Late 20th Century More Prints

Complete deluxe set of 13 screen prints and accompanying 12 poems. Published by American Image Editions, New York. Includes original brown paper-covered portfolio and publisher insert. Each screen print measures 26 x 21 inches. Each screen print is hand signed, dated, numbered by Robert Indiana. Roman numeral edition XLII/L (there were also a main edition of 200 and 50 artist's proofs), Artwork is in excellent condition. Certificate of Authenticity included. All reasonable offers will be considered. About the Artist: Robert Indiana (1928–2018) was an American Pop artist whose work drew inspiration from signs, billboards, and commercial logos. He is best known for his series of LOVE paintings, which employed bold and colorful letterforms to spell out the word “love.” “Oddly enough, I wasn't thinking at all about anticipating the love generation and hippies,” he once explained. “It was a spiritual concept. It isn't a sculpture of love...

"Israel Rubinstein (1944 - ) Date: 1980 Screenprint on Arches, signed and numbered in pencil Edition of 350 Image Size: 26.5 x 32.5 inches Size: 31 x 41 in. (78.74 x 104.14 cm)"

Diabolic Car is an original artwork realized by Jean Michel Folon. Lithograph on paper. Hand-signed in pencil by the artist on the lower right. Numbered on the lower left. Edition o...

Tim Engelland (American, 1950-2012) Untitled, c. 1990 Woodcut 11 x 8 1/2 in. Signed and numbered bottom right: T. Engelland, 161/250 A lifelong artist,...

Color lithograph, Edition 40. Red Grooms is a painter, sculptor, printmaker, filmmaker, and showman par excellence. His major installations, “Ruckus Manhattan”, “The City of Chicago...

Salvador Dali (1904-1989) - Sator Drypoint etching with roulette from 1969. The edition 142/145. Dimensions of work: 38 x 28 cm. Hand signed. Publisher: Pierre Argillet, Paris. ...

Roy Lichtenstein Reflections on Minerva 1990 Lithograph, screenprint, relief, and metalized PVC collage with embossing on mold-made Somerset paper Signed, numbered, and dated in pen...

Secret Writing / Poe Tighe O’Donoghue, American (1942–2023) Date: Circa 1985 Aquatint Etching, signed and numbered in pencil Edition of 99 Image Size: 1...

Copyright by Stehli Freres S. A., Efiteurs, Zurich. Printed in Switzerland. Measures 17.5 x 21.25 inches and is unframed. The piece is in Fair Condition-discoloration/wrinkling/marki...

Moon Shell Jill O’Connell Date: circa 1980 Lithograph, signed and numbered in pencil Edition of 500, AP Image Size: 24.5 x 19 inches Size: 29.5 in. x 23 in....

Corita Kent Lovers Serigraph Print Image: 4.88 x 9" Frame:11.75 x 15.75 x .75" 1983 Signed in pencil and numbered to lower edge ‘ed 200 Corita’

Set within a thick border, Tighe O'Donoghue's scene of a boat accompanied by two spirits floating near the stars in the sky demonstrates his unique take on Magical Realism. Dialect...

ARTIST: Salvador Dali TITLE: Imaginations & Objects of The Future Spectacles with Holograms & Computers for Seeing Imagined Objects MEDIUM: Etching SIGNED: Hand Signed by Salvado...

The work of artist G.H. ROTHE (German-American, 1935-2007) is featured in this event poster for Wash Art '77, May 4-9, Edward Weston Graphics- New York, Paris...

A very good impression of this color aquatint and etching. Artist's proof, aside from the edition of 75. Signed and inscribed "PA" in pencil. Printed by Labryrinth, Florence. Publish...

Artist: Robert Indiana, American (1928 - 2018) Title: Oranges from the American Dream Portfolio Year: 1969 (1997) Medium: Serigraph Edition Size: 395 Image Size: 16.75 x 14 inches Si...

