Association of Women Art Dealers Color Photography
Association of Women Art Dealers (AWAD)
The Association of Women Art Dealers (AWAD), established in 2009, is an international network that facilitates business and collaborations between and for members at all stages of their career as business owners, with a vision to positively impact the enterprise of each member. Each of the three chapters — London, New York and Global — has a monthly event and welcomes membership applications from women and women-identifying art dealers, advisors and gallerists based worldwide.
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Boston Public Library
By Reinhard Görner
Located in Los Angeles, CA
Boston Public Library
55.4 x 50 inches
ed. of 10
$6,000
66.5 x 60 inches
ed. of 7
$9,000
77.6 x 70 inches
ed. of 5
$11,000
signed and numbere...
Category
2010s Conceptual Association of Women Art Dealers Color Photography
Materials
C Print, Lambda
"Endure", abandoned, industrial, metal print, blue, green, color photograph
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Endure” was photographed in an abandoned train repair yard. The 30 x 20 inch color photograph is of an industrial scene in a state of decay with cool tones of blue...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
"Trolley Car #8483", landscape, red, abandoned, transportation, color photo
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Trolley Car #8483” is part of her "End of the Line" series taking us back to the days of riding the railways and trolleys for transporta...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Verbier Skier
By Slim Aarons
Located in Los Angeles, CA
'Verbier Skier' by Slim Aarons
A blonde skier on the slopes at Verbier, February 1964.
Estate stamped and hand numbered edition of 150 with certificate...
Category
1960s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
"Empty", contemporary, abandoned, hallway, chair, orange, color photo, print
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Empty” was photographed in an abandoned building in New York. The 18 x 12 inch color photo is of an empty orange chair in a dark and gritty hallway. With satin fin...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Slim Aarons, Marie-Louise Scio, Tettuccio Terme, Montecatini, Italy
By Slim Aarons
Located in Los Angeles, CA
Slim Aarons
Slim Aarons, Marie-Louise Scio (Tettuccio Terme, Montecatini, Italy, 1980)
Chromogenic Lambda print
Slim Aarons Estate Edition
Complimentary dealer shipping to your fram...
Category
1970s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Slim Aarons, Palm Beach Pagoda, Everglades Island (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Three women enjoy the sun in front of the Chinese teahouse on Everglades Island in Palm Beach, Florida, April 1985. The teahouse was designed by Wyeth, King, and Johnson.
Slim Aarons
Slim Aarons, Palm Beach Pagoda
Chromogenic Lambda print
Slim Aarons Estate Edition
Complimentary dealer shipping to your framer, worldwide.
60 x 40 inches
$3950
40 x 30 inches
$3350
30 x 20 inches
$3000
Pictured: Cynthia Eichler (sitting) with Vicky Schaft Bruder (centre) and Cathy Tankoos (Mrs Joseph Tankoos)
Undercurrent Projects is proud to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate).
Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles.
Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source.
Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun.
Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic.
Slide show includes a close-up of the Slim Aarons estate's stamp.
The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Internal: Slim Aarons, Slim Aarons, Palm Beach, Poolside Series, South Florida, Beach Photography, Vintage Palm Beach, Vintage Poolside, Vintage Glamour, Midcentury Photography, Vintage Teahouse, Vintage Everglades...
Category
1980s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Slim Aarons, Gwendolyn Brooks, Chicago Poet (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Gwendolyn Brooks on the back steps of her home in Chicago, 1960.
Slim Aarons
Gwendolyn Brooks
30 x 30 Inches
Gwendolyn Elizabeth Brooks (June 7, 191...
Category
1960s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Jacob and Wilhelm Grimm Library, Humboldt University, Berlin, 2010
By Reinhard Görner
Located in Los Angeles, CA
40 x 60 inches
ed. of 10
$6,000
50 x 75 inches
ed. of 5
$9,000
60 x 90 inches
ed. of 5
$11,000
signed and numbered on label, verso
Reinhard Görner, with his large format photogra...
Category
2010s Conceptual Association of Women Art Dealers Color Photography
Materials
Lambda
"Blue-winged Warbler"
By Carolyn Monastra
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Forgotten Beauty", landscape, panoramic, bus, barn, Vermont, color photograph
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Forgotten Beauty” was photographed in Northern Vermont. The landscape color photo is of a vintage bus and weathered barn. The 10 x 30 inch panoramic with satin fin...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Western Style Town, color photograph of small town, contemporary landscape
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Association of Women Art Dealers Color Photography
Materials
C Print, Color
Number Hill, small western town, contemporary documentary photography, landscape
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Association of Women Art Dealers Color Photography
Materials
C Print, Color
Herd, contemporary documentary photography, herd of cows and wind farm
By Maria Passarotti
Located in New York, NY
Maria Passarotti graduated in 2000 with a BFA from the Cooper Union for the Advancement of Science and Art in New York. Her most recent photographs are inspired by the intersection o...
