Face Portrait Prints

Portrait after Raphael is an etching realized by Nicholas Cochin in 1755. Signed on the plate. Good conditions. The artwork is depicted through confident strokes. The etching was...

Portrait after Michelangelo is an etching realized by Nicholas Cochin in 1755. Good conditions. Signed in plate. The artwork is depicted through confident strokes. The etching wa...

Angels is an etching realized by Nicholas Cochin in 1755. Good conditions. The etching was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - Méthode pour apprendre le dessein, ou l'on donne les regles générales de ce grand Art.. enrichie de cent planches representant differentes parties du Corps Humain.. et quelques etudes d`Animaux & de Paysage. Paris: C.A. Jombert, 1755” The plates of this important study were mainly dedicated to anatomical studies, physiognomy and proportions, many taken from works by famous artists such as Raphael, Guido Reni and Titian, as well as classical works including the Farnese Hercules and the Medici Venus.

Anatomy Studies is an etching realized by Nicholas Cochin in 1755. Good conditions with slight foxing. Signed in the plate. The artwork is depicted through confident strokes. The...

Poster. Measures 19.5 x 14.75 inches and is Unframed. Good Condition.

The Muse is a Contemporary Artwork realized in Italy by Guelfo Bianchini (Ancona, 1937) in 1995 . Etching on paper. Hand-signed and dated in pencil on the lower right corner: Gue...

Three Girls is a lithograph on paper realized by Alberto Cavallari in the 1970s. Hand-signed, and numbered, edition of 100 prints. Good conditions. The artwork realized through ha...

The Figures is a lithograph print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Woman is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Woman is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Woman is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Portrait is a woodcut print print on paper, realized after Jean Paul Sauget for Maurice Magre's Les Soirs d'Opium. Published in 1921. Good conditions.

Portrait is a prototype reproduction realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Title...

"Keith Richards Mugshot" Print 39 x 36 inch Edition of 75 by Gerard Marti Digital print on fine art paper. Ships rolled in a tube. Signed and numbered by the artist.

Alexander Calder - Original Lithograph - Behind the Mirror 2 Original lithographs on the same paper (recto/verso, on both paper sides) produced in 1976 Conditions: Good Conditions D...

Partners in life and art - Intimate portraits of John and Yoko. Renowned for his sensual, provocative images, Kishin Shinoyama is one of Japan’s most controversial and acclaimed art...

Portrait is a lithograph realized after Odilon Redon. They belong to the suite "Odilon Redon Peintre, Dessinateur et Graveur", published by Henri Felury in 1923. Good conditions, ...

Elegant Man is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (50x32.5 cm). Not signed. Luc-Albert Moreau (1882-1948) is a French painter, engraver, lithographer, and illustrator, close in his early days to the group known as the Black Band, then to the Golden Section.

Juggler is a Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition, included a white cardboard passpartout (65.5x50 cm). Hand-signed on ...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...

Sloan, John. HEAD WITH NECKLACE. Morse 163. Etching, 1913. Edition of 100, of which only 75 were printed. Titled, signed and inscribed "100 proofs" all in pencil, and further signed ...

Portrait is a lithograph realized by Graham Sutherland in 1972. Numbered edition 58/65. Dimensions:65.5 x 50. In very good conditions. Original creation by the English painter Gr...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...

Red Grooms’ “Ruckus Manhattan” in the mid-1970s humorously transformed Grand Central Terminal into a 3-D caricature of New York City. “I wanted to do a novelistic portrait of Manhatt...

R.C. GORMAN (Native American, 1931-2005). Artistic Gallery/Scottsdale, Arizona-February 17th, 1983 Event Poster. Poster measures 32 x 24 inches and i...

Woman is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 10 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugliese (Ma...

Woman is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 10 copies numbered and signed by the artist. Good condition on a white cardboard Enotrio Pugliese (May...

