Road Prints and Multiples

An ink on paper, Nishiki-e and Yoko-e woodblock landscape showing a view of women stopping travelers in Goyu, circa 1850. Signed in Kanji lower left, "Hiroshige Ga" for Utagawa (Ando...

Artist: C.J. Yao Title: Downtown Houston Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 250 Paper Size: 22 x 30 inches

Chiesa dell'Archiconfraternita delle Stimate di S.Francesco is an etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for consumed margins. Giuseppe Vasi (Corleone,1710 - Rome, 1782) was an engraver, architect, and landscape artist. Between 1746 and 1761, Vasi published 10 volumes with 240 engravings of the monuments of Rome...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Richard Bankes...

Uses and Customs - Salvator Rosa's House is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the universe: " History o...

Chiesa di S.Maria della Traspontina is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe ...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Edition 1 of 5, with 2 APs. GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of ...

Cagliari on the island of Sardinia is a hand colored lithograph realized in 1864. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the unive...

Taxi: steering wheel is a contemporary artwork realized by the artist Fifo Stricker in 1982. Mixed colored aquatint and etching.  Hand signed and dated by the artist on the lower r...

Engraving of Veduta della Piazza di S. Marco, verso L'Horologio by Pierre van der Aa. Printed in 1722. Unsigned. Unframed. Image size, 11 x 13 5/8 in. Has the original center crease.

Signed on plate with the Monogram of the artist “CM”. Original Prints. State III/III Passepartout included : 60 x 40 cm Image Dimensions : 24.5 x 18.5 cm This artwork is shipped fro...

Interior of the Great Pyramid is a lithograph made by Auguste Wahlen in 1844. Good condition. At the center of the artwork is the original title "Interno della Gran Piramide". The...

Paper 44 x 30 in. / Paper 112 x 76 cm Monotype on white paper. Signed by the artist and dated 1989 lower right in pencil. Annotated G verso. Condition is as new except for a small ...

Scilla is a beautiful hand-colored etching on cardboard, realized in 1971 by the Italian artist Giovanni Omiccioli (Rome, 1901-1975). Hand-signed in pencil on the lower right and d...

Michael Sansers Bicyclette Large Canvas Print Edition of 50 Sold Unframed (Please note that in situ images are purely an indication of how a piece m...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from th...

Havana, Cuba - Vroom! Vroom! Get outta my way! Big Red is out and revvin’ up and down “La Malecon” on a sunny Havana afternoon. You wanna cross the street to the water? Well, better ...

Havana, Cuba - Revolutions happen for a reason. No one wakes up one morning and saying, “I’m going to start a revolution today”, without thinking about it a little first. The Cuban r...

Artist Signed Giclèe Paper Size: 21 x 39 inches ( 53.34 x 99.06 cm ) Image Size: 18 x 36 inches ( 45.72 x 91.44 cm ) Framed: No Condition: A: Mint Shipping and Handling: We sh...

Deluxe hand embellished enhanced canvas. Hand signed and numbered by the artist. Artwork is in excellent condition. Certificate of authenticity included. Edition of 325. Stretched. ...

Royal Palace in Palermo is a  lithograph realized in 1862. Good conditions. The artwork belongs to the Suite Uses and customs of all the peoples of the universe, or History of the ...

Convento di PP. Francescani del Terzo Ordine is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. ...

Chiesa di S. Tomaso in Parione is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions ...

Palazzo Ruspoli sul Corso is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for worn margi...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

This splendid lithograph Rue de l'hotel de Ville is part of the series of 20 prints dedicated to views of the city of Geneva, engraved by the Italian artist Antonio Fontanesi in 1854...

Wolff Buchholz Title: Untitled Medium: Lithograph Year: 1993 Signed and dated by hand Size: 25.2 × 17.9 on 23.0 × 15.4 inches Wolff Buchholz was born in 1935 in Hamburg, Germany. Fr...

