Graphics Prints and Multiples

In 1970, the French National Railway Company (SNCF) commissioned the legendary Salvador Dalí to create a travel poster promoting the Alpes as a premier destination. The result is a s...

Frederic Menguy, French (1927 - 2007) - Regate II, Year: 1992, Medium: Lithograph, signed and numbered in pencil, Edition: 145/150, Size: 20.5 x 24.75 in. (52.07 x 62.87 cm)

ABRAHAM ORTELIUS (1527 - 1598) AMERICAE SIVE NOVI ORBIS, NOVA DESCRIPTIO, 1587 (1603) (Van Den Broecke 11, Burden 64; Schwartz & Ehrenberg 69) Engraving. A very good, well printed...

Medium: Lithograph on papier bouffant des Papeteries de Casteljoux paper Year: 1970 Paper Size: 12 x 9.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio...

Original poster: BALLY, a.k.a. Bally Kick and Bally Globe. Artist: Bernard Villemot. Ready to frame. Note that this is the small format version of the poster. Museum linen backed. A poster that is a combination of both art and advertisement. This is one of the last posters that Villemot created. Grade A Condition. The image shows a woman kicking up her heel, while her shadow is that of a man's leg and shoe. The globe in the background shows that Bally is a worldwide company. Add a touch of elegance and nostalgia to your space with this stunning original Bally vintage poster...

Artist Name: Barbara Kwasniewska Title: Belles de nuit - ladies of the Night Year: 1969 Medium Type: etching Size-Width Size-Height: 22.5'' x 30" inches Signed Edition Size: Signe...

Brad Davis has exhibited at The Museum of Modern Art in New York, the New Museum of Contemporary Art in new York, the Hudson River Museum, the Univ...

Print Sz: 19 1/2"H x 15 1/2"W Frame Sz: 21 1/2"H x 17 5/8"W w/ gilt wood frame w/ Meadowbrook Hunt Club, Baldwin Club, Rockaway Hunt Club, Fort Neck Polo Club, Piping Rock, Roslyn ...

Salvador Dali Autumn from the suite “The Seasons.”, 1972 Color Lithograph. Hand signed lower right. Numbered XC / CC. Sheet size: 76 x 56 cm. Published by Mitsubishi Department Sto...

Martin Whatson is a Norwegian street and stencil artist who got his start in Oslo’s emerging graffiti scene in the ’90s. Whatson begins each of his works with a detailed grayscale co...

Book page 171 in Chagall Lithographe II (1957-1962). Original image from 1960. ‘Chagall Lithographe II' Andre Sauret, Paris, 1963. Text in French by Fernand Mourlot. The second of f...

Lithograph in colours based on the cut-out of the same title, 1952 From 'Verve' Magazine Volume IX, Nos 35 & 36: 'Dernières Oeuvres de Matisse 1950-54' Pr...

The art "Van Gogh" is Limited Edition of 25 canvas geclee prints on canvas in size 18″X24″. The print is covered by resin layer which protects the vibrancy of color pigments. After t...

Lithograph in colors on vélin Exhibition Fine Art Cartridge paper. Paper Size: 12.75 x 9.75 inches. Inscription: Unsigned and unnumbered, as issued. Notes: From the folio, Hockney's ...

This is my new favorite Dotography style of 2017, to be followed up in 2018 for sure. Simple colored dots arranged to show the Las Vegas Strip at night. The artwork is an 11-color fi...

Archival pigment ink print on canvas Edition of 12 Sumit Mehndiratta is an Indian artist born in 1986 who lives & works in New Delhi, India. He has pursued Master of Science in Int...

Parallel Universe is an offset lithograph on paper, 26.75 x 26.75 inches, signed and numbered 212/300 lower right. Framed in a contemporary white frame.

Takashi Murakami New Day Self Portrait 2011; Silkscreen 31 1/2 x 31 1/2 inches From the edition of 100 Published by Kaikai Kiki Co., Ltd., Tokyo Signed in pencil Unframed

Jellyfish Eyes - White 1 by Takashi Murakami Offset print, numbered and signed by the artist 19 ¹¹/₁₆ × 19 ¹¹/₁₆ in 50 × 50 cm Edition 67/300 Takashi Murakami is best known for his...

Publisher GKM. Unframed. Edition of 120 ex. Signed and numbered. Free shipment worldwide. Arman explores reality. He strives to transform and sublimate artefacts into works of art....

Rose Velvet, 2016 by Takashi Murakami Offset print, numbered and signed by the artist 23 5/8 × 23 5/8 in 60 × 60 cm Edition 57/300 Takashi Murakami is best known for his contempora...

Jean Cocteau ( 1889-1963 ) " Femme à l'écharpe rouge " Exemplaire d'Auteur . hand signed Jean Cocteau . Partially glazed white earthenware plate with engobe conceived in 1958 In an ...

