Jean Coulot Art

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

DAVID SHRIGLEY - WITNESS MY JOY Date of creation: 2022 Medium: Screen print & varnish on Somerset paper Edition: 125 + 12 AP Size: 75 x 56 cm Condition: Brand new, inside its custom ...

Ben Shahn Silkscreen inspired by Old Testament Psalm 57, 1967 Silkscreen on Japon paper Hand signed and numbered 255/300 by the artist on the front, with a copy of the provenance let...

Some People Together, 1974 Hand-signed and dated in pencil Color lithograph and screenprint Sheet 22 x 29 3/4 inches; 559 x 756 mm. Edition 110

Fly is a colored serigraph on paper realized by the French artist Félix Labisse. Hand-signed in pencil on the lower right margin. Numbered in pencil on the lower left margin. Editio...

Original “Wagon Lits” serigraph poster by the artist Valerio Adami. It was printed in France by GrafiCaza (Michel Caza), one of the finest serigraph companies on woven paper—in exce...

Harry Shokler used serigraphy to great advantage in this landscape. It's colorful and detailed. It is signed in the image at the lower left. When printmakers began making serigraphs...

Artist: Nicola Simbari – Italian (1927-2012) Title: Marco Year: 1978 Medium: Screen Print Image size: 28.5 x 31.75 inches. Sheet size: 35 x 37.5 inches. Signature: Signed lower ri...

Harold Cohen Richard I, 1967 Screenprint, edition of 40 27 x 30 1/2 inches

Original poster: For a Country Where We Are Still Masters of Our Own Destinies, Let's Be Truly Thankful. Silk-screened patriotism. This is a poster meant to appeal to the American f...

Mary Bauermeister Rainbow, 1973 Lithograph and silkscreen on creamy white paper Hand signed, dated and numbered 56/250 by the artist on the front 19 x 25.5 inches Unframed This work is on the permanent collection of various institutions like: Rice University, Samuel Dorksy Museum of Art, Rutgers Zimmerli Museum and Wheaton College Massachusetts. While studying the fringe sciences the 1970s, Bauermeister created Rainbow (1973), a lithograph and silkscreen. She uses a creamy white background as the base. Two intersecting diagonal bands of color transcend across the page, and black cursive lettering dances over the surface serving as a mind map of interweaving ideas. Through the central band, Bauermeister shifts through the color spectrum; she begins with red and finishes with violet. Inspired by music, she uses strokes of color that are rhythmically smeared across the lithograph. The surface lettering, a kind of visual poetry, explores her interest in human emotion and science. The viewer can see Bauermeister’s thoughts as they flow into one another through the use of words such as bliss, love, and healing. Bauermeister also includes a repetition of words such as cancer, sickness, and cure. The word cancer emerges from a cell-like shape. A careful study of the words shows that they may seem dark in nature; however, she juxtaposes these words against the cheerful title and colors. Perhaps the rainbow symbolizes a new hope, an inspiration for an optimistic future. -Courtesy to the Samuel Dorsky Museum of Art About Mary Bauermeister: A multidisciplinary artist known for her intricate and enigmatic assemblages, Mary Bauermeister (1934-2023) continues to defy categorization with layered works in a range of media. A precursory figure of the Fluxus movement—her studio was the meeting point for a number of defining artists of the avant-garde—her work plays an integral role in the discussion of art, both European and American, that emerged from the 1960s. Her reliefs and sculptures, which have incorporated drawing, text, found objects, natural materials and fabric, reference a plethora of concepts: from natural phenomena and astronomy to mathematics and language, as well as her own “spiritual-metaphysical experiences.” Maturing amidst the currents of Minimalism and Pop Art, Bauermeister’s art has resisted labels due to the singular expression of her interests and concerns, among them the simultaneous transience and permanence of the natural world with experimentations in transparency and magnification, multiplication and variation, structure and order, chance and ephemerality, introversion and extroversion. Her three-dimensional receptacles of thoughts, ideas, and notes contain visual, conceptual, and philosophical paradoxes that challenge perceptions and that offer literal and metaphorical windows into which one can glimpse the inner workings of the artist’s mind. - Courtesy of Michael Rosenfeld...

This haunting portrait of Richard Hamilton is layered with textured lavender surrounding his form. According to the Metropolitan Museum of Art: “In 1969, at the end of a characteris...