Road Prints and Multiples

The Capitol is a beautiful lot of two hand-watercolored lithographs realized by an Italian artist of the XIX century. It represents the incredible landscape of the communal site of t...

Chiesa di S.Apollinare is an original etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good conditions. Giuseppe Vasi (Corleo...

Palazzo Altieri is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Quite Good conditions and aged ...

Original Figurative Etching Edition number 7 Image size: H:52 cm x W:50 cm Sold Unframed Please note that insitu images are purely an indication of how a piece may look This etching ...

Etching by Ettore Fagiuoli depicting Piazza delle Erbe in Verona. Ettore Fagiuoli, who was born in 1884 and died in Verona in 1961, was an Italian architect, engraver, and stage desi...

In the lower margin "Carlo Perrin Lito , C. Perrin Editori Torino, Litografia C. Perin, 1860." In very good conditions except some stains, also stains overleaf. Interesting colored lithograph which describes the cavalry's departure, the regiment "Cavalleria Piemonte" which was one of the most antique...

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. Joseph Constantine Stadler (1755 - 1828) after William Westall (1781 - 1850) Trinity Library...

Large scale photograph from a series of photographic still life observations capturing found conceptual objects and environmental objet trouvé vignettes in European cityscapes Found...

Measures 15 x 15 inches with mat Edition of 1000

To see our other Oxford and Cambridge pictures, including an extensive collection of works by Ackermann, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. John Hill (1770 - 1850) after Augustus Charles Pugin (1762 - 1832) St Aldate's From Carfax (1813) Aquatint with original hand colouring 27 x 21 cm Published by Rudolph Ackermann (1764 - 1834). An engraving of St Aldate's, overlooked by Christ Church's pale and magnificent Tom Tower. John Hill was born in London in 1770, and was an engraver's apprentice. He worked in aquatint and largely produced book illustration aquatints. He went to America in 1816 and produced the notable Picturesque Views of American Scenery amongst other books of prints. Augustus Charles Pugin was an Anglo-French artist and architectural draughtsman. Pugin produced views of London, jointly creating the illustrations for the 'Microcosm of London' published by Rudolph Ackermann in 1811, followed by plates for Ackermann's books about Westminster Abbey, Oxford and Cambridge universities, and Winchester College. His later works included illustrations for Specimens of Gothic Architecture (1821–1823), The Royal Pavilion at Brighton (1826), Architectural Antiquities of Great Britain (1826), Specimens of the Architectural Antiquities of Normandy (1827), Illustrations of the Public Buildings of London (1825 to 1828), Paris and its Environs (1829 to 1831), and Examples of Gothic Architecture (1831). He also produced a book of furniture designs called Gothic Furniture, and assisted architects with detailing for their gothic designs. He ran a drawing school at his house in Bloomsbury. Ackermann was an Anglo-German bookseller, inventor, lithographer, publisher and businessman. He attended the Latin school in Stollberg, but his wish to study at the university was made impossible by lack of financial means, and he therefore became a saddler like his father. He worked as a saddler and coach-builder in different German cities, moved from Dresden to Basel and Paris, and then, 23 years old, settled in London. He established himself in Long Acre, the centre of coach-making in London and close to the market at Covent Garden. Ackermann then moved to Little Russell Street where he published Imitations of Drawings of Fashionable Carriages (1791) to promote his coach-making. Other publications followed. In 1795 he established a print-shop and drawing-school at 96 Strand. Here Ackermann set up a lithographic press and began a trade in prints. He later began to manufacture colours and thick carton paper for landscape and miniature painters. Within three years the premises had become too small and he moved to 101 Strand, in his own words "four doors nearer to Somerset House", the seat of the Royal Academy of Arts. Between 1797 and 1800 Ackermann rapidly developed his print and book publishing business, encompassing many different genres including topography, caricature, portraits, transparencies and decorative prints. During the Napoleonic wars, Ackermann was an energetic supporter of the Allied cause and made significant contributions to British propaganda through his publication of anti-Napoleonic prints...

Medium: original lithograph. Printed in Paris in 1958 by Mourlot and published in an edition of 2000. Size: 12 1/4 x 19 inches (310 x 475 mm). There is a center fold, as published. S...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Artist: C.J. Yao Title: Downtown Houston Year: 1982 Medium: Screenprint, signed and numbered in pencil Edition: 250 Paper Size: 22 x 30 inches

Great American Landscape I Charles Magistro, (1942) Date: 1980 Screenprint, signed and numbered in pencil Edition of 300, AP 45 Image Size: 25.5 x 21 inches Size: 29 in. x 24 in. (73...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the ...

