1940s Prints and Multiples

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Original vintage World War Two Home Front propaganda poster - Dig for Victory - featuring an iconic illustration of a child wearing a white sun hat and holding a hoe and a shovel to ...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: harlequin clown Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

To see our other original vintage public information posters, scroll down to "More from this Seller" and below it click on "See all from this seller" - or send us a message if you ca...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

The English title is "Women at the River". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tah...

The English title is "Delicious Earth". This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti...

Original vintage Soviet propaganda poster - Do you fulfill your obligations in honour of the 25th anniversary of the Kazakh SSR? - featuring an army soldier in military uniform point...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on wove paper. Unsigned and unnumbered, as issued. Good Condition; never framed or matted. Notes: From the folio, TLautrec, A Portfolio Of Twelve Reproductions of Lithogr...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Gromaire, 1949. Publis...

Genre: Brazilian Art Deco, African Diaspora Bahian Carnival Subject: Abstract Medium: Print Surface: Paper Country: Brazil Dimensions of overall paper are listed. This is from a series of work he did in the 1940's, we sold one called Ritmo Negro, they are about Afro-Brazilian jazz, dance and music. Odetto Guersoni was born in the city of Jaboticabal, State of São Paulo, in 1924. From 1936 to 1941 he attended the Liceu de Artes de Ofícios in São Paulo, beginning his artistic career in 1945, when he exhibited paintings in the Hall of the Plastic Artists Union . Two years later he was part of the collective group of 19, alongside Aldemir, Charoux, Otavio Araújo, Grassmann, Maria Leontina and several other artists that time would make famous. He then practiced a figurative painting of accentuated Expressionist lauds, characterized by deformation and coloring, raw and Satirical- as, moreover, so many of his fellow exhibitors at the time. As a French government scholar, Odette Guerzoni went to Paris in 1947 and the following year took part in the Peintres et Graveurs Etrangers and Art Libre exhibitions. Student of engraving by Renê Cottet, gradually transformed this expressive medium into his favorite, to the detriment of painting, which he practically abandoned soon after. In 1947, he participated in the 19 Painters exhibition at the Prestes Maia Gallery together with Lothar Charoux, Maria Leontina,Grassmann, Aldemir Martins, Luiz Sacilotto and hiró. Guersoni was awarded a scholarship by the French government, and traveled to Paris, where he began work in engraving. Back in Brazil, in 1951, he founded the Art Workshop, in São Paulo. In 1954, he returned to Europe for a year, financed by the International Labor Organization (ILO). In Geneva, he studied engraving with René Cottet (1902 - 1992) and worked in Stanley william Hayter's studio, Atelier 17, in Paris (1901 - 1988). From 1956 to 1957, he became director of the Union of Plastic Artists of São Paulo. From 1960, he attended, as a trainee, some art schools in the United States and Japan such as The New York School of Printing and Osaka University. In 1971, also in Japan, he attended the workshop of I. Jokuriti. Two years later, he was voted Best Recorder of the Year by the Paulista Association of Art Critics - APCA. He took part in a special room at the Ibero-American Biennial in Montevideo in 1983. The Pinacoteca do Estado de São Paulo - Pesp presents a retrospective of his work in 1994. Odetto Guersoni explores the wide spectrum of possibilities of the engraving. In addition to using techniques such as metal etching, lithograph, serigraph, linocut and, especially, woodcut he developed, in the 1950s, the philigraphy, in which the forms he developed gained points of embroidery made by Bonadei (1906 - 1974) . And, in the 1960s, the plastigraphy, in which he makes engravings on pasty surfaces, obtained from gypsum or other soft material. In the 1970s, technical investigations were associated with pictographic, ideographic, archaic symbol searches, Brazilian cave paintings and plant forms. The drawings are reduced to stylized, geometric shapes and transformed into abstract graphic elements. The artist works with few matrices, which, organized in rectangles, squares or circles, become modules to be combined. Guersoni juxtaposes them, adds, changes colors, and thereby composes colorful mandalas and structural geometries. Based on concise compositions, it produces color vibrations through optical illusions. In many of his woodcut works of the 1980s he uses smooth wood, knives, saws, gouges, punches, avoiding the natural textures of wood. In printing, it leaves the vibrant color and employs dosed inks with colorless masses, obtaining transparencies by superpositions. New journeys of study and specialization in engraving techniques took him in 1954 to Switzerland, 1960 to the United States, and in 1966 to Germany and Austria. Today, after having performed more than 40 individuals including 16 abroad and having participated in more than 50 collectives in several countries, Guersoni is considered one of the most notable Brazilian engravers. Conquered awards in several shows. CHRONOLOGY Individual exhibitions 1946 - Sao Paulo SP - 10th Salon of the Artists' Union, at the Prestes Maia Gallery 1947 - São Paulo SP - 19 Painters, at the Prestes Maia Gallery 1948 - Paris France - Peintres et Graveurs Etrangers at the École des Beaux-Arts 1949 - São Paulo SP - 13th Salon of the Artists' Union, at the Prestes Maia Gallery 1951 - São Paulo SP - 1st Paulista Salon of Modern Art, at Prestes Maia Gallery - silver medal 1953 - São Paulo SP - 2nd International Biennial of São Paulo, at MAM / SP 1954 - São Paulo SP - 3rd Paulista Salon of Modern Art, in the Prestes Maia Gallery 1955 - Rio de Janeiro RJ - 4th National Salon of Modern Art 1955 - Salvador BA - 5th Baiano Salon of Fine Arts, in Belvedere da Sé - honorable mention 1962 - São Paulo SP - Leirner Prize for Contemporary Art at the Folha Art Gallery - 1st printing award 1963 - Curitiba PR - 20th Salão Paranaense de Belas Artes, at the Public Library of Paraná 1963 - Rio de Janeiro RJ - Individual, no MAM / RJ 1968 - Bradford England - First International Print Biennale 1970 - São Paulo SP - Antonio Henrique Amaral, Odetto Guersoni, Tomie Ohtake, Pedro Tort and Gerda Brentani, in the Alberto Bonfiglioli Gallery 1971 - São Paulo SP - 11th International Biennial of São Paulo, at the Biennial Foundation - acquisition award 1973 - Punta del Este Uruguay - 1st Engraving Meeting of the Prata Basin Countries - International Prize 1977 - São Paulo SP - The Groups: the 40's, at the Lasar Segall Museum 1982 - São Paulo SP - Ismenia Coaracy, Odetto Guersoni and Alice Brill...