Lithograph on Suzuki paper. Signed, dated and numbered 38/47 in pencil by de Kooning. Printed by Hollanders Workshop, New York. Published by Knoedler, New York.

A superb impression of this scarce color aquatint and lift-ground etching on German Etching paper. Signed and numbered 27/36 in pencil, lower right. Printed by Catherine Mousley in t...

To see more, scroll down to "More from this Seller" and below it click on "See all from this Seller." Orlov, V and Denisenko За успехи в труде [Success Through Work] (1978) Moscow,...

Artist: Alexander Calder Title: 30th Anniversary of the World Federation of the United Nations Medium: Lithograph in colors Date: 1975 Edition: 624/1500 Framed Size: 18 3/4" x 16 1/4...

ARTIST: Salvador Dali TITLE: Vitraux in Four Sheets Royal Insect MEDIUM: 4 Lithographs SIGNED: 1 Lithograph is Hand Signed by Salvador Dali EDITION NUMBER: 1 lithograph is numbe...

Artist: Chiam Gross Title: New England Street Scene Medium: Lithograph Signed: Hand Signed Edition: From the edition of 250 Measurements: ...

Marilyn Manson is an icon, a figure synonymous with controversy within heavy metal music, embroiled in numerous contentious moments throughout his storied career. This signed poster, numbered 158/500, is likely part of the series promoting his 1994 concerts at the Houston International Ballroom. It embodies the vibrant creativity of its era, a time when independent artists infused their unique flair into promotional materials for punk rock and heavy metal gigs. With its captivating blend of colors, specific typography, and arrangement reminiscent of Russian Constructivism and horror movie posters...

This work is hand signed in pencil by the artist "Riopelle" at the lower right corner. It is also hand inscribed in pencil "EA" (épreuve d’artiste), at the lower left corner. This i...

Artist: George Rodrigue Title: Union Station (Blue Dog for President) Medium: Silkscreen Year: 1996 Edition: 36/150 Framed Size: 31" x 42" Sheet Size: 18" x 30" Signed: Hand signed a...

Artist: Robert Indiana Title: The Hartley Elegies: The Berlin Series- KvF V Year: 1990 Medium: Screenprint on Saunders Watercolor paper, signed and numbered in pencil Edition: 50 ...

Sam Francis Untitled Abstract Expressionist print for the 1984 Olympics, 1982 Offset Lithograph on Parsons Diploma Parchment paper, hand signed with COA from publisher for Olympic Co...

Artist: Roy Ahlgren, American (1927 - 2011) Title: Concatination Year: 1970 Medium: Silkscreen, signed, titled and numbered in pencil Edition: 150 Image Size: 18 x 18 inches Size: 2...

Color lithograph with chine collé, Edition 30. William Wiley uses current political and social issues to comment on life in our time. His stunning draftsmanship, and freeform lov...

“LA CASA GRANDE” Emilio Sanchez (1921-1999) created this lithograph entitled “La Casa Grande” in 1997. The printed image size is 30.5 x 30 inches and ...

ARTIST: Salvador Dali TITLE: Memories of Surrealism Surrealist Gastronomy Trial Proof MEDIUM: Etching SIGNED: Hand Signed EDITION NUMBER: Tirage 500 This is a Trial Proof MEAS...

