Surrealist Prints and Multiples

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From volume, Derrière le miroir, N° 87-88-89. June-July...

Rufino Tamayo, Mexican (1899 - 1991) - Bodegon, Portfolio: Rufino Tamayo 15 aquafuertes, Year: 1980, Medium: Etching, signed and numbered in crayon, Edition: 16/99, Size: 22 x 3...

"Baby Dragon Dreams" - 1976 Surrealist Lithograph on Paper 1976 surrealist lithograph on paper depicting ascending figures by Jim Crabb (American, b. 1947). The figures are made up ...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Salvador Dali - The Biblia Sacra was published in 1969 by Rizzoli of Rome - SIGNATURE : printed in the image - LIMITED EDITION: 1499 - SIZE : 19 x 13 3/4" - REFERENCES : Michler an...

Lithograph on vélin des Papeteries du Marais paper. Paper Size: 14 x 10.25 inches. Inscription: Signed in the plate and unnumbered, as issued. Notes: From the album, Verve: Revue Art...

Pierre-Yves Tremois A wild ray Original etching, 1970 Handsigned by the artist Numbered / XXIV copies (total edition of 90 + XXIV) Size 57 x 45 cm (c. 22,4 x 17,7 in) Very good cond...

Salvador Dali - Don Quichotte - Original Lithograph Joseph FORET, Paris, 1957 PRINTER : Atelier Mourlot. SIGNATURE : printed signature in the plate LIMI...

Max ERNST (1891-1976) Shoe artist and Statue of Liberty, c. 1974 Original lithograph Unsigned Numbered / 120 copies On Arches vellum 52 x 37.5 cm INFORMATION: Lithograph created fo...

Artist: Joan Miro, Spanish (1893 - 1983) Title: L'Ete (Summer) from Verve (Vol. 1, No. 3) Year: 1938 Medium: Color Pochoir on Wove Paper, signed, titled and dated in the plate, verso...

Artist: Salvador Dali Title: James the Lesser (Vicar of Britain) Portfolio: 1972 The Twelve Apostles (Knights of the Round Table) Medium: Lithograph Year: 1972 Edition: 41/350 Frame ...

Salvador DALI Iseult Of The White Hands, 1970 Original etching Handsigned in pencil Numbered edition of 75 copies On Japan paper 66.5 x 51 cm (c. 26.19 x 20.08 inch) REFERENCES : ...

Joan Miró La Mélodie Acide - 14 Color lithograph Year: 1980 Edition: 1500 Artist Dry Stamp lower right, Annotated "H.C" (hors commerce) in pencil lower left Size: 8.2 × 6.6 on 12.9...

Letterpress printing on spécialement fabriqué Curtis Rag vélin paper. Paper Size: 12.5 x 9.1875 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, A Best...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Il ya a des Soldats (There are Some Soldiers) is an original etching and drypoint realized by Salvador Dalì in 1973. It belongs to the series "Poi, Je t'Attends à Babylone", a suite ...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Etching Héliogravure and drypoint. Signed with artist's monogram. Hand titled. Second state.  Good condition. Ref. Rouir 905; Exteens 411. 

Salvador Dali (1904-1989) - The Inferno, Canto 17 - The Usurers Woodcut print from 1960. Dimensions of work: 33 x 26.2 cm Publisher: Les Heures Claires, Paris. The work is in Exc...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

A color, stone lithograph titled 'Edward' by Nura Woodson Ulreich (American, 1899–1950) stamped verso with certification of authenticity. A crisp and fresh image from 'Nura's Childre...

The Wrathful - from the Series "The Divine Comedy" is a woodcut print realized in 1963 for a series illustrating the Medieval poem of the "Divine Comedy"...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Salvador Dali A Black Devil (1960) Heliogravure reworked with drypoint Printed signature in the plate On BFK Rives Vellum paper Size 32.8 x 26.4 cm (c. 13 x 10") References: - Fie...

Tina Mackler, British/American - Robert Joffrey Ballet - The Clowns, Medium: Lithograph, signed, titled and numbered in pencil, Edition: 80/125, Image Size: 20 x 16.25 inches, Fra...

Salvador Dali, Spanish (1904 - 1989) - Warriors Dream, Portfolio: Peace in Vietnam, Year: 1973, Medium: Lithograph, signed and numbered in pencil, Edition: 135/300, Size: 16.25 ...

