Naturalistic Art

Dora Riparia at Alpignano is an original etching realized in the late 19th Century by the italian painter and engraver Ernesto Rayper (1840-1873). Ernesto Rayper is known as founder...

Etching on a zinc plate. Very Good conditions. Ref. - A. Baboni, L'Ottocento: le incisioni di Giovanni Fattori, Pacini Editore, 2001. p. 128, n.106 Giovanni Fattori was an Italian ...

Martin’s innovative photographs are created from plants grown by himself in his garden and greenhouse in Cambridge. A keen horticulturist, he cultivates his own plants and flowers, t...

Saiorse is the Irish Gaelic word for freedom. It suggests the yearning of emigrants to set off on a journey to a new world… where everything is brighter and more magical. The sea is...

Sicily is an original drawing in Watercolor on paper applied on cardboard. realized in 2015 by Michele Scarano. The state of preservation of the artwork is good. Hand-signed and da...

Monumental Wrought Iron Magnolia Tree Sculpture by Zanoni - Unique Handcrafted Masterpiece Description: A breathtaking fusion of art, symbolism, and masterful Italian craftsmanship, this one-of-a-kind monumental magnolia tree sculpture is a tribute to nature's enduring grace. Created by the celebrated Italian artist Zanoni, known for his exceptional work in wrought iron, this piece stands as a singular work of art-both sculptural and soulful. Forged entirely by hand, each petal and leaf of the magnolia is shaped with remarkable detail, imbuing the iron with an organic softness that belies its strength. Towering in presence yet delicate in expression, this magnolia tree becomes not just a decorative element, but a powerful symbol in any space. In the language of flowers, the magnolia represents candour, fidelity, purity, perseverance, and dignity-qualities beautifully embodied in this sculpture. Its timeless message, coupled with its commanding form, makes it ideal for grand interiors, gardens, cultural spaces, or luxury hospitality environments seeking a poetic and bold statement. Details: Artist: Zanoni Origin: Italy Material: Hand-forged wrought iron Dimensions: Monumental scale (exact measurements upon request) Unique Piece: One-of-a-kind, signed by the artist Symbolism: Magnolia - candour, fidelity, purity, perseverance, and dignity Finish: Weather-resistant patina for outdoor placement (optional custom finishes available) Placement: Suitable for both indoor and outdoor settings Style: Sculptural, botanical, timeless elegance Despite its size, the work is easily transportable thanks to an ingenious system developed over decades by the artists. The branches can be dismantled and reassembled very easily (please see the video). This piece is more than a sculpture-it's a living legacy in iron, carrying both the strength of the material and the poetry of nature. For collectors and admirers of extraordinary craftsmanship, the Zanoni Magnolia is a rare and meaningful acquisition. Zanoni's biography Based in Caldes (Trentino, Italy), Zanoni is heir to a family tradition of blacksmithing passed down from his father, Luciano Zanoni, who famously forged a monumental four-meter olive tree sculpture...

The Beanstalk is a singular and striking work of art, hand-forged in wrought iron by Italy's foremost living blacksmith-artist, Ivan Zanoni. This sculptural piece-showcased in 2024 at the prestigious Mart Museum in Rovereto-one of Italy's leading institutions for contemporary art-belongs to Zanoni's celebrated series of botanical subjects. Renowned for his expressive wrought iron creations, Ivan Zanoni is internationally recognized as one of today's most significant iron sculptors. His mastery of the medium brings an organic vitality to metal, particularly in his evocative depictions of plants and animals. Born and based in Caldes (Trentino, Italy), Zanoni inherited his passion and skill from his father, Luciano Zanoni. A revered artisan, Zanoni notably created a monumental four-meter olive tree...

Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In this vibrant acrylic on canvas piece, Lisa Pang invites vie...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. In this enchanting acrylic landscape, Lisa Pang invites us int...

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. [Paris, 1805] Prévost came from a long line of French artists spanning 400 years. Jean-...

Draft Horse is an original modern artwork realized in the second half of the XIX Century by a French Artist. Original pencil drawing watermarked paper. Mint conditions. Draft Horse is an interesting drawing realized in the XIX Century in France; it depicts a genre scene, a draft horse with a small carriage...

