1970s Prints and Multiples

Friedrich Geiler Geometric Column in Green (Konkrete Kunst, Constructivsm, Geometric Abstract, Op-Art) Giclee on heavy cotton paper 2021 Size: 28.54 x 12 in (72.5 x 30.5 cm) Edition:...

A Red, from Three Aquatints, 1979 Aquatint on six copper plates printed on Rives BFK paper Paper Size: 40 3/4 x 40 3/4 inches (103.5 x 103.5 cm); Image Size: 33 x 33 inches (83.8 x 83.8 cm) Signed and titled lower left front Edition of 50, 10 AP, 3 TP Published by Parasol Press, New York Printed by Hidekatsu Takada, assisted by David Kelso, Crown Point Press, Oakland, California Robert Mangold (born October 12, 1937) is an American minimalist artist. He is also father of film director and screenwriter James Mangold. Mangold first trained at the Cleveland Institute of Art from 1956-59, and then at Yale University, New Haven, (BFA, 1961; MFA, 1963). In 1961 he married Sylvia Plimack, and they moved to New York. In the summer of 1962 Mangold was hired as guard at the Museum of Modern Art. Mangold's work challenges the typical connotations of what a painting is or could be, and his works often appear as objects rather than images. Elements refer often to architectural elements or have the feeling architecture to them. He almost always works in extensive series, often carried through both paintings and lithograph works on paper. Mangold’s early work consisted largely of monochromatic free-standing constructions. In 1968 he began employing acrylic instead of oil painting, rolling rather than spraying it on Masonite or plywood grounds. Within the year, he moved from these more industrially oriented supports to canvas. In 1970 he began working with shaped canvases and within the year began brushing rather than spraying paint onto canvas. Mangold made his first prints in 1972 at Crown Point Press and has made prints throughout his career, working with Pace Editions and Brooke Alexander Editions. In 1965, the Jewish Museum in New York held the first major exhibition of what was called Minimal art (Minimalism) and included Robert Mangold. In 1967, he won a National Endowment for the Arts grant and in 1969, a Guggenheim Fellowship. In 1971, he had his first solo museum exhibition at the Guggenheim Museum. Major museum exhibitions of his work have since been held the Museum of Contemporary Art, San Diego (1974), the Stedelijk Museum in Amsterdam (1982), Hallen für Neue Kunst in Schaffhausen (1993), and Musée d’Orsay in Paris (2006). He has been featured in the Whitney Biennial four times, in 1979, 1983, 1985, and 2004. His work is related to Geometric Abstraction. Select Exhibitions Robert Mangold, Bruce Nauman, Richard Serra: Extended Drawing, Bonnefantenmuseum Accrochage: Donald Judd, Louise Lawler, Sol LeWitt, and Robert Mangold, Galerie Greta Meert, Carl Andre, Dan Flavin, Donald Judd, Robert Mangold, Robert Ryman, Andrea Rosen Gallery, NY Tara Donovan, Sol LeWitt, Robert Mangold, James Siena: Minimalist Prints, Augen Gallery, Portland Modulated Abstraction: Josef Albers, Carl Andre, Donald Judd, Ellsworth Kelly, Sol LeWitt, Robert Mangold, Fred Sandback, Richard Tuttle, Brooke Alexander Editions, New York, NY Drawings from the 1970’s, Mel Bochner, Robert Mangold, Robert Moskowitz, Fred Sandback, Richard Tuttle, Lawrence Markey, New York, NY Systematic: Anne Appleby...

Full Moon Etching by Robin Tanner (1904-1988), signed by the artist in pencil. Very good, strong impression with excellent contrast. From the edition issued in 1977. Robin Tanner’...

Duane Bryers, American (1911 - 2012) - All The Yesterdays, Year: 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 300, AP, Image Size: 16 x 23.5 in., Size: 20.5...