Bad Gastein Church, Austria Soft ground etching & aquatint, c. 1930 Signed in pencil by the artist (see photo) Image: 18 1/2 x 13 3/4" Condition: Very good...

Palazzo Altieri is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Quite Good conditions and aged ...

Engraved by F. L. Griggs, drawn by Sir Muirhead Bone The Ashmolean and Balliol College, Oxford Lithograph 31 x 47 cm Frederick Landseer Maur Griggs was a British etcher, draughtsman...

Roman View is an artwork realized by Giuseppe Malandrino. Print in etching technique and hand watercolored. Hand-signed by the artist in pencil on the lower right corner. Numbered...

Chiesa e Monastero di S. Maria Annunziata is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Ro...

Grande Curia Palace is an original hand-colored print realized by the Dutch artist Pierre Mortier in the second half of the XVII century. Original etching on paper. Signed on the p...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Artist: John Baeder, American (1938 - ) Title: Blue Beacon Diner Year: 1980 Medium: Screenprint, signed and numbered in pencil Edition: 250 Size: 22 x 30 in. (55.88 x 76.2 cm)

Medium: Lithograph on vélin paper. Year: 1952 Paper Size: 9.5 x 12.25 inches; image size: 7.48 x 9.05 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From th...

Monte di Pieta e banco Pubblico is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi...

Medium: Lithograph on grand vélin Renage filigrané paper. Year: 1952 Paper Size: 12.5 x 9.5 inches; image size: 10.63 x 6.3 inches Inscription: Unsigned and unnumbered, as issued Not...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Trinity Library...

Piazza di Pietra is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,171...

Collegio De Neofiti is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions and aged mar...

Chiesa dei SS. Celso e Giuliano is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions...

S.Eustachio Church is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleone,1...

Collegio Clementino is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. The beautiful etching represents a glimpse of Rome. Signed and titled...

Lucio Del Pezzo (1933-2020) Letter A, 1971 Photolithograph, 30 x 24 cm From the series The Alphabet of Bolaffi. Edition 3,433 / 5000, signed in pencil by the artist. Printed on the ...

The Bridge in Sunrise is a modern artwork realized in the Mid-20th Century. Mixed colored lithograph after a woodcut realized by the great Japanese artist Utagawa Hiroshige in the 1...

Borgo Pio - Rome is an original artwork realized by Giuseppe Malandrino. Original print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Number...

One of a series of oil based monotypes on fine printmaking paper, subtle color design, symbolic and atmospheric figure/figures in cityscape

Navona Square is an artwork realized by Giuseppe Malandrino. Print in etching technique. Hand-signed by the artist in pencil on the lower right corner. Numbered edition of 190 cop...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Aldate's From Carfax (1813) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Portman Square is an etching watercolored realized by the german engraver Rudolf Ackerman in 1816. Good condition on a yellowed paper. No signature, titled on the lower margin.

Medium: etching and aquatint Image size: 4 x 6 inches Printing element: 1 copperplate Beautiful etching and aquatint from an artist know for his depictions of trees and architectur...

Camille Pissarro (1830-1903), Le Pont de Pierre, a Rouen, etching and drypoint, 1887. Reference: Delteil 66, second state (of 2). Signed lower right in pencil, annotated lower left ...

Image dimensions: 17.8 x 22.4 cm. Der Hagenmarkt mit der Catharinenkirche is a beautiful watercolored etching on paper, realized at the middle XIX century by the German landscapist ...

Colleggio Nazzareno is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions except for margins with som...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

View of Piazza Navona is an original contemporary artwork realized in 1970 by the Italian artist Giuseppe Malandrino (Modica, 1910 - Rome, 1979). Etching on cardboard. Hand-sign...

Medium: Lithograph on vélin d'Arches paper Year: 1970 Paper Size: 20 x 26 inches Inscription: Signed in the plate and unnumbered, as issued Notes: From the folio, André Derain entre ...

Chiesa e Monastero delle Vergini is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good condition...