1970s Prints and Multiples

Artist: Jasper Johns Title: Untitled Medium: Screenprint in colors on Patapar printing parchment Year: 1977 Edition: 3000 Frame Size: 18 1/2" x 18 1/2" Sheet Size: 10 5/8" x 10 1/4" ...

Zao Wou-Ki (1921-2013) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of this l...

Artist: Mel Ramos, American (1935 - ) Title: Lola Cola Year: 1972 Medium: Lithograph, signed and dated in pencil Edition: 2500 Paper Size: 30.5 in. x 25 in. (77.47 cm x 63.5 cm) Fram...

This exquisite lithograph by Alexander Calder (1898–1976), titled Mama Citron, originates from the historic 1975 folio Derriere le Miroir, No. 212. Published by Maeght Editeur, Paris...

Larry Zox (1937-2006) Three Square Composition, 1978 Print, Silkscreen, on Arches archival paper - 1978 52 " x 25 " inches Signed in pencil and marked VIII/LV Unframed.  Larry Zox i...

Saul Steinberg Lithograph c.1970 from Derrière le Miroir: Lithograph in colors. 11 x 14 inches. Very good overall vintage condition. Unsig...

Muhammad Ali, American (1942 - 2016) - Under the Sun, Year: 1979, Medium: Screenprint, signed and numbered in pencil, Edition: 500, Image Size: 18 x 24 inches, Size: 22 in. x 27...

Jean Cocteau and Raymond Moretti Earth's Evolution Original lithograph Printed signature in the plate, handsigned by Raymond Moretti Numbered 1/79 On Arches vellum 50 x 65 cm (c. 1...

Color lithograph realized by Calder in 1969. Edition of 20/75. Hand signed and numbered in pencil. Includes a contemporary white frame. Very good condition.

Hockney, David. RECLINING FIGURE. Etching and sugarlift aquatint in black, 1974. Edition of 75 published by Petersburg Press, London and printed on Inveresk paper. Signed, dated and ...

For Alberti, For Spain!  it's an artwork realized by Joan Mirò in 1975. Etching,  90 x 66 cm.  Hand signed. Edition 45/90. Reference: Dupin 926 Printed on Fabriano paper, Printed...

Fernando Botero's painting Los Músicos (The Musicians) was completed in 1979. The following year, in 1980, Marlborough Gallery in New York published an exhibition poster featuring th...

Willem de Kooning (1904-1997) was one of the torchbearers of post-war American abstraction and one of the most important artists of the 20th century. With a career spanning nearly ...

"Original Lithograph XI" is an original color lithograph by Joan Miro, published in "Miro Lithographs II, Maeght Publisher" in 1975. It depicts Miro's signature biomorphic abstract s...

Artist: John Chamberlain (1927-2011) Title: Flashback VI Year: 1979 Medium: Lithograph on vélin d’Arches paper Edition: 151/175, plus proofs Size: 28 x 20 inches Inscription: Signed ...

"Starstruck" by Norman Rockwell Media: Lithograph on Paper Image Dimensions: 30" x 24" Year Produced: 1976 Edition Size: 200 Numbered (1-200), 60 Artist proof Edition Number: 140/200 Signed and Numbered in pencil by the artist Condition: In excellent Norman Rockwell was an American painter and illustrator known for his iconic depictions of American culture created for The Saturday Evening Post. With a range of favorite subjects that included nuclear families, mischievous children, and small-town life, his work has achieved an iconic status: the 1943 painting of a Thanksgiving dinner, Freedom from Want, has been reproduced and parodied countless times in contemporary culture. As an artist, Rockwell has had a lasting effect on US society beyond any singular work, with his paintings seen as indelible images that went on to inspire American directors such as George Lucas, Steven Spielberg, and particularly Robert Zemeckis, whose 1994 film Forrest Gump recreates several of Rockwell’s paintings as scenes throughout the film. Though he enjoyed success throughout his career, Rockwell’s idyllic and sentimental outlook on American society was not necessarily embraced by art critics, though his later politically activist work garnered praise for its tackling of controversial subjects. Born on February 3, 1894 in New York, NY, he went on to study at the National Academy of Design and the Art Students League. Rockwell notably had a longstanding relationship with the Boy Scouts of America...

