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Period: 19th Century
Original Antique Circus Advertising Poster Cycling The Air Bros Wichmann Design
Located in London, GB
Original antique circus advertising poster - Cycling The Air of the Bros. Wichmann - featuring a colourful design depicting two men performing tricks on...
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19th Century More Prints

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Paper

Agaricus Vaginatus, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'Agaricus Vaginatus' (grisette or the grisette amanita) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the sci...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Medinet Abou, Thebes lithograph from Views of the Holy Land by David Roberts
Located in Paonia, CO
Medinet Abou, Thebes is a hand colored lithograph from the standard edition of ” Views in the Holy Land, Syria, Idumea, Arabia, Egypt and Nubia” a...
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Other Art Style 19th Century More Prints

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Lithograph

Tuko-See-Mathla, Seminole Chief: Original Hand-colored McKenney & Hall Engraving
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Tuko-See-Mathla, A Seminole Chief, No. 106", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is minimal spotting in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
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Naturalistic 19th Century More Prints

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Engraving

Tyre, From the Isthmus: Roberts' 19th C. Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tsur Ancient Tyre, From the Isthmus, April 27, 1839" by David Roberts from his Egypt and Nubia volumes of the large...
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Realist 19th Century More Prints

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Lithograph

Northian Moraea. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Morea Northiana - Northian Moraea' 'Native of the Brazils'. Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812...
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Naturalistic 19th Century More Prints

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Engraving

Feve de St Ignace (Strychnos ignatii), French botanical flower engraving, 1818
Located in Melbourne, Victoria
French botanical flower engraving, 1818. Colour-printed stipple engraving by J Lambert after Pierre Turpin (1775-1840) From Francois Pierre Chaumeton's 'Flore Medicale' which portrayed a variety of flowers, trees and herbs which could be used for treating illnesses. The engravings were produced during the great period of French colour printing using the stipple-engraving process pioneered by the great botanical artist Pierre-Jospeh Redoute. The artist is the celebrated Pierre Jean Francois Turpin...
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Victorian 19th Century More Prints

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Engraving

French Fabric Design - Etoffe Francais, antique French chromolithograph print
Located in Melbourne, Victoria
'Les Arts Décoratifs - Etoffe de Genes' Depicts fabric from the 17th century. From 'Les Arts Decoratifs a toutes les epoques', printed by Lemercier & Cie, Paris. 300mm by 200mm (i...
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Victorian 19th Century More Prints

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Lithograph

Approach to Mount Sinai 1839: Roberts' 19th C. Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Approach to Mount Sinai Wady Barah Feby 17th 1839" by David Roberts, Plate 122 in Volume III of his Egypt and Nubia...
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Realist 19th Century More Prints

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Lithograph

Original Kola Marque, 1895 vintage French liquor poster by Jules Cheret
Located in Spokane, WA
Original stone lithograph KOLA MARQUE, created by the artist Jules Cheret in 1895. Size: 16" x 23.5". Professional acid free archival linen backed and ready to frame. Full boarders. Printer: Chaix. Jules Cheret is known as the father of the poster helping bring color printing to the world. Kola Marque. Tonique et Aperitif. Stimule forces physiques et intellectuelles. It indicates that if you drink this it helps give you physical and intellectual stimulus. In addition, it is served in all the local cafes and restaurants. I haven't found a breakdown of what 'special' ingredients in this liquor would make you feel and think so much better. Condition. This 1895 poster...
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Art Nouveau 19th Century More Prints

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Lithograph

Fistulina Hepatica, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-3 Fistulina Hepatica 4-6 Boletus Chrysentheron' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientif...
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Naturalistic 19th Century More Prints

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Lithograph

Temple of Hathor, Dendera Egypt: David Roberts' 19th C. Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "View from Under the Portico of the Temple of Dendera" by David Roberts, from his Egypt and Nubia volumes of the lar...
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Realist 19th Century More Prints

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Lithograph

Three 19th C. Hand Colored Engravings of London Architecture by T. Shepherd
By Thomas Hosmer Shepherd
Located in Alamo, CA
A set of three hand-colored engravings from "Metropolitan Improvements; or London in the Nineteenth Century", published in London, England in 1828. The scenes were drawn by Thomas Ho...
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Realist 19th Century More Prints