Bistro 1900 is a serigraph on black paper with an image size of 24 x 36 inches, signed ‘Kondakova’ lower right and numbered lower left. From the edition of 525 and numbered 38/100 (there were also 200 Arabic on white paper, 25 APs, 100 Roman, and 100 on canvas). Framed in a contemporary, mahogany-style moulding. You might happen upon Bistro 1900 as you round a Parisian street corner leading onto a light-filled courtyard. The bistro door...

Edition 1 of 5, with 2 APs. GINA PHILLIPS is a mixed media, narrative artist who grew up in Kentucky and has lived in New Orleans since 1995. The imagery, stories and characters of ...

London: Charles Hullmandel, c1839. Stipple point lithograph with hand coloring in watercolor on cream wove paper, 21 1/4 x 14 1/4 inches (540 x 362 mm), the full sheet. In fair cond...

This exquisite lithograph after Andre Derain (1880–1954), titled Amiens (Amiens), from the folio Andre Derain entre 1935 et 1949, V (Andre Derain between 1935 and 1949, V), 1970, ori...

Chiesa e Monastero di S. Maria dei Sette is an original black and white etching of the Late 18th century realized by Giuseppe Vasi. Signed and titled on plate lower margin. Good c...

Historical Print entitled "Bennett: Bowling Green, New York" 1826 as noted in bottom Left Corner It was published by Rudolf Leach Fine Arts, Inc., 225 Fifth Avenue, New York City ...

Lithograph realized in 1980s. Hand signed and numbered. Edition of 100. Excellent condition.

Large scale photograph from a series of photographic observances capturing found conceptual objects and typographic signs in urban cityscapes around Italy Napoli My Way (2025) by Fr...

Edition of 199 prints, numbered and hand signed. Very good conditions.

Humanic, Wien, 1924. Color lithograph. Ref: Plakat. 01 Kuntsler Mihaly Biro p. 97 pl 153. Biró is internationally considered as the founder of the political poster art, he is ...

One of a series of oil-based monotypes on fine printmaking paper. Monochromatic with subtle color. Moody, symbolist/expressionist image reflecting on NY city's ambient current and past.

