Late 20th Century More Prints

Sam Francis McGovern '72 Poster (Hand signed by Sam Francis), 1972 Photo offset poster (hand signed by Sam Francis) Signed in blue ink on the front by Sam Francis with Sam Francis co...

A very good impression of this color lithograph on Rives. Signed and numbered 4/50 in pencil by Francis. Printed and published by The Litho Shop, Inc., Santa Monica, with the blind s...

After Keith Haring, Limited Edition of 95/150 Artwork lithograph prints by Keith Haring Foundation, numbered with embossed stamp. The image features the world famous American Pop art...

A tranquil, blue, green and tan abstract composition by the iconic British artist Victor Pasmore. Geometric and curvilinear shapes are placed harmoniously with a thin black line and ...

A very good impression of this color screenprint on white wove paper. Signed, titled, dated and numbered 96/150 in pencil by Dehner.

Cleve Gray Untitled, 1970 Silkscreen Boldly signed and numbered 32/100 in graphite pencil by Cleve Gray on the front 30 × 22 1/2 inches Signed and numbered 32/100 by artist on the fr...

Original vintage car advertising poster for Lada showing the exterior and the interior of the vehicle with smaller images of the dashboard and panel board as well as the dimensions o...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

A very good impression of this extremely scarce color screenprint on Arches. Signed and numbered 22/25 in pencil by de Kooning. Printed by Ives-Sillman, New Haven, with the blind sta...

A very good impression of this lithograph by Motherwell. Initialed and numbered 40/150 by the artist in pencil. Printed by Tyler Graphics Ltd., New York, with the blind stamp lower r...

Robert Indiana Colby ART (Sheehan, 80), 1973 Silkscreen in Colors on White Wove Paper Pencil signed and numbered 69/100 on the front with artist's copyright @Robert Indiana lower right front Published by Robert Indiana with copyright; Printed by Seri-Arts, Inc. Vintage metal frame included Classic early 1970s work. There was a time, we are told, when every prestigious collector in Germany would have an edition of Robert Indiana's iconic ART print prominently hanging in their home. This is an uncommon and desirable Robert Indiana piece from the early 1970s. Boldly signed in graphite on the recto (front), numbered and bearing the artist's copyright: @ Robert Indiana 1973...

Original vintage car advertising poster for Lada showing the interior of the vehicle with smaller images of the boot and seating detailing the mechanisms and seat belts, the text bel...

Original vintage car advertising poster for Lada showing the interior with the seating, engine and boot in an outline of the car, the text below - v/o Avtoexport SSSR Moskva / Autoex...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

Original vintage travel advertising poster published by French Railways SNCF to promote the sleeping carriages available on its overnight services - Une nuit en voiture lits - featuring a great design by the French graphic artist Bernard Villemot (1911-1989) depicting a young lady sleeping on a train bed...

Original vintage car advertising poster for Lada showing the engine in three technical images, the text below - v/o Avtoexport SSSR Moskva / Autoexport USSR Moscow. Manufactured by A...

Invasion de l'espace is an original print by the American artist and exponent of Dadaism Man Ray (Philadelphia 1890 - Paris 1976). This color lithograph on paper, was edited by the ...

F, Keith Haring, Limited Edition of 500, number 30. Artwork lithograph prints by Keith Haring Foundation, numbered with embossed stamp. The image features the world famous American P...

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

Original Wine Country, Napa Valley, California vintage poster created by the artist Earl Thollander. This vintage poster titled "Original Wine Country Napa Valley, California" captures the essence of the famous vineyards and wineries in Napa Valley. Created by artist Earl Thollander, the poster showcases the stunning landscapes and renowned vineyards that make this region a premier wine destination. Perfect for wine enthusiasts or as a decorative piece for your home, this vintage poster celebrates the rich history and natural beauty of Napa Valley's wine country. The sun is peaking out of the upper left corner, and in the golden sky, you can see hot air balloons and a plane towing a glider. The rest of the design has various vineyards and wineries set on hills lines with grapes and trees. Most of the famous vineyards are also shown in this design. A great wine room or bar with an original vintage California poster...

Hand signed and numbered. Edition of 90. Very good condition.

A very good impression of this color lithograph on Waterleaf white wove paper. One of 25 Roman numeral impressions, aside from the Arabic numeral edition of 100. Signed and numbered ...