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Engraving

Helvella Crispa, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-2 Helvella Crispa 3-6 Peziza Repanda' (White Saddle and Palomino cup) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after ...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Thebes. Medynet-Abou / Coupes Transversales de la Cour et du Peristyle du Palais
Located in Mount Vernon, NY
Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. [Description of Egypt...
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19th Century More Prints

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Engraving

Original Harper's Magazine vintage poster by Edward Penfield, 1895
Located in Spokane, WA
Original. Harper's magazine poster. "On snow shoes to the barren grounds" Very old poster advertising the famous Harper's magazine. Artist Edward Penfield. Edward Penfield (1...
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Art Nouveau 19th Century More Prints

Materials

Lithograph

Lily-leaved Ophrys. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Ophrys lilifolia - Lily-leaved Ophrys' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied by the o...
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Naturalistic 19th Century More Prints

Materials

Engraving

Not-Chi-Mi-Ne, An Ioway Chief: Original Hand-colored McKenney & Hall Engraving
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Not-Chi-Mi-Ne, An Ioway Chief, No. 91", published by Rice, Rutter & Co. in 1865. This original McKenney and Hall engraving is presented in a cream colored mat, suitable for framing with a protective clear sleeve. The mat measures 13.88" x 11.75" and the sheet measures 10.63" x 7.38. There is a spot in the lower left margin and tiny faint spots in the periphery, but the print is otherwise in very good condition. Col. Thomas J. McKenney was Superintendant of The Bureau of Indian Affairs from 1816 until 1830. He was one of a very few government officials to defend American Indian interests and attempt to preserve their culture. He travelled to Indian lands meeting the Native American leaders. He brought with him an accomplished artist, James Otto Lewis...
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Naturalistic 19th Century More Prints

Materials

Engraving

Pillar of Absalom near Jerusalem: David Roberts' 19th C. Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Absaloms Pillar, Valley of Schoshaphat" by David Roberts, from his Egypt and Nubia volumes of the large folio editi...
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Realist 19th Century More Prints

Materials

Lithograph

Agaricus Acris / Deliciosus, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-4 Agaricus Acris 5-9 Agaricus Deliciosus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific nam...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Agaricus Azureus, Leuba antique mushroom fungi botanical chromolithograph print
Located in Melbourne, Victoria
'Agaricus Azureus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name ...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Charte von Sud-America (Map of South America) - Etching with Hand-Drawn Outlines
Located in Soquel, CA
Map of south America, engraved by Franz Pluth (Czech, 1800-1871), from the book "Neueste Länder - und Völkerkunde, ein geographisches Lesebuch für alle Stände" by Linder, F. L. (Prag...
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Other Art Style 19th Century More Prints

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Paper, Printer's Ink, Etching

"Scene _ Country Fair": A Framed Early 19th Century Engraving by George Hunt
Located in Alamo, CA
This is a framed colored engraving entitled "Scene _ Country Fair" by George Hunt, published in London in 1825. It depicts a gathering of people at an early 19th century county fair, presumably in England. A majority of the crowd are turned away, watching a performance on a stage in the background. In the foreground a man is in conversation with a couple. The man wears a top hat and the woman is holding a baby. They are dressed in the typical attire of the middle class at that time. The engraving is presented in a brown wood frame and a double mat, with a cream-colored outer mat and a light cranberry...
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19th Century More Prints

