Road Prints and Multiples

Firmada a lápiz por el artista en la parte inferior y con tiraje 8/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

Firmada a lápiz por el artista en la parte inferior y con tiraje 1/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

Firmada a lápiz por el artista en la parte inferior y con tiraje 1/250 En buen estado de conservación Sin enmarcar Medidas: 49 cm x 58 cm.

Signed lower right, 'De Montfort' and printed circa 1950 by F.A.R. Gallery for Rudolf Lesch Fine Arts Inc., New York.

Medium: etching and aquatint Image size: 4 x 6 inches Printing element: 1 copperplate Beautiful etching and aquatint from an artist know for his depictions of trees and architectur...

This print is signed, titled, and dated, in pencil. Manayunk was an industrial town to the north of Philadelphia.

Wolff Buchholz Title: Untitled Medium: Lithograph Year: 1993 Signed and dated by hand Size: 25.2 × 17.9 on 23.0 × 15.4 inches Wolff Buchholz was born in 1935 in Hamburg, Germany. Fr...

The Bridge in Sunrise is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 1...

Etching hand watercolored realized by Giuseppe Malandrino in 1970s. Edition of 93/199. Excellent condition.

Philadelphia-born Irving Guyer attended the Art Students League and worked in New York City before moving to California. This print is signed and titled i...

This stunning 1960 travel poster, featuring a photograph by Fronval, captures one of the most breathtaking perspectives of Paris—a bird’s-eye view from the top of Notre-Dame Cathedra...

François-Louis SCHMIED (1873-1941) The White Villa, 1938 Original Woodcut Print Signed with the stamp of the artist On Japan paper 35 x 24 cm (c. 13.8 x 9.5 inch) Excellent condition

Claude Tabet, French (1924 - 1979) - Du Descendant les Marches. Year: circa 1975, Medium: Lithograph, signed and numbered in pencil, Edition: 250, Size: 3...

Lecce is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good condition.

Lucio Del Pezzo (1933-2020) Letter A, 1971 Photolithograph, 30 x 24 cm From the series The Alphabet of Bolaffi. Edition 3,433 / 5000, signed in pencil by the artist. Printed on the ...

Barracks in Piazza Navona is an artwork realized after the Italian artist  Renato Guttuso  (Bagheria, 1911 – Rome, 1987) in 1950. Phototype print..  Good condition. Italian title ...

Lithograph on Magnani-Pescia paper. Paper size 17,5 cm x 24,5 cm work size 14,5 cm x 22 cm .Excellent condition, no defects. Aldo Riso was born in 1927 in Santa Maria di Leuca, in t...

Uses and Customs - Duomo Square in Siena is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Max Epstein, Canadian (1932 - 2002) - NYC #1, Year: 1980, Medium: Screenprint, signed and numbered in pencil, Edition: 99, Size: 30 in. x 44 in. (76.2 cm x 111.76 cm)

Arms, John Taylor (American, 1887-1953). DOWNTOWN, NEW YORK. F.108. Etching and Aquatint, 1921. Edition of 75. Numbered 19/75 and signed and dated 1921, all in pencil. 8 3/8 x 4 7/8 inches, 214 x 125 mm (plate) plus margins. Framed to 16 1/4 x 12 1/2 inches with the label of The Old Print Shop...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Offset print. Hand signed Edition of 100.

Franz Herbelot (French, active 1940s-1950s) Paris: La Rue de Chevalier de la Barre la nuit Lithograph 28 x 22 cm A fantastic lithograph by Herbelot which brilliantly captures the spirit of mid-century Paris...

Landscape is an original etching artwork on paper realized in 1927 by an Anonymous artist of the 20th Century. Hand-signed barely illegible, on the lower right in pencil. With des...

James Penney was widely known for his New Yorker covers as well as his paintings and prints. Penney was from Saint Joseph, Missouri. He trained in NYC at the Art Students League. Th...

Etching by Ziveri. Hand signed. Signed and numbered in the bottom. Editions of 20 pieces (3/20). Passepartout included. Very good conditions.

Etching on papeteries vélin de Lana paper. Inscription: unsigned and unnumbered, as issued. Good condition, with full margins. Notes: From the folio, Jours de gloire, Histoire de la ...

Russia-born Ray Euffa studied at the Detroit School of Fine Arts, the Educational Alliance Art School, and Art Students League in NYC. It is New York City i...

Lithograph on vélin d’Arches paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: from the folio, Regards sur Paris, 1962. Published by André Sauret, Paris;...

Paper 44 x 30 in. / Paper 112 x 76 cm Monotype on white paper. Signed by the artist and dated 1989 lower right in pencil. Annotated G verso. Condition is as new except for a small ...

Signed, numbered, and with extensive dedication to the artist Norman Kent. Titled in lower margin in another hand. Really, no one could draw on a lithograp...

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of women stopping travelers in Goyu, circa 1850. Signed in Kanji lower left, "Hiroshige Ga" for Utagawa (Ando...

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Ari Gradus, Israeli (1943 - ) - Knife Sharpener, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: AP, Image Size: 18.5 x 25 inche...

Old Antwerp Road is an artwork realized by Jan Claessens (Belgian, 1879 - 1963) in 1914. Woodcut print Good condition.

Collegio De Neofiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged mar...

Medium: pochoir (after the painting). Printed in 1927 and published in Paris by Albert Morance for "L'Art d'Aujourd'hui", and now very scarce. The publisher's provenance inscription ...

Digital print on Hahnemühle Fine Art Paper - 100% Cotton. Released in 2021. Sold out from a limited edition of 200. Dimensions 22x22 in. Hand signed, titled and numbered by Joel Rea.