Roberto Matta, Chilean (1911 - 2002) - L'eau est Mana, Year: 1974, Medium: Lithograph on Arches Paper, signed and numbered in pencil, Edition: 50/200, Image Size: 21.5 x 30 inche...

Roberto Matta, Chilean (1911 - 2002) - 10PM from L'Arc Obscur des Heures, Year: 1975, Medium: Etching with Aquatint, signed and numbered in pencil, Edition: 89/125, Image Size: 1...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 13.75 x 19 inches. Inscription: Signed in the p...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 13.75 x 19 inches. Inscription: Signed in the p...

Original Lithograph XI is an amazing color lithograph on paper, realized in 1974 by Joan Miro for the second volume of his catalog "Mirò Lithographe" This artwork is the last origin...

This artwork "Two Faces" 2006 is an original color serigraph by Ukrainian/American artist Anatole Krasnyansky. It is hand signed and numbered 323/350 in blac...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

after Salvador DALI (1904-1969) Butterfly suite : Les Alpes, 1969 Lithograph and heliogravure after original compositions by Dali Printed signature in the plate bottom right Larger ...

Ian Hugo, 'On Stage', from the portfolio 'Ten Engravings'. engraving, 1946, edition 50. Signed, dated, titled, and numbered '22/50' in pencil. A fine impression, with delicate overall plate tone, on cream wove paper, the full sheet with margins (3 5/8 to 4 7/8 inches), in excellent condition. With the blind stamp 'madeleine-claude jobrack EDITIONS', in the bottom right margin. Matted to museum standards, unframed. Image size 5 7/8 x 3 7/8 inches (149 x 98 mm); sheet size 15 1/8 x 11 1/8 inches (384 x 283 mm). Ian Hugo originally created "Ten Engravings" in 1945, and the portfolio included a foreword by his partner and collaborator, Anais Nin. In 1978, Hugo republished the portfolio with Madeleine-Claude Jobrack, an American master printmaker who studied under Stanley William Hayter at Atelier 17, Paris, and with Johnny Friedlaender. When Jobrack returned to the United States she managed the Robert Blackburn Printmaking Studio in New York before opening her own printing studio, Madeleine-Claude Jobrak Editions. “The sign of the true artist is one who creates a complete universe, invents new plants, new animals, new figures to transfer to us a new vision of the universe in which dream and reality fuse. Ian Hugo's plants have eyes, the birds have the delicacy of dragonflies, their feathers have the shape of fans. Humor is apparent in every gesture. He uses a fine spider web to give a feeling of flight, speed, lightness. The body of a woman reveals the structure of a leaf, a plant. Wings are moving in a world unified by mythological themes. This is an animated world, humorous and levitating, elusive and decorative, which by its unique forms and shapes gives us the sensation of a rebirth, a liberation from the usual, the familiar, a visit to a new planet.” —Anais Nin, from the forward to the portfolio ‘Ten Engravings’ ABOUT THE ARTIST Ian Hugo was born Hugh Parker Guiler in Boston, Massachusetts, on February 15, 1898. His childhood was spent in Puerto Rico—a "tropical paradise," the memory of which stayed with him and surfaced in both his engravings and his films. He attended school in Scotland and graduated from Columbia University where he studied economics and literature. Hugo was working with the National City Bank when he met and married author Anais Nin in 1923. The couple moved to Paris the following year, where Nin's diary and Guiler's artistic aspirations flowered. Guiler feared his business associates would not understand his interests in art and music, let alone those of his wife, so he began a second, creative life as Ian Hugo. Ian and Anais moved to New York in 1939. The following year he took up engraving and etching, working at Stanley William Hayter’s experimental printmaking workshop Atelier 17, established at the New School for Social Research. Hugo began producing surreal images often used to illustrate Nin's books. For Nin, his unwavering love and financial support were indispensable—Hugo was the "fixed center, core... my home, my refuge" (Sept. 16, 1937, Nearer the Moon, The Unexpurgated Diary of Anais Nin, 1937-!939). Fictionalized portraits of Higo and Nin appear in Philip Kaufman's 1990 film drama of a literary love triangle, Henry & June. Inspired by comments that viewers saw motion in his engravings, Hugo took up filmmaking. He asked the avant-garde filmmaker Sasha Hammid for instruction but was told, "Use the camera yourself, make your own mistakes, make your own style." Hugo embarked on an exploration of the film medium as a vehicle to delve into his dreams, his unconscious, and his memories. Without a specific plan, He would collect resonant images, then reorder or superimpose them, seeking a sense of self-connection through the poetic juxtapositions he created. These intuitive explorations resembled the mystical evocations of his engravings, which he described in 1946 as "hieroglyphs of a language in which our unconscious is trying to convey important, urgent messages." In the underwater world of his film ‘Bells of Atlantis,’ the light originates from the world above the surface; it is otherworldly, out of place, yet essential. In ‘Jazz of Lights,’ the street lights of Times Square become in Nin's words, "an ephemeral flow of sensations." This flow that she also calls "phantasmagorical" had a crucial impact on Stan Brakhage, who said that without Jazz of Lights (1954), "there would have been no Anticipation of the Night" his autobiographical film which ushered in a new era of experimental modernist filmmaking. Hugo lived the last two decades of his life in a New York apartment high above street level. In the evenings, surrounded by an electrically illuminated man...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Etching on Montval wove paper, realized by Marc Chagall in 1931-39 and published by Tériade in 1956. Edition of 275+30 out of commerce copies. Not signed nor numbered, as issued. ...

