1920s Prints and Multiples

Henri Matisse Torse à l’aiguière 1927 Lithograph on Chine paper, Edition of 50 Paper size: 49.5 x 34.5 cms (19 1/2 x 13 1/2 ins) Image size: 36.4 x 26 cms (14 1/4 x 10 1/4 ins) HM15...

"Villa sul mare" is a rare original lithograph realized by Giorgio de Chirico in 1929. It comes from the Suite "Metamorphosis". It is hand signed and numbered. This is an edition of ...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Unsigned and unnumbered as ...

Maurice DENIS Maternity Original stone lithograph Signed with the stamp of the artist From a limited edition of 35 proofs (not numbered) On Japan paper 50 x 32.5 cm (c. 20 x 13 inch...

Walt Kuhn (1877-1949), [Nude on Couch, Right Arm on Leg], c. 1920, etching, signed in pencil lower margin. In very good condition, traces of discoloration in...

Karl Michel, 'Ex Libris Verein' (New Year's Ex Libris Club Announcement), etching, 1924. Signed, dated, and numbered 'op. 167' in pencil. Signed and dated in...

Original Etching by Jean-Gabriel Domergue Dimensions: 33 x 25 cm 1924 Edition of 100 This artwork is part of the famous portfolio The Afternoon of a Faun. Unsigned and unnumbered as ...

This pochoir belongs to the portfolio 'Le Bonheur du Jour', by George Barbier. A very fine work of one of the most important and famous european illustrators of Art Deco, whose infl...

Wonderful print with artist's title and description (written in pen and ink) "'Law of the Flaming Frontier' Interior of Pioneer Cabin with a gun and a rifle in Tombstone AZ when the West was young." By Harold Edgar Wenck (American, 1886-1958), circa 1920s. Signed within print and hand-signed below title/description (in pen and ink). Presented in a giltwood period frame. H. E. Wenck (also known as Joe) was born in Fort Assiniboine, Montana in 1896. According to an article in Arizona Kitty Kat...

Edward PELLENS The Sailboat, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of t...

Colin, Paul. Theatre Pigalle/La Chauve Souris. 1934. Color lithograph. On Linen. Paul Colin worked for Josephine Baker. Made famous in 1925 by his poster for the Revue Negre.The ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Henri Matisse Jeune femme et son chien 1929 Etching on Chine appliqué, Edition of 25 Paper: 28 x 38 cms (11 x 15 ins) Plate: 14 x 22 cms (5 1/2 x 8 5/8 ins) HM4910 Collections: Art...

Original vintage travel advertising poster for New Mexico and Arizona Rockies Land of History and Mystery Travel by Train. Stunning Art Deco design by the brothers Kenneth and Willia...

Henri Matisse Nu couché. Intérieur à la lampe vénitienne 1929 Etching on Chine appliqué on Arches Velin paper, Edition of 25 Paper size: 28 x 38 cms (11 x 15 ins) Plate size: 9.1 x 1...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: The Admiral’s Ball Le Bal chez l'amiral, ca. 1925 Technique: Original Hand Signed and Numbered Lithograph on Wove Paper Paper size: 32.5 x 39.5 cm. / 12.8 x 15.6 in. Image size: 20.5 x 29 cm. / 8.1 x 11.4 in. Additional Information: This original lithograph is hand signed in pencil by the artist "R Dufy...

"Dés Landscape" by noted Hungarian painter Dési Huber István (1895 - 1944) is an ink wash on paper created sometime in the 1920's. The artwork repres...

Mother and Child is a fine black and white collotype from the series “Handzeichnungen” (1920), a fine art portfolio by Egon Schiele. Monogram on plate “S '10” on the lower right mar...

Monogram of the artist on plate. Edition of 150 copies. One of the 50 H.C.copies in Roman Numerals. This print is one of the illustrations realized by Odilon Redon for an important e...

Female Nude is a beautiful black and white collotype from the series Handzeichnungen (1920), a fine art portfolio by Egon Schiele. Signed on plate on the lower right margin. In ex...

