Figurine Sculptures

Master in the circle of Michael Pacher (Mühlen ca. 1435 - 1498 Salzburg) Salzburg Around 1480 Carved limewood Old polychrome version Height 118 cm This Madonna is an outstanding ex...

Sculpture Terracotta From Marcel Bouraine (1886-1948)" Original terra cotta sculpture of Marcel Bouraine Naïade of the 1930's Signed Bouraine On the ...

19th Century Miniature Bronze Sculpture of a Young Girl Holding a Doll Charming bronze atop a marble base The overall dimensions are 2" wide x 2" deep x 5.75" high Signed at the b...

Ann Rothman Sword Swallower (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2022 Porcelain, Low Fire Glazes, Crayons, ...

Emile Louis Picault (French, 1833-1915) "Paris" Patinated Bronze Sculpture, late 19th century, the standing figure holding a golden apple, signed to base. 32" H x 12" W x 12" D. The ...

Large 35" tall, fine detail porcelain Dehua Blanc de Chine figure of Kwan Yin, early 20th Century. The goddess is clothed in a voluminous flowing robe which is open at the chest to r...

Patrick BRUN was born in Paris in 1941. After obtaining his Engineering degree, he began his professional life as a teacher in mathematics and physics. After this period, he started ...

Dean Kugler Atlas Shrugged, 2024 bronze, ed. 9/12 22h x 14.50w x 16d in 55.88h x 36.83w x 40.64d cm ed. 9/12 DK0046 Dean Kugler is a seasoned interdisciplinary artist, painter, and ...

Le Garde Du Harem, "The Harem Guard" A Monumental Orientalist Patinated Bronze Sculpture by Georges Charles Coudray (French, 1862-1932) Le Gar...

Grand tour circa 1860s bronze of the Wrestlers. Rich fine dark brown patina. Marked "F. Barbedienne Fondeur." The Wrestlers also known as The Two Wrestlers, The Uffizi Wrestlers...

This is a ceremonial musician from the Chiang Mai Temple in Thailand.

WILD KONG OIL Smarter than man, Wild Kong throws an oil drum. The gigantic gorilla from Skull Island is a Hollywood legend that reigned over a hostile natural environment packed with...

John Bennett (Born 1952) Fredericksburg, Texas Artist Image Size: 27 tall x 12 x 8 Medium: Bronze Sculpture "If Wishes Were Horses" Western John Bennett (Born 1952) John Bennett was ...

A polychrome and gilt plaster statue of the Blessed Virgin Mary. The quality of the original gilding and the handling of the folds in the clothing are exceptional. A wonderful statu...

"Girl Sitting X" is a bronze sculpture of a nude sitting female on a wooden block. Edition 18, signed, numbered and dated on the bottom. The wooden block can be hung on a wall (come...

Sculpture unique piece combining resin, acrylic, collages, and varnish by Pinkhas Hand-signed on the side of the sculpture Titled and dated under the sculpture Perfect condition ...

Resin, steel, string and acrylic paint with hand-drawn canvas Edition of 250 Figure: 36 × 23 × 18 cm (14.2 × 7.5 × 8.7 in) Canvas: 20.5 x 16.3 cm (8 x 6.5 in) Box: 47 x 31 x 32 cm (1...

After Jean Goujon (French, 1510-1568) Bust of Diane de Poitiers Bronze with gilt socle base 9 x 3.75 x 2.75 inches Provenance: Removed from a private residence at the Pierre Hotel Di...

Bust of a Woman, bronze sculptue. Bronze with dark brown patina signed on the back R. Cortazar 1/9. Originally from Tapachula, Chiapas Mexico, he was b...

Jumping Nude Patinated Bronze Sculpture 7/9 Bob was born in Oakland, CA and lives and has his studio in Rye, NY . His work has been exhibited in solo shows in Santa Fe (Jane Sauer Ga...