"LIGHT" figurative painting acrylic on linen canvas 70x70cm 2016 Perharidy, improbable light of a stormy evening.

Colourful painting of Wild Flowers in Sunshine in a beautiful English Country Garden by leading British Landscape Artist, Angela Wakefield. Ar...

GREIG, T. Watson. Lady Mary Mordaunt's black silk shoe. Edinburgh, David Douglas, 1885-1889. Plate from Ladies’ Old-Fashioned Shoes by Greig, T. Watson. An important illustrated m...

Self-portrait. Paper, linocut, 31x21.5 cm Dzidra Ezergaile (1926-2013) Born in Riga. School years alternate with summer work in the countryside. In 1...

18th-century celestial FLAMSTEED, John. Eridanus Orion Lepus London, C. Nourse, 1753. A fine star chart from the Atlas Coelestis, the largest and most accurate star atlas publish...

Available for sale; this original watercolor portrait is by Andrew Read and is dated 2012. The painting is mounted within a glazed frame (which is shown in these photographs). The f...

Morocco is an original drawing in Watercolor on paper applied on cardboard. realized by Michele Cascarano. The state of preservation of the artwork is excellent. Hand-signed and da...

Location: Havana Series : Spirit of the Revolution Year: 2001 Portrait of Elvirio el Dandy. An icon of Old Havana at the turn of the century. His custom of wearing finery has spaw...

A set of four stipple-engraved plates printed in colours and finished by hand. Four plates from 'One of the finest and rarest books on fruit' (Dunthorne p.192). This series takes it...

A moment of joy on El Malecon - Havana’s sea wall and promenade. James Sparshatt’s black and white portraits are a search for a connection with a world of emotions. The work is ava...

Janet Skea (born 1947) Still life of strawberries Signed Watercolour 10.75 x 12 inches 19 x 20 inches with frame An incredibly highly detailed still life of a bowl of sumptuous stra...

‘Black Birds Gathering’ 2018 Image 38 x 56 cm woodcut (available from edition of 40. 30 prints) Artist’s statement My preferred method of making images is through relief printmaking. I like exploring this expressive language in a dialogue between positive and negative, representation and abstraction, control and accident. I use lino...

Students of the Spanish School of Dance in the Gran Teatro of Havana. James Sparshatt’s black and white portraits are a search for a connection with a world of emotions. The work i...

Visage de Femme is a modern artwork realized by Ignace Joseph de Claussin in the early 19th century. Original etching portraying the face of an old woman. Collection: Dikeos. Dime...

Izabela Kita Graduated from artistic studies in Częstochowa in 2002. Diploma in atelier of prof. Leon Maciej. Besides painting, she is also engaged in graphics, photography, interior...

Iris Kaempferi: No. 58 SHU-FU-RAKU Tokyo, Yoshinoen-Garden, circa 1910. Hand-coloured woodblock print on handmade rice paper, numbered and captioned at top, outlined in ink. Framed...

Decorative lithographic print of marine life Title "Univalvi" depicting shells of 14 species of mollusks, reproduction of engraving of sea shells by Nicolas Martinet.

Venice. 1998, oil on canvas, 45x60 cm Liena Baklane (1976) Born on March 23rd 1976, Riga, Latvia. EDUCATION: 1987 – 1994 J. Rozentāla Secondary Art Scool of Riga 1994 – 2002 Latvi...

FEOLI, Vincenzo. Vedute del Museo Pio-Clementino. Rome, 1790. A double-page engraved plate after Miccinelli and Costa. Sheet size: 70.5cm by 99cm. Mounted size: 81cm by 101cm. Magnificent series of extra-large plates illustrating the Vatican Museum...

WEINMANN, Johann Wilhelm. Coconut/Palm Nut Hieronymous Lenzius, Regensburg, [1735]-1737-1745. attractive plates, being one of the earliest examples of colour printing. Johann Wei...

The elegant and significant sculpture is made of bronze. The artist has been working for over twenty years on the world of bees (and in general on those species of animals that need...