Image dimensions: 33.5 x 47.5 cm. Le Lézard aux Plumes d'Or is a beautiful color lithograph on tissue paper, realized in 1971 by the Spanish Surrealist artist, Joan Mirò (Montroing ...

Georges Braque (1882-1963) - Carnets intimes de Braque XIII Lithograph from 1955. Dimensions of work: 35 x 26 cm Publisher: Tériade, Paris. The work is in Excellent condition. F...

Alistair Grant Crying Eye - 1968 Print - etching, with Aquatint   16'' x 24'' inches Edition: signed and numbered in pencil 45/50 Alistair Grant was a great and justly-revered exp...

Lithograph on vélin paper. Paper Size: 12 x 9 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the album, View, Surrealism in Belgium, vol. V, n°1, March 1945. Pu...

This artwork titled "Three Organic Forms" from the suite "Bestiary and some Correspondences" 1968 is an original lithograph on Arches paper by renown Bri...

Artist: Isabelle Planté Title: Le Pont Alexandre III - 1998 Print - Lithograph on Arches Archival Paper   Size:  19'' x 25.5'' Edition: Signed in pencil and marked 24/90 image size ...

Morris Broderson, American (1928 - 2011) - Roses, Portfolio: The Atelier Portfolios, Number One: Morris Broderson, Year: 1961, Medium: Lithograph, signed and dated in the plate lo...

Woodcut in colors on vélin pur chiffon de Rives paper. Paper size: 13 x 10.375 inches. Inscription: Unsigned and unnumbered, as issued. Catalogue raisonné reference: Michler & Löpsin...

Marc Chagall (1887-1985) - Cover for Menu (trial proof) Lithograph from 1964. Trial proof - unique work. Dimensions of sheet: 45 x 32 cm Dimensions in frame: 53.2 x 43.2 cm Publ...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Color lithograph after the 1954 oil on canvas by René Magritte, printed signature of Magritte and numbered from the edition of 300. The lithograph features the dry stamps of the Magritte Foundation & ADAGP and is countersigned in pencil by Mr. Charly Herscovici, President of the Magritte Foundation, Chairman of the Magritte Museum and unique representative of the Magritte Succession. A proof of edition is printed on the back of the lithograph, guaranteeing its authenticity. Magritte was a Belgian surrealist artist whose witty and thought-provoking images challenged observers? preconditioned perceptions of reality. Magritte's work frequently displays a juxtaposition of ordinary objects in an unusual context, giving new meanings to familiar things.Magritte grew up in a simple and somewhat tragic household. His father was a modest tailor. His mother, who was mentally unsound, committed suicide in the year 1912. Magritte started drawing at a young age, and his first paintings, produced c. 1915, were Impressionistic in style.Magritte first worked as a draughtsman in a wallpaper factory and, in the year 1922, fell in love with and married Georgette Berger. In 1926, Magritte signed...

Lithograph and stencil on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition. Notes: From the album, Miró: Cartones, 1959-1965, October - November 1965, 196...