Original hand cast bronze dual figure of a hollow dressed torso of a male and female representing Adam and Eve in the Garden of Eden. The bronze sculpture is attributed to the American sculptor Judith Shea. This piece is a maquette for a life size bronze executed by this artist that is located in an outdoor space in Buffalo, New York. Both are titled “Eden” and were done in 1987. Condition is excellent. Unsigned. Label on the bottom of the thick pine base states the artist and title of the artwork. Provenance: A Long Island, New York collector. Judith Shea has been a notable presence in the New York art world since the 1970s. Trained as a designer at Parsons, she soon found the fashion industry too restrictive and abandoned it in favor of making art. For her first solo show, at The Clocktower in 1976, Shea made a work based on color theory, using transparent silks in a spectrum of colors, worn by a live model. Other early work referenced clothing and its construction, first as flat, minimalist pattern and later as molded draping over implied, absent figures. In the 1981 Whitney Biennial, Shea showed three simple forms that evoked iconic clothes of the 1950s and 60s—the overcoat and the simple sheath dress—which hung from the wall as if on hangers. Five related works were included in the Hirshhorn’s Directions 83 survey. All of these works evoke human presence, felt as absence, as if the clothes were placeholders for missing persons. Thinking about her earlier clothes-based works, Shea has said that she “was looking for characters, for personae, really, to occupy them. I used clothes as stand-ins for people.” With the support of NEA grants, Shea began to learn bronze casting, and she was able to also spend time in Paris studying the statuary of its parks and gardens. This research led to several hollow-figure compositions from the 1980s that were designed to be sited in public spaces, such as Eden (John Hancock Tower, Chicago), Shepherd’s Muse (Oliver Ranch), Shield (Sheldon Museum of Art), and Without Words (Walker Art Center). In the 1990s, after a residency at Chesterwood—the site of Daniel Chester French’s studio in Stockbridge—Shea began to use woodcarving to make monumental public sculpture. The first of these full-scale wooden figures were shown in 1992 at the Whitney Museum at Phillip Morris in New York. In 1994 her wooden equestrian statue The Other Monument, a monumental image of a black man on a black horse, was installed at Doris Freedman Plaza in New York, in the same plaza as the William Tecumseh Sherman...

Orientalist African Hunter Leaning on His Shield Black Forest, School Switzerland  19th century Carved Wood 21 inches This is an exceptionally beautifu...

Mireia Serra's little figurative bronze sculptures capture feelings and sensations of day to day lives. She transforms everyday dilemmas into something beautiful that captures the be...

A pair of African carved wood and cloth ancestral figures from Nigeria. Meant to be sold as a pair, these ancestral figures are meant to convey the achievements of those they represe...

Early 21st century figurative sculpture with abstract glaze design by contemporary Mexican artist Yuri Zatarain. Monumental in scale. A very simple and engaging work of art that will...

Anonymous, Bust of a young woman, c. 1900, artificial marble and gray onyx marble. 37 cm (height) x 37 cm (width) x 22 cm (depth), weight 17.2 kg. Signed “GURRINI” on the reverse. -...

Beautiful bronze by N.Y./Connecticut artist Harriet Frishmuth (1880-1980). It depicts a graceful nude, Frishmuth’s best subject, and is titled “Cre...

Presenting an extraordinary Large and Exceptional Japanese Meiji Period Tokyo School Bronze Sculpture depicting a delightful ensemble of six energe...

"Aspen Under Cover" By Tim Cherry is an original, handmade bronze sculpture that depicts a pair of rabbits facing each other underneath two branches.

The Odalisque is an original decorative object realized by Giuseppe Salvi in 1886. Silver-plated Bronze representing a young odalisque, Sign, place and...

Artist: Kay Ritter Title: Hot Dog Man Medium: Papier-mache Figure Sculpture with Mixed Media Found Objects, signed Year: 1981 Size: 48 x 16 x 15 in. (121.92 x ...