Marc Chagall, Vintage Exhibition Poster (1977) — 30 × 20.5 in — Very Good, A- Lithography poster (Mourlot workshop). Expertly printed in Paris by the renowned Mourlot Printers. Engra...

Artist: Robert Natkin, American (1930 - 2010) Title: Intimate Lighting I Year: 1972 Medium: Screenprint on Cream Arches Paper, signed, dated and numbered in pencil Edition: 42/150 Si...

Signed lower left 'Ginghofer' for Raymond Ginghofer (American, 1934-2023) and painted circa 1975. A substantial monotype and gouache figural showing a woman reclining on her stomach...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

This exquisite lithograph by Pablo Palazuelo (1915–2007), titled Sans titre (Untitled), originates from the 1970 folio Derriere le Miroir, No. 180, published by Maeght Editeur, Paris...

Calder Exhibition Print is an original serigraph realized by Alexander Calder in 1976. Good conditions except for some light folds and tears. This...

"Musee National d'Art Moderne" is a po ster by Victor Brauner for an exhibition of his work in Paris. It features abstracted heads in yellow, orange, and blue, with a border in pastel pink, green, blue, and yellow. It is framed with gold moulding. 33 1/2" x 19 5/8" art 40 1/2" x 26" frame Victor Brauner was born in Piatra Neamt, in 1903, and died in Paris, in 1966. He was the son of a timber manufacturer from Piatra Neamt who settled in Vienna with his family for a few years. It is there that young Victor attended the elementary school. When his family returned to the country (1914), he continued his studies at the evangelical school in Braila; he began to be interested in zoology in that period. He attended the Art School in Bucharest (1919-1921) and H. Igiroseanu’s private school of painting. He visited Falticeni and Balcic and started painting landscapes à la Cézanne. Then, as he testified himself, he went through all the stages: "Dadaist, Abstractionist, Expressionist". On September 26, 1924, the Mozart Galleries in Bucharest hosted his first personal exhibition. In that period he met poet Ilarie Voronca, together with whom he founded the "15HP" magazine. It was in this magazine that Brauner published the manifesto "The pictopoetry" and the article "The surrationalism". He painted and exhibited "Christ at the Cabaret" (in the manner of Graosz) and "The Girl in the Factory" (in the manner of Holder). He participated to the "Contemporanul" exhibition (November 1924). In 1925 he undertook his first journey to Paris, from where he returned in 1927. In the period 1928-1931 he was a contributor of the "Unu" magazine (an avant-garde periodical of Dadaist and Surrealist conceptions), which published reproductions of most of his paintings and graphic works: "clear drawings and portraits made by Victor Brauner to his friends, poets and writers" (Jaques Lessaigne - "Painters I Knew"). In 1930 he settled in Paris, where he met Brancusi, who initiated him into the photographic art. In that same period he became a friend of the Romanian poet Benjamin Fondane and met Yves Tanguil, who would later introduce him to the circle of the Surrealists. He lived on Moulin Vert St., in the same building as Giacometti and Tanguil. He painted "Self-portrait with a plucked eye", a premonitory theme. In 1933, Andre Breton opened Brauner’s first personal exhibition in Paris, at the Pierre Gallery. The theme of the eye was omnipresent: "Mr. K’s power of concentration" and "The strange case of Mr. K" are paintings that Andre Breton compared with Alfred de Jarry’s play "Ubu Roi", "a huge, caricature-like satire of the bourgeoisie". In 1935 he returned to Bucharest. He joined the ranks of the Communist Party for a short while, without a very firm conviction. On April 7, 1935, he opened a new personal exhibition at the Mozart Galleries. Sasa Pana wrote about it in his autobiographical novel "Born in 02": "April 7, 1935… An exhibition surrealist in character. The catalogue shows 16 paintings; they are accompanied by verses, surrealist images that are exquisite by their bizarreness - they are perhaps the creations of automatic dictation and they certainly bear no connection to the painting itself. They are written in French, but their colorful taste remains in the Romanian translation too. The exhibition brought about many interesting articles and takings of position regarding Surrealism in arts and literature." Another remark about Brauner’s participation to Surrealist exhibitions: "Despite its appearance of abstract formula,… this trend is a point a transition to the art that is to come." (R. Trost, in the"Rampa" of April 14, 1935) In the "Cuvantul liber" of April 20, 1935, Miron Paraschivescu wrote in the article "Victor Brauner’s exhibition": "In contrast to what one may see, for instance, in the neighboring exhibition halls, Victor Brauner’s painting means integration, an attitude that is a social one, as far as art allows it. For V. Brauner takes attitude through the very character and ideology of his art." On April 27, he created the illustrations for Gelu Naum’s poetry collection - "The Incendiary Traveler" and "The Freedom to Sleep on the Forehead". In 1938 he returned to France. On August 28 he lost his left eye in a violent argument between Dominguez and Esteban Frances. Brauner attempted to protect Esteban and was hit by a glass thrown by Dominguez: the premonition became true. That same year, he met Jaqueline Abraham, who was to become his wife. He created a series of paintings called "lycanthropic" or sometimes "chimeras". He left Paris in 1940, together with Pierre Malbille. He lived for a while in Perpignan, at Robert Rius’, then at Cant-Blage (Eastern Pyrenees) and at Saint Feliu d’Amont, where he was forcibly secluded. However, he kept in touch with the Surrealists that had taken refuge in Marseille. In 1941, he was granted the permission to settle in Marseille. Seriously ill, he was hospitalized at the "Paradis" clinic. He painted "Prelude to a civilization" (now in the Gelman collection). After the war, he took part to the Venice biannual exhibition; he traveled to Italy. In 1959, he settled in the workshop on Lepic St. In 1961 he traveled to Italy again. He settled in Varengeville, where he spent most of his time working. In 1965 he created an ensemble of object-paintings full of inventiveness and vivacity, grouped under the titles "Mythologie" and "Fêtes des mères...