Category
Early 2000s Contemporary Association of Women Art Dealers Color Photography
Materials
Color, C Print
"White-throated Sparrow"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Tri-colored Heron"
By Carolyn Monastra
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed
36" x 24" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Common Redpoll"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
Slim Aarons, Marietine Birnie, Blue Lagoon, Kemmuna (Comino), Malta
By Slim Aarons
Located in Los Angeles, CA
Marietine Birnie snorkeling at the Blue Lagoon, Kemmuna (Comino), Malta, July 1959
Slim Aarons
Marietine Birnie, Blue Lagoon (Kemmuna / Comino, Malta, 1959)
Chromogenic Lambda Print
Slim Aarons Estate Edition
48 x 48 inches
$4500
40 x 40 inches
$3950
30 x 30 inches
$3350
20 x 20 inches
$2500
Estate stamped and hand numbered edition with certificate of authenticity from the estate.
Chromogenic Lambda print from the original transparency
Complimentary dealer shipping to your framer, worldwide.
Undercurrent Projects is proud to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate).
Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles.
Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source.
Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun.
Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic.
The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Internal:
Slim Aarons
Marietine Birnie
Blue Lagoon, Kemmuna (Comina), Malta, July 1959.
Vintage Glamour
Mid-century Modern
Vintage Beach Photography...
Category
1950s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Dam
By Maria Passarotti
Located in New York, NY
Chromogenic print
Category
Early 2000s Contemporary Association of Women Art Dealers Color Photography
Materials
Digital
Slim Aarons Relaxing at Lake Tahoe (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
A group of people relaxing by a pool near Lake Tahoe, California, 1959.
Relaxing at Lake Tahoe
Slim Aarons Estate Edition
48x48 inches
Numbered and stamped by the Slim Aarons Estat...
Category
1950s Realist Association of Women Art Dealers Color Photography
Materials
Lambda
"Crumbling", abstract, peeling paint, green, blue, peach, color photograph
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Crumbling” is a 20 x 30 inch abstract metal print. The color photograph is part of her “Transient” series. The peeling paint with colors of green, blue and peach h...
Category
2010s Abstract Association of Women Art Dealers Color Photography
Materials
Metal
"Passing Time", abandoned paper mill, industrial, metal print, color photograph
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Passing Time” was photographed at an abandoned paper mill and is part of a series documenting the loss of industry in America. The 24 x 1...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Reinhard Görner, Schussenried Abbey I Library, Germany
By Reinhard Görner
Located in Los Angeles, CA
Reinhard Görner
Schussenried Abbey I
Library
Germany
50" x 63"
Edition of 10
$6,000
60" x 75.7"
Edition of 7
$9,000
70" x 88.3"
Edition of 5
$11,000
signed and numbered on label,...
Category
21st Century and Contemporary Conceptual Association of Women Art Dealers Color Photography
Materials
Lambda
"Graffiti Yard", abandoned, trolley, landscape, rusty, train, color photograph
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Graffiti Yard” is part of her "End of the Line" series taking us back to the days of riding the rails. The 20 x 30 inch color photo is of an abandoned, rusty, graf...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Slim Aarons, Leisure and Fashion, Colony Hotel, Palm Beach
By Slim Aarons
Located in Los Angeles, CA
A woman watching a poolside fashion show at the Colony Hotel, Palm Beach, Florida, 1961.
Slim Aarons
Leisure and Fashion
Chromogenic Lambda Print
Slim Aa...
Category
1950s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
"ELLA" Assemblage
By Jim Houser
Located in Philadelphia, PA
"ELLA" is an original assemblage artwork by Jim Houser measuring 10" x 10".
Jim Houser was born in 1973 in Philadelphia, Pennsylvania, the city where he currently resides. He is a s...
Category
21st Century and Contemporary Contemporary Association of Women Art Dealers Color Photography
Materials
Wood, Found Objects, Acrylic
Slim Aarons 'Antonelli Sisters' (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Santa and Serena Antonelli Bossi-Pucci Serristori, daughters of Contessa Benedetta Bossi-Pucci Serristori, and descendants of Niccolò Machiavelli a...