Donald De Lue, American (1897-1988), Arcturus, 1980. Renaissance Brown patina. Number 5 of an edition of 12. Signed and inscribed left side of back of base: "De Lue sc. © 80 / 1987...

White marble sculpture - The Kiss. ​​19th century. 15 x 20 x h 20 cm including base, 12 x 17 x h 18 cm excluding base. Entirely in white marble, some small breaks and repairs. - ...

(after) Arthur Marie Gabriel comte du Passage (1838-1909) Horse training with its stable lad A rare large bronze group with nuanced dark brown patina circa 1896 signed on the base "...

A Roman, Carrara marble sculpture of the mythological Greek god Pan as a fountain. Italy.

Isidore-Jules Bonheur (French, 1827–1901) A Rare Gilt and Patinated Bronze Jockey on A Horse, circa 1875. Introducing a truly exceptional and highly so...

Ann Rothman Female Tightrope Acrobat (Circus, Whimsical, Viola Frey, Delicate, Playful, Fun, Cirque du Soleil, The Ringling Bros., Barnum & Bailey) 2021 Porcelain, Low Fire Glazes, C...

Pegasus III Bronze Sculpture Wings Horse, Greek Mythology Blue Patina In Stock KOBE, pseudonym of Jacques Saelens, was a Belgian artist (Kortri...

"Herself" by Frederick Hart is an acrylic figurative sculpture of a woman's face numbered 176/350. Hart began to equate light and spirit, the medium itself conveying the meaning, bey...

An Exceptional Life-Size Middle Eastern Gold-Inlaid Steel Deer Sculpture This extraordinary life-size Middle Eastern deer sculpture exemplifies the pinnacle of artistic craftsmanshi...

Antique sculpture of a female Moor with flowering cornucopia Venice, 19th century Carved, lacquered and gilded/silvered wood Total height 202 cm (column base 82 cm, figure 120 cm) ...

Il busto marmoreo, datato 1890, appartiene alla sua età adulta, nello specifico all’ultimo anno della sua vita, quando era molto richiesto e aveva uno studio molto prolifico a Firenz...

Jacobo and Maria Angeles. Owl #24. Oaxaca, Mexico. Weight: 1.6 lbs., height: 7 in., length:4 in. width: 3 in. Copal Wood

Beautiful Pup Cup designed by Yoshitomo Nara. Brand new and comes with original packaging.

Fritz Heidenreich was a German porcelain sculptor and worked primarily with small sculptures and as a ceramist. Heidenreich worked for the porcelain manufacturer Rosenthal from 1919...

Molly Schulps is an artist and educator living in both California and Oregon. She grew up in Southern California and was deeply influenced by her father who was a successful educator...

From the Apathy Series, Andrew Smenos' recent body of ceramic sculptures, comes "MOVIN' ON UP" – an apartment building in flames and on fire... At 17x11x...

Beautifully hand carved Carrara marble bust of a Roman Emperor on a variegated marble base, elaborately robed with a laurel wreath adorning his head.

This Bronze by Isabelle Jeandot is one edition of a limited series of twelve original sculptures, and it will be delivered with the certificate of aut...

Cupid and Psyche by Albert-Ernest CARRIER-BELLEUSE (1824-1887) Bronze group with nuanced brown patina signed on the base "Carrier-Belleuse" old edition cast France circa 1870 hei...

Henri Godet (French, 1863-1937) "La Reveil de L'Aurore" [The Awakening of Dawn] Patinated Bronze Sculpture, early 20th century, on a circular base with applied plaque "La Reveil de L...