Orchestra (or Music) Lithograph, 1928 Signed, titled and numbered in pencil Edition: 30 This print numbered 15/30 Printed by Edmond Desjobert, Paris Condition: Excellent Provenance: ...

Original vintage car advertising poster for Chevrolet – the most elegant of the small cars / der eleganteste der kleinen wagen. Great artwork by...

Beautiful lithograph on Chinese paper, signed and dated (1923) on plate on the lower right margin. An intimate artwork representing a woman with her kids singing on a terrace. Excell...

Saigyo-Zakura is a wonderful color xylograph on paper, made by the Japanese master Tsukiota Kogyo (1869-1927). The artist's signature is in the red seal printed in the lower left corner From the series "One Hundred No Dramas" (Nogaku Hyakuban), published by Matsuki Heikichi (Daikokuya) and published in 1925. This modern artwork represents Saigyo-zakura, the poet-monk Saigyo Hoshi reflecting on the splendor of cherry blossoms in Kyoto. In excellent conditions, except for some light decolorations, this original print preserves his freshness of line and colors. The texture of the kimono has a precious silver hatch, and the beauty of the cherry blossoms are exalted. Tsukioka Kōgyo, Sometimes called Sakamaki Kōgyo, (1869 - 1927) was a Japanese artist of the Meiji period, a student and adopted son of Tsukioka Yoshitoshi, and also studied with Ogata Gekkō...

Sugoroku is a Japanese game similar to shoots and ladders. The game is often printed on paper with different themes. Color lithograph. Japan, 1925.

Triumph der Salome is a black and white héliogravure on cream-colored cardboard realized by Choisy Le Conin, pseudonym of Franz Von Bayros (Agram, 1866 – Vienna, 1924). From Mappe, ...

Gabriel BELOT Illusion : Boy, Cat and Soap Bubbles, 1922 Original woodcut Handsigned in pencil Numbered /154 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the ed...

Honoré Broutelle Mythology : Harvest with Bacchus, Fauna and Nymph, 1921 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm...

Fine lithograph on ivory colored China paper. Signature on plate on the lower right margin. Beautiful artwork representing a bucolic scene.Excellent conditions, including cardboard p...

Jan Matulka (1890-1972), Four Nudes in a Landscape, drypoint, c. 1923, signed in pencil lower right margin [also with initials in the plate lower left]. Ref...

Tod und Jungling is an original lithograph, realized by Lovis Corinth in 1921, hand-signed and numbered n°33/95. Included a wooden frame. In very good conditions. Here the artworks represented a man with a strong expression of lines drawn, who has caught with his hand a skeleton, interestingly the skeleton has a sense of fear although the man is free of any frightening emotions. Lovis Corinth (1858-1925) was a German artist and writer whose mature work as a painter and printmaker realized a synthesis of impressionism and expressionism. known for his dramatic figurative...

Appleby 97. 4 x 6 15/16 (sheet 8 1/8 x 10 3/8). Edition 100. A rich impression with drypoint burr and carefully wiped plate tone, printed on 'FJ Head' paper, on the full sheet with ...

This is one of the artworks in the portfolio 'Le Bonheur du Jour', by George Barbier. A very fine work of one of the most important and famous european illustrators of Art Deco, who...

Color lithograph. ca. 1925 On Linen. Fred Taylor was one of Britain's foremost poster artists from 1908 to the 1940s. Able to turn his hand to most subjects, Taylor was best k...

Original French antique travel poster: ILE d'AIX lithograph created by the artist Pierre Commarmond. Professional archival acid-free linen-backed, ready to frame. Very good to excellent condition. Produced by the French Railway, Chemins de Fer. Printer Mayeux. A large bird of prey and a seagull hover in the air above the parting boat. Besides the seaside sights, there is also the Maison de l"Empereur and the Musee Gourgaud at this final destination… The beach and the surrounding forests. The Island of Aix - The Emperor House - The Gourgaud Museum - The African Museum. This ILE d'AIX is an original antique French lithograph...