Carl Friedrich Deiker (1838 Wetzlar - 1892 Düsseldorf). Vigilant fox. Pencil drawing on brown paper, 18 × 29.5 cm (inside measurement), 31.5 x 43.5 cm (mount), signed and dated "Deiker [18]54" at lower right. - a little bit stained, with a light water stain at lower right About the artwork Carl Friedrich Deiker's consummate ability to depict animals is already evident in this early work. He brought a whole new psychological dimension to animal painting, so that one could literally speak of animal portraits. The naturalistic appearance of the fox alone makes it seem alive. Every strand of muscle, even every hair, is captured, which requires an intensive artistic study of animal anatomy and physiology. But the fox's real liveliness comes not from its natural appearance, but from its internal movement: Stretched out, it has been brought out of rest. It turns around and, with its ears pricked up, looks intently in the direction from which it has seen something. His mouth is slightly open and his pointed teeth are bared, as if he were growling. Tension gradually takes hold of his whole body. While the hind legs were still in a relaxed position, closely observed by Deiker, one front leg was already raised, ready to begin a rising movement. The fox seems so alarmed with all its senses that one gets the impression that, at any moment, its tail will move jerkily and the animal will jump up. While wild animals have traditionally been portrayed as beasts or anthropomorphised, often for caricatural purposes, Deiker explores their inherent nature by attempting to capture their psychic impulses. The wild animal is neither bestial nor human, but a creature in its own right, valued by Deiker for its own sake. In this way, he brought the dignity of the animal into representation and raised animal painting to a whole new artistic level. About the artist Carl Friedrich Deiker was the son of the drawing teacher Christian Friedrich Deiker and the younger brother of the animal painter Johannes Deiker. In addition to the family art lessons, Christian Friedrich shared a studio with his brother Johannes at Braunfels Castle, Deiker attended the drawing academy in Hanau, and from 1858 he was a student at the Karlsruhe Art Academy, where he studied under the landscape painter Johann Wilhelm Schirmer. Carl Friedrich Deiker was already in demand as an artist during his first year: Grand Duke Frederick I of Baden, Margrave Max of Baden and Grand Duke Michael of Russia bought hunting scenes by him. In 1859 he went on a study trip to the Reinhardswald. Just as the Barbizon School had rediscovered the landscape, Deiker opened up the forest for animal painting. From 1861-64 Deiker had his own studio in Karlsruhe, then moved to Düsseldorf, where his brother Johannes followed four years later. Deiker married a daughter of the landscape painter Karl Hilger and remained in Düsseldorf until his death. In 1868 he finally achieved international fame with his painting 'Pursued Noble Deer' and was regarded as a virtuoso new founder of animal painting. "Deiker brought for the first time a truly great artistic quality to animal painting [...]". - Hans Vollmer From 1870 he participated in the academic art exhibitions in Berlin, Dresden, Munich and Hanover. He was also very busy as an illustrator. He drew for the Gartenlaube, the Salon, the Universum, and produced many of the finely illustrated hunting and animal books of the period. He also worked as a printmaker, while his oil paintings circulated as reprints by Franz Dinger. From 1865 to 1892 Deiker was a member of the artists' association Malkasten. Carl Friedrich Deiker's life's work was honoured with a large posthumous memorial exhibition at the Düsseldorf Kunsthalle in 1892. His son Carl Deiker, born in 1879, also became a painter. Selection of art museums that own works by Carl Friedrich Deiker: Hamburger Kunsthalle / Kunsthalle Karlsruhe / Kunstmuseum Düsseldorf / Wallraff Richartz Cologne. Selected Bibliography H. Schmidt: Johannes and...

Modern Autumnal Landscape Oil Painting of Black Mountains Wales with Low Clouds A truly stunning Oil on Canvas by renowned Artist Crispin Thornton Jones - "Autumn View Black Mounta...

A late 19th century bronze figure of a dog playing with a ball on a naturalistic base. Nice dark rich brown patina with slightly lighter rubbed area to lower side of base. Signed 'Wa...

