Road Prints and Multiples

Pieter van der Aa (1659 - 1733), after David Loggan (1634 - 1692) Peterhouse College, Cambridge Engraving 12 x 16 cm An eighteenth-century view of Peterhouse College, Cambridge, eng...

Borgo Pio - Rome is an artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered n. 52/...

Lithograph realized in the mid-20th Century by an unknown artist. Hand-signed and titled on the llower right. Numbered on the lower left, edition of 180 prints. Good conditions.

April in Paris is a serigraph on paper with an image size of 30 x 36 inches, signed ‘Kondakova’ lower right and numbered lower left. From the total edition of 500 and numbered 4/125 ...

Eva's House by Alistair Grant, 1956 Additional information: Medium: lithograph 35 x 52 cm 13 3/4 x 20 1/2 in signed and dated Alistair Grant was a printmaker, painter and illustrat...

"SF DRIVE 0007" Landscape Photography 18" x 24" Edition of 20 by Ben Cope Unframed - ships rolled in a tube Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic ...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Palazzo Marescotti gia Estense is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

Chiesa e Monastero di Silvestro in Capite, delle suore Francescane Vrbaniste is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margi...

Chiesa e Monastero dello Spirito Santo delle Canonichesse Lateranensi is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower mar...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

Woodblock etching of a Japanese village by Toshi Yoshido 11" x 15"

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

SS.Trinita Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,17...

S. Caterina della Ruota Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi ...

S.Lucia alle Botteghe Oscure Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe ...

Palazzo della Cancelleria Apostolica is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe...

Palazzo Sacchetti sulla Strada Giulia is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giusepp...

Monastro e chiesa della SS.Anunziata delle Religiose Turchine is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. G...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-si...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Tempio della Fortuna is an original etching hand watercolored of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged...

Palazzo dell'Accademia di Francia is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditio...

Collegio Clementino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled...

Chiesa di S. Simeone Profeta is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions an...

Palazzo Rospigliosi is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged ma...

Chiesa e Monastero di S. Maria dei Sette is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good c...

Archiginnasio della Sapienza is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed ...

Trieste: l'Androne degli Orti is an original woodcut print by Alberto Zanverdiani in the early 20th Century. Good conditions. The artwork is depicted through stong strokes in a wel...

Le Café Georges à Cannes by H. Claude Pissarro (b. 1935) Pastel on card 37 x 51 cm (14 ⁵/₈ x 20 ¹/₈ inches) Signed lower left, H. Claude Pissarro This work is accompanied by a certi...

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Tunisian View is an original photolithograph realized in the 1990s by the Italian politician Bettino Craxi. Hand-signed. Artist's proof. Very good conditions.

Viterbo is an original woodcut print realized by Carlo Zuccarini in the early 20th century. The artwork is a glimpse of the Medieval architecture...

Monotype Ms. Murray is notable for capturing the crystalline quality of northern light. She has an extensive exhibition history and she is represented in both private and public co...

Ancient Views of Kobe is an original vintage albumen prints on single cardboard: 26 x 34 cm. They were realized in 1890s. Good conditions except for being aged. Caption in Italian...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th century. The state of preservation of the artwork is good. The signature is engraved on the plate the lower left. At the top of the paper, the inscription “Interieur de Geneve”, while at the bottom, below the image, the inscription “JMP Pilet & Cougnard Editeurs Geneve”. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. The signature is engraved on the plate the lower left. At the top of the paper, the inscription “Interieur de Geneve”, while at the bottom, below the image, the inscription “JMP Pilet & Cougnard Editeurs Geneve”. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

Roman Views is an original etching realized by Franzetti in 1820. Signed on the plate. Good conditions. The artwork represents Monte Della pieta of Rome...

Nocturne landscape of Venezia, Cannaregio and Palazzo Labia, with the moon, rif. 543 The etching was exhibited last year in the critical retrospective that the city of Milan promote...

Rome-Porta Settimiana is an original etching artwork realized by the Italian artist Giuseppe Malandrino. Hand-signed by the artist on the lower right in pencil. Image Dimensions: 24...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 19.8 x 15.5 cm ...

The Interior of Geneve is an original Lithograph by Antonio Fontanesi in the 19th Century. The state of preservation of the artwork is excellent. Image Dimensions: 20.5 x 15 cm ...

Roman Landscape is an original etching artwork realized by the Italian artist Giuseppe Malandrino. hand-signed by the artist on the lower right in pencil. Numbered in Roman numeral...

This splendid lithograph Interieur de Geneve. Place de la Grenette is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio...

This splendid lithograph Interieur de Geneve. Fontaine de l'Hotel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist...

Baths of Caracalla is an original Lithograph artwork realized by the Italian artist Fabio Failla (1917-1987) hand-signed by the artist on the lower right...

"Nihon Noir arose from my fascination with Tokyo and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

This splendid lithograph Le bout de la Treille is part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The state ...

Piazza della Minerva - Roma is an artwork realized in the 1970s by Giuseppe Malandrino. Original hand-colored etching print. Hand-signed by the artist in pencil on the lower right ...

Image dimensions: M-109655 cm. This splendid lithograph View of Geneve is part of the series of prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi. The state of preservation of the artwork is excellent. The signature is engraved on the plate the lower left. At the top of the paper, the inscription “Interieur de Geneve”, while at the bottom, below the image, the inscription “JMP Pilet & Cougnard Editeurs Geneve”. Antonio Fontanesi (Reggio Emilia, 1818 - Turin, 1882) was an Italian painter, engraver, teacher, and soldier. He was one of the most important 19th-century Italian painters, though somewhat unknown. After fighting in the I Independence War...

An exact giclée on canvas facsimile (the only one made) of the painting by Charles William Shaw ( American, 1941 - 2005 ). The piece depicts a fu...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Image dimensions: 20.5 x 15 cm. This splendid lithograph Interieur de Geneve. Rue De L'Hôtel De Ville is part of the series of 20 prints dedicated to views of the city of Geneva, en...

Limited Edition Etching, EA. 15 x 18.5 inches with border. Signed by Artist. Good Condition-shows signs of wear due to age and handling.

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Aldate's From Carfax (1813) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Image dimensions: 15 x 22 cm. This splendid lithograph Interieur de Geneve. Porte Neuve is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the ...

The Capitol is a beautiful lot of two hand-watercolored lithographs realized by an Italian artist of the XIX century. It represents the incredible landscape of the communal site of t...