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Eugene Feuillatre

Eugène Feuillâtre "Pavot" Inkwell
By Eugène Feuillatre
Located in New York, NY
This stunning enamel, silvered metal, and gilt metal "Pavot" inkwell by Eugène Feuillâtre features
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Early 20th Century French Art Nouveau Inkwells

Materials

Metal, Enamel

Feuillatre Art Nouveau Silver and Enamel Vase
By Eugène Feuillatre
Located in New York, NY
A French Art Nouveau silver and enamel vase by Eugène Feuillatre. The vase is decorated with leafed
Category

Early 20th Century French Art Nouveau Vases

Eugene Feuilltre Art Nouveau Enamel 18 Karat Gold Lily Lady Antique Pendant
By Eugène Feuillatre
Located in Philadelphia, PA
looped bale Tested as 18 karat gold With maker's mark for Eugene Feuilltre Circa: 1905 Measures: 1 1/4 x
Category

Antique Early 1900s Art Nouveau Pendant Necklaces

Materials

18k Gold, Yellow Gold, Gold, Enamel

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Antique 1910s 4.83 Carat Amethyst and Pearl Yellow Gold Pendant
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Art Nouveau Goddess Maiden Woman Rose Flower Enamel Pendant Brooch Necklace
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This is a museum quality Art Nouveau, 14 Karat Gold, Enamel and Baroque Pearl Pendant-Brooch depicting the beautiful faces of three women whose long flowing hair is adorned with vine...
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French Art Nouveau Watch Pendant
Located in New Orleans, LA
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Émile Gallé Art Nouveau Cameo Vase, Seascape Decor, France, circa 1904
By Émile Gallé
Located in Vienna, AT
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Art Nouveau Hydrangea Plique a Jour Pendant
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Émile Gallé (1846-1904), Large Cameo Glass Vase "Gladioli" circa 1900
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Located in Saint-Ouen, FR
Émile Gallé (1846-1904), Art Nouveau Cameo Glass Vase « Gladioli Flowers » Large piriform vase on heel with long collar in dark blue and blue multi-layered glass Cased glass, opales...
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Tiffany Studios Red Favrile Vase
By Tiffany Studios
Located in New Orleans, LA
Crafted from a deep and vibrant red glass, this luminescent Favrile vase was made by the legendary Tiffany Studios. Of all the Favrile glass hues, red is the most elusive and difficu...
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Tiffany Studios Red Favrile Vase
Tiffany Studios Red Favrile Vase
H 3.25 in W 2.63 in D 2.75 in
Art Nouveau 1890 Brooch In 14Kt Gold Montana Sapphires & Mississippi River Pearl
Located in Miami, FL
All American art Nouveau brooch with national gemstones. Stunning piece, created in America during the early Art Nouveau period, back in the 1890. It was carefully crafted with free...
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René Lalique (1860-1945) « Boite Ronde Grande Muguet » Mint Green 1921
By René Lalique
Located in Saint-Ouen, FR
René Lalique (1860-1945), Mint Opalescent Glass « Boite Ronde Grande Muguet » 1921 Mint green tinted molded-pressed opalescent glass box decorated with Lily of the Valley Extremel...
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French Art Nouveau Red and Yellow Signed Emile Gallé Cameo Glass Vase circa 1920
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Art Nouveau Repoussé Snake 14k Gold Open Match Striker Box Pendant w/ Diamond
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Tiffany Studios Rare Empire Jewel Table Lamp
By Tiffany Studios
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Tiffany Studios New York "Damascene Lighthouse" Desk Lamp
By Tiffany Studios
Located in New York, NY
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Art Nouveau 1900 Edwardian Enamel Orchid Flower Brooch in 14 Karat Yellow Gold
Located in Miami, FL
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Antique Black Opal and Old Mine Cut Diamond Silver on Gold Brooch, circa 1880
Located in London, GB
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Feuillatre Eugene "Artichaut Fleuri" Art Nouveau Vase, Signed
By Eugène Feuillatre
Located in Monte Carlo, MC
Copper and translucent enamel diabolo vase, the lower part is decorated with green enamel and gold artichoke leaves. The upper part is decorated with pink enamel. Signed. Identic...
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EUGÈNE FEUILLÂTRE An Art Nouveau Gold, Topaz and Diamond Insect Ring circa 1900
By Eugène Feuillatre
Located in London, GB
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Feuillatre Art Nouveau Citrine Plique-a-Jour Enamel Gold Brooch
By Eugène Feuillatre
Located in New York, NY
famed enamelist Eugène Feuillâtre. The brooch depicts four honeybees with interlaced antennae offering
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Art Nouveau Dragonfly Brooch
By Eugène Feuillatre
Located in New York, NY
Stunning Art Nouveau dragonfly pin (attributed to Eugene Feuillatre) mounted en tremblant, its
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Art Nouveau Dragonfly Brooch
H 1 in W 4.5 in D 2.625 in
French Art Nouveau Plique-à-Jour Enamel and Silver Vase by Descomps
By Joe Descomps Cormier
Located in New York, NY
by Eugene Feuillatre. This vase features semi-translucent green and blue plique-à-jour enamel
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Art Nouveau Plique a Jour Enamel Brooch in Silver, Probably Pforzheim
Located in PARIS, FR
about it, René Lalique, Eugène Feuillâtre, Henri Vever, etc. In Japan, this technique is known as
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A Close Look at Art-nouveau Jewelry

