Graphics Prints and Multiples

In 1941, L. Larmat created an impressive map titled Atlas de la France Vinicole: Les Vins de Bordeaux - Blayais, Côtes de Blaye, Bourgeais, Côtes de Bourg, printed by Dorel in Paris....

This double-page etching with contemporary coloring, entitled Totius fluminis Rheni novissima descriptio, was realized by the cartographer Frederick de Wit for the famous Atlas publi...

Edwina Sandys, British (1938 - ) - Peace, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 25/150, Image Size: 16 x 23 inches, Size: 18 x 25 in. (45.72 x 63.5 ...

Paper Size: 32.5 x 21.5 inches ( 82.55 x 54.61 cm ) Image Size: 32.5 x 21.5 inches ( 82.55 x 54.61 cm ) Framed: No Condition: A: Mint Additional Details: Published by Graphique...

Paper Size: 20 x 29.75 inches ( 50.8 x 75.565 cm ) Image Size: 20 x 29.75 inches ( 50.8 x 75.565 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Addition...

Uses and Customs - Temple of Sofia is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the ...

Paper Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Image Size: 36 x 24 inches ( 91.44 x 60.96 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Details: Poster designed by Jedd Garet...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

The Ornament is a woodcut print realized by Charles-Antoine Jombert in 1755. Good conditions. The print was realized for the anatomy study “JOMBERT, Charles-Antoine (1712-1784) - M...

Artist: Wifredo Lam, Cuban (1902 - 1982) Title: Orsa Maggiore Year: 1976 Medium: Lithograph, signed and numbered in pencil Edition: X/XXV Paper Size: 31...

1994 New York, Rizzoli Publications. Hardcover, like new. Edited by Susan Brundage unpaginated, 8 four-color three-panel foldouts and numerous b&w illustrations. Catalogue marking t...

