (25.4 x 16.51 cm), Printer: Amand Du...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Le Poete Virgile suspendu dans un Panier, Year: 1873, Medium: Heliogravure, Size: 10.5 x 8 in. (26.67 x 20.32...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - La Conversation de Saint Paul, Year: 1873, Medium: Heliogravure, Size: 12 x 16.5 in. (30.48 x 41.91 cm), Prin...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - l'Operateur, Year: 1873, Medium: Heliogravure, Size: 5.25 x 3.5 in. (13.34 x 8.89 cm), Printer: Amand Durand,...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Abraham et les Trois Anges, Year: 1873, Medium: Heliogravure, Size: 7.5 x 5.75 in. (19.05 x 14.61 cm), Printe...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - L'Espiegle, Year: 1873, Medium: Heliogravure, Size: 7.5 x 6 in. (19.05 x 15.24 cm), Printer: Amand Durand, De...

To see our other views of Oxford and Cambridge , particularly suitable for wedding and graduation presents, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Robert Kent Thomas (1816-1884) Merton College...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - David en Priere, Year: 1873, Medium: Heliogravure, Size: 7 x 4.75 in. (17.78 x 12.07 cm), Printer: Amand Dura...

The Esquimaux Dog 1887 Etching

The Curly Coated Retriever 1887 Etching

The Southern Irish Water-Spaniel 1887 Etching

Artist: David Teniers, After by Amand Durand, Flemish (1610 - 1690) - Danse Villageoise, Medium: Heliogravure, Size: 8.5 x 9.5 in. (21.59 x 24.13 cm), Printer: Amand Durand, Descri...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Les deux Vieillards appercevant Susanne au bain, Year: 1873, Medium: Heliogravure, Size: 8.25 x 6 in. (20.96 ...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - La Laitiere, Year: 1873, Medium: Heliogravure, Size: 5 x 6.5 in. (12.7 x 16.51 cm)...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Mardochee mene en triomphe, Year: 1873, Medium: Heliogravure, Size: 9.25 x 12 in. (23.5 x 30.48 cm), Printer:...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Le repos en Egypte, Year: 1873, Medium: Heliogravure, Size: 7 x 5.75 in. (17.78 x 14.61 cm), Printer: Amand D...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Jesus Christ apparaissant a la Madeleine sous la fourme d'un Jardiner, Year: 1873, Medium: Heliogravure on Laid...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Dalila coupant les Cheveux de Samson, Year: 1873, Medium: Heliogravure, Size: 12 x 8.5 in. (30.48 x 21.59 cm)...

Artist: Lucas van Leyden, After by Amand Durand, Dutch (1494 - 1533) - Saint Georges, Year: 1873, Medium: Heliogravure, Size: 7 x 5 in. (17.78 x 12.7 cm), Printer: Amand Durand, De...

Artist: Rembrandt van Rijn, After by Amand Durand, Dutch (1606 - 1669) - La Chaurmiere au Grand Arbre (B226), Year: 1878 (of original 1641), Medium: Heliogravure, Size: 5 x 12.5 in...

A fine engraved chart table showing the lengths of the principal rivers across the world, from the second edition of John Thomson's 'New General Atlas' published in 1830. On paper.

Colour lithograph, 1890. 285mm by 210mm (sheet). From W Peck's 'A Handbook and Atlas of Astronomy', 1890. Sir William Peck FRSE FRAS (1862 – 1925) was a Scottish astronomer and scien...

Sizgium Jambolanum is from the 'Fleurs, fruits et feuillages choisis de la flore et de la Pomone de l' Ile de Java peints d'après nature' by Berthe Hoola Van Nooten...

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Engraving with original hand-colouring. 1834. 230mm by 155mm. From Paxton's 'Magazine of botany and register of flowering plants' by Sir Joseph Paxton.

Cartographers Christopher (1786-1855) and John (1791-1867) Greenwood were surveyors from Yorkshire, who undertook an ambitious project to produce a series of large-scale maps of the counties of England, Wales and Scotland.The maps represent a remarkable and impressive surveying achievement forming an important record of the counties depicted. In the years 1817-1832 the Greenwood brothers published the Atlas of The Counties of England from an Actual Survey. This Atlas was finely drafted and engraved and decorated with large vignettes of prominent buildings of the county. This map of Buckingham County is beautifully hand colored and is in very good condition. There is a vignette of Stowe House...

