Figurine Sculptures

Cast and handbuilt porcelain, gold lustre

Sara trained under Ken Hughes, a pupil of Henry Moore, at Bath Academy of Art. There she achieved a first class honours degree in Sculpture and was awarded the Henry Moore Foundation...

Signed/inscribed by Artist on bronze base of the sculpture with an edition number. 23/45

Information: Anna is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia i...

ARTHUR STRASSER Austrian, (1854-1927) A Musician Smoking Patinated and gilt bronze, Signed ‘A Strasser’ on base. 25 x 15 inches

The Hand of Creation is double life-sized; four times the mass of a human hand. Sherman desired to make a hand that expresses gentility, wisdom, and beauty. He chose a woman's hand a...

Unique Available for display at Taylor Fine Art

Hakuna is a limited edition bronze sculpture. Created with the lost wax casting process.

Rennende Neushoorn Running Rhino Bronze Sculpture Animal Grey In Stock Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at t...

Jim’s of Lambertville is proud to offer this artwork: Spelter bronze

Signed/inscribed by the Artist on the bronze base of the sculpture with an edition number. 1/15

This bronze bust can be commissioned. It will take approximately 3 months to cast. The marble base can be ordered in white or black. Sensuous Woman Maquette is a highly polished bronze casting sealed with automotive clear coat-Glasurit. It never needs to be polished. It is the bust of...

Naor is a French artist from Lyon born in 1988. Completely anchored in his time, he has always traveled a lot around the world. If travels form youth, Naor was inspired by it. From t...

Newborn Giraffe and Mother is a limited edition bronze sculpture. We have 2 patinas available the brown and the sand. Created with the lost wax casting process.

Solo Horse Sculpture Bronze Jumping Animal In Stock Lucie Sentjens (Brussels, 1959) is a sculptor, graduated from the Cambre in 1982 in the studio of Rik Poot. She takes evening pa...

Edition of 50 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture...

Date: 19th Century Origin: Italian Dimension: 18 in x 12 in x 9 1/4 in

Bronze Sculpture, Edition 26 of 100 Born in Colorado and raised in Nebraska, Sandy Graves first forayed into the art world by presenting work as a child and 4-H member at local coun...

Lion is a limited edition bronze sculpture.

