1940s Prints and Multiples

Gordon Grant (American, 1875-1962) The Salt Bark - Gloucester, c. 1947 Lithograph Sight: 10 x 12 1/2 in. Framed: 15 x 19 x 3/4 in. Signed lower right in pencil Published in edition ...

Medium: Lithograph and stencil on vélin paper Year: 1946 Paper Size: 18.75 x 12.625 inches Inscription: Signed in the plate and unnumbered, as issued Catalogue raisonné reference: Or...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 12.5 x 9.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

This original poster was created during the second World War by an anonymous artist. It was created for the residents of Hartford, Connecticut. In the image we see that the workers ...

Medium: pochoir (after the watercolor). Printed in 1944 at the Rene Kieffer atelier and published by Rombaldi in an edition of 300 for the rare "La Varende" portfolio. Size: 12 1/2 x...

"Machu Pichu" - Black and Grey Lithograph #10/200 Bold black and grey lithograph by David Alfaro Sequeiros (Mexican, 1896-1974). This piece is a high contrast, abstracted landscape....

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The 1944 original map "Atlas de la France Vinicole – Les vins de Champagne – La Côte des Blancs" by Louis Larmat is a historically significant and beautifully crafted piece of French vinous cartography. Part of Larmat's celebrated "Atlas de la France Vinicole", this map specifically focuses on the Côte des Blancs, one of Champagne's most prestigious sub-regions, renowned for its exceptional Chardonnay vineyards. Printed by Dorel in Paris, this map stands as both a functional tool for understanding Champagne’s wine geography and a work of art, capturing the essence of the region’s terroir. Louis Larmat was a distinguished French cartographer and oenologist, whose meticulous work in creating detailed maps of France's wine regions earned him a lasting legacy in the world of viticulture. His maps, including the one of La Côte des Blancs, were revolutionary at the time for their precision, detail, and artistic presentation. These maps provided winemakers, merchants, and connoisseurs with essential knowledge about the intricate vineyard landscapes that define the unique qualities of France’s wines. The Côte des Blancs, located south of Épernay, is world-famous for its Chardonnay vineyards, which produce some of the finest Blanc de Blancs Champagnes. Larmat’s map of this region showcases the specific villages and vineyard locations that contribute to the unique character of these wines. Villages such as Avize, Cramant, Le Mesnil-sur-Oger, and Oger are featured prominently, each known for producing grapes with distinct qualities due to the area’s chalky soils and cool climate. These attributes, illustrated in fine detail on the map, play a critical role in the crispness, finesse, and minerality that are hallmarks of the region's Chardonnay-based wines. Larmat’s "Côte des Blancs" map is a detailed representation of the topography of the region. It shows the rolling hills, chalk-rich subsoil, and the geographic features that are so crucial to Champagne’s terroir. The map highlights how the vineyards benefit from the exposure to the sun on the east-facing slopes, which is crucial for ripening the Chardonnay grapes. The careful shading and line work reflect the elevation and natural contours of the land, helping the viewer understand the climatic and soil conditions that make La Côte des Blancs such a prized area for viticulture. The Côte des Blancs region is especially important in Champagne production, as it is the primary source of grapes used to make Blanc de Blancs Champagnes, which are crafted exclusively from Chardonnay grapes. These wines are known for their elegance, freshness, and longevity, and Larmat’s map emphasizes the geographic factors that contribute to these qualities. The representation of key vineyards and their surrounding features offers insight into why this area is so highly regarded for Chardonnay production. Printed by Dorel in Paris in 1944, this map holds historical significance beyond its geographical content. Produced during the tumultuous final years of World War II, the map reflects the resilience and cultural importance of French winemaking during a challenging time in the country’s history. Despite the war’s disruptions, France’s dedication to documenting and preserving its wine heritage persisted, and Larmat’s maps, including this one of the Côte des Blancs, stand as a testament to that effort. The Larmat "Atlas de la France Vinicole" series was groundbreaking for its era, providing comprehensive and scientifically accurate maps of France’s wine...