Lithograph on vélin de Rives paper. Inscription: hand signed and unnumbered, as issued. Good condition. Notes: From the folio, Variations sur l'imaginaire, 1972. Published by Philipp...

Artist: Andre Masson, French (1896 - 1987) Title: Don Giovanni Year: 1978 Medium: Lithograph on Arches, Signed and numbered in pencil Edition: 163/250 Size: 30 in. x 22 in. (76.2 cm ...

This original screenprint is hand signed and dated by the artist in pencil "Motherwell" at the lower right margin. It is also hand numbered in pencil from the edition of 250, at the ...

Brett Weston (American, 1911-1993), "Lake Patzcuaro, Mexico", Gelatin Silver Print, 1976, signed and dated in pencil lower right, silver-tone metal frame. Image: 10.75" H x 13.5" W;...

Salvador Dali - Nude with Raised Arms - Original Handsigned Lithograph Dimensions: 77 x 55 cm 1970 Signed in pencil and numbered Edition : /CXX References : Field 70-8(Page 158)

Salvador Dalí (Spanish, 1904-1989) Date: Circa 1970 Medium: Offset lithograph in color on paper Edition: Limited edition, typically 250 copies; this one is numbers 185 /225 Signa...

Original Aspen Colorado town and mountain scene printed in 1975. Artist: Jim Ford. This poster is archivally linen-backed in excellent condition, Grade A, and ready to frame. No...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Alexander Calder (1898-1976) - Hommage à San Lazzaro Lithograph from 1975. Edition 371/575 (Photocopy of t...