Cartographers Christopher (1786-1855) and John (1791-1867) Greenwood were surveyors from Yorkshire, who undertook an ambitious project to produce a series of large-scale maps of the counties of England, Wales and Scotland.The maps represent a remarkable and impressive surveying achievement forming an important record of the counties depicted. In the years 1817-1832 the Greenwood brothers published the Atlas of The Counties of England from an Actual Survey. This Atlas was finely drafted and engraved and decorated with large vignettes of prominent buildings of the county. This map of Southampton County is beautifully hand colored and is in very good condition. There is a vignette of Winchester Cathedral...

Created by Gustav Buek from an original oil painting made in 1892 by Thomas Moran. The painting is today owned by the Philadelphia Museum of Art in Philadelphia, Pennsylvania. Both w...

Antique 19th century fern colour woodblock by Benjamin Fawcett after AF Lydon. From Edward J. Lowe’s 'Ferns: British and Exotic', 1867. Accompanied by a sheet of descriptive text. ...

'1-7 Geaster Hygrometricus 8-14 Bovista Nigrescens' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scient...

'Agaricus Campestris' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific na...

'Craterellus Clavatus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific n...

"Ce Matin Avant l'Aurore" is an original lithograph by Honore Daumier, the second state of three. Original Text: Ce matin, avant l'aurore, Un Dieu vint me réveiller ; Il me dit : tu dors encore… Est-il temps de sommeiller ? De ton Papa c’est la fête, Fais lui quelque don flatteur En lui posant sur la tête Une Couronne de fleurs. Translation: This morning before dawn A God came to wake me up The curtains they were drawn And my snoring had to stop It is your daddy's birthday, A time for gifts and flowers To be placed on his head so gray Instead of his morning showers. Artwork Size: 9 1/4" x 9 1/4" Frame Size: 20 1/2" x 17 5/8" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

'Les Arts Décoratifs - Etoffe de Genes' Depicts fabric from the 17th century. From 'Les Arts Decoratifs a toutes les epoques', printed by Lemercier & Cie, Paris. 300mm by 200mm (i...

'Les Arts Décoratifs - Etoffe Francaise' Depicts fabric from the 16th century. From 'Les Arts Decoratifs a toutes les epoques', printed by Lemercier & Cie, Paris. 300mm by 200mm (...

Detailed antique lithograph of plans to a brick French workshop, 1881. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and Certificate...

Charming antique French color lithograph of plans for a Parisian hotel, 1881. Original artwork on paper displayed on a white mat with a gold border. Archival plastic sleeve and C...

"Robert Macaire Banquier et Jure" is an original lithograph by Honore Daumier. It depicts a banker and his contemporary having a conversation. 1/2 D. 371 (Charivari) Artwork Size: 14 1/4" x 9 1/2" Frame Size: 21 5/8" x 19" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

Framed characters of Bordeaux. Ten elegant hand coloured French engravings of personages / vocations Bordelais stamped 1820 under celadon matting with rippled antique glass in a Rege...

Francis Grose entered the army early in life and served in the cavalry, infantry, and militia. He produced some compelling and sought after engravings on subjects including ancient a...

Willette- Maitres de L'affiche: Cacao Van Houten, original lithograph 1896, Impremie CHAIX. PL. 43 France, 1890-1919, paper Willette: Cacao Van Houten Original stone Lithograph on vélin paper 1896 Sheet Size: 15.75 x 11.4 in. / 39.5 x 29 cm Printed by: Imprimerie Chaix 1896 In very good condition (A) unbacked, This plate is from the famous set "Les Maitres de l'affiche" The "Les Maitres de l'Affiche" series was offered as a subscription series to collectors. Every month for 60 months, from December 1895 through November 1900, subscribers received by mail, 4 loose sheets (Maitres) with a cover sheet. Willette's elegant vertical poster...

This early 19th-century aquatint was engraved and colored by Mr. John Clarke after drawings by George Perry. The publication, CONCHOLOGY, OR, THE NATURAL HISTORY OF SHELLS… , was pub...

"De Quoi! De Quoi! Votre Dot?" is an original lithograph 3/3 D. 390 (Charivari) by Honore Daumier. It depicts an odd-looking man and a beautifully-dressed woman in conversation. Ther...