Ari Gradus, Israeli (1943 - ) - Out West, Year: 1980, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Size: 18 x 25 in. (45.72 x 63.5 ...

The Japanese landscape is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the ...

This artwork titled " New England Tamarack" c.1980 is an original color lithograph with embossing on wove paper by noted British artist Tessa Beaver, 1932...

This beautiful poster was made in 1972, for Lufthansa, a private airline of German origin. It is one of the oldest airline companies. It has one of the largest fleets of aircraft an...

Lithograph on grand vélin des Papeteries de Lana paper. Unsigned and unnumbered, as issued. Good condition, with centerfold, as issued. Notes: From the folio, Au Temps de Paris Seine...

Ari Gradus, Israeli (1943 - ) - Old Quartier, Year: 1980, Medium: Lithograph. Signed and Numbered in Pencil, Edition: 245, AP, Image Size: 18 x 26 inches, Size: 22 in. x 30 in. ...

Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, July 14, 1937. Notes: From the folio, A La gloire à Paris, 1937. Excerpted from the folio (translated from French), The Glory of Paris. This dedicated album by the Paris municipality was written, illustrated, engraved and printed in the year MCMXXXVII. This album was decorated and printed by J.-G. Daragnes for the City of Paris. This album has been completed to print on Vélins des Manufactures de Canson et Montgolfier et des Papeteries on July 14, 1937, D examples, the first CC of which were reserved for the subscribers of the album. EDMOND CÉRIA (1879-1954) From his childhood, Edmond Ceria showed a predisposition for music, drawing and painting. After studying at the Évian college, he entered the Geneva School of Fine Arts. Disappointed by teaching, he went to Paris in 1904, entered the Académie Julian and attended the Louvre museum where he discovered the work of Paul Cézanne which shocked him. He becomes a disciple of this new vision of the world, where sensitivity and love of nature replace genre and anecdote. According to René Barotte, “its incisive pages are reminiscent of Guardi or Canaletto. His style gradually frees itself from a certain rigor in execution. The touch becomes a sign, almost an ideogram, and the small painting appears written like a love poem. He began his career by exhibiting at the Salon des Indépendants in 1908, then at the Salon des Tuileries and the Salon d'Automne of which he was a member. In 1919, he spent a year in Tuscany which made him aware, like Corot, of the importance of light in painting. During this stay, he copied the great Italian masters including Giotto, Uccello, Masaccio. Back in France, Ceria discovered the light of Provence, painting mainly in Marseille and Sanary. In Paris, he set up in a workshop near the Observatory and frequently went down to the quays to paint the Seine, the bridges, the Concorde, the Tuileries and the Luxembourg. In 1934, he stopped his travels in Provence to discover Brittany where he spent many years. Indifferent to fashions and unfailingly attached to the nature that he stylizes, he pursues a landscape work whose light touches highlight the accidents or reflections. When the climate forced him to paint in the studio, he devoted his talent to still lifes, which testify to his love of life, just as his landscapes reflect his taste for nature. Ceria participated, with his friends Charles Dufresne, Othon Friesz and Henry de Waroquier, in the first exhibition of the Masters of Independent Art at the Petit Palais in 1937. Always alongside Dufresne, to whom he entrusted the artistic education of his son Jacques Despierre, he decorated the small foyer of the Chaillot theater with Le Théâtre...

Bridge in Venice is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History of the government, of the...

Uses and Customs - Saint Carlo Theatre in Naples is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " H...

Taxi: steering wheel is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower r...

C-Print on Argentic paper Others sizes are available upon simple request Shipping of the artwork will be done in a tube or flat in a crate with or without American box frame. Additio...

Taxi: steering wheel is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower r...

The original 1949 travel poster by Henry De Waroquier for Bourgogne, sponsored by SNCF (French National Railway Company), invites viewers to embark on a captivating journey through the picturesque landscapes of Burgundy, France. Waroquier's artistic masterpiece captures the essence of Burgundy's timeless charm and rich cultural heritage. Through vibrant colors and exquisite detail, the poster portrays the region's rolling vineyards, historic chateaux, and quaint villages nestled amidst lush countryside. As a promotional piece for SNCF, the poster highlights the convenience and comfort of travel by rail...

Blanche Grambs, known to friends as 'Grambs' (1916-2010) was born in China. She came to New York as a very young woman to study at the Art Students Leag...

Medium: Lithograph on vélin Acropole Papeteries de Renage paper. Year: 1967 Paper Size: 12.25 x 9.5 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the ...

Harry McCormick, American (1942 - ) - Wines and Liquors. Year: circa 1979, Medium: Lithograph, signed and numbered in pencil, Edition: AP, Image Size: 12 x 23 inches, Size: 18 in. x ...

Ari Gradus, Israeli (1943 - ) - Afternoon Stroll, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18 x 26 inches, Size: 21.5 in. x 29 in....

Palace of the Queen Mother in Genoa is a lithograph on paper realized in the 19th Century. The artwork is represented in a well-balanced composition with strong strokes. Very good ...

Ari Gradus, Israeli (1943 - ) - Main Street USA, Year: 1980, Medium: Lithograph, Signed and Numbered in Pencil, Edition: AP, Image Size: 18.5 x 26 inches, Size: 22 in. x 30 in. ...

Ari Gradus, Israeli (1943 - ) - Puppet Show, Year: 1980, Medium: Lithograph, signed in pencil, Edition: AP, Size: 22 in. x 30 in. (55.88 cm x 76.2 cm), ...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...