Bengt Lindström - Original Handsigned Engraving The Seven Deadly Sins. 76 x 56 cm Signed in pencil by Bengt Lindström Paris, ABCD, 1976. Original etching in color Limited edition 90 ex. This is the unique copy offered to Claude Manesse, The story of B. Lindström was collected by Frederick Towarnicki, assisted by Agathe Malet-Buisson. The engravings were drawn on the presses of Claude Manesse. Bengt Lindström (1925-2008) Bengt Lindström was born on September 3rd, 1925 in Storsjökapell, a small isolated village in the Swedish province of Norrland. The young child thus grew up in that vast, mythical and harsh expanse of mounts, glistening lakes and endless forests known as Lapland. His father was a primary school teacher who was fond of Lapps and who showed great interest in their ethnic group and culture. The child was only three days old when Lapp King Kroik, his godfather, administered the Baptism of the Earth, where the child is conveyed between two roots of a tree to grant him protection from the Gods. Lapps as well as local lumberjacks would occasionally abandon their silent ways to tell him and reveal the tales, legends and mysteries of the Great White North. 1935-1945 : He left Storsjökapell and headed to Härnösand, where he wrote short science-fiction novellas, became a renowned athlete and began to paint. 1944-1946 : Isaac Grünewald Art School in Stockholm, Sweden. Study drawing with Aksel Jörgensen at the Copenhagen Fine Arts School in Denmark. He realized his first two lithographs, Meditation and Le Modèle Etendu (The Stretched Model). 1947-1952 : He arrived in Paris. He travelled to Italy, where he visited Florence and Assisi, developing a deep fascination for Giotto and Cimabue. He was granted a scholarship by Swedish magazine Aftontidningen, which helped him move into a workshop in Arcueil, France. He began working on mosaics. 1953-1967 : He returned to Paris, once again taking up lithography and engraving, which holds a vital position in his work. He moved into a workshop in Rueil-Malmaison. This was the start of his collaboration with the Rive Gauche Gallery in Paris. London Tooth & Sons Gallery Director M. Cochrane purchased a large number of his works. He left the workshop in Rueil-Malmaison to settle in Savigny-sur-Orge, France. He began taking to figurative art with Masks, Gods and Monsters. He exhibited with the Nouvelle Figuration Group at the Mathias Feld Gallery. He also began working with the Ariel Gallery in Paris. 1968-1978 : Lindström completed a series of 10 lithographs about Scandinavian mythology. He also completed a series of drypoint works. An association with the Protée Gallery in Toulouse, France, led to exhibitions at the Protée Gallery II in Paris starting in 1984. He executed a large mural painting the Grand Hotel in Härnösand, Sweden. He also made two large frescoes for the Nacksta-Sundsvall covered market in Sweden. He took to sharing his working time between the workshop in Savigny-sur-Orge and the one in Sundsvall. He began collaboration that was to last several years with the ABCD Gallery in Paris, which provided exclusive publication for his engravings and strong ink work. Les Hommes du Nord (Men of the North) was the first of the major tapestries. He published a boxed set album, Eddan, Eddan, Eddan, illustrating Scandinavian mythology. Together with Jacques Putman, he completed two editions of bronze sculptures, Les Enfants Sauvages (The Wild Children). 1979-1982 : He worked on glass, making thirty dishes and goblets for renowned Swedish glassmaker Kosta Boda. He painted a car for Volvo, Sweden’s leading car manufacturer. Then, close to his birthplace, he painted gigantic tarpaulins over forty metres high, covering the slopes of the neighbouring Våladalen Mountain, as a protest against the building of a dam. This action caused a sensation and provoked fierce reactions. He also created small painted papier mâché sculptures, Têtes (Heads), as well as some gold and silver jewellery. 