A striking fusion of modernist aesthetics and Olympic spirit, this 1972 original poster by Victor Vasarely stands out as one of the most iconic contributions to the visual identity o...

Paper Size: 20 x 23.25 inches ( 50.8 x 59.055 cm ) Image Size: 17 x 20.25 inches ( 43.18 x 51.435 cm ) Framed: No Condition: A: Mint Additional Details: Donald Duck's evolution from a secondary character to a beloved icon mirrors Disney's growth from a small animation studio to a global entertainment powerhouse. Throughout this journey, posters have played a crucial role in marketing and defining the visual identity of Disney's many beloved properties. From the early days of hand-drawn posters to today's digital designs, Disney posters...

Salvador Dalí­ Untitled from Les Songes Drolatiques de Pantagruel, 1973 Lithograph with color backgrounds on japon paper Hand signed lower right Numbered 22/250 lower left Image siz...

Abstract composition color engraving pencil signed limited edition 10/60, actual size 22"X29"5 framed 31"x39" under glass. Hratchaya Najar Barsoumian Born in 1939 in Alep, Syria, N...

Georges Braque, After, French (1882 - 1963) - Birds in Flight, Portfolio: Twenty Four Masterpieces of Graphic Art, Year: Year Printed 1974, Medium: Collotype, Image Size: 7.25 x ...

Joan Miró "Le Pitre Rose", 1974 Original etching and aquatint From the edition of 50 on arches paper, hand signed and numbered 9/50. Sheet measures: 55 x...

Signed by artist, Artist's Proof Silkscreen print on paper Bob Stanley (b. 1932 - d. 1997 New York, United States), an American painter renowned for his gritty depictions on canvas...

Woman from Shoulders is an etching on paper, realized by the Italian artist Giacomo Porzano (1925-2006). In good condition. Image Dimensions: 40 x 50 cm. This contemporary piece r...

Conrad Marca Relli - Composition I Date of creation: 1977 Medium: Etching and aquatint on Gvarro paper Edition: 75 + AP + HC Size: 56 x 76 cm Condition: In very good conditions and n...

Paper Size: 25 x 19.5 inches ( 63.5 x 49.53 cm ) Image Size: 19 x 14 inches ( 48.26 x 35.56 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional De...

This exquisite lithograph by Pierre Soulages (1919–2022), titled Lithographie No 28 (Lithograph No 28), from the album XXe Siecle, XXXIIe Annee, Nouvelle serie No. 34, Juin 1970, ori...

Artist: Joan Miro Title: Plate XII Portfolio: Lithographe I Medium: Lithograph Date: 1972 Edition: Unnumbered Frame Size: 19 3/4" x 17" Sheet Size: 12 1/2" x 10" Image Size: 12 1/2" ...

Artist: Salvador Dali (1904-1989) Title: Jardin biologique (Michler/Löpsinger 822-831; Field 75-13), Imaginations et Objets du Futur (Organic garden, Imaginations and Objects of the ...