Bright vibrant blue, yellow lithograph in color. This is signed in the plate and dated. Dufy's abstract drawing lithograph was drawn by the artist direct on to plastic plates newly d...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Original vintage World War Two Home Front recycling poster - Bones Make Explosives Put Out All Bones For Salvage - featuring a great modernist graphic design by Reginald Mount (1906-...

Lithograph on Velin d'Arches paper, mounted on supporting sheet by the publisher, as issued. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: From t...

Original vintage Soviet World War Two propaganda poster - Крепите боевую мощь CCCP! / Strengthen the combat power of the USSR - featuring two illustrations divided by the bold title ...

Original Edition Lithograph on wove paper. Inscription: Unsigned and unnumbered, as issued. Excellent Condition; never framed or matted. Notes: From the volume, Cahiers d'Art, vol. 2...

Original vintage train travel advertising poster for Stramberk Chemins de Fer de l'Etat Tchccoslovaque / Czechoslovak State Railways featuring a scenic illustration of a quaint villa...

Original vintage car advertising poster for the new Austin 110 six cylinder styled in Sheerline featuring an illustration of a shiny red car in front of the winged A logo on a green ...

Original vintage World War Two poster featuring an illustration of a military tank driving at speed over a hill with a Union Jack flag of the United Kingdom flying against the blue s...

The circa 1940 original poster for BSA bicycles, with its captivating slogan "Lead the way on your BSA," encapsulates the spirit of adventure and freedom associated with cycling duri...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Original vintage World War Two warning propaganda poster - Careless Talk Brings Tragedy In Wartime - featuring numbered and captioned illustrations of 1. a young soldier on the phone...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

To see our other original vintage posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poste...

Paul Colin's 1948 poster for "Vichy Mai Octobre 1948" is a remarkable example of his talent in poster design. It promotes an event in Vichy, France, during May and October of that ye...

Original vintage World War Two poster featuring an illustration of an RAF Royal Air Force plane flying at speed above a Royal Navy warship in camouflage flying a White Ensign flag, t...

Original vintage Soviet World War Two propaganda poster - Our land has been touched by the infinite enemy We will smash the enemy's dark forces mercilessly ... Let's move on a terrib...

The circa 1947 original travel poster by Paul Champseix for SNCF (French National Railway Company) promoting the Téléphérique d'Artouste and related automobile services departing fro...

Original vintage travel advertising poster in French - Pour vos vacances Sud Tirol Italie Dolomites / For your holidays South Tyrol Italy Dolomites - mountain range located in north ...

Rare original vintage World War Two Soviet propaganda poster - For the Homeland! For Stalin! / За Родину! За Сталина! - featuring a troop of soldiers carrying bayonet rifle guns char...

Original vintage advertising poster - National Savings Through the Post Office Savings Bank, The Trustee Savings Bank and National Savings Certificates - featuring colourful artwork ...

Bright vibrant blue, orange, red, yellow, green lithograph in color. This is signed in the plate and dated. Leger's abstract drawing lithograph was drawn by the artist direct on to p...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...

Lithograph on vélin du Canson & Montgolfier Vidalon-Les-Annonay paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Seurat, 1948. Publishe...