Bird Prints and Multiples

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

One of 9 humorous portraits of birds engaged in conversation by Franco-Iranian artist Marjan Seyedin. In her works, birds and animals provide an allegor...

Paper Size: 42 x 30 inches ( 106.68 x 76.2 cm ) Image Size: 37.5 x 30 inches ( 95.25 x 76.2 cm ) Framed: No Condition: C: Several Signs of use and handling, some visible marks ...

Vive la Pub, published in 1984 by Gilbert Salachas, Paris, is a hardcover edition bound in blue cloth with a dust jacket. While the jacket shows a few small tears, the book remains i...

Bird is a modern artwork realized by Renzo Vespignani in 1969. Black and white lithograph. Hand signed, dated and numbered on the lower margin. Edition of 17/50.

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Harle Femell (The Female Merganser)" (Plate 953) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the...

Wenzel Hollar (1606-1677), Air, 1647, after Petrus van Avont, from the Four Elements. [signed and dated W. Hollar 1647 lower right and inscribed P. van Avont inu lower left in the plate] Reference: Pennington 522, third state (of 3). In good condition (a thin spot upper left verso), on laid paper, trimmed outside of the borderline all around, 5 1/2 x 8 1/8 inches. Provenance: the London firm of Craddock and Barnard, still in their mat, with the Barnard annotations. A fine strong impression of this whimsical representation of the element Air. Hollar (1607-1677) had learned etching as a gentlemanly pursuit before, as a Protestant, having to leave Catholic Prague when he was 20. For nine years he worked in various German towns, mostly producing topographical prints...

Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower right margin. ...

Hand signed and numbered by the artist. Etching and aquatint on lana paper. Image size 19.3 x 14.9 in. Frame size approx 29 x 25 in. Edition of 95. Certificate of authenticity includ...

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

Mario AVATI Woman Riding a Dove Original black manner etching Handsigned in pencil Numbered / 100 copies On BFK Rives vellum 30 x 19.5 cm (c. 12 x 8 in) Excellent condition

John Gould (British, 1804-1881) Nasiterna Pygmae c. 1849-1861 Hand Colored Lithograph Image Size: approx 19.5 x 13.5 inches Framed Size: 27 3/8 x 21 1/2 inches John Gould was an English ornithologist and bird artist. The Gould League in Australia was named after him. His identification of the birds now nicknamed "Darwin's finches" played a role in the inception of Darwin's theory of evolution by natural selection. Gould's work is referenced in Charles Darwin's book, On the Origin of Species. Gould was born in Lyme Regis, Dorset, the son of a gardener, and the boy probably had a scanty education. Shortly afterwards his father obtained a position on an estate near Guildford, Surrey, and then in 1818 became foreman in the Royal Gardens of Windsor. He was for some time under the care of J T Aiton, of the Royal Gardens of Windsor. The young Gould started training as a gardener, being employed under his father at Windsor from 1818 to 1824, and he was subsequently a gardener at Ripley Castle in Yorkshire. He became an expert in the art of taxidermy, and in 1824 he set himself up in business in London as a taxidermist, and his skill led to him becoming the first Curator and Preserver at the museum of the Zoological Society of London in 1827. Gould's position brought him into contact with the country's leading naturalists, and also meant that he was often the first to see new collections of birds given to the Society. In 1830 a collection of birds arrived from the Himalayas, many not previously described. Gould published these birds in A Century of Birds from the Himalaya Mountains (1830-1832). The text was by Nicholas Aylward Vigors, and the illustrations were lithographed by Gould's wife Elizabeth, daughter of Nicholas Coxen of Kent. This work was followed by four more in the next seven years including Birds of Europe in five volumes - completed in 1837, with the text written by Gould himself, edited by his clerk Edwin Prince. Some of the illustrations were made by Edward Lear as part of his Illustrations of the Family of Psittacidae in 1832. Lear however was in financial difficulty, and he sold the entire set of lithographs to Gould. The books were published in a very large size, imperial folio, with magnificent coloured plates. Eventually 41 of these volumes were published with about 3000 plates. They appeared in parts at £3 3s. a number, subscribed for in advance, and in spite of the heavy expense of preparing the plates, Gould succeeded in making his ventures pay and in realizing a fortune. In 1838 he and his wife moved to Australia to work on the Birds of Australia and shortly after his return to England, his wife died in 1841. When Charles Darwin presented his mammal and bird specimens collected during the second voyage of HMS Beagle to the Geological Society of London at their meeting on 4 January 1837, the bird specimens were given to Gould for identification. He set aside his paying work and at the next meeting on 10 January reported that birds from the Galápagos Islands, which Darwin had thought were blackbirds, "gross-bills" and finches were in fact "a series of ground Finches which are so peculiar" as to form "an entirely new group, containing 12 species." This story made the newspapers. In March, Darwin met Gould again, learning that his Galápagos "wren" was another species of finch and the mockingbirds he had labeled by island were separate species rather than just varieties, with relatives on the South American mainland. Subsequently Gould advised that the smaller southern Rhea specimen that had been rescued from a Christmas dinner...

ARMAN Fernandez Violin profile Drypoint etching 1979 Arches vellum 23 x 15" Field Arman catalog raisonne of prints - Otmezguine / Moreau #248h This etching was published in "Le Trait...

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

Mechanical Parrots is a contemporary artwork realized by the artist Fifo Stricker in 1997. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower rig...