Art Nouveau — generally considered to have begun in the late 1800s and ended with the start of World War I — was a movement in the decorative arts that drew inspiration from natural forms, such as trees, flowers and, of course, the human figure. The three main themes present in Art Nouveau jewelry and watches were flora, fauna and women.

Art Nouveau, which reached its pinnacle in the year 1900, spawned from artists who rejected the historicism of their predecessors to create an entirely new visual vocabulary. As compared to Art Deco jewelry’s geometric patterns and sharp lines, the extravagant style of antique Art Nouveau jewelry is characterized by curvilinear forms and whiplash lines, vibrant materials and dramatic imagery.

The first art and design movement of the 20th century, Art Nouveau was also a reaction against the Industrial Revolution, and took its inspiration from the theories of the Symbolists, the art of the Pre-Raphaelites, the ideas of John Ruskin and his follower William Morris and, most importantly Japanese crafts. (The country was a fertile ground for inspiration after it was opened to the West in 1854.) The Art Nouveau style touched all manners of the arts, including the most exultant jewelry.

Nature was a favorite muse for artists going back to the 18th and 19th centuries, but in the hands of 20th-century artists, it was depicted in new ways. For example, a withering flower was considered just as beautiful as one in full bloom. Winged creatures, such as insects and birds, were also a popular subject. Dragonflies and butterflies were particular favorites because they morphed so dramatically in different life stages.

This was also a reference to women, whose role in society was evolving. It was not uncommon to see a piece of jewelry that would at once reference a woman as a winged creature (think René Lalique’s famous Dragonfly brooch, circa 1897–98, at the Gulbenkian Collection in Lisbon). However, just as women’s roles were ambiguous, so was their image, as the femmes nouvelle were simultaneously eroticized and romanticized.

In addition to Lalique, vital figures in Art Nouveau jewelry included Louis Comfort Tiffany in the United States, Vladimir Soloviev, who designed jewelry for Peter Carl Fabergé in Russia, Fuset Grau of Spain, Karl Rothmuller of Germany and Philippe Wolfers of Belgium.

Art Nouveau jewelers used every “canvas” imaginable, looking beyond brooches and necklaces to belt buckles, fans, tiaras, dog collars (a type of choker necklace), pocket watches, corsages and hair combs. Multicolored gems and enamel could complete this vision better than diamonds. Jewelers also favored pearls, particularly baroque pearls, for their large size and irregular shape. However, opal was the most popular stone — its iridescence harmonized perfectly with the enamel, and it could be carved into any shape. Art Nouveau jewelry was primarily set in yellow gold.

Find a range of antique Art Nouveau jewelry today on 1stDibs.