Medium: offset lithograph (after the Rodin watercolor). Printed in 1945 on Vélin de Lana paper and published in Paris by the Musée Rodin in an edition of 2...

Medium: Engraving on vélin du Marais paper Year: 1948 Paper Size: 12.25 x 9.125 inches; image size: 8 x 6.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the vo...

after Henri MATISSE (1869-1954) Lithograph Signed in the plate Vélin Paper Dimensions: 32 x 24 cm (12 x 9") This lithograph is one of a rare edition made during the Second World War ...

Schanker, Louis CARNIVAL. Color woodcut, 1948. Edition of 30. Signed, titled and numbered 24/30 in pencil. 14 1/4 x 21 inches (image), 18 x 24 inches (sheet). Hinging residue, verso,...

Arms, John Taylor (American, 1887-1953). MEMENTO VIVARE, NOTRE DAME, EVREUX. Fletcher 407. Etching, 1947. Number 47 of the French Church Series. This is Proof No. ii of four Trial Pr...

"Sculptural Objects" is an original color lithograph by Henry Moore. The artist signed the piece lower right. This is from an edition of 3,000. It features abstract, biomorphic figur...

This is an early original stone lithograph poster created by the noted artist Maurus, for Air France. In In this image he shows vignettes of various destinations that Air France flie...

In America during WWII, every resource was poured into the war effort. With over 12 million Americans - 11% of the total population - serving in the armed forces, everything from food to labor was tight on the Home Front. This poster depicts those who weren't drafted - a young woman and two older men - hard at work on an airplane engine. The text encourages the viewer to pitch in however they can at home, from working in production plants to buying war bonds. The artwork includes a logo for the 6th War Loan, which is of a bomb dropping over the flag of Japan. The 6th War Loan began in November, 1944 with a goal of 16 billion dollars. The previous war bond drives raised in total 355 billion dollars, including 38 billion from individuals. Courtney Allen...

Whitehead, Buell (American, 1919-1993) DEATH VALLEY SUNSET. Lithograph in colors, 1946. Edition size not known. Signed and dated in pencil, lower right. I...

The search for the perfect kitchen poster ends here! This charming and lighthearted image was created for the German pasta brand, Perlach c1948. The star of the show in this design i...

A mid-century, stone lithograph titled 'Christopher' by Nura Woodson Ulreich (American, 1899-1950), created in 1943 and with certification of authenticity stamped verso. A bright and...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.5 x 19.25 inches; image size: 11.42 x 16.54 inches, with centerfold, as issued Inscription: Unsigned and unnu...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.5 x 19.25 inches; image size: 11.42 x 16.54 inches, with centerfold, as issued Inscription: Unsigned and unnu...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.84 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 9.5 x 12.375 inches; image size: 9.05 x 11.81 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.5 x 19.25 inches; image size: 11.42 x 16.54 inches, with centerfold, as issued Inscription: Unsigned and unnu...

Lalibela - Bièt Gàbriel is an original etching on paper realized by Lino Bianchi Barriviera in 1942. Hand-signed in pencil in the lower right. Numbered 4. In very good conditions....

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 8.66 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 19.25 x 12.5 inches; image size: 15.35 x 11.42 inches, with centerfold, as issued Inscription: Unsigned and unnu...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 12.2 x 9.45 inches Inscription: Unsigned and unnumbered, as issued Notes: From ...

Medium: Lithograph on vélin paper Year: 1948 Paper Size: 16.54 x 11.81 inches Inscription: Inscription: Unsigned and unnumbered, as issued Notes: From the album, Carnet de dessins de...

This original 1945 poster, Patrie – Journal des Combattants Français, was published by the French Ministry of War as a stark reminder of the atrocities committed under the Nazi regim...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 19.25 x 12.5 inches; image size: 10.63 x 11.02 inches, with centerfold, as issued Inscription: Unsigned and unnu...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 7.87 x 9.05 inches Inscription: Unsigned and unnumbered, as issued Notes: From ...