Maqueta las Toninas, 1944 BMY-022, 1970 Edition 1/25 Bronze 22 x 22 x 10 cm 8.6 x 8.6 x 3.9 in ABOUT THE ARTIST Narvaez was born in Porlamar, Venezuela, in 1905; he was the fifth son of eleven siblings; his parents were Jose Lorenzo Narvaez and Vicenta Rivera. Don José Lorenzo, a multifaceted and creative man, sowed the seed of creativity in his son. “My father did not fit in with his fantasies of cabinetmaker, bricklayer, master builder, and self-taught architect.”1 From an early age, Francis was led to the artistic activity, he traced, carved, made replicas of the furniture and the saints restored by his father. In 1920 he obtained his first professional assignment, a San Rafael for the Church of Carupano, and, in 1922, his father authorized him to travel to Caracas to pursue his studies as an artist. He studied at the atelier of Marcos Castillo, at of the Angel Cabre y Magriña and at the Academy of Fine Arts in Caracas, where he was introduced to the painters and intellectuals of the time. In 1928 he presented his first solo exhibition at the Club Venezuela. With the money raised from the sale of the works and the support of Monsignor Sosa, and the Ministers Centeno Grau and Arcaya, he studied in Paris on a scholarship. Once there, he enrolled at the Académie Julian, where Tito Salas, Cristóbal Rojas and Arturo Michelena had also studied. It was in Paris where, unable to work in wood, he turned to stone carving. “In Paris, I didn’t have wood, so I carved a lot in stone (…), when there were demolitions I purchased chunks of stone, I would take them to the workshop and carve them.”2 His first attempts at volumetric sculptures and painting in plain colours, linked to the thematic of American miscegenation and Creole reality, can be traced back to that first trip to Paris. During his stay in the French city, Arturo Uslar Pietri, Alfredo Boulton, and Finita Vallenilla supported the artist both financially and logistically, and in February of 1930, the trio of friends arranged another exhibition for him at the Club Venezuela. Narvaez describes his exhibition as follows: “(…) in it I feel that the sculptural work is more my own, done with more assurance, a response to my pursuit of large planes, stylisation and synthesis.”3 By then, as Boulton himself noted in his book about the artist, Narvaez departed from most of the artistic traditions that prevailed by that time in Venezuela. In 1931 he returned to Caracas and established his atelier at the Barrio Obrero in Catia. The atelier became the hub of the intellectual life of the time. “In those years, the atelier of Francisco Narvaez was the hub of the greatest Venezuelan hope. Nothing comparable to it can be found either before or since.”4 From that year onwards, exhibitions, projects, trips, and awards we multiplied. He was awarded the President of the Republic of Venezuela Prize, the National Sculpture Prize of the 1st Official Venezuelan Art Salon, and the John Boulton Prize of the 3rd Annual Venezuelan Art Salon; for the Military Academy, he produced a spectacular relief entitled La Patria. In 1945, commissioned by the architect Carlos Raúl Villanueva, he produced two groups of sculptures known as Las Toninas, both located in the O’Leary Square. There, as he himself states, he incorporates some baroque patterns into the figures to the source itself: “It is a work of balance between the decorative requirements and the sculpture of planes and angles.”5 In 1948 he was awarded the National Painting Prize. In the same year, he was called upon by the architect Carlos Raul Villanueva to participate in the project for the arts integration in the Universidad Central de Venezuela. Francisco Narvaez’s public output continued with works such as the statue of Fermín Toro, La Educacion, La Ciencia, three murals (produced by María Luisa Tovar) for the Instituto de Medicina Experimental, El Cristo; el Atleta, the equestrian statue of General Rafael Urdaneta. In 1953 he was appointed Director of the School of Plastic and Applied Arts, and in July of the same year, he exhibited “Francisco Narvaez, Maderas, Piedras y Bronces” (Francisco Narvaez, Woods, Stones and Bronzes) at the Museum of Fine Arts. Narvaez is, unquestionably, one of the great Venezuelan sculptors, his work goes through various stages and interests; as the art world evolves, the artist does not remain in his initial scopes of work. His creations are not imposed by the prevailing trends or fashion but do evolve by experimenting with new materials and interests. When one peruses the artist’s lengthy list of exhibitions, commissions, and awards, it is worth remembering the Narvaez who embark on his career as a child and who, overcoming obstacles, knew how to make the most of his curiosity. He did not settle for living off his successes. He did not remain stagnant as many creators of his environment did. Narvaez managed to understand the changes in the history of art around him. We must not overlook the fact that Francisco Narvaez is an artist amid all the changes occurring in the art world. He moves from the classics to the great transformations in the art world. It is the Europe of Picasso, Braque, Arp. He observes, he is aware of what is happening in the centres of the world of art, but between his craft and his sensitivity, the result is NARVAEZ, his stamp, and his identity. Francisco Narvaez comes from tradition, and his first stage is linked to the classics, to the exploration of his heritage, but always with his very own language. Throughout his prolific career, he knew how to remain true to himself, without disregarding the influences of his surroundings or his artistic interests: his ability as a sculptor, his selection of materials, whether they were wood, stone or bronze; his choice of the subject of his work…His mastery and great craftsmanship are a constant that over time have made him a leading player in the history of contemporary Venezuelan and world art. From his beginnings, no subject was foreign to him. His paintings, drawings, aquarelles, and sketches are testimony to his prolific output. Among his themes are portraits, our traditions, still lifes, and landscapes. Narvaez is an artist who represents his time. Later, he evolved towards purer and simpler forms, abandoning figurative art for short periods. In 1956 he declared to the newspaper El Nacional: “Every day I am freeing myself, it is a soul that frees itself from the ephemeral wrappings of the circumstantial always, as well as from the inevitable weight of the anecdote. This second stage of my work is remarkably close to abstractionism, even if there are still certain figures or figurations in the sculptures that I will shortly be showing. However, pure, and absolute abstractionism, it will treat the form itself as the sole reason for its existence on the plane of artistic excellence.”6 The artistic development was his professional life. Each period of his life as an artist, he went one step further, searching, solving, seeing plenty of things and understanding how diverse expressions were transforming themselves. His hands followed his gaze and his mind, always inquisitive. He added movement to the volumes. Arturo Uslar Pietri, “Formas Nuevas”, Cromotip editions, 1956 “Francisco Narvaez is a path: the path that Venezuelan sculpture...