Buds Color lithograph, 1980 Signed, titled, and editioned in pencil by the artist Publisher: Art Matters Printer: Bud Shark, Shark's Ink, Lyons, CO Condition: Excellent Image: 31-1/8 x 41-1/4" (79 x 104.7 cm.) "An Abstract Expressionist when he left the Art Institute of Chicago in 1956, Beal has since become a dedicated realist who sees art as a potentially powerful moral force. He has great regard for Platonic ideals of truth, beauty, and goodness, and admires both the realism of seventeenth-century Dutch painting and the compositional authority of Renaissance art. Since moving to New York in the late 1950s with his wife, painter Sondra Freckelton, Beal has painted still lifes, portraits, and landscapes, although in recent years his most ambitious undertakings have been large-scale allegories and myths. In describing his approach, Beal calls himself a "life painter" and says he is committed to human over aesthetic concerns. Yet his intricate complexes of figures and surface patterns, along with his adroit handling of space, reveal his sophisticated, accomplished sense of composition. Virginia M. Mecklenburg Biography Jack Beal (1931-2013) was born and raised in Richmond, Virginia. He briefly attended the College of William and Mary, studying biology, but dropped out after two years. A decision to take evening art classes lead to his attending the Art Institute of Chicago, where he studied from the old masters in the Institute’s collection and with Isobel Steele MacKinnon, a student of Hans Hoffman. His classmates there included Red Grooms, Richard Estes, Claes Oldenberg and Robert Barnes, and while abstract expressionism remained “the only valid way to paint,” it was a style that all would eventually reject. In 1956 Beal left the Art Institute and moved to New York with the aim of finding success as a painter, eventually becoming one of the first artists to settle in the SoHo neighborhood. A turning point came in 1962 when, spending the summer in upstate New York, Beal decided to begin painting outdoors. Dissatisfied with abstract painting, he “wanted to give Art one more try” and in working from nature “fell in love with painting all over again.” Over the next few years Beal worked toward a balance between expressionistic paint handling and realistic, narrative pictures. Clement Greenberg’s pronouncement around this time, that the figure was no longer a valid subject was taken as a challenge by many artists, Beal included. His subsequent adoption of the female nude - modeled by his wife, the artist Sondra Freckelton - was a break-through. Though the paintings retained the sensuousness of his earlier canvases, the rigorous formality of their composition and the masterful treatment of light and shadow offered a new approach to realist painting. Indeed, Beal was not alone in this transformation; friends and colleagues in New York were coming to similar conclusions and the group, who included painters such as Philip Pearlstein, Alfred Leslie, Yvonne Jacquette, Alex Katz, Jack Tworkov, Nell Blaine and Fairfield Porter, would eventually be considered the ‘New Realists.’ With the resurgence of figurative painting, Beal distinguished himself for his skillful handling of color and modeling as well as what was later described as his “pushing of representational forms to their interface with abstraction”. Through the later half of the 1960s, while his subject matter remained unchanged, his paintings were increasingly given over to wide areas of flat color. In 1969, he exhibited a series of Table Paintings which, with their hard-edge style and near complete abstraction of the form, were a radical departure for Beal. So radical in fact, he was accosted by fellow realist painters Alfred Leslie and Sidney Tillim, who berated him “for betraying realism and betraying [himself], for moving away from ‘the true path’.” The incident had its intended effect and Beal did return to a more naturalistic and humanistic style, eventually abandoning the nude in favor of increasingly allegorical portraits. In 1974, the United States General Services Administration commissioned Beal to produce a series of murals for the U.S. Department of Labor headquarters in Washington D.C. The result was The History of Labor, four, 12 x 13 foot paintings in the vein of George Caleb Bingham, each illustrating a century of American development. Following the completion of the murals in 1977, Beal continued to make use of narrative in his paintings, with portraiture and self-portraiture as a means of exploring moral and didactic themes. He and Sondra had purchased an old mill in upstate New York in 1974 and after extensive renovations, it became their permanent residence. Unsurprisingly, many of his later paintings are pastoral scenes based on his rural surroundings or still lives including flowers which they grew on the property. In 1986, Beal was commissioned by the Art in Transit Initiative to create a large-scale mural as part of the redevelopment of the Times Square Subway Station. The proposed mosaic mural, The Return of Spring, took over fifteen years to complete, with the two, 7 x 20 foot sections finally installed in 2001 and 2005. Together they update the Greek myth of Persephone with a New York setting, showing her abduction by Hades, initiating the arrival of winter, and her release, bringing the bountiful return of spring. Beal was a founder of the Artist’s Choice Museum, New York and the New York Academy of Art as well as the recipient of numerous grants and awards, including honorary degrees from the Art Institute of Boston and the Hollins College...

Agent X The adventures of Dixwell Hastings (episode 85) (Pop Art, Street Art, Urban Art) Digital Print on Archival Paper Year: 2021 Edition: 125 Size: 30 x 30 in - 78 x 78 cm Signed ...

Artist: Michael Lin (Taiwanese, 1964 - ) Title: Untitled Year: 2006 Medium: Lithograph and Woodcut, signed, numbered, and dated in pencil Paper Size: 24 x...

Dado (Miodrag Djuric called) (1933-2010) Two Men on a Red Background Original etching and aquatint Handsigned in pencil Numbered / 99 ex On Arches vellum 76 x 56 cm (c. 30 x 22 inch...

George Lockwood, American (1929 - 1969) - Harvest Flowers, Year: circa 1963, Medium: Screenprint on Arches, signed, titled and numbered in pencil, Edition: 1/20, Image Size: 18 x 2...

The 1943 original map by L. Larmat, titled "Les vins des Côtes du Rhône", is part of the comprehensive "Atlas de la France Vinicole" series, which meticulously charts France’s most r...

Map of Puy De Dome is an original etching realized by an anonymous engraver of the XIX century. Printed in series of "France Pittoresque" at the top cente...