Medium: Lithograph on grand vélin Renage paper Year: 1948 Paper Size: 12.375 x 9.5 inches; image size: 11.81 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued ...

Medium: Collotype and lithograph on vélin gloss finish paper (to resemble the finish of ceramic), archivally hinged on vélin paper Year: 1948 Paper Size: 11.25 x 15 inches Catalogue ...

Medium: Lithograph and stencil on vélin Polifilo paper Year: 1947 Paper Size: 13.78 x 10.24 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, I...

Les Papillons Fernand Leger, French (1881–1955) Date: 1948 Lithograph on Arches (unsigned) Image Size: 20 x 16 inches Size: 25.75 x 19.5 in. (65.41 x 49.53 cm) Printer: Mourlot, Pari...

Jean Arp, Signes, woodcut, edition 50, 1949. A fine, black impression, with all the fine lines printing clearly, on cream wove paper; the full sheet with wide margins (1 5/8 to 6 7/8 inches), in excellent condition. Signed and numbered '8/50' in pencil. Matted to museum standards, unframed. ABOUT THE ARTIST Jean Arp was born Hans Arp on September 16, 1886, in Strassburg. In 1904, after leaving the Ecole des Arts et Métiers, Strasbourg, he visited Paris and published his poetry for the first time. From 1905 to 1907, Arp studied at the Kunstschule, Weimar, and in 1908 went to Paris, where he attended the Académie Julian. In 1909, he moved to Switzerland and in 1911 was a founder of the Moderner Bund group there. The following year, he met Robert and Sonia Delaunay in Paris and Vasily Kandinsky in Munich. Arp participated in the Erste deutsche Herbstsalon in 1913 at the gallery Der Sturm, Berlin. After returning to Paris in 1914, he became acquainted with Guillaume Apollinaire, Max Jacob, Amadeo Modigliani, and Pablo Picasso. In 1915, he moved to Zurich, where he executed collages and tapestries, often in collaboration with his future wife Sophie Taeuber (who became known as Sophie Taeuber-Arp after they married in 1922). In 1916, Hugo Ball...

Rare Set of Four Original Color WDCT Skira 1943 after RABELAIS (François). The Horrible and Terrible Deeds and Prowess of the Renowned Pantagruel, King of the Dipsodes, Son of the ...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

Original Winston Churchill Poster Lithograph 51 x 40 cm c.1940-1945 "Never in the field of human conflict have so many owed so much to so few." ...

Medium: Lithograph and stencil on vélin paper Year: 1945 Paper Size: 13 x 17 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Degas, Ten Ballet Sketches,...

Lithograph on vélin pur fil paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From the folio, Henri Matisse, Dessins, Thèmes et Variations, 19...

NORMAN ROCKWELL (1894-1978) - The Freedom from want - [from the series THE FOUR FREEDOMS.] 1943. 40x28 1/4inches, 101 1/2x71 3/4 cm. World War II poster U.S. Government Printing Of...

TITLE : Les Lepreuses (text by Heny de Montherlant) EDITOR : NRF, Paris 1946 PRESENTATION : in-4 in leaves under slipcase ILLUSTRATION : 26 original lithographs by Kees VAN DONGEN (w...

Henri Matisse Patitcha 1947 Aquatint on BFK Rives paper, Edition of 25 Paper size: 55.5 x 38 cms (22 x 15 ins) Image size: 34.9 x 27.6 cm (13 3/4 x 10 7/8 ins) HM15405 Selected Coll...

Medium: Lithograph on vélin Hamilton Kilmory paper Year: 1947 Paper Size: 9.5 x 12.5 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Rembrandt, Drawings...

This poster from 1945 by Cecil Calvert (C.C.) Beall (1892-1967) and commissioned by the Official US Treasury was made for promoting the 7th War Loan, just days after the victory in E...

Sitting in an armchair, the woman with a heart-shaped torso is rendered with simple rectangular shapes outlined by cobalt blue and bright yellow. Set against a soft pastel background...