This exquisite lithograph after Georges Braque (1882–1963), titled Oiseau sur fond de X (Bird on Background of X), from the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), originates from the 1975 edition published by XXe siecle, Paris, and printed by Mourlot Freres, Paris, October 1975. Oiseau sur fond de X exemplifies Braque’s late-career mastery of poetic symbolism and formal harmony. The composition’s abstracted bird—one of Braque’s most enduring motifs—emerges from an intricate background of interlocking shapes and textures, expressing his lifelong fascination with balance, serenity, and the unity between nature and form. Executed as a lithograph on velin d'Arches paper, this work measures 10.5 x 14 inches (26.67 x 35.56 cm). Unsigned and unnumbered as issued. The edition reflects the exceptional craftsmanship of Mourlot Freres, the legendary Parisian atelier known for its collaborations with Braque, Picasso, Chagall, and Matisse. Artwork Details: Artist: After Georges Braque (1882–1963) Title: Oiseau sur fond de X (Bird on Background of X), from San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, 1975 Medium: Lithograph on velin d'Arches paper Dimensions: 10.5 x 14 inches (26.67 x 35.56 cm) Inscription: Unsigned and unnumbered as issued Date: 1975 Publisher: XXe siecle, Paris Printer: Mourlot Freres, Paris Catalogue raisonne references: Vallier, Dora, et al. Braque, the Complete Graphics: Catalogue Raisonne. Translated by Robert Bononno, Gallery Books, 1988, illustration 122. Condition: Well preserved, consistent with age and medium Provenance: From the album San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle, published by XXe siecle, Paris, October 1975 Notes: Excerpted from the folio (translated from French), Finished printing in Paris in October 1975. This album has been printed on velin d'Arches in DLXXV numbered examples. The LXXV original examples include a series of VIII original lithographs, signed and numbered by the artists. In addition, LV examples were printed for artists, authors, friends and collaborators of XXe siecle. The typography is from l'Imprimerie Union in Paris; the lithographs of Max Bill, Marc Chagall, Hans Hartung, Braque, Fontana, Magnelli, Picasso, Magritte and Poliakoff were printed by Fernand Mourlot in Paris; those of Alexander Calder and Joan Miro by l'imprimerie Arte in Paris; that of Max Ernst by Pierre Chave in Vence; that of Zao Wou-Ki by ateliers Bellini in Paris; and that of Henry Moore by the Curwen Studio in London. About the Publication: San Lazzaro et ses Amis, Hommage au fondateur de la revue XXe siecle (San Lazzaro and His Friends, Tribute to the Founder of the Journal XXe Siecle), published in 1975 by XXe siecle, Paris, was conceived as a landmark tribute to Gualtieri di San Lazzaro, the visionary founder of the celebrated art journal XXe Siecle. The folio unites original lithographs by leading masters of modern art—Braque, Picasso, Chagall, Miro, Calder, Hartung, Moore, and others—printed by premier Parisian ateliers including Mourlot, Arte, Bellini, and Curwen. Representing the creative spirit and internationalism of postwar modernism, this edition stands as one of the great artistic collaborations of the 20th century. About the Artist: Georges Braque (1882–1963) was a French painter, printmaker, sculptor, and collagist whose visionary innovations and lifelong pursuit of balance, structure, and poetic form made him one of the most influential figures in 20th-century art. Born in Argenteuil-sur-Seine and raised in Le Havre, Braque began as a decorative painter before studying at the Ecole des Beaux-Arts and the Academie Humbert in Paris, where he absorbed the vibrant colorism of the Fauves and the structural logic of Paul Cezanne. His encounter with Pablo Picasso in 1907 led to one of the most groundbreaking collaborations in art history—the invention of Cubism—a movement that redefined visual perception by fragmenting form, rejecting single-point perspective, and reconstructing reality into a multidimensional experience. Between 1908 and 1914, Braque and Picasso revolutionized painting through Analytical Cubism, a style characterized by muted palettes, overlapping planes, and a focus on underlying structure rather than surface appearance. In 1912, Braque pioneered papier colle, the first use of collage in fine art, incorporating wallpaper and printed paper into his compositions and forever changing the relationship between art and the material world. After World War I, he returned to painting with renewed sensitivity, developing a lyrical and introspective form of Synthetic Cubism distinguished by harmony, rhythm, and a meditative sense of stillness. His still lifes, musical instruments, and interior scenes became metaphors for balance and contemplation, uniting intellect and emotion in perfect equilibrium. Immersed in the Parisian avant-garde, Braque worked alongside and exchanged ideas with Pablo Picasso, Alexander Calder, Alberto Giacometti, Salvador Dali, Joan Miro, Wassily Kandinsky, Marcel Duchamp, and Man Ray, each of whom shared his passion for redefining the boundaries of modern art. His innovations in form, collage, and spatial construction deeply influenced later artists, including Jean Dubuffet, Nicolas de Stael, Henry Laurens, Ellsworth Kelly, Richard Diebenkorn, and Jasper Johns, shaping the course of postwar abstraction and modern design. In 1961, Braque became the first living artist to have a solo exhibition at the Louvre, a recognition of his monumental impact on modern aesthetics. His works are now housed in major museums worldwide, including the Museum of Modern Art in New York, the Tate Modern in London, and the Centre Pompidou in Paris, and remain sought after for their intellectual depth and timeless serenity. His highest auction record was achieved by Paysage a la Ciotat, which sold for $15.8 million at Sotheby’s, New York, in 2013, reaffirming Georges Braque’s legacy as one of the founding architects of Cubism and a master whose art continues to define the modern age. Georges Braque Oiseau...