Category
1980s Realist Association of Women Art Dealers Color Photography
Materials
Lambda
"Broken", color photo, autumn, abandoned, factory, window, industry, metal print
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Broken” was photographed at an abandoned lace factory and is part of a series documenting the loss of industry in America. The 12 x 18 inch color photo of shattere...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Neo-classical Pool, Slim Aarons Estate Edition
By Slim Aarons
Located in Los Angeles, CA
Mrs T. Dennie Boardman and her children Samuel Jay and Sarah climbing the steps from the pool at the home of Boardman's parents in Palm Beach, Florida, 1985.
Complimentary dealer sh...
Category
1980s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Reinhard Görner, Château de Fontainbleue III Library, France
By Reinhard Görner
Located in Los Angeles, CA
Reinhard Görner
Château de Fontainbleue III
Library
France
50" x 50"
Edition of 25
$6,000
60" x 60"
Edition of 15
$9,000
70" x 70"
Edition of 10
$11,000
signed and numbered on la...
Category
21st Century and Contemporary Conceptual Association of Women Art Dealers Color Photography
Materials
Lambda
Slim Aarons, Marie-Louise Scio, Tettuccio Terme, Montecatini, Italy
By Slim Aarons
Located in Los Angeles, CA
Slim Aarons
Marie-Louise Scio (Tettuccio Terme, Montecatini, Italy, 1980)
Chromogenic Lambda print
Slim Aarons Estate Edition
Complimentary dealer shipping to your framer, worldwide.
Marie-Louise Scio poses in a leotard at the Tettuccio Terme in Montecatini, Italy, November 1980
60 x 40 inches
$3950
40 x 30 inches
$3350
30 x 20 inches
$3000
Undercurrent Projects is proud to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate).
Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles.
Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source.
Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun.
Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic.
Slide show includes a close-up of the Slim Aarons estate's stamp.
The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Internal: Slim Aarons, Acapulco, Red and White Stripes, Mexico, Vintage Glamour, Midcentury Photography, Vintage Resort...
Category
1970s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Slim Aarons, Sundowners (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Slim Aarons
Sundowners, 1958
Chromogenic Lambda print
Slim Aarons Estate Edition
Complimentary dealer shipping to your framer, worldwide.
Two bikini-clad holidaymakers enjoy a glas...
Category
1950s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Untitled 19
By Gabriel Angemi
Located in Philadelphia, PA
This photograph was taken in Camden, New Jersey by Gabriel Angemi, who works as a photographer and also as a firefighter in the city. Artwork is shipped in the pictured custom, whit...
Category
21st Century and Contemporary Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Pigment
"Yellow-throated Vireo" - original bird photography by Matt Tillett
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Paper, Archival Pigment, Archival Ink
Two "Bohemian Waxwings"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Clark's Nutcracker"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
"Pine Siskin"
By Carolyn Monastra
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed
24" x 36" edition of 7 + 2 AP $2,800 unframed
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious.
Divergence of Birds (2017-current)
A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America .
My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left.
Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival.
The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism.
The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Archival Paper, Archival Ink, Archival Pigment
Slim Aarons, Marietine Birnie, Blue Lagoon, Kemmuna (Slim Aarons Estate Ed.)
By Slim Aarons
Located in Los Angeles, CA
Marietine Birnie after a day snorkeling at the Blue Lagoon, Kemmuna (Comina), Malta, July 1959.
Slim Aarons
Marietine Birnie, Blue Lagoon, Kemmuna
Chromogenic Lambda Print
Slim Aarons Estate Edition
48 x 48 inches
$4500
40 x 40 inches
$3950
30 x 30 inches
$3350
20 x 20 inches
$2500
Estate stamped and hand numbered edition with certificate of authenticity from the estate.
Chromogenic Lambda print from the original transparency
Complimentary dealer shipping to your framer, worldwide.
Undercurrent Projects is proud to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate).
Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles.
Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source.
Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun.
Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic.
The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Internal:
Slim Aarons
Blue Lagoon, Kemmuna (Comina), Malta, July 1959.
Vintage Glamour
Mid-century Modern
Vintage Beach Photography...
Category
1950s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Reinhard Görner, Assemblée Nationale III Library, Paris
By Reinhard Görner
Located in Los Angeles, CA
Reinhard Görner
Assemblée Nationale III
Library
Paris, France
62.5" x 50"
Edition of 10
$6,000
75" x 60"
Edition of 7
$9,000
87.5" x 70"
Edition of 5
$11,000
signed and numbered ...
Category
21st Century and Contemporary Conceptual Association of Women Art Dealers Color Photography
Materials
Lambda
"The Piano", industrial, abandoned, landscape, blue, green, color photograph
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “The Piano” was photographed in an abandoned train repair yard. The 16 x 24 inch color metal print is of a piano in a state of decay in an industrial landscape with...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Slim Aarons, Barbados Bliss (Ava Marshall, Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
Slim Aarons
Barbados Bliss / Ava Marshall, 1976
Chromogenic Lambda print
Slim Aarons Estate Edition
Complimentary dealer shipping to your framer, worldwi...
