1920s Prints and Multiples

Benigni, Leo. Brides les Bains/En Savoie/La Station de la Femme Elegante, 1929. 24 1/2 x 39 1/2"; Color lithograph. On Linen. Small tear in middle of bottom poster, otherwise in v...

"Girl With Flowers" is a lithograph printed in brown, signed and dated in stone upper left WJR. It depicts the head of a girl with short hair surrounded by floating flowers. 14.5" ...

N.M. Kochergin. Razrukha I armiya truda! (Dislocation and the Army of Labor). Red Russian propaganda poster designed by N. Kochergin, verses by Demyan Bednii, Color lithograph, 1920. 22 x 30". Ref: The Bolshevik Poster...

This original etching with drypoint is hand signed in pencil by the artist "Marc Chagall" at the lower right margin. It is also hand numbered 49 in pencil from the edition of 110, at the lower left margin. There were 84 impressions on laid paper and a further 26 impressions on Japan paper. It was published by Paul Cassirer, Berlin in 1923. Note: The work was part of Chagall's important and renowned series "Mein Leben...

Henri Matisse Nu couché 1929 Etching on Chine appliqué on wove paper, Edition of 25 Paper size: 28.6 x 38 cms (11 1/8 x 14 5/8 ins) Plate size: 12.3 x 15.5 c...

This complete set of seven etchings and drypoint is hand signed in pencil by the artist "L. Ury" at the lower right margin of each print. It was printed circa 1920 in a limited edit...

CONRAD FELIXMÜLLER 1897 - 1977 Dresden 1897 - 1977 Berlin (German) Title: The Old Collier Der alte Kohlenarbeiter, 1921 Technique: Original Hand Signed Drypoint on Wove Paper Pa...

In most of Nora's work, she combines realism and fantasy. Here, the viewer's position is the back of a theater. In front, there are four raised hands, cheering a monumental image of a sleeping wrapped infant resting on a crescent moon and surrounded by two stars. The infant is floating above the seats and centered in the middle theater curtain...

Henri Matisse Nu au fauteuil sur fond moucharabieh 1925 Lithograph on Arches vellum paper, Edition of 50 Paper size: 65.5 x 50 cms (25 3/4 x 19 5/8 ins) Image size: 54 x 44 cms (21 1...

Lithograph on Japon paper, Edition of 50 Paper size: 35 x 27.8 cms (13 3/4 x 11 ins) Image size: 18.6 x 12.8 cms (7 1/2 x 5 ins)

Born in Germantown, Pennsylvania, Earl Horter was a self-taught artist who began his career working in New York City as a draftsman at an advertising agenc...

Lithograph on Arches Velin paper, Edition of 50 Paper size: 50.6 x 66 cms (19 7/8 x 26 ins) Image size: 45.4 x 54 cms (17 7/8 x 21 1/4 ins)

GEORGE GROSZ 1893-1959 1893 - Berlin - 1959 (German/American) Title: Self-Portrait with Dog in Front of the Easel, from: The Creators Selbstbildni...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Jewish Man, early 1920’s Technique: Original Hand Signed, Numbered and Titled Woodcut on thin paper Paper Size: 28 x 22 cm / 11 x 8.7 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted in Cyrillic "EBPEЙ" (Jew) and numbered "19" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 19 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...

Henri Matisse Figure assise, blouse transparente 1929 Lithograph on Japon paper, Edition of 25 Paper size: 64.5 x 50 cms (25.4 x 19.7 ins) Image size: 53.5 x 44.8 cms (21 x 17 5/8 i...

MOISE KISLING 1891-1958 Krakow, Poland 1891- 1953 Sanary, France (Polish/French) Title: Seated Nude / Nu Assis, 1923 Technique: Original Hand Signed and Numbered Lithograph i...