Caspar von Reth (1858-1913) The Home Guard signed and dated ‘C. v. Reth/ 1905’ (lower right) oil on canvas, laid on board 13 ¾ x 19 ½ in. (34.9 x 49.5 cm.)

A Group of four hand-coloured engraved plates of Crabs by Schellenburg, P. Haas, Heidenreich and Ludwig Schmidt. Framed and glazed, overall size: 36.4 x 53.8 cm. Johann Friedric...

Hans Richard von Volkmann (1860 Halle (Saale) - 1927 ibid.), Clay jug on a bench. Pencil and Watercolour on paper. 20 x 26,7 cm (visible size), 37 x 45 cm (frame), dated and monogrammed lower left "Februar 1890 - HR. V. V." - Minimally tanned. Framed behind glass in a passepartout. About the artwork Using the technique of his early youth - pencil and watercolour - Hans Richard von Volkmann depicts a still life. However, this is not a conventional indoor still life, but an open-air depiction, painted outdoors and not in the studio. It is therefore an open-air painting, characteristic of von Volkmann's oeuvre, which could have been painted in the Willingshausen colony of painters, where open-air painting was programmatically practised there and the artist stayed there that year. And indeed, this painting is a manifesto of open-air painting. Von Volkmann demonstrates that leaving the studio for the light of nature leads to an entirely new quality of art. To prove this, he uses the genre of still life, which can be described as the studio subject par excellence. Moreover, light plays an essential role in the classical still life. It is the real protagonist of the still life. And it is precisely this moment, essential to the still life, that von Volkmann exploits to demonstrate the potential of plein-air painting: He presents the objects as they appear in the sunlight. The date of February and the bare branches in the foreground make it clear that this is a clear winter day in bright sunlight. The delicate plant in the foreground casts a clearly defined shadow, as does the jug. However, the shadow is most pronounced on the jug itself: The underside of the handle appears almost black, making the top, and therefore the jug itself, shine all the more brightly. The shining of the objects in the sunlight is also visible on the bench. As complementary phenomena to the shadow zones, light edges can be seen on the boards of the seats and the upper foot of the bench shines entirely in the light. To achieve this intensity of light, von Volkmann activated the bright white of the painting ground. By depicting the objects in glistening sunlight, von Volkmann demonstrates that this quality of light is only to be found outdoors. And this light leads to a new way of looking at the objects themselves. The jug on the bench seems like an accidental arrangement, as if the artist had stumbled upon this unintentional still life and captured it with fascination. And in this fascination there is a moment of realisation that refers to the objects themselves. It is only when they shine brightly in the sunlight that their true nature is revealed. In this way, sunlight allows the objects to come into their own, so to speak. Sunlight, which is not present in the studio, gives the still life an entirely new dimension of reality, which is also reflected in the colours interwoven by the sunlight: The bench and the jug stand in a harmonious grey-pink contrast to the green of the implied meadow. The emphasis on the jug as the central subject of the picture also implies that the watercolour has not been completed. This non finito inscribes a processuality into the picture, making it clear that something processual has been depicted, the temporality of which has been made artistically permanent. This is why von Volkmann signed the painting and dated it to the month. About the Artist Von Volkmann made his first artistic attempts at the age of 14. He painted many watercolours of his home town of Halle. This laid the foundation for his later outdoor painting. In 1880 his autodidactic beginnings were professionalised with his admission to the Düsseldorf Art Academy. There he studied under Hugo Crola, Heinrich Lauenstein, Johann Peter Theodor Janssen and Eduard von Gebhardt until 1888. Von Volkmann then moved to the Karlsruhe Academy, where he was Gustav Schönleber's master pupil until 1892. In 1883 he came for the first time to Willingshausen, Germany's oldest painters' colony, at the suggestion of his student friend Adolf Lins...

POITEAU, A. and P. TURPIN. Traité des arbres fruitiers: A Group of six Pears. H. Perronneau for T. Delachausée, Paris, 1807-1835. A group of six stipple-engraved plates printed in c...

A Lying Animal is a black and white print realized by Friedrich Specht in 1880. Lithograph on dark paper. Original Title: Derendet. Dated 1880, p.24. Signed by the artist on the r...