Marc Chagall Hommage à Elsa Triolet, 1972 Lithograph in colors on Arches paper Hand signed and numbered 7/20 from the very rare edition of 20 Mourlot 642 Paper: 25.5 x 19.5 Framed: ...

Sonia Delaunay - Composition Original Lithograph 1972 Dimensions: 32 x 25 cm Revue XXe Siècle Cahiers d'art published under the direction of G. di San Lazzaro. Sonia Delaunay was known for her vivid use of color and her bold, abstract patterns, breaking down traditional distinctions between the fine and applied arts as an artist, designer and printmaker. Born Sarah Stern on November 14, 1885 in Gradizhsk, Ukraine, she was adopted in 1890 by her maternal uncle, Henri Terk, a lawyer in St. Petersburg, where she grew up, exposed to music and art, and learning several foreign languages. In 1903, she moved to Germany to study drawing with Ludwig Schmidt-Reutler (1863–1909) at the Karlsruhe academy of fine arts; Arnold Schoenberg (1874–1951), composer-to-be, was among her classmates there. In 1905, she traveled to Paris where she attended art classes at the Académie de la Palette, learned printmaking from Rudolf Grossman (1889–1941), and met Amédée Ozenfant (1886–1966), André Dunoyer de Segonzac (1884–1974), and Jean-Louis Boussingault (1883–1943). Sonia spent much of her time at exhibitions and galleries in Paris, which showed works by Paul Cézanne, Vincent Van Gogh, Pierre Bonnard, and Edouard Vuillard, as well as Les Fauves, Henri Matisse and André Derain. She did, however, maintain contact with Germany, exhibiting at the Galerie Der Sturm, Berlin, in 1913, 1920 and 1921. During her first year in Paris, Sonia met the German collector and art-dealer, Wilhelm Uhde (1874–1947), whom she married on December 5, 1908, and whose Montparnasse gallery, the Galerie Notre-Dame des Champs, showed her first solo exhibition. Through Uhde, Sonia encountered many painters, including Pablo Picasso, Georges Braque, Maurice de Vlaminck, and Robert Delaunay (1885–1941). In 1910, Sonia divorced Uhde by mutual agreement, married Delaunay that same year, and gave birth to their son, Charles, in January 1911. Together Sonia and Robert Delaunay pursued the study of color, influenced by theories of Michel-Eugène Chevreul (1786–1889). Sonia’s interest in simultaneous contrast, as evidenced in her early collages, book bindings, small painted boxes...

Title: Die Zauberflöte (Mourlot CS. 38), The Metropolitan Opera Year: 1973 Medium: Lithograph on wove paper Size: 39.5 x 25.75 inches Notes: From the opening of Mozart's 'The Magic F...

Artist: Arthur Boden, American Title: T Series (Red) Year: circa 1970 Medium: Screenprint, signed and numbered in pencil Edition: 100 Size: 29 in. x 23 in...

Medium: lithograph (after the collage). Printed in 1971 for XXe Siecle (No. 37) and published in Paris by San Lazzaro. Size: 12 1/8 x 9 1/2 inches (308 x 240 mm). Signed in the plate...

In this abstract print by Ray Elman, the artist creates a series of wave-like forms over textual tide charts for an undisclosed area. The Old in and Out Ra...