Cardinaux, Emil. Jungfubahn 1928. Color lithograph. 50 1/4 x 35 1/2" [large format]. Cardinaux’s posters were very influential on the way Switzerland saw and represented itself in...

Chas Laborde - Paris - Capucine's Boulevard - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris Chas LABORDE Charles Laborde was born in Buenos Aires on August 8, 1886. He was the youngest of the five sons of Adolphe-Sylvestre Laborde-Pinou, a Basque-Bearne millionaire who had made a fortune selling spirits to the Indians and luxury goods imported from France to wealthy Argentines. The family returned to France when Charles was six months old. His mother died when he was two. He spent his childhood at their family château d’Escout outside Oloron-Sainte-Marie in the Pyrenees. His brothers went to a boarding-school, his father was often in Paris on business, and little Charles was left to his devices. Though it was a lonely childhood, he was a darling of his generous and magnanimous father. Charles got his early drawing skills from a village artist and found support in his brother Jean-Felix. Charles frequently accompanied his father visiting artisans and helped him choose de luxe objects to be sold in Argentine. He first attended the Rollin college in Paris, then a lyceum in Pau, where he lived with full board and lodging after his father’s death in 1901. From childhood Charles wanted to be an artist and tried several pseudonyms for himself: Ch. Laborde, Carlos Laborde,Carlos Edrobal and Carl Lab. He started wearing a velvet suit and a large hat. At 17, the timid shortsighted teenager wearing big glasses was expelled from college for smoking and drinking alcohol and went to Paris into the custody of his elder brother Jean-Felix, who carried on his father’s business. Charles enrolled in the prestigious l’Académie Julian, studying under Henri Royer and Marcel Baschet. Simultaneously he was a pupil of William Bouguereau and Luc-Olivier Merson at l’École des Beaux-Arts. The latter was famous for being the designer of the 50 and 100 franc banknotes, and he believed that he was teaching a “little Daumier”. In England, where he went every year from 1905 to 1914 with the family of his friend Cooper, a classmate at l’Académie Julian, he found not only his pseudonym Chas (short for Charley), but also the land of his dreams. Peculiarities of London and its inhabitants were reflected in drawings of William Hogarth and Thomas Rowlandson, whose album The Microcosm of London (1808) prompted Charles to make his London Streets Scenes (1928). Owing to those trips Charles took a liking to the atmosphere of England and its reserved and terse humor. In 1905 the château d’Escout and the Buenos Aires Commercial Fund were sold. After coming into inheritance, Laborde became financially independent and obtained an atelier in Montmartre at 11 bis Rue des Saules. His neighbors were de la Butte, Francis Carco and Pierre Mac Orlan, who sympathized with the easy-going young man with a positive attitude to life. His friend Pierre Falke...

Gerald Leslie Brockhurst (1891-1978), The Dancer (Anais), 1925, etching, signed lower right and dedicated by the artist (to F.L. Berry, Esq.) lower left [also signed and dated in reverse in the plate lower left]. Reference: Fletcher 52, seventh state (of 7). From the edition of 107. In good condition, with slightest toning, with full margins and as issued and (not archivally) matted, 9 1/4 x 5 1/2, the sheet 15 3/8 x 9 3/8 inches. Provenance: F. L. Berry (not in Lugt, see note below) Roddy Willis has graciously provided an extensive background note on this provenance, which I quote from with permission: “Francis Berry...

Walt Kuhn (1877-1949), [Reclining Nude], c. 1920, etching, signed in pencil lower margin. In pristine condition, soft fold upper right, with no sign of prior framing or exposure, the full sheet on yellow/cream laid paper, 6 x 7 3/4, the sheet 9 3/8 x 11 3/4 inches, archival mounting. A fine impression. Walt Kuhn was born in Brooklyn, and after a period of study art in Europe, he returned to the US to work as a cartoonist; illustrator, and developing artist. Aware of the great surge of modernist artistic activity in Europe, he joined with others to encourage Arthur B. Davies to get behind the idea of bringing a great European modernist art...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Wonderful original etching with aquatint realized by Georges Rouault between 1917 and 1923, published as a suite in 1948. Sheet in perfect conditions. The artwork is part of the important suite Miserere, considered as the most important religious graphic of XX century. Sunt lacrimae Rerum represents an episode of Christ's passion with a kneeling figure looking upwards. Miserere suite is divided in two themes: religious and profane; one is linked to Christ's passion and the other is dedicated to the human event, to the pilgrimage of pain on earth, made even more tragic by war. In the 58 original plates, Rouault lingers on the conditions of humanity. Like few other contemporaries, Rouault represents human figures placing him at the center of an absurd and squalid theater. Interesting the use of contrasts and the shapes of the figures with black outlines. Published in the Catalogue "Georges Rouault: Oeuvre Gravé", by Isabella Chapon. Georges Rouault (Paris, 1871) has been an interesting exponent of French...