Lithograph, 1973 Handsigned by the artist in pencil and numbered 7/99 Publisher : Éditions Agori/La Mata Catalog : Tonneau-Ryckelynck 7306 65.00 cm. x 50.00 cm. 25.59 in. x 19.69 in...

Artist: Alexander Calder (1898-1976) Title: "Skywirl" (from the Braniff International Airways Flying Colors Collection) Year: 1974-75 Medium: Lithographs on Arches paper Size: 20 x 2...

Mel Hunter, American (1927 - 2004) - Valley Farm, Year: 1976, Medium: Lithograph, signed in pencil, Size: 15 x 20 in. (38.1 x 50.8 cm)

A Feminine Thought (portfolio), 1971 Plate 11.6 x 9.6 in. / 29.5 x 24.5 cm Paper 27.2 x 20.9 in. / 69 x 53 cm 2 prints in portfolio with label, intaglio printing (drypoint) in dark g...

Salvador Dali (1904-1989) Psychoanalysis : Tribute to Freud, 1972 Original coloured lithograph Handsigned in pencil Numbered 984/ 1000 On Arches Vellum 35 x 26" (87 x 64 cm) Ref...

For Alberti, For Spain! is an artwork realized by Joan Mirò in 1975. Etching and aquatint, 90 x 66 cm. Hand signed. Edition 64/90. Reference: Dupin 926. Printed on Fabriano paper, ...

Joan Miro Miro Original Abstract Lithograph Artist: Joan Miro Medium: Original lithograph on Rives vellum Portfolio: Miro Lithographe V Year: 1981 E...

Red Six is a lithograph realized by the Italian painter  Lorenzo Indrimi in the 1970s. The artist found inspiration in the most primitive human experiences. This print is a hand-si...

From the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original screenprints that are a definitive survey of the artis...

Enrico Baj- Poster Exhibition is a mixed colored offset print realized in 1975. This print was realized on the occasion of the exhibition dedicated to the artist and held in Studio ...

Pierre Soulages' 1972 Munich Olympics poster is a visual masterpiece that offers a unique and monochromatic perspective on the spirit of sporting ...

"Three Movements," an original silkscreen by Yaacov Agam, is a piece for the true collector. Agam is considered the father of Kinetic art. His iconic style is recognizable across the...

Artist: Joan Miro, Spanish (1893 - 1983) Title: Maravillas con Variaciones Acrosticas en el Jardin de Miro (Number 8) Year: 1975 Medium: Lithograph, signed in the plate Edition: 1500...

Joan Miró M.987 from " Les Pénaltiés de l'enfer ou les Nouvelles-Hébrides" 1974 Hand signed in white crayon From a signed edition of 50, annotated EA/50, folded (as issued) Mourlot 9...

Lithograph on vélin de Rives paper. Inscription: Signed in the plate and unnumbered, as issued. Good condition. Notes: Published and printed by Bank Street Atelier, New York, 1973. I...

Mask Assemblage by Dan Namingha black white lithograph Hopi Kachinas Namingha Hand pulled limited edition lithograph unframed unframed hand pulled lithograph signed and numbered by...

Silkscreen on paper with mixed media, felt and glitter. Hand signed and numbered by the artist. Edition of 250. Artwork image size approx 31.5 x 23.5 inches. Artwork sheet size 39....

Artist: Clarence Holbrook Carter, American (1904 - 2000) Title: Highway Year: 1979 Medium: Screenprint, signed and numbered in pencil Edition: 200 Image Size: 30 x 22 inches Paper Si...

Alexander CALDER (after) Tree with Blue and Red Fruits Lithograph poster Printed signature in the plate 80 x 50 cm (c. 32 x 20 in) INFORMATION : Lithograph created for the Calder e...

Hand signed by Andy Warhol & Mick Jagger, numbered in pencil. Number AP 19/50 (aside from the main edition of 250). Screenprint on Arches Aquarelle (Rough) Paper. Printed by Alex...