This exquisite woodcut after Maurice Utrillo (1883–1955), titled Montmartre, sous la neige (Montmartre, Under the Snow), from the folio Les Peintres mes amis (The Painters My Friends), originates from the 1965 edition published by Editions d'art Les Heures Claires, Paris, and printed by Atelier Raymond Jacquet, Paris, May 20, 1965. Montmartre, sous la neige (Montmartre, Under the Snow) captures Utrillo’s quiet poetry and emotional depth, translating his painterly vision of Paris into the medium of woodcut. The serene winter streets, rendered with rhythmic precision and tonal restraint, evoke the contemplative stillness that defines Utrillo’s deeply personal view of urban solitude and beauty. Executed as a woodcut on grand velin d'Arches paper, this work measures 15 x 11 inches. Signed in the plate and unnumbered as issued. The edition exemplifies the exceptional standards of Editions d'art Les Heures Claires, Paris, and the master craftsmanship of Atelier Raymond Jacquet, Paris. Artwork Details: Artist: After Maurice Utrillo (1883–1955) Title: Montmartre, sous la neige (Montmartre, Under the Snow), from the folio Les Peintres mes amis (The Painters My Friends), 1965 Medium: Woodcut on grand velin d'Arches paper Dimensions: 15 x 11 inches (38.1 x 27.94 cm) Inscription: Signed in the plate and unnumbered as issued Date: 1965 Publisher: Editions d'art Les Heures Claires, Paris Printer: Atelier Raymond Jacquet, Paris Catalogue raisonne reference: Monod, Luc. Manuel de l’amateur de livres illustrés modernes, 1875–1975. Ides et Calendes, 1992, illustration 11485. Condition: Well preserved, consistent with age and medium Provenance: From the folio Les Peintres mes amis (The Painters My Friends), published by Editions d'art Les Heures Claires, Paris; printed by Atelier Raymond Jacquet, Paris, May 20, 1965 Notes: Excerpted from the folio (translated from the folio), The lithographs by Derain and Van Dongen were printed by Lucien Detruit. Those by Dufy, Matisse, Chagall, Dunoyer de Segonzac, Cavailles, Terechkovitch, and Carzou were printed by Mourlot Freres. Those by Picasso and Buffet were printed by P.-J. Ballon. The lithograph by Miro was printed in the workshop Arte, which also printed, in phototype, the frontispiece. The etchings by Villon and Zadkine were printed by Manuel Robbe. That by Braque was printed by A. and P. Crommelynck. The wood engravings and printing of the illustrations by Vlaminck, Rouault, Pascin, and Utrillo were done by Raymond Jacquet. The texts by Andre Warnod, collected by his daughter Jeanine Warnod, were hand-set in De Roos type, size 24, and printed in Paris on the presses of Daragnes. Printing completed on May 20, 1965. Justification of the edition, III examples on large velin d'Arches containing the original copper plates inked for one intaglio illustration; a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; a color separation of one lithograph; and a complete suite of the illustrations on Arches—numbered I to III. XVI examples on large velin d'Arches containing a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; a color separation of one lithograph; and a complete suite of the illustrations on Arches—numbered IV to XIX. XXI examples on large velin d'Arches containing a proof on silk of two lithographs; the four wood-engraved illustrations, mounted; and a complete suite of the illustrations on Arches—numbered XX to XL. XL examples on large velin d'Arches containing a complete suite of the illustrations on Arches—numbered XLI to LXXX. CLXX examples on large velin d'Arches—numbered LXXXI to CCL. About the Publication: The folio Les Peintres mes amis (The Painters My Friends), published in Paris in 1965 by Editions d'art Les Heures Claires, stands among the most ambitious postwar French printmaking collaborations. Conceived as a celebration of modern art’s greatest masters, the volume unites original graphic works by Utrillo, Vlaminck, Matisse, Picasso, Chagall, Braque, Villon, Derain, Zadkine, Miro, and others, alongside critical essays by Andre Warnod. Each plate was executed under the supervision of Paris’s foremost ateliers—Mourlot Freres, Lucien Detruit, P.-J. Ballon, Manuel Robbe, and Raymond Jacquet—representing the finest techniques of lithography, etching, and woodcut. This luxurious folio exemplifies the artistry and craftsmanship of mid-20th-century French printing, merging text, image, and handcraft into a unified artistic statement. A triumph of the livre d’artiste tradition, it remains a vital record of the enduring creative dialogue between the painters, printers, and publishers who defined the visual culture of their time. About the Artist: Maurice Utrillo (1883–1955) was a French painter whose poetic depictions of Montmartre and Paris transformed the city’s quiet streets, cathedrals, and cafes into enduring symbols of nostalgia and modern beauty. Born in Paris to the artist Suzanne Valadon—model and muse to Pierre-Auguste Renoir and Henri de Toulouse-Lautrec—Utrillo was immersed in art from an early age but led a turbulent life that found solace in painting. Entirely self-taught, he became one of the most distinctive figures of the Paris School, celebrated for his lyrical “White Period” (1909–1914), during which he employed thick impasto and a restrained palette of whites, grays, and ochres to capture the worn facades and atmospheric stillness of Montmartre. Influenced by Paul Cezanne’s structural precision, Vincent van Gogh’s emotional color, and Camille Pissarro’s realism, Utrillo forged a style that blended Impressionist light with Post-Impressionist solidity, expressing solitude, longing, and spiritual calm. He worked amidst the revolutionary ferment of early 20th-century Paris, alongside Pablo Picasso, Amedeo Modigliani, Georges Braque, and Chaim Soutine, yet his art stood apart from their Cubist and Expressionist experiments, focusing instead on evoking emotional truth through representation. Though he shared his generation’s stage with avant-garde icons such as Joan Miro, Salvador Dali, Wassily Kandinsky, Marcel Duchamp, Alexander Calder, Alberto Giacometti, and Man Ray, Utrillo’s paintings offered a poetic counterpoint—a meditative realism that captured the enduring soul of modern life. His mastery of perspective and tonal harmony imbued works like Rue Norvins and Place du Tertre with quiet majesty, transforming ordinary streets into sanctuaries of memory and light. Utrillo’s profound sensitivity influenced later artists including Balthus, Jean Dubuffet, Nicolas de Stael, and Giorgio Morandi, as well as Edward Hopper and Wayne Thiebaud, who echoed his stillness and emotional clarity in their own depictions of urban solitude. His art, now housed in major museums such as the Musee d’Orsay, Centre Pompidou, Metropolitan Museum of Art, and Tate, remains a cornerstone of modern French painting, bridging the lyricism of Impressionism with the introspection of modernism. Revered for his sincerity and mastery of mood, Utrillo stands alongside Picasso, Miro, Dali, Kandinsky, Duchamp, Calder, Giacometti, and Man Ray as a pillar of 20th-century art, his work capturing the eternal poetry of Paris. The highest auction record for Maurice Utrillo was achieved by his masterpiece Rue Norvins a Montmartre (circa 1910), which sold for $4,882,500 USD at Sotheby’s, New York, on November 6, 2011, affirming his enduring legacy as one of the most beloved and collectible painters of his era. Maurice Utrillo Montmartre...