RAOUL DUFY 1877-1953 Le Havre 1877-1953 Forcalquier (French) Title: The Admiral’s Ball Le Bal chez l'amiral, ca. 1925 Technique: Original Hand Signed and Numbered Lithograph on Wove Paper Paper size: 32.5 x 39.5 cm. / 12.8 x 15.6 in. Image size: 20.5 x 29 cm. / 8.1 x 11.4 in. Additional Information: This original lithograph is hand signed in pencil by the artist "R Dufy...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Beggars / Bettler, early 1920’s Technique: Original Hand Signed, Inscribed, Dedicated and Titled Woodcut on thin wove paper Paper Size: 28.5 x 20.5 cm / 11.3 x 8 in Plate Size: 15 x 10 cm / 5.9 x 3.9 in Additional Information: This work is hand signed and dated in pencil by the artist "F. Loevenstein 22" at the lower right margin. It is also tilted "Bettler" (Beggars) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. It is dedicated “pour ma chere et jamais ce debacle, Fedor, Zoppot Sommer 22” (for my dear never this debacle [sic], Fedor, Sopot (Poland) Summer (19)22.) This work was hand printed by the artist himself in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: The Father, Early 1920's Technique: Original Hand Signed, Titled, Dated and Dedicated Woodcut on thin paper Paper Size: 22.5 x 16.3 cm / 8.8 x 6.4 in Plate Size: 15 x 10 cm / 5.9 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "Fedor" at the lower margin. It is also tilted in cyrillic "батюшка" (Father) and numbered "17" in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Our impression is number 17 from the edition. Originally from Czechoslovakia, Fédor Löwenstein...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Portrait of an Old Man, 1922 Technique: Original Hand Signed, Titled, Dated and Dedicated Woodcut on thin paper Paper Size: 19.2 x 14.5 cm / 7.5 x 5.7 in Image size: 14.5 x 11.7 cm / 5.7 x 4.5 in Additional Information: This work is hand signed and dated in pencil "Fedor Loevenstein '22" at the lower margin It is also tilted and inscribed in Cyrillic in pencil at the lower left margins. There is an additional text in French at the far lower right margin. This work as printed in 1922 in a small edition. Originally from Czechoslovakia, Fédor Löwenstein...

Fear Ridden by Orovida Pissarro (1893 - 1968) Etching 12.8 x 17.5 cm (5 x 6 ⅞ inches) Signed and dated lower right Orovida 1926 Inscribed lower left Final state no. 12/23 and titled ...

Colour pochoir by E.H. Raskin From the folio Fantaisies Oceanographiques Published in Paris 1926 Art Sz: 14"H x 10"W Frame Sz: 18"H...

Original recipe for The Captain Macedoine Cocktail as written down by William McFee (1881-1966) published 1921 at the Sign of the Chorobates, New Haven Sheet Sz: 11 1/2"H x 8 1/4"W ...

FEDOR LOEVENSTEIN LOWENSTEIN 1901-1947 (Czech / French) Title: Uncle Vanja, early 1920’s Technique: Original Hand Signed, Inscribed and Titled Woodcut on thin wove paper Paper Size: 27.5 x 21 cm / 10.8 x 8.2 in Plate Size: 14.8 x 10 cm / 5.8 x 3.9 in Additional Information: This work is hand signed in pencil by the artist "F. Loevenstein" at the lower right margin. It is also tilted "Onkel Wanja" (Uncle Vanja) and inscribed "Handabzug" (Hand printed) in pencil at the lower left margins. This work was printed in the early 1920's in a small edition. Originally from Czechoslovakia, Fédor Löwenstein (Munich, 1901 - Nice, 1946) studied art in Germany before moving to Paris in 1923, attracted by its artistic influence. There he mixed with the painter André Lhote from Bordeaux and joined the Groupe des Surindépendants in 1936. His style evolved from Cubism to a form of Romantic abstraction. In 1938, he painted La Chute (The Fall), inspired by the signing of the Munich Agreement ratifying the dismantling of the Czechoslovakia created in 1918. France’s entry into the war drove him to leave the capital for Mirmande, a ruined village in the Drôme region, where Lhote held a summer academy. Löwenstein then divided his time between Mirmande and Nice where his mother and sister lived, but had to take refuge for a time in the Abbey of Aiguebelle. He fell ill in the autumn of 1943 and went to Paris to see a doctor; he died in Nice in 1946. Exhibited: Fédor Lowenstein...

Louis Icart, French (1888 - 1950) - Joie de Vivre, Year: 1929, Medium: Etching, signed in pencil, Image Size: 23.5 x 15 inches, Size: 26 x 20 in. (66.04 x 50.8 cm), Reference: ...

The Kid First National Pictures, American (1917–1936) Date: of Original: 1921 Reproduction Three Sheets Poster, numbered in pencil bottom left Edition of 125 Size: 86 x 46.5 in. (218...