David Blackwood, Canadian, 1941-2022 BREAKERS, 1976 etching, aquatint in colours 7.75 x 9.75 in (plate) 19.7 x 24.8 cm signed, titled, dated 1976 and inscribed “Artist’s Proof” in th...

The original Hawaii Western Airlines 1970s vintage travel poster is archivally linen-backed, in excellent condition, and ready to frame. It was p...

A composition resembling a collage, created by American Pop Artist Robert Rauschenberg. Multiple images of noteworthy American figures, such as the Kennedy family, are overlaid above...

Signed color lithograph by French artist André Masson (1896-1987). Title of work is Judith and Holofernes. Work is signed and numbered 74/150 in ...

The work was conceived as a poster for the film "Umbracle" Technical details of the work Category: Engravings and Prints Graphic Work Date: 1973 Technique: Lithography Medium: Guarr...

Joan Miro Surrealist Birds (Sculptures), 1974 Original lithograph Printed signature in the plate On heavy paper 28 x 57 cm (c. 11 x 23 inch) REFERENCE : catalog raisonne Mourlot / ...

The circa 1970 original poster by René Gruau for Federico Fellini's La Dolce Vita (1960) is a masterpiece of cinematic art and graphic design, capturing the allure and decadence of o...

Original: FORGOTTEN ISLAND OF SANTOSHA vintage surfing poster. Artist: Bill Ogden. Size: 27" x 39 3/4". Year: 1974. Original One Sheet from Austra...

Lithograph on Arches paper with embossing and gold foil by the Spanish surrealist artist Salvador Dali. From the 1977 Twelve Apostles Suite (sometimes ...

Lynda Benglis Gold Leafed Bronze Wings, 1979 Lithograph on wove paper Hand signed, dated 1979 and numbered by Lynda Benglis on the front in bright green crayon. Bears publishers blind stamp Unframed and affixed to dark grey/black matting Hand signed, dated 1979 and numbered by Lynda Benglis on the front in bright green crayon. Bears publishers blind stamp. Published by Landfall Press; a rare limited edition print from the 1970s, depicting a sculptural installation by one of the most dynamic influential and important art world superstars of our time. The writing on the print: Gold Leafed Bronze Wings Black Concrete Obelisk...

Le Lézard aux Plumes d'Or is a beautiful and rare color lithograph on Jason Kochi paper, realized in 1971 by the Spanish Surrealist artist Joan Miró (Montroing, 1893 - Mallorca, 19...

ARTIST: Salvador Dali TITLE: La Joie de Vivre MEDIUM: Etching SIGNED: Hand Signed PUBLISHER: Editions d'Art de Francony EDITION NUMBER: 75/150 MEASUREME...

Pahlik Mana (Butterfly Maiden) Dan Namingha Hopi kachina katsina black and white unframed limited edition hand pulled lithograph at Tamarind Institue Glenn Green Galleries also pre...

Sliced sausage, a fork and knife, a cutting board, and a cow mid-slurp comprise this elegant yet tongue-in-cheek black and white Dieter Roth etching. Diet...

JOSEF ALBERS, Bottrop 1888 - New Haven 1976 Study to Homage to the Square Yes Sir, 1977 (no.8) Color d'après silkscreen, mm. 207x207. (from 1962 oil on masonite). Perfect copy, publ...

Perle Fine Paintings, 1977 Rare offset lithograph poster 22 × 17 inches Unframed, unsigned, unnumbered Provenance: Estate of Andre Zarre Accompanied by Certificate of Guarantee issue...

"Original Lithograph V" is an original color lithograph by Joan Miro, published in "Miro Lithographs III, Maeght Publisher" in 1977. It depicts Mir...

Lithograph on papaer realized by an unknown italian artist in 1970s. Hand signed lower right. Edition of 36/40. Good condition, includes a metal silver frame.