Pair of expressive, hand-painted, terracotta dogs with glass eyes from England.

Edition #5/45 - Original bronze sculpture by Gerald Balciar. Signed on bronze sculpture.

JUAN CLARÁ AYATS Spanish, 1878 - 1958 ART NOUVEAU SCULPTURAL BRONZE OF A BOY AND GIRL signed "Juan Clara" (on the lower left ) sculptural bronze 4-3/8 x 4-3/8 x 3-1/2 inches (11 X 11 X 9 cm.) PROVENANCE Private Spanish Collector Art Nouveau Bronze sculpture representing a boy and a girl sitting on a stool in a funny and surprised attitude to something they are seeing. Sgned "Juan Clará" lower left with the foundry seal and marks on the right side of the bench Juan Clará Ayats. Olot (Gerona), 6.XII.1875 - Paris (France), II.1958. Sculptor Student of José Berga at the Olot School of Fine Arts, developed his training in France, first at the School of Fine Arts in Toulouse, in 1896, and from 1901 in Paris. At this stage he lived with his younger brother, José Clará...

The work of Sharon Loper exemplifies an intensity of purpose, demonstrates a passion for excellence, and discloses an understanding and sensitivity to materials and the physical worl...

Amazone Horse Back Riding Man Bronze Figurative Sculpture Contemporary In Stock Jits Bakker was a versatile Dutch artist: sculptor, painter, watercolorist, drawer, glass artist, sil...

Seagulls by Léo LAPORTE-BLAIRSY (1865-1923) Sculpture made in white Carrara marble signed on the base "Léo Laporte-Blairsy" France circa 1904 height 60 cm width 41 cm depth 25 cm ...

Angel Maya - Maya Angel This Mexican Wood Angel was made with Copal wood, wood carving technique gouges, machete and sandpaper, decorated with natural dyes and acrylic paintings with Zapotec symbols. At Cactus Fine Art...

Cast Glass, Cast Bronze, Granite and Copper Sculpture

Unique Available for display at Taylor Fine Art

Bull Bronze Sculpture Animal Small Farmlife Theo Mackaay (1950) Mackaay works with recognizable shape:: women, men and animals, with a pointer at the primal form. Archetypal motive...

The love story of Cupid and the beautiful princess Psyche. Godet’s mastery is evident in this figural group, especially Cupid’s pointed wings, the gaze, the drapery, curved body, and...

bronze, dark brown green patina signed 'A. Pina' and stamped 'A. Valsuani Cire Perdue' PROVENANCE Private collection, UK

In 1987, Arman began his Transculptures series, created by combining sections of several objects on top of each other. This magnificent example from 1988 bears witness to Arman's uni...

An equestrian sitting white horse sculpture, crafted with exquisite precision and care. Handcrafted from clay, this sculpture stands as a testam...

Signed/inscribed by Artist on bronze base of sculpture with an edition number. 4/15

Sitting Lady is a limited edition bronze sculpture. Created with the lost wax casting process.

EMILE LAPORTE French, (1858-1907) Jeune Garçon et Chèvre Patinated bronze; Signed ‘Laporte’ on the white marble base. 40 x 17 1/2 inches

Ballerina 2015. Porcelain, 12x19 cm (3 of 3) The Ballerina figurine is a charming piece of porcelain art created in 2015. It features a sitting ba...

Set of two carved and gilt wooden heads of lions, italy, venice, 1760 circa This pair of playful and charming lion heads are a marvelous example of Venetian sculptural and decorative...

Original sculpture etched/signed by the Artist on the bronze base. 11/13.

Lady Vase is a limited edition bronze sculpture.

This is a fine Italian white marble statue from the 19th century, depicting a young boy holding a bird's nest. The sculpture is hand crafted, capturing the innocence and natural char...

Bronze sculptures of two sitting dogs facing each other.

Roofvogel met vis no. 2 Bird of Prey with Fish Bronze Sculpture Animal Evert den Hartog (born in Groot-Ammers, The Netherlands in 1949) followed his education to be a sculptor at th...