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Engraving

"Une Application Utile du Diamant Magnetiseur--Actualites" by Honore Daumier
Located in Milwaukee, WI
"Une Application Utile Du Diamant Magnetiseur-Actualites" is an original lithograph, the second state of three, by Honore Daumier. It depicts a husband and wife pair. Artwork Size: 8 1/2" x 10 3/4" Frame Size: 17 3/4" x 20 1/4" Artist Bio: Daumier was a prolific draftsman who produced over 4000 lithographs, he was perhaps best known for his caricatures of political figures and satires on the behavior of his countrymen, although posthumously the value of his painting has also been recognized. His works offer a commentary on social and political life in France in the 19th century. French caricaturist and painter, born at Marseilles. He showed in his earliest youth an irresistible inclination towards the artistic profession, which his father vainly tried to check by placing him first with a huissier, and subsequently with a bookseller. Having mastered the technique of lithography, Daumier started his artistic career by producing plates for music publishers, and illustrations for advertisements; these were followed by anonymous work for publishers, in which he followed the style of Charlet and displayed considerable enthusiasm for the Napoleonic legend. When, in the reign of Louis-Philippe, Philipon launched the comic journal, La Caricature, Daumier joined its staff, which included such powerful artists as Devéria, Raffet and Grandville, and started upon his pictorial campaign of scathing satire upon the foibles of the bourgeoisie, the corruption of the law and the incompetence of a blundering government. His caricature of the king as "Gargantua" led to Daumier's imprisonment for six months at Ste. Pélagie in 1832. The publication of La Caricature was discontinued soon after, but Philipon provided a new field for Daumier's activity when he founded the Charivari. For this journal Daumier produced his famous social caricatures, in which bourgeois society is held up to ridicule in the figure of Robert Macaire, the hero of a then popular melodrama. Another series, "L'Histoire Ancienne", was directed against the pseudoclassicism which held the art of the period in fetters. In 1848 Daumier embarked again on his political campaign, still in the service of Charivari, which he left in 1860 and rejoined in 1864. In spite of his prodigious activity in the field of caricature -- the list of Daumier's lithographed plates compiled in 1904 numbers no fewer than 3958 -- he found time for flight in the higher sphere of painting. Except for the searching truthfulness of his vision and the powerful directness of his brushwork, it would be difficult to recognize the creator of Robert Macaire, of Les Bas bleus, Les Bohémiens de Paris, and the Masques, in the paintings of "Christ and His Apostles" at the Ryks Museum in Amsterdam, or in his "Good Samaritan", "Don Quixote and Sancho Panza", "Christ Mocked...
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Victorian 19th Century More Prints

Materials

Lithograph

Temple of Kalabshi, Egypt: David Roberts' 19th C. Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Portico of the Temple of Kalabshi" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, p...
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Realist 19th Century More Prints

Materials

Lithograph

Geaster Hygrometricus, Leuba antique mushroom fungi food chromolithograph print
Located in Melbourne, Victoria
'1-7 Geaster Hygrometricus 8-14 Bovista Nigrescens' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scient...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Agaricus Alutaceus, Leuba antique mushroom fungi food chromolithograph print
Located in Melbourne, Victoria
'1-4 Agaricus Alutaceus 5-7 Agaricus Emeticus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific n...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Agaricus Campestris, Leuba antique mushroom fungi food chromolithograph print
Located in Melbourne, Victoria
'Agaricus Campestris' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific na...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Sweet-scented Lachenalia. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Lachenalia Fragrant - Sweet-scented Lachenalia' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompanied...
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Naturalistic 19th Century More Prints

Materials

Engraving

Sapeurs- Pompiers De Paris, Armee de Ligne pub. Lemercier lithograph 1861
Located in Paonia, CO
Sapeurs- Pompiers De Paris, Officier et Soldat ( Grandes Tenures).... Fire Brigade In Paris, Officer and Soldier (Large Tenure ) shows two mustachioed French soldiers from the A...
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19th Century More Prints

Materials

Lithograph

Morchella Conica, Leuba antique mushroom fungi morel chromolithograph print
Located in Melbourne, Victoria
'Morchella Conica' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Boletus Aurantiacus, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'Boletus Aurantiacus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific na...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Convent of St. Catherine, Mount Sinai: Roberts' 19th C. Hand-colored Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Convent of St. Catherine Mount Sinai Looking Towards the Plain of the Encampment" by David Roberts, from his Egypt ...
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Realist 19th Century More Prints

Materials

Lithograph

Original Antique Advertising Poster Pastilles Au Miel Honey Lozenge Sweet Candy
Located in London, GB
Original antique advertising poster for Pastilles au Miel honey flavour lozenges featuring an illustration of the medicinal sweets falling from a blimp to a park below with children ...
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19th Century More Prints

Materials

Paper

Boletus Pachypus, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'Boletus Pachypus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name ...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Agaricus Phalloides, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'Agaricus Phalloides' (Death Cap) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name below the...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Craterellus Clavatus, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'Craterellus Clavatus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific n...
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Naturalistic 19th Century More Prints

Materials

Lithograph

View of Cairo, Egypt: A 19th C. Framed Hand-colored Lithograph by David Roberts
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Tombs of the Memlooks, Cairo" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, publis...
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Realist 19th Century More Prints