This early lithograph drawing by Pablo Picasso was created in 1928, depicting the artist's lover and muse, Marie-Thérèse Walter. It is printed on Japanese paper and a proof edition HC 16 of 25 aside from an edition of 120. There was also a numbered edition of 75 with larger margins. It is signed by Picasso in pencil bottom right. Public Collections: Museum of Modern Art, New York (Gift of Mrs John D. Rockerfeller National Museum of Modern Art, Tokyo National Gallery of Canada This work is referenced in the following publications: Georges Bloch, ‘Pablo Picasso’, Bern 1984, Volume I, page 46, No. 95 illustrated proof. Geiser, Bernhard and Brigitte Baer, ‘Catalogue raisonné de l’oeuvre grave et des monotypes, 7 volumes. Patrick Cramer, ‘Pablo Picasso: The Illustrated Books’ Number 16 Richardson, John, ‘Picasso and Fraçoise Gilot: Paris-Vallauris, 1943 – 1953 (Gasgosian Gallery, New York, May 2 – June 30 2012). P. 167. Printed By: Les Editions G. Gress & Cie / André Level, Paris 1928. Provenance: 1. André Level’s (the publisher) private collection 2. Private Collection, Paris (by descent) 3. Private Collection, London (by descent) 4. David Simon...

ARNOLD RONNEBECK (1885 – 1947) COLUMBUS CIRCLE ca. 1929 Lithograph, edition probably 50. Signed and titled in pencil, 12 ½” x 8 ¼” In very good condit...

Thilo Maatsch (* 1900 † 1983) Title: Abstract Geometric Composition Woodcut Year: 1925 Signed, dated Edition: unknown Size: 8.8 × 7.8 inches Thilo Fried...

Dame Laura Knight (1877-1970) "The Circus Dressing Room" 1925 Aquatint Engraving Signed in Pencil Lower Right Image Size: approx 14 x 9 inches Framed Size: approx. 23.5 x 18.5 inche...

DANIEL GARBER "Harmonville, Pennsylvania" c. 1925 Etching printed in black ink on wove paper. 7 7/8 x 11 3/4 inches, full margins. Signed, titled and inscribed "DG imp" in pencil, ...

Quarter of Nine, Saturday's Children. 1929. Drypoint. McCarron 78. 9 3/4 x 12 3/4 (sheet 12 7/8 x 17 7/8). Illustrated: American Etchers: Martin Lewis. Edition 107. A fine impression...

Livre Russe et Francais, J.Povolozky/Editeur & Cie, Ca 1922. Color lithograph, signed in the stone. Rare Vintage Poster. As a painter, Natalia Gontcharova was, together with her ...

Benton Murdoch Spruance (1904-1967). Out of the City, 1930 (FL #33) Ed. 28. Lithograph on wove paper, plate measures 9.75 x 12.25 inches. Signed in pencil lower right. Titled and numbered 27/28 lower left. Sheet is not glued. Biography: Birth place: Philadelphia, PA Death place: Phila. Addresses: Germantown, PA; Phila. Profession: Lithographer, painter, educator Studied: Univ. Penn. School FA; PAFA with D. Garber (Cresson traveling scholarship); G. Harding; R. Nuse; A. Lhote in Paris. Exhibited: many nat. print exhs., 1929-65; Phila. Pr. Club,1929 (prize), 1932 (prize), 1929 (prize), 1941, 1953, 1956; WC Ann., 1937 (prize); WMAA, 1933-45; AIC, 1937-38, 1941; PAFA Ann., 1939-53 (gold medal 1946); Corcoran Gal. biennial, 1941; Laguna Beach AA, 1943, 1944; Audubon Artists, 1947; LOC, 1948; Boston Printmakers, 1949; Phila. Art All., 1951; NAD, 1953, 1957, 1959; Am. Color Pr. Soc., 1954, 1960, 1961; SAGA, 1955, 1962; Calif. Etchers, 1959; Bay PM, 1959; Joslyn Mus. Art , 1954 (retrospective); Mt. Holyoke, 1954 (retrospective); Swarthmore, 1954 (retrospective); Woodmere Art Gal., Phila., 1960; Phila. Sketch Club, 1965 ( Medal for Distinguished Service to Art); Phila. Art All., 1965 (Medal of Achievement). Solos in numerous colleges, universities, galleries & museums nationally, 1954-65. Other awards & medals: Pennell medal, 1937; Eyre medal, 1939; Beck medal, 1946; Guggenheim Fellowship, 1950, 1963; hon. D.F.A., Phila. College of Art, 1962; PAFA Fellowship, 1964 Member: NA; SAGA; Phila. Pr. Club; Phila. Art All.; Am. Artists Congress. Work: MoMA; WMAA; CI; LOC; NGA; PMA; SAM; PAFA; NYPL; AGA. Murals, Municipal Court Bldg., Phila.; Philadelphia House...