1983 : He exhibited seven monumental 3x2.5m works at the Art and History Museum in Stockholm: Les Grands Dieux Ase (The Great Aesir Gods), depicting the gods from Scandinavian mythology: Thor, Odin, Frej, Balder, Ymer, Loki and Unknown God, as well as acrylic paintings about the Valkyries. Les Grands Dieux was ultimately exhibited in a purpose-built chapel adjoining the Midlanda Contemporary Arts Centre in 1996. He completed Thor’s Hammer, a monumental sculpture. 1985-1990 : He lived also in the Alicante region, where Spanish friends found him a new workshop. While there he completed Novelda, an album of lithographs featuring poems by Spanish poet Paco Pastor. He completed a new mural, 5mx5m, for the Västeras Science Institute in Sweden. He then started working with the San Carlo Gallery in Milan, Italy, which coordinated all of the Italian events. Major exhibitions and retrospectives were held in Italy, Belgium, Luxembourg, Germany and Spain. He created two boxed set albums, containing series of 10 aquatints, Monde Autre et Chamanes (Otherworld and Shamans), featuring poems by Michel Perrin. 1991-1994 : He went back to working in black and white, completing some very-large-format works. In Murano, in association with the San Carlo Gallery, he created Grands Verres (Large Glasses), a series of large vases and sculptures made of crystal. He painted Kåtan Mimi, an 8x9m Lapp tent, for the town of Arjeplog in Swedish Lapland. He completed a couple of 2m-high painted polyester sculptures, Lui et Elle (Him and Her). He then made a new series of crystal glasses and sculptures in Murano, Italy. He completed Présence (Presence), a new 3.5x2.7m tapestry for the municipality of Timrå, Sweden. He started on the Grands Initiés (Great Insiders) series, all large format and mixed black and white techniques. He finished the strong series about Norse gods. 1995-1996 : He moved into a new workshop in Paris. A retrospective was held at the Sundsvall Museum in Sweden, and on that occasion he painted a monumental 700-m² canvass, Le Géant sur la montagne (The Giant on the Mountain), which was hung all summer long on the mountain slope facing the town. He went on to complete a suite of six silkscreen prints on the same theme. Then he inaugurated the Y, a monumental sculpture. Lindström then completed Temps Zéro (Zero Time), a watch made for Swatch. One of his works, L’hiver (Winter), made the cover of the first 1996 issue of Telerama, the leading French weekly. In association with Sydkraft Sweden, he painted a fresco for the municipality of Örebro on a 17m-high tank with a surface area of 3,000 m², located at the crossroads of major Swedish motorways, by the entrance to the Åbyverket industrial estate. He also created a 6.5m-high Tången sculpture made of painted concrete in Ånge, which was inaugurated on September 3rd in the presence of their Majesties the King and Queen of Sweden. 1997-1999 : He began working on ceramics in Albisolla, Italy. He also completed a new 30m-high fresco for the town of Örebro, located close to the tank he had painted in 1996 near Åbyverket. The year saw the inauguration of the Midlanda Contemporary Arts Centre in Sweden, which harbours the collection of the Bengt and Michèle Lindström Foundation, featuring the entire engravings collection (about 800 works), as well as a selection of paintings and sculptures. He completed a 4x10m mural in the lobby of the University of Eskilstuna, Sweden, and also completed two monumental frescoes on the Akkats dam and a mural on the power station facing Jokkmokk in Swedish Lapland. 2000-2003 : He painted all of the sides of a semi-articulated lorry for Scania, Sweden’s main truck manufacturer. In Italy, he completed a new series of crystal sculptures with Adriano Bérengo. He finished the Great Prophets, a series of 2x2m oil on canvass works. Swiss publisher Ides et Calendes published a small but luxurious monograph, with text by Françoise Monnin. A notebook was also published, Le Visage dans l’Art de Bengt Lindström (Faces in the Art of Bengt Lindström). He completed a substantial series of large blue acrylic paintings, Femmes (Women). 