Le Tir Forain, engraving, edition 108, 1920-21, Sylvain Laboureur 191. Signed and numbered '19/85 ép' in pencil. Initialed 'L' and dated 1920 in the matrix, upper right. A superb, ri...

Small but finely detailed drypoint etching of a lovely scene from the Rialto Bridge in Venice, circa 1930. Titled lower right. Blind stamp lower left. ...

Signed lower right, 'Lavernia' for Angelina Lavernia (Spanish, b. 1925) with number and limitation, '5/375', inscribed lower left; blind stamped 'CG' for Collector's Guild lower left...

Hindenlang, Charles [Karl]. Gewerbemuseum, Basel/Licht Reklame. 1928. Color lithograph. Printed by Wasserman, Basel. 35 1/5 x 50 1/4." Hiddenlang was known primarily as a muralist with interests in painting, glassware, ceramics, stage and graphic design. Born in Basel and educated at the city's Gewerbeschule. The Kunsthalle Basel dedicated to him in 1965 along with Dick and Karl Otto...

"Présure Guillien, Dijon Cow" is an original color lithograph poster. The artist's name is printed in the lower left, and the name of the printing company, Havas, is printed in the lower right. The poster advertises rennet, a product used to curdle milk and make cheese, featuring a milk maid with a red kerchief tied around her head in front of a white cow. She holds a golden bucket...

'Manhattan Bridge', etching, c. 1920, proofs only. Signed in ink in the image, lower right. A fine, rich impression, in warm black ink, on cream wove ...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

CLAUDE FLIGHT (1881 -1955) SWING BOATS 1921 (Coppel CF5) Color linocut, signed & no. 23/50, 8 5/8 x 11”. Sheet 10 x 13” on thin paper tipped to black-b...

Boris Lovet-Lorski, Untitled (Crucifixion), lithograph, edition 250, 1929. Signed and numbered 7 in pencil. Number 7 of Volume 1, a series of 10 lithographs published by the artist a...

Walter Tittle, 'Grand Central Night', drypoint, edition not stated, c. 1920s. Signed in pencil. Titled, and annotated '36.00' and with the inventory numb...

Original lithograph, hand-colored at publication from "La Guirlande, album mensuel d'art et de litterature." Paris, M. Francois Bernouard, ca. 1921.

Demetrios Galanis Still Life with a Pipe and a Pichet, 1926 Original woodcut Handsigned in pencil Numbered /160 On vellum 32.5 x 25.5 cm (c. 13 x 10 in) Bears the blind stamp of the...

OTTO MUELLER 1874-1930 Liebau 1874-1930 Wrocław, Poland (German) Title: Two Girls - Half Nudes Zwei Mädchen - Halbakte, 1920 Technique: Original H...

Moreau - Paris, At The Cinema - Original Etching Dimensions : 13 x 10". Paper : Rives vellum. Edition : 225 copies. 1927 From Tableaux de Paris, Emile-Paul Freres, Paris

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...

Signed in pencil Edition: 75 Gargoyle Series No. 7 This impression probably printed by David Strang, 1937-38 Sheet: 9 1/4 x 11 1/4" Reference: William Dolan Fletcher, John Tay...

Walter Schnackenberg’s style changed several times during his long and successful career. Having studied in Munich, the artist traveled often to Paris where he fell under the spell o...