An official artist of the Nazi regime, trained in Montparnasse in the 1930s, Arno Breker continued to sculpt after the fall of the Third Reich, producing large-scale public commissions in Germany and portraits of prominent figures. The two small bronzes presented here, dated around 1978, are part of a long tradition of prancing horses dating back to antiquity. The asymmetrical treatment of the two front legs and the inclination of the head make these two copies of the same artwork a highly decorative pair. 1. Arno Breker, a prolific sculptor, from the Bohemia of Montparnasse to the commissions from the Third Reich ... and from the Federal Republic of Germany The son of a stone carver, Arno Breker studied fine art and anatomy in his native Elberfeld. At the age of 20, he entered the Düsseldorf Academy of Art. He moved to Paris in 1926, where he continued his training in the studio of Maillol, who dubbed him "the German Michelangelo of the twentieth century". He shared a studio with Alexandre Calder and frequented Jean Cocteau, Foujita, Brancusi, Pablo Picasso and other artists of the bohemian Paris of the time. It was also in Paris in 1933 that he met Demetra Messala, the daughter of a Greek diplomat who posed for Maillol and Picasso, whom he married in 1937. Having won the Prussian Prix de Rome in 1932, he left Paris to stay at the Villa Massimo, the German Academy in Rome. Returning to Germany in 1934, his style evolved towards a more marked imitation of ancient sculpture. He created two monumental statues for Berlin's Olympic Stadium, before being appointed professor at the Berlin College of Fine Arts in 1937. He came to the attention of the Reich Propaganda Ministry, which awarded him several commissions and provided him with three large studios in which Breker produced many monumental sculptures to the glory of the regime. On June 23, 1940, Breker accompanied Adolf Hitler during a visit to Paris. During the Occupation, his political connections enabled him to intervene on behalf of many artists pursued by the Nazis: for example, he protected Pablo Picasso (then a Communist) from Kommandantur officers. Most of Arno Breker's work was destroyed in Berlin at the end of the war in 1945 by bombing and intentional destruction perpetrated by soldiers of the victorious powers. After the fall of the Nazi regime, however, Arno Breker was never prosecuted. He opened a new studio in Düsseldorf, where he sculpted until his death in 1991. He then carried out several public commissions in Germany (Bayreuth, Wuppertal), as well as portraits of numerous personalities, including King Mohammed V of Morocco, Léopold Sedar Senghor (commissioned by the Académie Française in 1978) and the two chancellors of the Federal Republic of Germany, Konrad Adenauer and Ludwig Erhard. The Arno Breker Museum in Nörvenich is now exhibiting some of his artworks. 2. Related artworks: from the Wild Horses of the Quirinal to the Horses of Marly The prancing horse is a major iconographic theme, found in a series of sculptures from Antiquity, the Renaissance and the Classical Age. Various photos from Arno Breker's studio in Berlin confirm the predominant place of equine representations in his work (alongside male nude statues), and confirm that this reduced version created in 1978 is part of the artist's preferred repertoire. Prancing horses are generally associated with a male figure in a group that, through a reference drawn from Antiquity, symbolizes man's domination over nature. In this respect, it is very interesting to compare our small bronzes with the horse forming part of a large sculpture by Arno Breker (made in 1936 and probably destroyed in 1945) depicting Alexander taming Bucephalus. This statue is itself directly inspired by one of the best-known works of 18th-century French sculpture...

Sculpture of a man in a suit walking carefully across a precarious edge. Edition of 45, 1 left from the edition and 1 AP Signed to the leg Jim Rennert Biography American, b. 1958 ...

Henri Honoré Plé (1853 Paris - 1922 Paris), The Victorious David, around 1890. Red-brown and brown patinated bronze with terrain plinth mounted on a round base. 62 cm (total height) ...

Lost wax bronze 2/8 - Foundry LC Born in 1960 in a family of artists collecting the bronzes of the Italian Renaissance, sculpture has always been part of the environment of Elisabet...

"Cat Under the Bridge" is a miniature bronze animal sculpture with a black brown patina. The cat seems to have been suddenly discovered and looks very surprised. It is very life-like...

Elephant running with coiled trunk by Roger GODCHAUX (1878-1958) Sculpture in bronze with a very nuanced brown patina Signed on the base "Roger Godchaux" Cast by "Susse Frs Edts Par...

Upper Italy 2nd half 12th century Maple Original version Height 67 cm