2003 : Bengt fell ill and was unable to paint, but the exhibitions went on. 2004 : Saw the release of the film by Dag Jonzon and Hans Östbom, produced by Dell’arte AB and Östbom Filmbild, about the life of Bengt Lindström. Entitled Lindström - Le Diable de la couleur et de la forme (Lindström – The Colour and Form Devil), the film was produced thanks to support from Film Västernorrland, Länsstyrelsen Västernorrland and Sveriges Television. It was broadcast on Swedish television channels. That same year, the Midlanda Contemporary Arts Centre was closed as a result of municipal policy. 2005-2007 : The 6m-high sculpture Le Loup (The Wolf), made for PEAB, was inaugurated in Botkyrka-Stockholm. Lindström – The Colour and Form Devil was screened at the Paris Swedish Cultural Centre and released on DVD. The Michèle and Bengt Lindström Foundation was donated and transferred to the Länsmuseet i Västernorrland in Härnösand, Sweden, where a special room was prepared to host Les Grands Dieux Ase. Edition of the 1998 Ceramics, created in association with Francis Dellile’s ”La Tuilerie” workshop. The Bengt Lindström Collection was inaugurated at, Murberget, the Länsmuseet i Västernorrland in Härnösand, Sweden. He illustrated Sinfonietta för Juliana, a collection of poems by Italian poet and art critic Sebastiano Grasso. On January 29th, 2008, Bengt Lindström passed away at his home in Sweden. 2008-2012 : The Fondation Krimaro presents the first volume of the works of Bengt Lindström in his collection. Numerous exhibitions-tribute to the work are presented in major cities in Europe. 2012 : Retrospective - Black and White in the engravings - Museum of Härnösand, Murberget, Sweden. Main exhibitions 1952 Fair Réalités Nouvelles – New realities, Paris, France. 1953 Craven Gallery, Paris, France. 1954 Gummeson Gallery, Stockholm, Sweden. Fair Salon d’Octobre, Paris, France. 1958 Breteau Gallery, Paris, France. 1959 Autour du Spontanéisme – Around the sontaneity, Stockholm, Sweden. L’Europe Nouvelle – The new Europe, LaUnited Statesnne, Switzerland. 1960 Rive Gauche Gallery, Paris, France. 1961 Tooth Gallery, London, England. Le Zodiaque Gallery, Brussels, Belgium. Fair Salon de Mai, Paris, France. 1962 Nouvelle Figuration – New Figuration , Mathias Fels Gallery, Paris, France, 1964 Nord-Sud – North-South, in several cities in Sweden. Ariel Gallery, Paris, France, 15 artists of my generation. Museum of Fine Arts in Gent, Belgium, Figuration-Défiguration – Figuration – Disfigurement. 1965 Rive Gauche Gallery. Paris, France. Nord Gallery, Lille, France. Birch Gallery, Copenhagen, Denmark. 1966 Museum of Modern Art, Gothenburg, Sweden. 1967 Veranneman Gallery, Brussels, Belgium. Carnegie Institute, Pittsburgh, United States. Seibu Gallery, Tokyo, Japan, 23 peintres in Paris. 1968 Ariel Gallery, Paris, France, followed by six exhibitions until 1976. 1969 La Pochade Gallery, Paris, France. Protée Gallery, Toulouse, France, who exhibited him in Paris, Gallery Protée II, from 1984. 1973 Galliera Museum, Paris, France. 1974 Gallery 111, Lisbon, Portugal. 1982 Gallery Protée-Arco, Madrid, Spain and Fair Foire de Cologne, Germany. 1983 Historia Museum, Stockholm, Sweden, The Ase gods and the Valkyries. 1984 Gallery Arcano XXI, Lisbon, Portugal. Gallery Christian Cheneau, Paris, France. Museum Château comtal, Carcassonne, France. 1985 Gallery Italia, Alicante, Spain. 1986 Gallery Sala Gaspar, Barcelona, Spain. Gallery Juan Mordo-Arco, Madrid, Spain. Gallery Italia, Alicante, Spain. Museum of Salamanca, Salamanca, Spain. Gallery Three Continents, New-York, United States. Gallery Protée, Toulouse France, Autour du Roi Lear – Around King Lear. 1987 Gallery Kostel, Paris, France. Gallery Zwirner, Cologne, Germany. Gallery Leu, Rottach-Egern, Germany. 1988 Maison du Lot, Figeac, France. Gallery Protée, Paris, France. Gallery Michèle Sadoun, Paris, France 1989 Gallery Michèle Sadoun, Paris, France, La terre des ancêtres - The Land pf the ancestors. Gallery Protée, Paris, France, Nomads. Gallery Raab, London, England. 1990 Gallery Michèle Sadoun, Paris, France. Centre Culturel de Brest, France. 1991 Gallery Michèle Sadoun, Paris, France. 1992 Archotèque, Saint-Denis, La Réunion, France. Museum of Vesoul, Vesoul, France. Gallery San Carlo, Milan, Italy. 1993 Gallery 111, Lisbon, Portugal. Tonnellerie du Cognac Monnet...

