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Art Subject: Door
Steel Garden Wall - "Triptych Swarm" - Modern Outdoor Ornament - 225×195 cm
Located in Winterswijk, NL
Give your garden a touch of industrial elegance with our steel wall in a 3-part design with a rusty surface! Each part of the wall is made of high-quality steel and has been careful...
Category

21st Century and Contemporary Art Deco Sculptures

Materials

Steel

Michael German "Leroy & Bertha's Bar and Grill" Mixed Media Sculpture Folk Art
Located in Detroit, MI
During the 1960s America’s storytelling sculptor, Michael Garman, lived a vagabond lifestyle on the cheap and in the run-down neighborhoods of Dallas, S...
Category

Mid-20th Century Folk Art Still-life Sculptures

Materials

Mixed Media

The Story of Joseph from the Second Baptistery Doors, Florence (“The Gates of Pa
Located in New York, NY
Ferdinand Barbedienne (Saint-Martin-de-Fresnay 1810 – 1892 Paris) after Lorenzo Ghiberti (Florence, 1378 – 1455) Signed at the lower right of the principal relief: F. BARBEDIENNE Provenance: Private Collection, USA. Barbedienne’s “Gates of Paradise” reliefs are one of the triumphs of nineteenth-century bronze casting and patination. The nine panels that comprise our example are half-size reductions of the famous originals by Lorenzo Ghiberti, made for the Baptistery of Florence and now housed in the Museo del Opera del Duomo. Mounted in an impressive, mullioned frame surround, our work is an exceptional exemplar of the Renaissance Revival, the broadly influential style and movement that infused architecture, design, and artistic culture in the latter half of the nineteenth century. The central scene, The Story of Joseph, is perhaps the most celebrated of the entire series depicting as it does seven episodes from the Biblical narrative integrated into a single composition: Joseph cast by his brethren into the well, Joseph sold to the merchants, the merchants delivering Joseph to the pharaoh, Joseph interpreting the pharaoh’s dream, the pharaoh paying him honor, Jacob sending his sons to Egypt, and Joseph recognizes his brothers and returns home. The surrounding reliefs—two vertical figures in niches, two recumbent figures, and four portrait heads in roundels—are as well faithful reductions of Ghiberti’s original bronzes on other parts of the doors. The maker of these casts was the renowned 19th-century French fondeur Ferdinand Barbedienne. Gary Radke has recently written of this great enterprise: “The Parisian bronze caster Ferdinand Barbedienne began making half-sized copies of ancient and Renaissance sculpture in the 1830s. His firm benefitted enormously from the collaboration of Achille Collas, whom Meredith Shedd has shown was one of numerous pioneers in the mechanical reproduction of sculpture. Their competitors largely devoted themselves to reproducing relief sculpture, but Collas devised a process for creating fully three-dimensional copies. A tracing needle, powered by a treadle, moved over the surface of a full-sized plaster cast or bronze of the original and triggered a complementary action in a cutting stylus set over a soft plaster blank…He signed an exclusive contract with Barbedienne on November 29, 1838, and won medals for his inventions in 1839 and 1844. Barbedienne’s half-sized copies of the Gates of Paradise were famous not only for their fidelity to the original, but also for the way their gilding…suggested the glimmering surface that was hidden under centuries of dirt. Some critics even saw Collas’s and Barbedienne’s work as ‘philanthropic, an exemplary adaptation of industry to the requirements of art, the artist, the workers, and the public alike.’ At 25,000 francs, Collas’s and Barbedienne’s reduction of the Gates of Paradise was singularly more expensive than any other item for sale in their shop. All the reliefs, individual statuettes, and busts were cast separately and could be purchased either by the piece or as an ensemble. Fittingly, Barbedienne’s accomplishment earned him the Grand Prix at the 1878 Paris Exposition Universelle, along with numerous other medals.” Three complete examples of the Barbedienne-Ghiberti doors are known. One, first installed in a chapel in the Villa Demidoff of San Donato near Pratolino, was later acquired by William Vanderbilt...
Category

Late 19th Century Figurative Sculptures

Materials

Bronze

Steel Garden Wall - "Spring" - Modern Outdoor Ornament - 75 x 195 cm
Located in Winterswijk, NL
With its rustic aesthetic, this privacy screen will not only protect your privacy, but also add a special charm to your outdoor area. The rusty surface gives each element an individu...
Category

21st Century and Contemporary Art Deco Sculptures

Materials

Steel

Open Window with Butterflies
Located in Porto, 13
Hand painted cutout steel
Category

2010s Contemporary Sculptures

Materials

Steel

Wood Diptych, 165 pieces of wood: 'Remembrances of Things Past '
Located in New York, NY
I want the viewer to have a sense of wonder and awe when looking at my work. We have all at one point or another picked up a stick from the ground—touched the wood, peeled the bark ...
Category

2010s Folk Art Sculptures

Materials

Wood

"Lion 1" (PAIR) Aluminum Sculpture 59" x 31" x 31" Edition 2/8 by Huang Yulong
Located in Culver City, CA
"Lion 1" (PAIR) Aluminum Sculpture 59" x 31" x 31" Edition 2/8 by Huang Yulong ABOUT THE ARTIST Huang Yulong was born in 1983 in Anhui Province, China. In 2007 he graduated with a ...
Category

21st Century and Contemporary Contemporary Figurative Sculptures

Materials

Metal

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