Complete set of seven lithographs with embossment, 1978, on Richard de Bas mould-made paper, initialed and numbered in pencil from the edition of 40 verso, printed by Matthieu Studio...

Black variation of the original poster (three variations were created: red - blue - black) for the exhibition "The Americans Indian Series" by Andy Warhol commissioned by the Ace Gallery...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Rare Limited Edition Lithograph hand signed by John Lennon's in 1970, this is from the Bag One Portfolio first shown in 1970. The Bag One lithographs were ha...

Lithograph, silkscreen in colors on vélin vergata paper. Paper size: 16.5 x 12.625 inches. Inscription: Signed in the plate and unnumbered, as issued. Catalogue Raisonne Reference: M...

Medium: lithograph (after the 1939 Andre Derain painting). Printed in Paris on Arches paper at the Mourlot studio in 1970 in an edition of 1000 for the Collection Pierre Lévy deluxe ...

Salvador Dalí "Dieu, le temps, l'espace, et le Pape" (God, time, space, and the Pope) from After 50 Years of Surrealism Original etching with hand coloring, hand signed in pencil 19...

Artist: Robert Indiana Title: Golden Love Medium: Screenprint in colors on wove paper Size: 35.13 x 35.13" (89.23 x 89.23 cm) Framed Size: 41 x 41" (104.14 x 104.14 cm) Edition: of 1...

Raymond PEYNET Astrology - Zodiac : Virgo (Virgin), 1979 Original etching Handsigned in pencil Numbered /22 On Arches vellum 76x56 cm (c. 30 x 22 inches) This etching is authentifie...

"Two Reclining Nudes" is an exceptional Lithograph of Pearlstein's Realistic style. The nudes are posed reclining, neither engaged with either each other or the viewer, and give the atmosphere of being in a dream state. It is an intimate scene without intimacy. Their full-figured bodies exude power and strength which is reinforced by not fitting within the frame. This Lithograph is #42 of an edition of 100 with one blind stamp, and signed by the artist all located in the upper left corner. Philip Pearlstein is an American painter born in Pittsburgh, PA, and best known for Modernist Realism nudes. Cited by critics as the preeminent figure painter of the 1960s to 2000s, he led a revival in realist art. He is a Distinguished Professor Emeritus with paintings in the collections of over 70 public art museums. In 1941, his junior year in high school, he received his first recognition when awarded first and third prizes in Scholastic Magazine’s 14th National High School Art Exhibition. Upon graduation from high school in 1942, he enrolled in the Carnegie Institute of Technology but the draft limited his attendance to one year. After discharge from the army in 1946, he returned to Carnegie Tech where he received his BFA in 1949. Upon graduation, he moved to New York City where he pursued work in graphic design and received a Master’s degree in art history from New York University in 1955. Pearlstein worked as a graphic designer for Life Magazine before becoming an instructor at the Pratt Institute, and then a professor at Brooklyn College; he has also served as a visiting artist at several prestigious institutions throughout the country. His work has been exhibited in several solo exhibitions throughout the United States with paintings in the collections of over 70 public art museums. Pearlstein served as a President of the American Academy of Arts and Letters from 2003-2006 and currently lives and works in New York. “It is what is painted between the outlines that makes the difference between merely competent painting and really meaningful art.” —Philip Pearlstein In spring of 1946 he becomes assistant to Robert Lepper, head of the Design Program at Carnegie Institute of Technology, at the firm of Altenhof and Bown, Architects, and designs catalogs for building products through 1949. Meanwhile he enrolled at Carnegie Institute of Technology and studied with Robert Lepper, Balcomb Green, and Samuel Rosenberg. Meets Dorothy Cantor, George Klauber, and Andy Warhol (Warhola), fellow students at Carnegie Institute of Technology. Serves as art editor of the Carnegie Technical, the student publication of the Engineering School, through 1949 when he received his BFA and moved to New York to live with Andy Warhol. A few months later he worked with graphic designer Ladislav Sutnar in design and production of catalogs of plumbing fixtures and ventilators for the next eight years. He graduated from the Institute of Fine Arts, New York University where he studied with Karl Lehmann, Craig Smith and Jose Lopez-Rey. In 1954 Clement Greenberg selectd Pearlstein to be in “Emerging Talent” show at Kootz Gallery, New York. Torso is shown. Show includes Herman Cherry, Paul Freeley, Paul Georges, Cornelia Langer, Saul Leiter, Morris Louis, Anthony Louvis, Sue Mitchell, Kenneth Noland, and Theophil Groell. He received his M.A. in Art History from Institute of Fine Arts, New York University. His thesis on Francis Picabia with Jose Lopez-Rey and H.W. Janson as advisors. In September of 1958 he received a Fulbright Grant for Painting in Italy and traveled to Rome, Florence, Venice, Amalfi Coast and Sicily. Back in New York his drawing group includes at various times during the following thirteen years: Ann Arnold, Rudolph Burkhardt, Charles Cajori, Gretna Campbell, Lois Dodd, Louis Finkelstein, Joe Fiore, Sideo and Nora Fromboluti, Mary Frank, Stephen Greene, Theophil Groell (Repke), Philip Guston, Yvonne Jacquette, Diana Kurtz, Alex Katz, Gabriel Laberman, Mercedes Matter, George McNeil, Sidney Tillim, Jack Tworkov and William White. Meets initially in Mercedes Matter’s studio. Continues to meet with group at various locations, including his own studio through 1972. In 1969 and 1971 he received the John Simon Guggenheim Memorial Foundation grant. In 1982 he served as the Artist in Residence at the American Academy of Art, Rome. In addition to other numerous awards and honors he received an Honorary Doctorate Degree from the Center for Creative Studies and the College of Art & Design, Detroit, Michigan in 2000. Other known CCS faculty and graduates are Susan Aaron-Taylor, Richard Jerzy, Harry Bertoia, Doug Chaing, Stephen Dinehart, Tyree Guyton, Renee Radell, Herb Babcock, Jerome Ferretti...