Tom Wesselmann Bedroom painting #7 (detail), 1976 Offset lithograph poster 32 × 22 inches Unsigned, Unframed Limited Edition of 500 (unnumbered) Rarely seen on the market place Offs...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 22.5 inches, with centerfold, as issued Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Mat...

Medium: Lithograph on vélin paper Year: 1983 Paper Size: 15 x 11.25 inches Inscription: Unsigned and unnumbered, as issued Notes: From the folio, Henri Matisse, Jazz, Special Edition...

This exceptional 1886 calendar, created by the celebrated Art Nouveau master Eugène Grasset for the renowned Parisian department store Au Bon Marché, is a sublime blend of commercial...

Game Over - Insert Coins - Credit Suisse Contemporary Street Art, 2023 Described as an ”ENRAGED ARTIST”, the work of Goin is simply like no other. In GAME OVER, INSERT COINS.” We ar...

Andy Warhol Untitled from Kiku portfolio Screenprint in colours, 1983, signed in pencil, from the edition of300 (total edition includes 30 artist's proofs), on BFK Rives wove pap...

Nick Smith, You're Going To Need A Bigger Boat, 2018 Pigment print with screen print varnished over colour blocks on Somerset Satin 300gsm paper 72 × 60 cm (28 3/10 × 23 3/5 in ) ...

In 1983, the 2nd Tour de France des "Grand-mères automobiles" (Tour de France of "Grandmother Cars") captured the imagination of car enthusiasts and history buffs alike. This unique ...

Lithograph in colors on Arches paper, full sheet Published by Éditions de la Différence, Paris 20.4 x 28.3 inches Signed and numbered in pencil, from an edition of 100 copies Conditi...

Though this may look like a woodcut or screen print, it is a kind of photography. Cyanotypes are a 19th century alternative (cameraless) photographic process. This monotype was print...

Joan Miro, Spanish (1893 - 1983) - L'Etoile Bleu, Portfolio: Lithographs I, Year: 1972, Medium: Lithograph mounted to board, Size: 12.5 x 9.5 in. (31.75 x 24.13 cm), Printer: Mourlot...

To see our other original vintage travel posters including pre-war London Transport posters, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the poster you want. Hans Schleger 'Zero' (1898-1976) London Transport Bus Stop Poster Original Vintage Lithographic poster Printed for London Transport Working with Edward Johnson's special typeface created for London Transport, Hans Schleger - or Zero as he signed himself - adopted the famous roundel used by London Underground for use at Bus Stops. Born in Germany, Schleger was an influential graphic designer. After serving during the First World War, he studied at the Berlin Kunstgewerbeschule, being taught by Emil Orlik. The same year Walter Gropius founded the Bauhaus at Weimar and Schleger learned the same principles of breaking down the barriers between architecture, design, fine art and craft. A firm believer in the Bauhaus principles of simplicity in design and reduction to essentials, these may be seen in the clean lines of the roundel. In 1924 he moved to New York, applying Modernism to American advertising, and then returned to Berlin in 1929 working for the British advertising agency Crawfords, where he met Edward McKnight Kauffer who introduced him to Jack Beddington the head of advertising at Shell Mex...

In the Beginning, 2019 6-colour lithograph printed with Marinoni lithographic press, hand cut on BFK Rives 300 g paper 93 cm x 75 cm Edition of 99 Signed by the artist, numbered and ...

27 color screen print on somerset tub sized satin 410gsm paper. Hand signed lower right by Eelus. Hand numbered 103/175 lower right. Artwork size 27.5 x 19.6 inches. Frame size 33.5 x 25.5 inches. Artwork is in excellent condition. Certificate of authenticity included. All reasonable offers will be considered. About the Artist: It was the late 1980s when Lee Pennington's art career started in a primary school playground in northern England. When he was around 10 years old, he sold a small edition of hand-drawn posters of the Teenage Mutant Ninja Turtles...

David is a woodcut on paper from Marc Chagall's Poèmes portfolio, published in 1968. The image size is 13 x 10 inches and the art is framed in an ornate, gold-tone frame. Unsigned as...

Alexander Calder - Original Lithograph - Behind the Mirror 1 Original lithograph created in 1976 Dimensions: 38 x 28 cm Source: Derrière le miroir (...

Artist: Ellsworth Kelly Title: Composition (Axsom No. I-D) Year: 1964 Dimensions: 15in. by 11in. Mount Board Size Inches: 20 x 16 inches Mount Board Color: White/Black Print Border...

Alexander Calder Lithographic cover from Derrière le miroir c. 1966: Lithographic cover; 15 x 11 inches (folding out to 15 x 22inches; see image 2). Very good overall vintage condit...

Antonio Lopez Garcia (Spain, 1936) 'Lirios', 2021 etching, lithograph on paper Rives BFK 300 g. 23.3 x 26.8 in. (59 x 68 cm.) Edition of 75 Unframed ID: L...