Artist: François-Nicolas Martinet (French, 1731-1800) Title: "Le Millouinan" (Plate 1002) Portfolio: Histoire Naturelle Des Oiseaux *Signed by Martinet in the plate (printed signatur...

Hand Signed. Edition of 150 pieces. Excellent condition.

Artist: Alexander Calder Title: Cover (Derriere le Miroir #156) Portfolio: Derriere le Miroir #156 Medium: Lithograph Date: 1966 Frame Size: 21 1/4" x 17 1/4" Sheet Size: 15" x 11" I...

Ganglion Nerve Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. Signed on plat...

Stuckey 328. From an edition of 60. Signed in pencil lower right margin: "Stow Wengenroth"; inscribed in pencil lower left margin: "Ed/60". A fine impression in fine condition. Sheet...

Diseases of the Eyes - Larynx and Parotis is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in 184...

The Prophecy of Joel is an artwork realized by Marc Chagall, 1960s. Lithograph on brown-toned paper, no signature. Lithograph on both sheets. Edition of 6500 unsigned lithographs....

John Baldessari pays tribute to the old master Albrecht Dürer by repurposing his famous woodcut "Rhinoceros". When the rhino's magnificent head is tilted up, the expression becomes...

This is one of the illustrations of " Dizionario di scienze naturali " (Natural sciences dictionary) edited by Battelli nel 1831.  The work was made of 29 volumes, containing hundred...

GUILLAUME CORNEILLE, Liège 1922 - Auvers sur Oise 2010 Memoire de Bali, 1983 Original color lithograph hand-signed by the artist.(mm. 430x335). Magnificent proof printed on Arches ...

Edition of 100 Digital print on paper Hand signed by the artist

12" x 8.5" Unframed Limited Edition Silkscreen of 100 Hand Signed by Diana Christiansen

A great white egret landing on a tree and one of his (her) chicks is waiting. It is easy to imagine that they are having a conversation together. Th...

Flamingo VII Digital Photography, Artist signed, edition 3/250 on archival cotton paper. Martin Fine, South African born photographer and digital artist h...

Pagoda di Scialembrom is a lithograph realized in 1864. Good conditions with some foxing. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or H...

Muscles Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal,Human Anatomy, Printers Batelli and Ridolfi, realized in...

ED (Edward) RUSCHA (born 1937) 1937 Omaha, Nebraska (American) Title: Red Ants, from Insects, 1972 Technique: Original Hand Signed, Dated, and Numbered Scre...

"Flushing a Woodcock" is an original hand-colored lithograph published by Currier & Ives. It depicts two dogs at the edge of a pond going after a bird that has just flown into the air. 8" x 12 1/2" art 18 1/2" x 22 1/4" frame Currier & Ives produced their prints in a building at 33 Spruce Street where they occupied the third, fourth and fifth floors. The third floor was devoted to the hand operated printing presses that were built by Nat's cousin, Cyrus Currier, at his shop Cyrus Currier & Sons in Newark, NJ. The fourth floor found the artists, lithographers and the stone grinders...

Le Pigeon - Gravate is an etching realized in 1771 by Jacques De Sève. Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particulière ...

Le Pigeon- Paon is an etching realized by Jacques Menil in 1771.Signed in plate. The artwork Belongs to the suite "Histoire naturelle, générale et particul...

Lung Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, realized in 1843. Signed on plate on the ...

La Pie-Grieche Grise is an etching realized by Jaqcuse Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du...

Heart Diseases is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante ge...

Diseases of the Stomach and Intestines is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work b...

Conformation Defects is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atla...

Hans Juergen Diehl "The Golden Egg", 1972 Etching Edition: e.a.3 Size: 33 ½ x 25 ½, Signed in pencil, Ketterer Hans-Jürgen Diehl (born May 22, 1940 in Hana...

Anatomy of Animals is an etching realized by Marcel Gaillard in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

Ex Libris - Livio Ghislandi is a woodcut print created by Michel Fingesten. Hand Signed on the lower right margin. Good conditions. Michel Fingesten (1884 - 1943) was a Czech ...

Insect is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Bone Disease is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante gene...

Heart Disease is a lithograph hand colored by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante gen...

Nervous Diseases is a lithograph realized by Ottavio Muzzi for the edition of Antoine Chazal, Human Anatomy, Printers Batelli and Ridolfi, 1843. The work belongs to the Atlante gene...

Birds is an etching realized in 1771 by Louis Legrand. The Artwork is depicted through confident strokes in aa well balanced composition. Good conditions.

L'Ecorcheur is an etching realized by R. De Launay in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Pa...

Interior of an Animal is an etching realized by Juste Chevillet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabine...

Insects is an etching realized by Sergio Barletta in 1974. Hand-signed in pencil on the lower right. Numbered on the lower left in Roman numerals, from the edition of XXX prints. ...

Le Grand Duc is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". ...

L'emerillon is an etching realized by Carl Guttenberg in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"....

Le Faucon Sort is an etching realized by N. De Launnay in 1771. The Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi". Paris:...

Le Roi Des Vautour is an etching realized by F. Hubert in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi"...

The Organs is an etching realized in 1771 by Louis Legrand (1723-1807). Titled and Signed on the plate. The artwork Belongs to the suite "Histoire naturelle, générale et particuliè...

Le Jean-Le- Blanc is an etching realized by Jacques Baron in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet d...

L'orfraie is an etching realized by Madeleine Rousselet in 1771. The artwork Belongs to the suite "Histoire naturelle, générale et particulière avec la description du Cabinet du Roi...