Chryssa Vardea-Mavromichali (Greek: Χρύσα Βαρδέα-Μαυρομιχάλη; December 31, 1933 – December 23, 2013) was a Greek American artist who worked in a wide variety of media. An American art pioneer in light art and luminist sculpture widely known for her neon, steel, aluminum and acrylic glass installations, she has always used the mononym Chryssa professionally. She worked from the mid-1950s in New York City studios and worked since 1992 in the studio she established in Neos Kosmos, Athens, Greece. Chryssa was born in Athens into the famous Mavromichalis family from the Mani Peninsula. one of her sisters, who studied medicine, was a friend of the poet and novelist Nikos Kazantzakis. Chryssa began painting during her teenage years and also studied to be a social worker.In 1953, on the advice of a Greek art critic, her family sent her to Paris to study at the Académie de la Grande Chaumiere where Andre Breton, Edgard Varese, and Max Ernst were among her associates and Alberto Giacometti was a visiting professor. In 1954, at age twenty-one, Chryssa sailed for the United States, arrived in New York and went to San Francisco, California to study at the California School of Fine Arts. Returning to New York in 1955, she became a United States citizen and established a studio in the city. Chryssa's first major work was The Cycladic Books preceded American minimalism by seventeen years. 1961, Chryssa's first solo exhibition was mounted at The Guggenheim. 1963, Chryssa's work was shown at the Museum of Modern Art in curator Dorothy Canning Miller's Americans 1963 exhibition. The artists represented in the show also included Richard Anuszkiewicz, Lee Bontecou, Robert Indiana, Richard Lindner, Marisol, Claes Oldenburg, Ad Reinhardt, James Rosenquist and others. 1966, The Gates to Times Square, regarded as "one of the most important American sculptures of all time" and "a thrilling homage to the living American culture of advertising and mass communications." The work is a 10 ft cube installation of two huge letter 'A's through which visitors may walk into "a gleaming block of stainless steel and Plexiglas that seems to quiver in the play of pale blue neon light" which is controlled by programmed timers. First shown in Manhattan's Pace Gallery, it was given to the Albright-Knox Art Gallery in Buffalo, New York in 1972. 1972, The Whitney Museum of American Art mounted a solo exhibition of works by Chryssa. That's All (early 1970s), the central panel of a triptych related to The Gates of Times Square, was acquired by the Museum of Modern Art between 1975 and 1979. 1973, Chryssa's solo exhibition at the Gallerie Denise René was reviewed for TIME magazine by art critic Robert Hughes before it went on to the Galleries Denise René in Düsseldorf and Paris. Other works by Chryssa in composite honeycomb aluminum and neon in the 1980s and 1990s include Chinatown, Siren, Urban Traffic, and Flapping Birds. Chryssa 60/90 retrospective exhibition in Athens in the Mihalarias Art Center. After her long absence from Greece, a major exhibition including large aluminum sculptures - cityscapes, "neon boxes" from the Gates to the Times Square, paintings, drawings etc. was held in Athens. In 1992, after closing her SoHo studio, which art dealer Leo Castelli had described as "one of the loveliest in the world," Chryssa returned to Greece. She found a derelict cinema which had become a storeroom stacked with abandoned school desks and chairs, behind the old Fix Brewery near the city center in Neos Kosmos, Athens. Using the desks to construct enormous benches, she converted the space into a studio for working on designs and aluminum composite honeycomb sculptures. The Athens National Museum of Contemporary Art, which was founded in 2000 and owns Chryssa's Cycladic Books, is in the process of converting the Fix Brewery into its permanent premises. Greek Exhibits, European Cultural Center of Delphi (Council of Europe). "Apollo's Heritage"(July 4, 2003 – July 30, 2003). Works by sixteen artists: Giorgio de Chirico, Salvador Dalí, Nikos Hadjikyriakos-Ghikas, Nikos Engonopoulos, Yannis Tsarouchis, Giorgos Sikeliotis, Takis, Arman, Fernando Botero, Chryssa, Dimitris Mytaras...

Jean Miotte - Rare Original Aquatint Engraving Title: Abstract Composition Dimensions: 76 x 56 cm Jean Miotte, 1926 - 2016 Miotte came of artistic age in the decade after World War...

Invasion de l'espace  is a color lithograph by the American artist and exponent of Dadaism and Surrealism Man Ray  (Philadelphia, 1890 - Paris, 1976). The workr was edited by the Fr...

T'ou't  se tient is an Artwork realized in 1975 by Roberto Sebastián Antonio Matta Echaurren (Santiago, Chile, 1911 - Civitavecchia, Italy, 2002). Colored Litograph on paper.Realize...