Landscape is an original etching print on paper realized in 1930 ca. by an Anonymous artist of the early 20th Century. Hand-signed on the lower right, illegible, titled on the lowe...

Woman is an original modern artwork realized by the french Artist Florane (1871-1939) in the early 20th Century. Pen and pencil drawing on paper. Signature of the artist on the low...

A contemporary still life representing atelier of the artist painted in a realistic style by an award-winning Polish woman artist. AGNIESZKA STAAK-JANCZARSKA (born in 1994) A gradua...

Landscape is an original etching on creamy paper realized in 1904 by French artist Hippolyte Camille Delpy (1842 - 1910). Signed on the plate on the lower right. The state of prese...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...

A Group of 4 hand-coloured engraved plates of tulips, in matching silver leaf frames. Dimensions: 34.6cm by 48.5cm. A fine group of these rare flower plates, the complete volume of 40 being part of Le Jardin d'Eden, which was intended as the supplement to the Collection des Fleurs de la Chine & de l'Europe, first published in 1776. [Paris 1781] The second half of the eighteenth century saw a boom in natural history publications in France fuelled by such works as Buffon’s Histoire Naturelle. The accession of Louis XVI in 1774 was followed by a relaxation in the regulation of the book trade making it easier for authors to publish their own works. No other writer was to take such copious advantage of these two developments as Pierre-Joseph Buchoz (1731-1807), a French physician, lawyer and naturalist. His works are characterised by the beauty of the illustrations, and their rarity owing to the small size of the print runs. The final tulip plate...

Great Britain SENEX, John. A New Map of Great Britain Corrected from the Observations communicated to the Royal Society at London. By John Senex F.R.S. To the Right Hono[ra]ble William Connelly ESQ. One of the Commissioners of His Maj[es]ties Revenue, Speakerof the Hono[a]ble House of Commons, and one of His Maj[es]ties most Hono[ra]ble Privy Council for Ye Kingdom of Ireland. This Map is dedicated by John Senex. John Senex F.R.S. 1710 [-1728]. John Senex (1678-1740) was one of the foremost mapmakers in England in the early eighteenth century. He was also a surveyor, globemaker, and geographer. As a young man, he was apprenticed to Robert Clavell, a bookseller. He worked with several mapmakers over the course of his career, including Jeremiah Seller and Charles Price...

"Kerfi-Zen beach" figurative painting on linen canvas 100x100cm the calm of the low tide the fascination with water and mineral that can be seen in Japanese gardens

REDOUTÉ, Pierre-Joseph. Gladiolus Cardinalis Paris, Chez L’Auteur, 1802-16 The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments...

Villa is an original drawing in pencil on paper, realized by an Anonymous artist of the XX century, with the stamp of "Vente Scott" in red on the lower left. The State of preservati...

Landscape is an original Modern artwork realized by Israel Henriet (Nancy, 1590 - 1661) in the second half of the XVII Century. Original B/W Etching on ivory cardboard. Inscripte...

The cityscape of Ardenza, Livorno is an original drawing in pencil on paper realized in 1870 by an Anonymous artist of the 19th century. Titled and dated at the top center. The st...

Beautiful ink drawing and white lead by Giuseppe Raggio, probably belonging to his last years of artistic activity. Good conditions. This artwork is shipped from Italy. Under existi...

Nice ink and watercolor by Carlo (Charles) Coleman, an english born painter who worked in Italy for most of his life and in well known for his bucolic and animal representations. Fai...

Flowers is an original orangish drawing in pastel realized by Gustave Bourgogne, Hand-signed by the artist on the rear. The State of preservation is good. Sheet dimension: 59 x 46 ...

ROBERTO NECCO, Turin 1969 SUMI- and , 2024 Painting in sumi-e ink and black suibokuga on handmade virgin Xuan paper (composed of mulberry fiber, wood and rice) artist's seal imprint...

AGNIESZKA STAAK-JANCZARSKA (born in 1994) A graduate of the State Secondary School of Art of Józef Kluza in Krakow. In 2020, she graduated from the Academy of Fine Arts in Krakow in ...