Personages is print realized by Wifredo Lam (Sagua La Grande 1902 - Paris 1982) Colored etching on paper. Hand-signed and numbered, edition of XXI/XXV lower in pencil.

ARTIST: Salvador Dali TITLE: Moses & Monotheism The Tear of Blood MEDIUM: Etching on soft glove sheepskin SIGNED: Hand Signed PUBLISHER: Art et Valeur, Paris EDITION NUMBER: E...

"Sweet Song So Young" From the Four Ages of Love Suite by Norman Rockwell Media: Lithograph on Paper Image Dimensions: 21" x 22" Year Produced: 1977 Edition Size: 200 Numbered (1-200), 60 Artists Proofs (1-60) Edition Number: A/P (Artist proof) Signed and Numbered in pencil by the artist Condition: In excellent condition Norman Rockwell was an American painter and illustrator known for his iconic depictions of American culture created for The Saturday Evening Post. With a range of favorite subjects that included nuclear families, mischievous children, and small-town life, his work has achieved an iconic status: the 1943 painting of a Thanksgiving dinner, Freedom from Want, has been reproduced and parodied countless times in contemporary culture. As an artist, Rockwell has had a lasting effect on US society beyond any singular work, with his paintings seen as indelible images that went on to inspire American directors such as George Lucas, Steven Spielberg, and particularly Robert Zemeckis, whose 1994 film Forrest Gump recreates several of Rockwell’s paintings as scenes throughout the film. Though he enjoyed success throughout his career, Rockwell’s idyllic and sentimental outlook on American society was not necessarily embraced by art critics, though his later politically activist work garnered praise for its tackling of controversial subjects. Born on February 3, 1894 in New York, NY, he went on to study at the National Academy of Design and the Art Students League. Rockwell notably had a longstanding relationship with the Boy Scouts...

Juan Genovés Candel (Spanish, 1930-) Painter, illustrator, and graphic printmaker engraver. He painted 'El abrazo' ('the embrace'), which became an emblematic poster during the Spanish political transition. He was born in Valencia in 1930. The son of Juan Genovés Cubells, an artisan whose family was close to the labor movement. His mother Maria Candel Muñoz came from a family of practicing Catholics. In 1946 Genovés studied at the Escuela de Bellas Artes de San Carlos in Valencia and then settled in Madrid. He set up the 'Los Siete' group together with other artists in 1949, and the following year he travelled to Madrid, where he was influenced by the works by Fra Angélico and Hieronymus Bosch in the Prado Museum. In 1957 he had his first solo exhibitions in the gallery Alfil, Madrid and in the Museo d'Arte Moderna, Havana. He is considered the most important representative of modern Spanish painting. His images, executed in a politically engaged, critical realism...

Man Ray Alphabet Pour Adultes (Alphabet For Adults), 1970 Silkscreen in colors and lithograph on paper mounted on wood veneer mounted on card stock. Hand Signed. Numbered. Dated. Ha...

Medium: original lithograph. This original Henry Moore lithograph was printed in 1972 for XXe Siecle and published in Paris by San Lazzaro. Size 12 1/4 x 9 3/8 inches (310 x 238 mm)....

Artist: Salvador Dali, Spanish (1904 - 1989) Title: Nu a la Guitarre (Serenade) from the Nudes Suite Year: 1970 Medium: Lithograph on Rives, Signed and numbered in Pencil Edition: C...

Lithograph, 1972 Handsigned by the artist in pencil Edition : XIII/LXXX Publisher : A.C. Mazo, Maeght, Paris, Poligrafa, Barcelona Printer : Mourlot, Paris Catalog : [Maeght n°863 p...

Judith Bledsoe, American (1938 - 2013) - Woman with Umbrella and Cat. Year: circa 1975, Medium: Lithograph, signed in pencil, Edition: EA, Size: 35 x 25 in. (88.9 x 63.5 cm), Descri...