Soldier is an Etching and Aquatint realized by Enotrio Pugliese in 1970s. Limited edition of 24 copies numbered and signed by the artist. Good conditions. Enotrio Pugliese (May 11...

Nude is an Etching and Aquatint realized by Enotrio Pugliese in 1970s. Artist's proof. signed by the artist. Good conditions. Enotrio Pugliese (May 11, 1920 - August 1989) was an...

Portrait is an Etching and Aquatint realized by Enotrio Pugliese in 1970s. Artist's proof. signed by the artist. Good conditions. Enotrio Pugliese (May 11, 1920 - August 1989) wa...

The Sicilian is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 10 copies numbered and signed by the artist. Good conditions. Enotrio Pugliese (May 11, 1920 - ...

Peasant is a lithograph realized by Enrico Tommasi in the Late 19th Century. Good conditions. Signed on Plate. The artwork is depicted through soft strokes in a well balanced comp...

The Portrait is an Etching and Aquatint realized by Enotrio Pugliese in the 1970. Hand-signed by the artist on the lower. Numbered, Limited edition of 5/9 prints. Good conditions....

Woman in Prayer is an Etching realized by Enotrio Pugliese in 1963. Limited edition of 12 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pu...

Country Study is an Etching realized by Enotrio Pugliese in 1968. Limited edition of 30 copies numbered and signed by the artist. Good condition on a white cardboard. Enotrio Pugl...

Léonard Foujita (French/Japanese, 1886–1968) The Three Graces Original Lithograph 76 x 54 cm Signed in the plate Reference: Sylvie Buisson réf. #60.28 (vol. 1, p.531) Léonard ...

Poster. Measures 21 x 17.5 inches and is Unframed. Fair/Distressed Condition-please see secondary photos for details.

Child is an orginal modern artwork realized by Arnoldo Ciarrocchi in the mid-20th Century. Black and white etching. Hand signed and numbered on the lower margin Edition of 94/150 ...

Digital illustration printed on forex. Realized by Sara Fiorucci in 2022. This work was created digitally for the "Onde" (Waves) collective exhibition, organized in 2022 at the Museo dell' Arte Sanitaria. It was inspired by the song "California Soul" by Marlene Shaw. The aim of "Memorie Sonore" (Sound memories) is to impress, using modern ways and techniques, those memories that have almost faded over time and that are evoked when we listen to music...

"Jim Morrison Mugshot" Print on canvas 39 x 36 inch Ed. of 75 by Gerard Marti Giclee print on canvas Stretched on wooden bars. Signed and numbered by the artist. The short enigma...

"Look at me deeply, can you the ocean?" Serena is a mermaid, adorned with pearls and stars, she guards the blue ocean in her eyes. Illustration on paper (giclée print) realized by the Italian artist Sara Franzese...

Illustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and numbered Two sisters are two col...

Portraits is an etching realized by Frédéric Villot (1809-1875) after Eugène Delacroix. Good condition on a yellowed paper, included a white cardboard passpartout ( 64x51 cm). Hand-signed by the artist on the margins. The artwork represents three portraits...

Illustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and numbered She represents a godd...

Embrace Me is a beautiful illustration on paper (giclée print) realized by the Italian artist Sara Franzese in 2022. Edition of 5. Hand-signed and numbe...

(Title Unknown) Mixed Media Print, signed and numbered by the artist (signature and edition are illegible-please see secondary photos for details). The print measures 21.5 x 27.5 inc...

Portrait is an original modern artwork realized by Pierre Grandon in the 19th Century. Black and white etching. The artwork is depicted through soft strokes in a well-balanced comp...

Eduardo Recife Memories, 2018 Digital Collage Archival Pigment Print Framed 44 x 30 inches Edition of 5 Signed

The Rest is an original colored lithograph realized by the artist Roger Chapelain-Midy in the 1971. Hand-signed by the artist on the lower right. Numbered on the lower left. Edi...

"Hepburn and Bogart" original etching by Al Hirschfeld. Caricature portraits of Katherine Hepburn and Humphrey Bogart in "The African Queen." Artist ...

Bambi "Madonna" 2013; Screenprint on Somerset soft wove paper 44 x 30 inches Edition of 90 Unframed Bambi is the pseudonym of a contemporary British street artist. Her works focuses ...

Johnson, Lester (American 1919-2010). THREE HEADS FRONTAL. Lithograph, 1963. Edition of 39. Titled, numbered 29/38 and signed in pencil in the margin bel...

Portraits is an Original etching realized by Frédéric Villot (1809-1875) after Eugène Delacroix. Good condition on a yellowed paper, included a white cardboard passpartout ( 64x51 c...

Portrait is an Original etching realized in the late-19th century by Edouard Dufeu (1836-1900). Signed by the artist in the lower right corner. Edouard...

Portrait of Pierre Louÿs is a woodcut print on paper, realized the portrait of the young poet by an anonymous artist in the 20th Century. Titled on the lower. Good conditions excep...

Lady in Saloon is an Original Lithograph on ivory-colored paper realized by Luc Albert Moreau. The artwork is in good condition with slight foxing. Hand-signed on the lower. Luc-...

Soft-ground etching, with the stamped signature. From the edition of 1,000. Printed by Ambroise Vollard, 1919, on wove paper, with wide margins. Sheet size: 12.62 x 9.75 in. Image si...

"Sukeroku" by Al Hirschfeld from the "Kabuki Suite," a series of 12 color lithographs on Arches paper capturing Hirschfeld's impressions from a trip to Japan in 1975 of the country's...

Profile is a modern artwork realized by the Italian artist Giacomo Porzano (1925-2006) in 1972. Black and white etching. Hand-signed and dated on the lower right. Numbered on the ...