Materials

Lithograph

Hydnum Repandum/Imbricatum, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-4 Hydnum Repandum 5 Hydnum Imbricatum' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name b...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Agaricus Comatus, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-4 Agaricus Comatus 5-6 Agaricus Picaceus' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific nam...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Helvella Gigas / Infula, Leuba antique mushroom fungi chromolithograph print
Located in Melbourne, Victoria
'1-2 Helvella Gigas 3-5 Helvella Infula' Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name be...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Antholyza Fulgens. Henry Andrews antique botanical flower engraving print
Located in Melbourne, Victoria
'Antholyza Fulgens - Refulgent-flowered Antholyza' Original copper-line engraving with original hand-colouring from Henry Andrews' 'The Botanist's Repository', 1797-1812. Accompani...
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Naturalistic 19th Century More Prints

Materials

Engraving

Original Antique Belle Epoque Poster A La Place Clichy Paris Fashion Summer Sale
Located in London, GB
Original antique advertising poster for the Parisian department store A La Place Clichy promoting its special fashion summer sale in April / A La Pla...
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Art Nouveau 19th Century More Prints

Materials

Paper

San Francisco Sicilian and Italian Fishermen: A 19th C. Hand-colored Woodcut
Located in Alamo, CA
This is a framed hand-colored woodcut engraving entitled "Sicilian and Italian Fisherman's Dock - San Francisco", created by Henry François Farny and published in Harper's Weekly in ...
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19th Century More Prints

Materials

Woodcut

Morchella Semi-Libera, Leuba antique mushroom fungi morel chromolithograph print
Located in Melbourne, Victoria
'Morchella Semi-Libera' (Half-free Morel) Antique Swiss mushroom / fungi chromolithograph, lithographed by H Furrer after Fritz Leuba. The print is titled with the scientific name b...
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Naturalistic 19th Century More Prints

Materials

Lithograph

Foke-Luste-Hajo, Seminole Chief: Original Hand Colored McKenney & Hall Engraving
Located in Alamo, CA
This is an original 19th century hand-colored McKenney and Hall engraving of a Native American entitled "Foke-Luste-Hajo, A Seminole Chief, No. 84", published by Rice, Rutter & Co. i...
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Naturalistic 19th Century More Prints

Materials

Engraving

"The Doorway of Baalbec": A David Roberts' 19th Century Hand Colored Lithograph
Located in Alamo, CA
"The Doorway of Baalbec" is a 19th century full folio sized duotone lithograph, representing plate 81 in the Egypt and Nubia volumes of David Roberts’ large folio edition, published ...
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Realist 19th Century More Prints

Materials

Lithograph

Edfou (Apolllinopolis Magna.) / Elevation du Portique du Grand Temple
Located in Mount Vernon, NY
Copperplate engraving on laid paper. This plate was created for Description de l'Égypte : ou, Recueil des observations et des recherches qui ont été faites en Égypte pendant l'expédition de l'armée française. [Description of Egypt...
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19th Century More Prints

Materials

Engraving

"Entrance to the Citadel Cairo": David Roberts' 19th C. Hand Colored Lithograph
Located in Alamo, CA
"Entrance to the Citadel of Cairo" is a 19th century full folio sized duotone lithograph from the Egypt and Nubia volumes of David Roberts’ large folio edi...
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Realist 19th Century More Prints

Materials

Lithograph

The Beach in Normandy, France, Near Bayeux: A 19th C. Etching by Maxime Lalanne
Located in Alamo, CA
This is a mid 19th century etching entitled "Point de Depart de Guillaume de Normandie, Beuzeval, Emboucher de la Dives Calvados (The point of departure of William of Normandy (William the Conqueror)), created by Maxime Lalanne and published in 'L'Illustration Nouvelle' in 1868 by Alfred Cadart. The etching depicts the beach at Beuzeval in Normandy; with the shore in the foreground on the right lined by a row of houses, the sea at the left, and an expansive sky above. There are people on the beach and sailboats in the water. This is the point of departure of William the Conqueror for his voyage to England in 1066, resulting in his victory over the Anglo-Saxons at the Battle of Hastings and the establishment of Norman rule. The events are memorialized in the Bayeux tapestry, created by William's wife. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins. It is signed in plate in the lower right and titled in the plate in the lower left. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 9.5" high by 12.75" wide and the mat measures 13.5" high by 16" wide. There are two tiny faint spots in the periphery of the upper margin, but the print is otherwise in excellent condition. This etching is held by many museums and institutions, including The British Museum, The Yale University Art Gallery, The Cleveland Museum of Art, The Philadelphia Museum of Art, Columbia University Libraries and The William Morris Gallery...
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19th Century More Prints