Last Book of Life. Richard Nixon’s view of Chou En Lai’s chopsticks Photograph etchings Printed on Stonehedge black paper Hand signed, and numbered, by Levine in red pencil along t...

A superb impression of this color aquatint and lift-ground etching on German Etching paper. Signed and numbered 22/50 in pencil by Motherwell. Printed by Catherine Mosley in the arti...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

Vintage 1980 reproduction of an archival lithograph from the archives of La Vie Du Rail from an original design published by the French Railways in 1930 - Chemins de Fer du Midi l'Au...

Antonio Frasconi created the woodcut entitled "Walt Whitman" in 1974. It is signed in pencil. The paper size is 24.25 x 19.25 inches. This piece is in very good condition. “Someti...

Original vintage Soviet art exhibition poster - От неофициального искусства к перестройки 40 лет ленинградского искусства / From Unofficial Art to P...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bat." Smith has used one of her animal/insect iconic figures fo...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "squirrel." Smith has used one of her animal/insect iconic figur...

Original vintage Soviet art exhibition poster - 40 лет ленинградского искусства От неофициального искусства к перестройки / 40 Years of Leningrad Ar...

Original vintage Soviet art exhibition poster - 40 лет ленинградского искусства От неофициального искусства к перестройки / 40 Years of Leningrad Ar...

A very good impression of this color screenprint on Fabriano Bütten smooth 300 Gram paper. Signed and numbered 12/100 in pencil by Lewitt. Printed and published by Editions Domberger...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "fly." Smith has used one of her animal/insect iconic figures for this glassine paper and wove pap...

An etching by Kiki Smith titled "Bat." Smith has used one of her animal/insect iconic figures for this etching on wove paper creating it close to life size and therefore causing the ...

Helen Frankenthaler Pro Musica's Contemporary American Choral Music (Hand signed by both Helen Frankenthaler and Aaron Copland), 1982 Offset lithograph poster (Hand signed by Helen F...

Original California Wine Country vintage poster by Earl Thollander. On the back of the poster is a diagram of the grape-growing regions of California. The artist provides some com...

This original, vintage poster on poster stock features one of Jim Dine's most iconic motifs: the bathrobe. In 1964, Dine saw an ad in the New York Times: “The ad shows a robe with the man airbrushed out of it. There was nobody in the bathrobe, but when I saw it, it looked like me.” Standing in for the artist's own body and rife with personal meaning, it provides a framework for limitless formal and stylistic experimentation. Here, the garment is colored bright green and defined by variegated black lines. Numbers label each part of the robe as in an anatomical chart. Bold black lettering reads Jim Dine, Petersburg Press...

ELIZABETH CATLETT Candace - 10th Anniversary Celebration 1992, A Tribute to African American Women National Coalition of 100 Black Women, Commemorative Fine Art Poster Year printed - 1992 Print size - 31.5 x 18 inches Unsigned, unframed, mint condition CANDACE is a specially commissioned, lithographic art poster designed by Elizabeth Catlett produced in 1992 for The National Coalition of 100 Black Women to commemorate their 10th Anniversary. Printed using lithographic methods in black ink on heavyweight archival Coventry Rag white printmaking paper, 100% acid free. CANDACE portrays a powerful graphic portrait head of a black woman...

Original vintage music concert poster promoting the English rock band The Rolling Stones American Tour 1972 featuring a colourful Art Deco...

Georges Gobo Exhibition is a vintage poster realized in 1998. Mixed colored offset poster realized in the occasion of the exhibition of Georges Gobo in 1998. Good conditions.

Dee Shapiro is a Contemporary American artist and writer associated with the Pattern and Decoration movement. I have seen this referred to as Hejaz. Dee Shapiro was inspired to be an...

Roy De Forest Untitled (Dog), 1981 Color lithograph with deckled edges. Floated and framed. Pencil signed and numbered from the edition of 125 Frame Included: held in original vintage white frame Wonderful whimsical rare 1981 lithograph by the incredibly popular and beloved Roy de Forest, famous for his paintings and prints of dogs...