The Soldier's Ballad is a contemporary artwork realized by Max Ernst in 1972. Mixed colored lithograph on Arches Paper. Edited by Manus Presse, Stuttgart 1972. Not signed and not ...

Sponsabo te mihi in sempiternum ("I will Betroth you to me Forever") is an artwork realized by Salvador Dalí between 1964 and 1967. It is part of Biblia Sacra vulgatæ editionis pub...

This piece is part of my private collection since the 1970's.It is original and is not signed.

Salvador Dali (Spanish, 1904 – 1989) Immortality of the Itinerant Insect, 1973 Signed and numbered ‘XIII / L (lower left) and ‘Dali’ (lower right) Drypoint with etching and heliograv...

Artist: Roland Topor (French, 1938-1997) Title: Nouvelles En Trois Lignes III Year: 1975 Medium: Lithograph with pochoir hand coloring Edition: Inscribed A.P (Artist Proof) Paper: Wove Image size: 21 x 15 inches paper size: 25.5 x 19.5 inches Signature: Hand signed in pencil by the artist Publisher: Editions Sauret, Paris, Monaco Condition: Excellent Description: From the suite"Nouvelles En Trois Lignes" About the artist. Roland Topor (January 7, 1938 – April 16, 1997), was a French illustrator, painter, writer, filmmaker and actor, known for the surreal nature of his work. He attended the School of Fine Arts in Paris (1955-1964). He publishes his first drawings in the review « Bizarre », his first short stories appear in the review « Fiction » in 1958. His corrosive humor leads him to collaborate with the satirical newspaper « Hari-Kiri » (1961-1965). « Masochists » his first book is edited by Losfeld in 1961. Totally tragic, absurd and grotesque , the humor he disseminates evokes more the one of Central Europe. All his creations from the beginning till the end remain provocative and bizarre. He is mainly known as an illustrator and graphic artist and famous for combining surrealism with black humor. Abram Topor, father of the artist came to settle in Paris in 1930 thanks to a grant from the Warsow Arts Academy. In his young age during the war, he and his family will stay for a while in Savoie trying to escape Nazis. In 1962 he created the Panic Movement (mouvement panique), together with Alejandro Jodorowsky and Fernando Arrabal. Topor wrote the novel "The Tenant" (1964), which was filmed by Roman Polanski as The Tenant Topor was responsible for the odd visual style of the Czech/French animated sci-fi feature La Planete Sauvage (Fantastic Planet...

Woodcut in colors on vélin de Rives BFK paper, mounted on vélin d’Arches support, as issued. Paper size: 13 x 10.375 inches. Inscription: Signed in the block, and unnumbered, as issu...

Après-moi Le XX Siècle is an original artwork realized by Max Ernst in 1971. Original colored lithograph. Very good conditions. This lithograph is from the second issue, which wa...

This artwork titled "Vivaldi, Autumn" 1993 in an original etching with hand coloring by noted German artist Jurgen Gorg, b.1951. It is hand signed, dated, titled and numbered E.A. III/X in pencil by the artist. The plate mark (image) size is 15.5 x 12.5 inches, framed size is 29 x 18 inches. Custom framed in a wooden silver frame, with light grey matting, silver color bevel and red/brown fillet. The artwork and matting are in excellent condition, the frame have some scratches and dents, it will be replaced by a new similar or better silver frame when sold before shipping. This will bring the over all condition to excellent. About the artist: Born in 1951 in Dernbach, West Germany, Jurgen Gorg has established himself as a master craftsman and consummate artist. His etchings and lithographs reflect his innate talent and imagination. He studied visual arts first, in Koblenz, Germany and later, at the Johannes-Gutenberg University in Mainz, Germany. Gorg began his professional career in 1977 as an artist and printmaker and by 1980, was awarded a special painting prize by the district of Rheinland-Pfalz. In 1985, a catalog raisonne was published of Gorg's creations. Gorg's work follows a strong tradition of figurative art with erotic overtones. He interprets his subject matter loosely, keeping his figures open and emphasizing motion through line and contour. A foreword in a book on Gorg's work captures his artistic sensibility: "The predominant subject is the human body: it is the body of a young, slim, beautiful person. The face remains vague, the gestures are those of free motion...