Dramatic imagery from FILM NOIR series of black and white monotypes, blending surrealistic mindscapes with stark realism About Tom Bennett: With quick brushstrokes, Tom Bennett crea...

Edition of 30 + 10AP Ms. Murray is notable for capturing the crystalline quality of northern light. She has an extensive exhibition history and she is represented in both private an...

Archival pigment ink print on Hahnemuhle cotton paper. Each print is uniquely hand embellished by the artist with acrylic paint and prismacolor. Edition 1 of 5. Kristin Moore says o...

This color intaglio of the "New York Stock Exchange" was issued in a limited edition of 100. This impression is one of the Artist Proofs from the edition. The Stock Exchange is seen from Federal Hall...

ABOUT THIS PIECE: Julio Larraz is an expert draftsman, adroitly sketching his subjects and enlivening them with vibrant color. Larraz is recognized for his precise and detailed techn...

'Basilica di St Maria Maggiore. Veduta della facciata principale' Tinted lithograph by Philippe Benoist (1813-1881). From a French series titled 'Rome dans Sa Grandeur', circa 1870...

Two individual photographs from a series of monochromatic photographic observances capturing found conceptual objects in urban cityscapes Found Object A + B (Diptych) by Frank Schot...

This work is hand signed in pencil "R. Lichtenstein" at the lower right margin on the mount board. It is also signed, verso. It is also hand numbered in pencil from the edition of 20...

Screen print by Antonio Saliola. Hand signed in pencil lower right. Very good condition.

Etching on vélin Canson et Montgolfier paper. Unsigned and unnumbered, as issued. Good condition. Published by L'Imprimerie Daragnès, Paris; printed by Jean Gabriel Daragnès, Paris, ...

Lithograph in colors on cream wove paper 16 3/4 x 12 inches (425 x 304 mm); sheet 21 1/2 x 14 1/4 (546 x 361 mm), full margins. In good condition with minor toning.

Banksy Authorised Graffiti Area, 2004 Authorized VIP sticker on Fasson backing 5 9/10 × 4 13/100 inches Unframed, not signed This early (2004) Banksy sticker is a rare and highly col...

Michel DUBRE (1942 - ) Paris Opera in the Wheat Field Original lithograph Handsigned in pencil Limited /275 copies On vellum 56 x 76 cm (c. 22 x 30 in) Excellent condition

Frank Stella b.1936 Sanbornville (from the Eccentric Polygons series) 1974 lithograph and screenprint in colors on Arches 17¼ h × 22¼ w in (44 × 57 cm) Signed, dated and numbered to...

Etching on cream laid antique J Whatman paper with a watermark, 4 1/2 x 2 3/8 inches (109 x 61 mm); sheet 8 1/2 x 6 1/8 inches (216 x 153 mm), full margins. A proof impression from t...

To see our other views of Oxford and Cambridge, scroll down to "More from this Seller" and below it click on "See all from this Seller" - or send us a message if you cannot find the view you want. William Nicholson (1872-1949) Christ Church Library, Oxford Signed and numbered 34, published by Stafford Gallery with blind stamp Lithograph 26 x 34.5cm Probably best known through his graphic works, as a book designer and illustrator, Nicholson was greatly encouraged in his landscapes by Whistler from about 1900. In 1902-03 he produced a series of watercolour, chalk and pen drawings of Oxford which were published in 1905 by the Stafford Gallery as two portfolios of lithographs, with descriptions by Arthur Waugh – father of Evelyn Waugh...