Over 350 year old antique copper engraving of the floor plan to the Palace of Cardinal Este located in Tivoli, Italy by Italian Giovanni Giacomo de Rossi, 1650. Original artwork on ...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Obey Giant Edition Details: Year: 2018 Class: Art Print Status: Official Released: 12/10/18 Run: 409/450 Technique: Screen Print Paper: Fine Art Cream Speckle Tone With Gold Metallic...

René Gruau LES IRIS - 1998 Print -Lithograph on Arches Archival Paper    46'' x 20'' inches Edition: signed in pencil, titled and marked 285/300 Embossed with the printers stamp M...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

The circa 1950 original illustrated map by André Lesot for "Carte de la Manche" is a significant piece that highlights both artistic design and geographic representation. Created dur...

Hand signed and numbered by the artist. 12 Color, Hand-Pulled Screen Print on Mohawk Superfine UltraWhite paper with deckled edges. Edition of 150. Artwork is in excellent condit...

Flowarh$, Archival Paper with dimensions of 24 x 24 in. 6-color screenprint Edition of 93 Signed and thumb printed by the Artist Pop art would not exist without the iconic Andy War...

This is an original antique colored botanical mezzotint and line engraving of flowering Red Sweet Peas which is finished with hand-coloring. It is entitled "Lathyrus Flore Majore Pur...

Lithograph on vélin paper. Inscription: Unsigned and unnumbered, as issued. Good condition, . Notes: From the album, Chagall, Vitraux pour Jérusalem. Published by Musée des Arts Déco...

Lithograph in colors on vélin Fabriano charta ex meris pannis "ab alveo" manu fabricata, perlucidis figuris intexta paper. Paper size: 19 x 13.75 inches. Inscription: Signed in the p...

Serigraph on paper. Hand signed and numbered by the artist. Image size approx 34 x 44.5 inches. Artwork is in excellent condition. Certificate of Authenticity is included. All r...

Leonor Fini - Cats - Original Engraving Mme.Helvetius' Cats Original etching created in 1985, Printed Signature (LF). Conditions: excellent Edition: 100 Support: Arches paper. Dimensions: Paper dimensions: 44 x 28 cm Editions: Moret, Paris. Leonor Fini is considered one of the most important women artists of the mid-twentieth century, along with Leonora Carrington, Frida Kahlo, Meret Oppenheim, Remedios Varo, and Dorothea Tanning – most of whom Fini knew well. Her career, which spanned some six decades, included painting, graphic design, book illustration, product design (the renowned torso-shaped perfume bottle for Schiaparelli’s Shocking), and set and costume design for theatre, ballet, opera, and film. In this compellingly readable, exhaustively researched account, author Peter Webb brings Fini’s provocative art and unconventional personal life, as well as the vibrant avant-garde world in which she revolved, vividly in life. Born in Buenos Aires in 1907 (August 30 – January 18, 1996, Paris) to Italian and Argentine parents, Leonor grew up in Trieste, Italy, raised by her strong-willed, independent mother, Malvina. She was a virtually self-taught artist, learing anatomy directly from studying cadavers in the local morgue and absorbing composition and technique from the Old Masters through books and visits to museums. Fini’s fledging attempts at painting in Trieste let her to Milan, where she participated in her first group exhibition in 1929, and then to Paris in 1931. Her vivacious personality and flamboyant attire instantly garnered her a spotlight in the Parisian art world and she soon developed close relationships with the leading surrealist writers and painters, including Paul Eluard, Salvador Dali, Man Ray, and Max Ernst, who became her lover for a time. The only surrealist she could not abide because of his misogyny was André Breton. Although she repeatedly exhibited with them, she never considered herself a surrealist. The American dealer Julien Levy, very much impressed by Fini’s painting and smitten by her eccentric charms, invited her to New York in 1936, where she took part in a joint gallery exhibition with Max Ernst and met many American surrealists, including Joseph Cornell and Pavel Tchelitchew. Her work was included in MoMA’s pivotal Fantastic Art, Dada and Surrealism exhibition, along with De Chirico, Dali, Ernst, and Yves Tanguy. In 1939 in Paris she curated an exhibition of surrealist furniture for her childhood friend Leo Castelli for the opening of his first gallery. Introductions to her exhibition catalogues were written by De Chirico, Ernst, and Jean Cocteau. A predominant theme of Fini’s art is the complex relationship between the sexes, primarily the interplay between the dominant female and the passive, androgynous male. In many of her most powerful works, the female takes the form of a sphinx, often with the face of the artist. Fini was also an accomplished portraitist; among her subjects were Stanislao Lepri...

God is Love, 2014 # 22 From the Edition of 25 Screen Print in 18 colors Signed, dated and numbered Image size 64 x 64 inches Full sheet size 84 x 84 inches Measurements taken from...