A unique hand-painted lithograph of a colorful Bouquet of Flowers by Wayne Ensrud, American (1934). Quiet Sunday (Blue) Wayne Ensrud, American (1934) Date: 1980 Hand-Painted Lithogra...

Paper Size: 10.75 x 8.5 inches ( 27.305 x 21.59 cm ) Image Size: 10.75 x 8.5 inches ( 27.305 x 21.59 cm ) Framed: No Condition: A: Mint Additional Details: Derives from a publi...

Edwina Sandys, British (1938 - ) - Sea Shells, Year: 1974, Medium: Lithograph, signed and numbered in pencil, Edition: 91/100, Image Size: 16 x 23 inches, Size: 18 x 25 in. (45.72 x ...

The first edition silkscreen created by Robert Indiana for List Art Poster/HKL commemorates the 25th Anniversary of the New York City Center. Robert Indiana was celebrated for his ic...

Ivan MESSAC The Who MEDIUM : Original silkscreen SIGNATURE : Signed by the artist bottom right LIMITED : 85 copies SIZE : 20 x 20" YEAR : 2012 INFORMATION : This silkscreen is part of the portfolio "My Generation" edited by Anonymouse and including six Pop Art of Ivan MESSAC : Prince, The Who, Keith Richards, Jimmy Hendrix...

This Map of ancient Greek is an etching realized by Antonio Zatta in Venice in 1785. The state of preservation of the artwork is good expect for the worn paper. Mounted on a cardbo...

Architectural Roman Map from "Antiquities of Herculaneum" is an etching on paper realized by Vincenzo Scarpati in the 18th Century. Signed on the plate. Go...

Paper Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Image Size: 15 x 11 inches ( 38.1 x 27.94 cm ) Framed: No Condition: A-: Near Mint, very light signs of handling Additional Detai...

Paper Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Image Size: 15 x 22 inches ( 38.1 x 55.88 cm ) Framed: No Condition: B: Very Good Condition, with signs of handling or age Additi...

I've collaborated with Henry many times in the past and of course, I'm constantly in awe and impressed by him. Just as much as I love Henry's musical contributions, he is the hardest...

This lithograph comes from an edition of 110, it is signed and numbered. Paul Guiramand, painter, sculptor and lithographer, was born in 1926 in Saint-Quentin in northern France. I...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Jean COULOT (1928 - 2010) Carnival of Venice Original screen print Handsigned in pencil Numbered / 60 ex On vellum 22 x 20 cm (c. 9 x 8 in) Excellent condition

This vintage poster was created to promote the 1961 Ice Hockey World Championships held in Geneva and Lausanne, Switzerland, from March 1 to 12. The artwork captures the dynamic ener...

Paper Size: 37.5 x 24 inches ( 95.25 x 60.96 cm ) Image Size: 37.5 x 24 inches ( 95.25 x 60.96 cm ) Framed: No Condition: B-: Good Condition, Signs of Handling and Age Addition...

Paper Size: 22 x 17 inches ( 55.88 x 43.18 cm ) Image Size: 17 x 13.5 inches ( 43.18 x 34.29 cm ) Framed: No Condition: A: Mint Additional Details: Limited Edition Serigraph published by Marco Fine Arts Contemporary Atelier and released as part of the large portfolio and book entitled "The American Dream". In his youth, Indiana lived in an abandoned warehouse for 12 years in lower Manhattan. He devised his own meter to syphon gas from the city grid for himself and his fellow denizens, many who would go on to have their own illustrious careers in the arts. This was a tribute to his 12 years of free gas. The circles, ringed by numbers, are references to gas meters...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Ira Moskowitz, Polish/American (1912 - 2001) - Flowers 5, Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: 200, Size: 30 in. x 21.5 in. (76.2 cm x 54.61...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Mariam Biet Section is a modern artwork realized by Lino Bianchi Barriviera in the 1930s. Black and white etching. Signed on plate. Plate n.23 (as reported on the higher margin). ...