Self Portrait in a Flat Cap (weeds) fourth state 1974 Etching in black on Apta 501 paper plate 25.4 x 31.4 cm / 10 x 12⅜ in. paper 66.0 x 50.8 cm / 26 × 20 in. Edition 38 with 14 Artist's Proofs this copy an artist’s proof Published by Petersburg Press, New York; printed by Alan Uglow and Winston Roeth Signed, dated and annotated A/P below impression The fourth state of a series of modifications of Jim Dine’s self portrait...

Paper Size: 15 x 40 inches ( 38.1 x 101.6 cm ) Image Size: 8.5 x 13 inches ( 21.59 x 33.02 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Supplemental Conditi...

Alexander CALDER Abstract Composition, 1971 Original vintage lithograph poster (Arte / Maeght workshop) Printed signature in the plate On thick paper 89 x 59 cm (c. 35 x 23,2 in) I...

Paper Size: 29.5 x 21.75 inches ( 74.93 x 55.245 cm ) Image Size: 29.5 x 21.75 inches ( 74.93 x 55.245 cm ) Framed: No Condition: A: Mint Additional Details: This serigraph titled "...

Hans BELLMER Abstract Erotism Original etching, 1973 Handsigned in pencil by the artist Numbered / 20 (Roman numerals) On Auvergne paper, 57 x 38 cm (22,4 x 14,9 inches) From the P...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Salvador Dali (after) Les Caprices de Goya, 1977 Lithograph (Desjobert workshop) Printed signature in the plate On heavy paper 65 x 45 cm (c. 18 ...

Personages is print realized by Wifredo Lam (Sagua La Grande 1902 - Paris 1982) Colored etching on paper. Hand-signed and numbered, edition of XXI/XXV lower in pencil.