Whirlwind 1979, paper, lithography, 59x46 cm Ivars Poikans 1952. Riga Ivars Poikāns works in painting, graphics, book illustration, cinema art. Born on O...

Artist: Bruce Nauman Title: Fingers and Holes (Black and White) Size: 30 x 40 Inches Medium: Lithograph and Screenprint Edition: Edition of 50. AP #7/10 Year: 1994 Notes: Hand Signed, Dated and Numbered by the Artist in Pencil. Printed by Gemini Gel #36.34. From the collection of Brook Alexander Gallery, NYC. Fingers and Holes, a captivating artistic exploration initiated by Bruce Nauman (American, born 1941), originated from a unique challenge he set for himself. Using his non-dominant hand, he drew his right hand, and vice versa, meticulously annotating each sketch with the count of holes formed between the fingers. This seemingly simple endeavor evolved into a profound study of algebraic topology, a mathematical field investigating fundamental properties of distorted objects, such as solids and voids. Nauman ingeniously translated his anatomical sketches into this abstract language. In this realm of mathematical inquiry, seemingly dissimilar objects transform into one another. A coffee cup and a doughnut, for instance, are considered equivalents due to their shared characteristic of having an unbroken surface surrounding a single "hole," a concept known as homeomorphisms. Nauman's deep dive into topology revealed connections between disparate elements, encapsulated in his statement, “Things that don’t look alike morphose one into another.” However, Fingers and Holes goes beyond mathematical intricacies. It delves into the realm of transformation—topological, visual, and linguistic. The iconic "three fingers, one hole" gesture, a symbol of sexual intercourse in what Nauman referred to as "kids’ sign language," served as a pivotal motif. This gesture reappeared in various forms within the series, including daisy chain formations and overlays on clowns' handshakes, which Nauman identified through his exploration. The clowns in Nauman’s work epitomize ambiguity, embodying a spectrum from humor to threat. Their double handshakes, simultaneously obsequious and aggressive, mirror the complexities of human interactions. Nauman found inspiration in this ambiguity, appreciating the clowns for their enigmatic nature. By integrating the "three fingers, one hole" motif into the handshake of his clown prints...

This original lithograph in colours is hand signed in pencil by the artist “Calder” in the lower right image. It is also hand numbered in pencil from the edition of 100, in the lowe...

Artist: Robert Indiana, American (1928 - 2018) Title: The Wall from the American Dream Portfolio Year: 1990 (1997) Medium: Screenprint (unsigned) Edition Size : 395 Image Size: 18 x ...

Jim Dine, Monotypes et Gravures, Galerie Maeght, Paris, 1983. Vintage Offset Lithograph Poster American contemporary pop art. A colorful heart quilt in a rainbow of colors. Jim Dine...

Yayoi Kusama Flower, Edition 100/100. Lithograph [3 plates, 3 colors, 3 runs], Collage. Image: 22.3 x 15.5 cm. Sheet: 35.5 x 27.5 cm. Published in 1982 on on Velin d' Arches paper by...

Original color woodblock print by Werner Drewes. In excellent condition. Unframed. Image measures 11 1/4 x 14 1/4 inches. Pencil Signed and Dated: Proof (15) R-364. Werner Drewes (1899-1985) Werner Drewes, painter, printmaker, and teacher was born in Canig, Germany in 1899. His father, a Lutheran Minister, hoped he would become and architect but Werner chose the life of an artist. After he served on the front line in France during the war, Werner was admitted to the Bauhaus in 1921 where he studied under Klee, Itten, and Muche. Later, he traveled through Europe to study such old masters as Tintoretto, Velasque, and El Greco. After marrying Margaret Schrobsdorff, they traveled throughout South America, North America, and Asia. In 1930, Werner immigrated to New York City with his family. In New York City, despite the Depression, Werner joined other Bauhaus artists such as Mondrian and Feininger to make a living as an artist. This group became the core of the American Abstract Artists group. Werner taught at Columbia University, worked on the design of the 1939 Worlds Fair building...