Materials

Etching

Tout Simplement - Vintage Offset by Paul Delmet - Late 19th Century
Located in Roma, IT
Tout Simplement is a vintage offset print -musical sheet- realized for a Romance by Paul Delmet (1862-1904), realized in the late 19th Century. Good condition on a yellowed paper. ...
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Modern 19th Century More Prints

Materials

Offset

Bird's Eye View of Glascow 1888 original wood engraving from The Graphic
Located in Paonia, CO
Bird’s Eye View of Glascow original 1888 wood engraving is from The Graphic by H.W. Brewer who was well known for his aerial views of topographical panoramas. He was also the fa...
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Realist 19th Century More Prints

Materials

Woodcut

Tour De Montalban, Amsterdam: A 19th C. Etching by Maxime Lalanne
Located in Alamo, CA
This is a 19th century etching entitled "Tour De Montalban, Amsterdam" (Montalban Tower, Amsterdam) by Maxime Lalanne, published by Phillip Gilbert Hamerton in 1884. The etching depicts a canal scene in Amsterdam with Montalban Tower on the right. Row boats are moored along a dock in the foreground on the left and larger sail boats are seen on the other side of the dock. A boat in the middle of the canal is being rowed by one man. Many buildings are seen along both shores. This etching is presented in a white mat that is suitable for framing. This excellent impression is printed on thick chain-linked, laid cream-colored paper with wide margins and two watermarks; "Portfolio" along the left margin and "MBM" along the right margin. It is signed, titled and dated in the plate in the lower right. There is a collector's stamp (either an "NC" or a "CN") in the lower right corner. The sheet measures 10" high by 15" wide and the mat measures 13" high by 16" wide. There is a small spot in the right margin and some mild discoloration in the periphery on the upper margin. The print is otherwise in excellent condition. This etching is held by many museums and institutions, including The Fine Arts Museums of San Francisco, The Museum of Fine Arts, Boston, The Yale University Art Gallery and The Philadelphia Museum of Art. References: Beraldi (1889) 105; Villet (2016) 148, IV; Lalanne (1882) 137; Bibliothèque Nationale (1932) 82; Gutekunst (1905) 105. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching...
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19th Century More Prints

Materials

Etching

Nah-Et-Luc-Hopie: 19th C. Hand-colored McKenney & Hall Folio-sized Lithograph
Located in Alamo, CA
An original 19th century hand-colored folio-size McKenney and Hall lithograph of a Native American entitled "Nah-Et-Luc-Hopie", created by...
Category

Naturalistic 19th Century More Prints

Materials

Engraving

Original Antique Poster Stansstad Engelberg Railway Switzerland Swiss Alps View
Located in London, GB
Original antique travel poster promoting the Stansstad Engelberg Bahn railway in Switzerland featuring a scenic painting by the Austrian artist and cartographer Anton Reckziegel (186...
Category

19th Century More Prints

Materials

Paper

Karnac, Egypt, Nov. 29, 1838: David Roberts' 19th C. Duotone Lithograph
Located in Alamo, CA
This is an original 19th century hand-colored lithograph entitled "Karnac, Nov. 29, 1838" by David Roberts, from his Egypt and Nubia volumes of the large folio edition, published in ...
Category

Realist 19th Century More Prints

Materials

Lithograph

Original Antique War Poster Admiral Cervera Navy Squadron Santiago De Cuba 1898
Located in London, GB
Original antique poster - La Malograda Escuadra del almirante Cervera navegando para Santiago de Cuba ano 1898 / The ill-fated squadron of Admiral Cervera sailing to Santiago de Cuba 1898 - depicting the fleet of naval cruisers and battleships under the command of Admiral Pascual Cervera y Topete (1839-1909), flying the Spanish flags...
Category

19th Century More Prints

Materials

Paper

The Solar System, antique 1880s astronomy lithograph
Located in Melbourne, Victoria
'The Solar System' Lithograph, circa 1885, compiled under the direction of Henry Chamberlain Russell, Government Astronomer. Russell became the Australian Government Astronomer in 1870 and subsequently held the position for 35 years. Russell was also Australia's first native born Government Meteorologist. He invented and made many instruments including telescope mountings...
Category

Victorian 19th Century More Prints

Materials

Lithograph

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