Vertical lines in muted colors take on the organic quality of handmade paper, resulting in this subtle iteration of Gene Davis’ iconic color field stripe paintings. The title "Narcis...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

"Drawings 1970-80 (Cicada)" Margo Leavin Gallery, Los Angeles, 1981 Exhibition Poster 30.5 x 22.5 inches Unsigned

The Original Keith Haring 1987 "Safe Sex" Pop Art Poster is a rare and valuable piece promoting the importance of safe sex and AIDS prevention. Conserv...

Original vintage winter sport travel poster - Ski The West by United Air Lines Utah Wyoming Idaho Your land is our land - featuring a fun illustration depicting couples on a ski lift...

Original Mardi Gras, New Orleans, 1978 linen-backed poster. Dressed up in what would be an American Indian costume with full headgear, he is holding a shield with a horse on it. Indian decoration on the footwear. Signed and numbered. I believe this has to deal with Big Chief leading his Congo Nation Mardi Gras Indian group. Zulu Parade. Many of the original Mardi Gras jazz posters...

PHAEDRA'S VIGIL is an imaginary architectural landscape that combines the real and the surreal. Created in 1989 by the Iowa born artist Jim Buckels(b.1948) known for his dream-like i...

Red Angel, intensely and seductively colored: swooning purples and reds, ecstatic lemon yellows, and black construction paper. Jostling shapes, geometric and biomorphic, lyrical and hard-edged, refuse to resolve neatly Assemblage, a bold strategy to keep viewers unsettled and curious, the reward for which are profuse and luscious details: varied incidents of refinement, suggestive signs, most in a private code, not merely ornamental but integral to the overall message. William Scharf (born 1927, Media, PA) is an American artist from New York, he teaches at The Art Students League of New York. Painting with acrylics, he was a member of the New York School movement. Often categorized as a late generation Abstract Expressionist, Known for producing paintings with abstract compositions incorporating biomorphic and geometric forms in vivid colors, the artist was influenced by Surrealism, the Color Field painters, and symbolism. He apprenticed with Mark Rothko and was influenced by his color field paintings. The surrealist painter Arshile Gorky and the Abstract expressionism style found in 1950s New York City also influenced Scharf. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001), and Richard York Gallery in New York City (2004). In the heyday of Abstract Expressionism, being serious meant following the tenets of the New York School, which required abstract paintings to be spontaneous improvisations, the messier the better. At once hedonistic and disciplined, his brazen paintings are nothing if not promiscuous. The best ones mix the dynamism of gestural abstraction with sensual rhythms of decorative patterning, sometimes souping up the stew with cartoonish symbols and flourishes so ripe they belong in a dandy's fantasies. His exhibits include San Francisco Art Institute (1969), the Pepperdine University's Frederick R. Weisman Museum of Art (2001) and Richard York Gallery in New York City (2004). Scharf's work has been exhibited in a number of galleries, including the Anita Shapolsky Gallery, Meredith Ward Fine Art, and Hollis Taggart Galleries in New York City. Scharf has been an instructor of art at various institutions including The Art Students League, the San Francisco Art Institute, and the School of Visual Arts in New York. He is a member of the Society of Illustrators and the Artists Equity Association. EDUCATION 1944-49 The Pennsylvania Academy of the Fine Arts — Philadelphia, PA (1948 Cresson Scholar) 1949 The University of Pennsylvania — Philadelphia, PA 1948 The Academie de la Grand Chaumiere — Paris, France 1947 The Barnes Foundation — Merion, PA 1939-41 Samuel Fleisher Memorial School— Philadelphia, PA (also known as Graphic Sketch Club) TEACHING HISTORY Instructor: Painting & Drawing 1987-Present Art Students League, New York, NY 1989, 74, 69, 66, 63 San Francisco Institute of Fine Arts, San Francisco, CA 1965-69 he School of Visual Arts, New York, NY 1964 Art Center of the Museum of Modern Art, New York, NY Guest Lecturer 1979 Pratt Institute, New York, NY 1974 Stanford University, Palo Alto, CA 1974 California College of Arts and Crafts, San Francisco, CA Recent Solo Exhibitions: 2005 Meredith Ward Fine Art, New York, NY 2004 Richard York Gallery, New York, NY 2002 P.S.1/MOMA, Queens, NY 2001 The Frederick R. Weisman Museum of Art, Malibu, CA 2000-2001 The Phillips Collection, Washington, DC Selected Group Exhibitions: 2005 National Academy of Design, New York, NY 2005 Peter McPhee Fine Arts, Stone Harbor...