Artist: Robert Motherwell Title: Tricolor (from XXe Siecle) Medium: Lithograph Date: 1973 Edition: Unnumbered Frame Size: 18 1/2" x 16 1/2" Sheet Size: 12 1/2" x 10 1/2" Signature: U...

Roman Cieślewicz (born 1930 13 January in Lwów Poland now Lviv Ukraine - died 1996 21 January in Paris, France) was a Polish (naturalized French) graphic artist and photographer. From 1943 to 1946 he attended the School of Artistic Industry in Lvov and from 1947 to 1949 attended the Krakow's Fine Arts Lycee. He studied at Kraków Academy of Fine Arts from 1949 to 1955. He was artistic editor of "Ty i Ja" monthly (Warsaw) 1959-1962. In 1963 he moved to France and naturalized in 1971. He worked as art director of Vogue, Elle (1965-1969) and Mafia - advertising agency (1969-1972) and was artistic creator of Opus International (1967-1969), Kitsch (1970-1971) and Cnac-archives (1971-1974). Taught at the Ecole Supérieure d'Arts Graphiques (ESAG) in Paris. In 1976 he produced his "review of panic information" - "Kamikaze"/No. 1/ published by Christian Bourgois. Folon. In 1991 he produced "Kamikaze 2" with Agnes B. He took part in numerous group exhibitions of graphic, poster and photographic art and was a member of AGI (Alliance Graphique Internationale). He designed a famous 1960s Polish Cyrk Circus Dog Poster as well as a Pop art superman cover for Opus magazine and a Charlie Chaplin poster...

This elegant original French movie poster was created in 1987 for the release of September, a film written and directed by Woody Allen. The poster features the refined and poetic art...

Poster (provenance unknown). Measures 9 x 13 inches and is Unframed. Good Condition.

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

A very good impression of this color screenprint on J. B. Green paper. Initialed and numbered 134/150 in pencil by Motherwell. Printed by Kelpra Studio, London. Published by Marlboro...

Last Book of Life. (Photos from a dinner of Richard Nixon’s with Chou En Lai’s various views of Chinese chopsticks) Photograph etchings Printed on Stonehedge black paper Hand signe...

A very good impression of this color aquatint on J. B. Green paper. Signed and numbered 5/50 in pencil by Motherwell. Printed by Catherine Mousley in the artist's studio, Greenwich, ...

118.1 x 81.6 cms (46.5 x 32.1 ins) Edition of 70 Published by Tyler Graphics, New York Signed and numbered in pencil

80 x 94 cms (31.5 x 37 ins) Edition of 100

Salvador Dali (1904-1989) - Gemini Etching from 1974. The edition HC IX/L on Guarro paper. Dimensions of work: 35 x 26.2 cm. Hand signed. Publisher: Léon Amiel, Paris - New York...

Artist: Alexander Calder Title: Plate 4 Portfolio: Derriere le Miroir #212 Medium: Lithograph Date: 1975 Edition: Unnumbered Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" Image...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Salvador Dali (1904-1989) - Le centaur de Crête Lithograph from 1972. The edition of 187/250. Dimensions ...

Salvador Dali (1904-1989) - Le Téléphone (The Telephone) Drypoint etching with stencil from 1975. The edition 165/450 on Arches paper. Dimensions of sheet: 75 x 56 cm Dimensions ...

Flower Signal is a lithograph realized by Renzo Margonari in 1976. Hand-signed. Numbered. Edition 30/125. Good conditions.

Silkscreen print on paper and plexiglass by Italian artist Alberto Biasi. The work belongs to the characteristic kinetic production of the artist, who through his art implements a se...

A collage lithograph from her series Various Flying Creatures by Kiki Smith titled: "bat." Smith has used one of her animal/insect iconic figures fo...

"Local" lithograph by Red Grooms from the 1971 "No Gas" portfolio. Hand-signed AP Red Grooms in policeman's left shoe in bottom lower right of image. Depicts people on subway.