Edition Details Year: 2020 Class: Art Print Status: Official Run: 67/450 Technique: Screen Print Size: 18 X 24 Markings: Signed & Numbered

Home of Joan Crawford (Mommie Dearest), 2008 Additional information: Medium: India ink and graphite on vellum Dimensions: 30 x 42 in (76.2 × 106.7 cm) Mark Bennett's (b. 1956, Tenn...

The circa 1970 original psychedelic poster by Ronald Slabbers, titled "Eat Flowers," encapsulates the vibrant and eclectic spirit of the psychedelic ar...

An attractive hand-colored copperplate engraved 17th century map of Prussia entitled "Prussia Accurate Descripta a Gasparo Henneberg Erlichensi", published in Amsterdam by Joannes Janssonius in 1664. This very detailed map from the golden age of Dutch cartography includes present-day Poland, Latvia, Lithuania, Estonia and portions of Germany. This highly detailed map is embellished by three ornate pink, red, mint green and gold...

Signed by the artist, Edition 16/75 Dennis Oppenheim (September 6, 1938 – January 21, 2011) was an American conceptual artist, performance artist, earth artist, sculptor and photogr...

Nayland Blake Made with Pride by a Queen 1989 Silkscreen on canvas 8 x 10 inches; 20 x 25 cm Edition of 50 Initialed, dated, and numbered in ink (lower ...

Limited edition of 99 prints. Hand signed and numbered by the Artist. Very Good conditions. Alberti Rafael (El Puerto de Santa Maria 1902 – El Puerto de Santa Maria 1999) A Spanish...

"The World" Published by Cummings & Hilliard, No. 1, Cornhill, Boston Early 19th century engraved double hemisphere Atlas Map, titled "The World." Hand colored original outlines. Pu...

Autumn Collection by Vicky Oldfield [2016] limited_edition and hand signed by the artist Collagraph Edition number 2 Image size: H:55 cm x W:90 cm Complete Size of Unframed Work: H:...

This signed and numbered lithograph on Japon paper is from a portfolio of 17 prints by Modern artist Karel Appel. He admired the domestic house cat for its aloof, yet instinctive, de...

Title : Queen (Black) Materials : Mixed Media Date : 2017 Dimensions : 40 x 30 Edition of 20 Agent X creates experimental, multimedia collages, paintings, and 2D artwork. His work i...

The 1943 original map by L. Larmat, titled "Les vins des Côtes du Rhône - Châteauneuf-du-Pape - Tavel", is an exquisite part of the "Atlas de la France Vinicole" series. Printed by D...

Artist: Mel Ramos (American, b. 1935) Title: Gee Gee Year: 1997 Medium: Lithograph, signed and numbered in pencil Edition: 200 Image Size: 19 x 18.5 in. Size: 28.5 in. x 22 in....

The intricate pattern seen in each tree leaf is is a combination of painting and photography, the antique cyanotype process. The silhouette of the plant was first drawn, then painted...

Colosseum is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the laws, ...

Artist: Mark Kostabi, American (1960 - ) Title: Cash Dance Year: 1990 Medium: Serigraph, signed and numbered in pencil Edition: 11/56 Size: 31.75 in. x 31.75 in. (80.65 cm x 80.65 cm)

Wood engraving on vergé d'Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the volume, Les Petites Fleurs de St. François, 1928. Published b...

Limited edition screenprint with 4 colour layers Edition size of 15 Fabriano 300gsm Italian art paper 29.9 x 22 inches (760x560mm)

Jacques Bellin's copper-plate map of the Caribbean island of Saint Kitts entitled "Carte De De l'Isle St. Christophe Pour servir á l'Histoire Genle. des V...

The circa 1950 original illustrated map by André Lesot for "Carte de la Manche" is a significant piece that highlights both artistic design and geographic representation. Created dur...