GIARDINO SEGRETTO is a hand drawn limited edition lithograph created in 1988 by the Iowa born artist, Jim Buckels who is known for his dream-like ima...

Original vintage teaser cinema poster for the James Bond movie - Outer space now belongs to 007 Moonraker Blasting Off This Summer! - starring Roger Moore, Lois Chiles (Holly Goodhea...

Brushed aquatint, lift-ground etching and aquatint on German Etching paper 71.8 x 56.5 cms (28 1/4 x 22 1/4 ins) Edition of 32

Pinwheel is a lithograph realized by Pietro Carabellese in 1980. Hand-signed on the bottom right. Numbered on the bottom left 70/100. Good conditions. The artwork illustrates a...

Sol Lewitt Black with White Lines, Vertical, Not Touching, from Conspiracy: The Artist as Witness (Krakow 1970.07; 3. Kornfeld), 1971 Lithograph on Wove Paper Edition AP (A rare Artists Proof, aside from the regular edition of 150) Hand-signed by Sol Lewitt: pencil signed on the reverse (see photos), annotated Artists Proof, blindstamp of the publisher; copyright stamp reads: COPYRIGHT 1971 BY SOL LEWITT Published by: Bank Street Shorewood Atelier Frame included: Held in original vintage metal frame Measurements: Framed: 25 inches x 28 inches Sheet: 17 inches x 23 ½ inches This one-color lithograph pulled by hand from stone on Arches paper at the Shorewood Bank Street Atelier in New York by American master Sol Lewitt is a classic example of pure Minimalist art from the early 1970s - the most influential and desirable era. A very rare Artists Proof, aside from the regular edition of 150. "Vertical Lines Not Touching (Black)" was created for the legendary portfolio "CONSPIRACY: the Artist as Witness", to raise money for the legal defense of the Chicago 8 - a group of anti-Vietnam War activists indicted by President Nixon's Attorney General John Mitchell for conspiring to riot during the 1968 Democratic National Convention. (1968 was also the year Bobby Kennedy was killed and American casualties in Vietnam exceeded 30,000.) The eight demonstrators included Abbie Hoffman...

La grande Parade des Chats Original Illustrations by Leonor Fini Containing sixty illustrations This is from a unique special run being one of only 35 copies produced for personal use by Leonor Fini these were numbered EA 1 to EA 35 This example being EA 9 and has been personally dedicated and signed by the artist to her friend Philippe Aetmann A mid century modern artist Leonor Fini 1907-1996 There was a small run of this Limited Edition in total 250 copies numbered and signed by the artist with 230 copies printed on hand made Arches paper and another 20 on Japon nacre Through time most of these books have been been split up and the illustrations sold off individually Consequently there are very few complete examples remaining Original printed hardcover containing the book itself printed with winged cats (reference to her Sphinx women) Unique copy in very good condition with only minor signs of age Leonor Fini (1907–1996) is considered one of the most important women artists of the twentieth century and also one of the most misunderstood. Frequently labeled a surrealist she was never a member of that group or movement, preferring to stake her own claim on modernism with a vision that owes more to the farthest shores of her imagination than to any affiliation with art trends, schools or movements. The originality of her art as well as her intelligence, famous wit and charisma accorded her celebrity status in the Paris art world and beyond beginning in the late thirties. Often eclipsing and even compromising her standing as a major artist was the originality and impact of her personal style. Her panache and glamour, once they found a place in the collective imagination of the time, turned her into a much-publicized fashion and feminist icon. Always controversial, with as many detractors as admirers, she lived and painted consummately on her own terms. Born in Buenos Aires of mixed Spanish, Italian, Argentine and Slavic blood, Leonor was raised in Trieste by her single mother where she absorbed the multi-ethnic and mixed cultural heritage of that cosmopolitan center. The predominant themes in Leonor Fini’s art are sexual tensions, mysteries and games. One of her favored subjects is the interplay between the dominant female and the passive male, and in many of her most powerful works the female takes the form of the sphinx to which she felt a strong identification. Her genius for stage and screen design is evident in her numerous ground breaking theater decors...