Le Siffleur 50 is an original work of art by the French artist Idan Zareski. "Our feet are our roots, our roots are our heritage. They ground and anchor ...

African Tribesman is a limited edition bronze sculpture.

Bronze sculpture by artist Andrea Wilkinson. Edition 3/50.

Family, 1976 Martha Tickiq (1939 - 2015) Baker Lake Basalt A wonderful example of this artist's work renown for her figure groups. Appearing in excellent original condition.

Edition #18/45 - Original bronze sculpture by Gerald Balciar. Signed on bronze sculpture.

Edition #28/45 - Original bronze sculpture by Gerald Balciar. Signed on bronze sculpture.

This amusing naturalistic sculpture in silver-plated pewter was probably made in the 17th century by Georg Schweigger. Inspired by a model created by another Nuremberg sculptor, Peter Flötner, it bears witness to the persistence during the baroque era of the naturalistic taste that emerged in the Renaissance. Intended as an ornament for some Kunstkammer, or cabinet of curiosities, this sculpture was a great success, as can be seen from the presence of similar works in many European museums. 1. Georg Schweigger Georg Schweigger was a baroque sculptor and medal founder from Nuremberg, known mainly for his small-scale works in stone, carved wood and cast metal. His only large-scale work, the Neptune Fountain, has been in the Petershof Palace, the summer residence of the Tsars near St. Petersburg, since 1797. This monumental sculpture demonstrates his taste for the representation of movement, which we find in this small piece, inspired, as we shall see, by earlier models. 2. The success of a naturalistic theme As is often the case in the history of art, the source of the Dog scratching his ear theme probably comes from an engraving, and more precisely from one made in Strasbourg in 1480 or in Aschaffenburg in 1481 by the Master of the Housebook, an anonymous engraver working in southern Germany at the end of the 15th century. This engraving seems to have been Peter Flötner’s (1490 - 1546) source of inspiration. Peter Flötner was a sculptor and engraver who settled in Nuremberg in 1522. The Louvre Museum also has a gilded lead statuette dated between 1500 and 1515 (on deposit at the Musée de L'Œuvre in Strasbourg), which in turn is thought to have served as a model for other known statuettes. This model was later taken up by the Frenchman Barthélemy Prieur...

Alexandra Gestin (b. 1967) is a French artist from Guérande, a small town located in the West of France. A number of amazing voyages gave her, her passion for art. In North Africa, h...

Description Xu Ming (B.1983) Moon Rabbit Version Van Gogh No.1 Resin, electroplating 165 x 80 x 80 cm Dated 2021 The artwork comes with an COA About Xu Ming Emerging artist Xu Ming was born in 1983 in Changchun, China. He earned his M.A at Jilin University of Arts. Xu once worked for famous established Chinese contemporary artist Fang Lijun...

signed 'A. Rivalta' (on the base)

Inscribed by the Artist on the bronze base with an edition number. 15/30

Edition of 31 Jane DeDecker’s energetic and dynamic bronze sculptures serve as a reflection of her own life experiences and those of her closely-knit family. Her twelve nieces and nephews are the primary source of her inspiration, though DeDecker’s sculptures are not portraits. In fact, her loose style leaves her viewers with room for interpretation, so as to see their own lives within her sculptures. This imprecision, combined with her unique ability to capture specific moments to which each viewer can relate on a personal level, regardless of age, give DeDecker’s work a timeless quality that spans generations. DeDecker began her artistic training as a painter at the University of Northern Colorado, until a professor, noticing her joy in the portrayal of shapes and forms, suggested she try her hand at sculpture. Taking his advice, DeDecker went on to study at Gobelins School of Tapestry in...

Hoodie Girl Bronze Sculpture Nude Fashion Grey Modern The statues of Erwin Meijer are subtle with a recognizable, personal handwriting. They breathe the a...

John Hallett is a Wisconsin-based veterinarian-turned-artist. Edition 2/50. Signed left side.

Sculpture of two men in business suits, back to back with their arms linked Edition of 9

Anna Kara is a designer who does everything with hands. She uses resin and marble powder for her creations, and we find on each skull more than 150 details. Born in Armenia in 1980, ...