Etching on cream laid watermarked FJ Head paper with a deckle edge, 10 1/4 x 5 3/8 inches (262 x 137 mm); sheet 18 1/8 x 10 1/4 inches (457 x 260 mm), full margins. Signed, titled, d...

Marcel Schellekens' works are characterised by the special incidence of light and the atmosphere that the works radiate. Marcel finds inspiration cl...

BURRO EXPRESS by the American Western artist Conrad Schwiering, is a hand drawn limited edition lithograph printed using hand lithography techniques on archival Somerset paper 100% a...

DAS WERK GUSTAV KLIMTS, a portfolio of 50 prints, ten of which are multicolor collotypes on chine colle paper laid down on hand-made heavy cream wove paper with deckled edges; under ...

Striking original exhibition poster documenting Christo’s monumental environmental installation Wrapped Walk Ways, realized in Kansas City’s Loose Park in 1977–78. For this project, ...

Signed and numbered etching by an Unknown Artist. Paper Size: 20.75 x 25 inches ( 53 x 64 cm ) Image Size: 14.75 x 20.5 inches ( 37 x 52 cm ) Framed: Framing available upon request....

Artist: Francois Fanch Ledan Title: Monte Carlo - The Arms, Year: 1997 Medium: Lithograph on Arches Paper Size: 19 x 22 inches Signed in pencil and marked 198/200 UNFRAMED Born ...

From a series of large and impressive prints of St George's Chapel, the location for the Royal Wedding of Prince Harry and Megan Markle; to see some others, scroll down to "More from this Seller" and below it click on "See all from this Seller." Frederick Nash (1782-1856) Drawn and etched Engraved by F C Lewis North East View of St George's Chapel, Windsor To the Right Reverend the Lord Bishop of Norwich and Dean of Windsor London Published by F Nash, No 6 Asylum Buildings, Westminster Road July 12 1804 55x40cm Frederick Nash was born in Lambeth. Initially studying architectural drawing under Thomas Malton he subsequently enrolled at the Royal Academy of Arts. From 1801 to 1809 he worked with the antiquarians John Britton...

London: Fine Art Trade Guild, c1900. Etching with drypoint on cream laid paper with a deckle edge 11 1/2 x 8 1/4 inches (290 x 208 mm); sheet 15 x 11 5/8 inches (380 x 294 mm), full...

'Porto di Ripetta. Veduta presa dalla scala della Chiesa di S. Rocco' Tinted lithograph by Philippe Benoist (1813-1881). Figures by Bayou. From a French series titled 'Rome dans Sa...

Patrick Hughes Street 2021 hand-painted multiple 38.9 x 74.8 x 19.6 cm (15¼ x 29½ x 7¾ in.) edition of 50 Provenance Direct from the artist’s studio Notes “I have lived and worked in Shoreditch for a quarter of a century and I have watched with delight and amazement the rise of Street Art...

Paris, houses and walls is a beautiful artwork realized by Orfeo Tamburi during the 1980s. Mixed colored lithograph. Edited and printed by Graphics Arte, Livorno Original title: P...

'Nihon Noir arose from my fascination with Japan and my desire to translate the feeling that struck me on my first visit, that somehow you have been transported to a parallel future ...

archival pigment print, edition of 10, signed and editioned by the artist. Ross Racine is an artist living in Montreal (Quebec), Canada, and New York. Racine's works are drawn freeha...

Drypoint on cream wove paper, 4 1/2 x 6 7/8 inches (114 x 174 mm), full margins. Signed in pencil, lower right margin. In very good condition with no visible defects; inking is exce...

(after) Maurice Utrillo Inspired Village of Montmartre Pochoir with printed signature Edition of 490 Dimensions: 39 x 30 cm Information : This print was created for the portfolio "Le Village inspiré, Chronique de la bohème de Montmartre (1920-1950) " published by Vertex in 1950 Condition : Excellent Maurice Utrillo (1883 - 1955) The French painter Maurice Utrillo was born as the illegitimate son of the painter Suzanne Valladon in Paris on December 26, 1883. He was adopted by the Catalan art critic Miguel Utrillo...

Silkscreen on vélin paper. Inscription: unsigned and unnumbered, as issued. Good condition. Notes: From the album, Numbers, 1968. Published by the Edition Domberger, Stuttgart, and G...