Category
1970s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Slim Aarons, Marietine Birnie, Blue Lagoon, Kemmuna (Comino), Malta
By Slim Aarons
Located in Los Angeles, CA
Marietine Birnie snorkeling at the Blue Lagoon, Kemmuna (Comino), Malta, July 1959
Slim Aarons
Marietine Birnie, Blue Lagoon (Kemmuna / Comino, Malta, 1959)
Chromogenic Lambda Print...
Category
1950s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Slim Aarons 'Marlene Deitrich in New York' (Slim Aarons Estate Edition)
By Slim Aarons
Located in Los Angeles, CA
In top hat and tails Marlene Dietrich (Maria Magdalene von Losch) (1904 - 1992) performs at an 'April in Paris' ball in New York.
60 x 40 inches
$3950
30 x 30 inches
$3350
30 x 20...
Category
1950s Realist Association of Women Art Dealers Color Photography
Materials
Lambda
"Church Supper", abstract, architecture, landscape, yellow, pink, digital print
By Patty deGrandpre
Located in Natick, MA
Patty deGrandpre’s “Church Supper” is one of a series of dynamic abstract unique digital inkjet prints composed of multiple layers of digitally manipulated photographs of architectur...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Digital, Color
"Stairway", color photograph, abandoned, asylum, steel, iron, green
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Stairway” was photographed at an abandoned asylum and is part of her “Forgotten” series raising mental health awareness. The 30 x 20 inch color photograph with sat...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Virtue, Bode–Museum, Berlin
By Reinhard Görner
Located in Los Angeles, CA
Virtue, Bode–Museum, Berlin
50 x 62.5 inches
ed. of 10
$6,000
60 x 75 inches
ed. of 5
$9,000
70 x 87.5 inches
ed. of 5
$11,000
Signed and numbered on label, verso
This artwork is...
Category
21st Century and Contemporary Conceptual Association of Women Art Dealers Color Photography
Materials
Lambda
Slim Aarons Penthouse Pool, Acropolis, Slim Aarons Estate Edition
By Slim Aarons
Located in Los Angeles, CA
Young women by the Canellopoulos penthouse pool, Athens, July 1961. The acropolis is in the background.
Penthouse Pool, Acropolis
Slim Aarons Estate Edition
40 x 40 inches
$5400
30...
Category
1960s Realist Association of Women Art Dealers Color Photography
Materials
Lambda
Reinhard Görner, Schussenried Abbey Library, Germany
By Reinhard Görner
Located in Los Angeles, CA
Reinhard Görner
Schussenried Abbey
Library
Germany
50" x 59.9"
Edition of 10
$6,000
60" x 71.9"
Edition of 7
$9,000
70" x 83.8"
Edition of 5
$11,000...
Category
21st Century and Contemporary Conceptual Association of Women Art Dealers Color Photography
Materials
Lambda
Reinhard Görner, Virtue, Bode–Museum, Berlin
By Reinhard Görner
Located in Los Angeles, CA
Virtue, Bode–Museum, Berlin
50 x 62.5 inches
ed. of 10
$6,000
60 x 75 inches
ed. of 5
$9,000
70 x 87.5 inches
ed. of 5
$11,000
signed and numbered on label, verso
Reinhard Görn...
Category
21st Century and Contemporary Conceptual Association of Women Art Dealers Color Photography
Materials
Lambda
"Spools", color photograph, abandoned silk mill, industrial, vintage, brown
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Spools” was photographed at an abandoned silk mill and is part of a series documenting the loss of industry in America. The 16 x 24 inch photo is of vintage wooden spools...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
"Fading", color photo, wallpaper, switches, electrical, pink, beige, vintage
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Fading” is a 16 x 24 inch metal print and is part of her “Transient” series. The soft pink and beige tones of the vintage wallpaper contrast against the black and green of the electrical switches...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
"Crowded", abandoned, china, factory, cups, industry, metal print, color photo
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Crowded” was photographed at an abandoned china factory and is part of a series documenting the loss of industry in America. The 30 x 20 inch color photo with sati...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
Reinhard Görner, Salle Labrouste Library, Paris
By Reinhard Görner
Located in Los Angeles, CA
Reinhard Görner
Salle Labrouste
Library
Paris, France
50" x 62.5"
Edition of 10
$6,000
60" x 75"
Edition of 7
$9,000
70" x 87.5"
Edition of 5
$11,00...
Category
21st Century and Contemporary Conceptual Association of Women Art Dealers Color Photography
Materials
Lambda
The Long Room V, Trinity College Library, Dublin Ireland
By Reinhard Görner
Located in Los Angeles, CA
40 x 60 inches
ed. of 10
$6,000
50 x 75 inches
ed. of 7
$9,000
60 x 90 inches
ed. of 5
$11,000
signed and numbered on label, verso
Reinhard Görner, with his large format photogr...
Category
2010s Conceptual Association of Women Art Dealers Color Photography
Materials
C Print, Lambda
Slim Aarons, Marie-Louise Scio, Tettuccio Terme, Montecatini, Italy
By Slim Aarons
Located in Los Angeles, CA
Slim Aarons
Slim Aarons, Marie-Louise Scio (Tettuccio Terme, Montecatini, Italy, 1980)
Chromogenic Lambda print
Slim Aarons Estate Edition
Complimentary dealer shipping to your framer, worldwide.
Marie-Louise Scio poses in a leotard at the Tettuccio Terme in Montecatini, Italy, November 1980
48 x 48 inches
$4500
60 x 40 inches
$3950
40 x 30 inches
$3350
30 x 20 inches
$3000
Undercurrent Projects is proud to offer this vibrant photograph, printed by the Slim Aarons estate. It is part of the estate's only official limited run, of 150. Estate stamp embossed on recto, hand numbered in ink on recto, with certificate of authenticity from the estate (not a secondary gallery licensing from the estate).
Increasingly heralded for his influence, Slim Aarons (1916-2006) made a career out of photographing "attractive people doing attractive things in attractive places." Aarons is known for his iconic images of Hollywood glamour and luxurious people, places and lifestyles.
Undercurrent Projects offers premium quality photographic prints from the Slim Aarons Archive, owned and housed by Getty Images. All photographs are printed and authorized by the Getty Images Gallery, London. Photographs are printed utilizing the original transparency held at the archive source.
Aarons began his career as a combat photographer in World War II. Though he earned a Purple Heart for his service, he declared that combat had taught him that the only beach worth landing on was decorated with beautiful people enjoying themselves in the sun.
Slim Aarons is noted for his documentation of the Beautiful People over 50 years, encompassing high society, celebrity, aristocracy, and the jet set. He was born and raised in New York City and New Jersey and later New Hampshire. He took up photography as a teenager. At the age of eighteen, he enlisted in the U. S. Army and was later appointed official photographer at the United States Military Academy at West Point. During World War II he served as an army combat photographer for Yank magazine in Europe, North Africa, and the Middle East. After the war he became a freelance photojournalist, first based in Hollywood, then Rome, then New York. His photographs appeared in many magazines, including Life, Holiday, Town & Country, Look, Venture, and Travel & Leisure. His first book A Wonderful Time (1974) is considered a classic.
Slide show includes a close-up of the Slim Aarons estate's stamp.
The Slim Aarons Estate has released the limited Estate edition as a Lambda print, which is a modern c-type prints. They have chosen Lambda prints for their sharpness, clarity, colour saturation and quality, compared to archival inkjet prints. Lambda printing gives true continuous tone.
Internal: Slim Aarons, Acapulco, Red and White Stripes, Mexico, Vintage Glamour, Midcentury Photography, Vintage Resort...
Category
1970s American Realist Association of Women Art Dealers Color Photography
Materials
Lambda
"Broken Television 323", abstract, red, blue, purple, sepia, digital print
By Patty deGrandpre
Located in Natick, MA
Patty deGrandpre’s “Broken Television 323” is a stunning abstract unique inkjet digital print. Horizontal panels of layered soft hued sepia border the top and bottom of a contrasting...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Digital, Color
Athenæum, Boston
By Reinhard Görner
Located in Los Angeles, CA
Athenæum, Boston
50 x 50 inches
ed. of 10
$6000
60 x 60 inches
ed. of 7
$9000
70 x 70 inches
ed. of 5
$11000
signed and numbered on label, verso
Paper is trimmed to the image: a...
Category
2010s Conceptual Association of Women Art Dealers Color Photography
Materials
C Print, Lambda
"Worn", abstract, metal print, rusted, texture, color photograph
By Rebecca Skinner
Located in Natick, MA
Rebecca Skinner’s “Worn" is part of a her "Texture" series taking an up close look rusted and/or weathered metal. The 18 x 12 inch color photo with satin finish is infused directly i...
Category
2010s Contemporary Association of Women Art Dealers Color Photography
Materials
Metal
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