Andy Burgess Art

Panoramic Black & White Painting of the legendary Ranchito Motel on Route 66, New Mexico, USA. A unique original from leading British Cityscape Artist, Angela Wakefield. Art measu...

Canyon (2022), Acrylic on panel, 30”H x 30”W x 2.5”D

Restless Sky (Landscape) The fragmentation of the planes and the light creates six different landscapes on the same horizon. The reliefs transform the sky into a restless fluid. (The...

Secret Garden, acrylic on panel, (H) 90 cm x (W) 70 cm x (D) 2 cm (x 2 pieces). Inches 35.43 x 27.56 x 0.79 (x 2 pieces. Total dimension: 90 x 140 x 2 cm / inches 35.43 x 55.12 x 0...

From a cloud, acrylic on panel, 120 x 150 x 2 cm / 47.24 x 59.06 s 0.79 inches Large format modern painting where the prominence of the sky presides over the horizon. Under its pro...

"Tesserae 7". Mixed media on panel, 30x30 cm. Small-format painting with intense chromaticism and texture, with relief marking the different planes. The dense brushstrokes and the play of light create a landscape of great expressive force. This piece is also thought to be combined to form a mosaic of 4 or 8 pieces with the following reference items by the same artist: 1. Item ref. LU74439094552 2. Item ref. LU74439096932 3. Item ref. LU74439097202 4. Item ref. LU74439097242 5. Item ref. LU74439097372 6. Item ref. LU74439097452 8. Item ref. LU74439096602 (The artist frames almost all his paintings with a wooden strip between 0.5 and 1 cm. Thick, which can be removed at will of the client). ABOUT THE ARTIST Ángel Luis Úbeda...

"Tesserae 6". Úbeda. Mixed media on panel, 30 x 30 cm. Small-format painting with intense chromaticism and texture, with relief marking the different planes. The dense brushstrokes...

"Deciduous in yelow" (Caducas en amarillo), Acrylic and mixed media on panel, 120x40 cm. Allegory of autumn where cold tones are contrasted with the warmth of deciduous leaves. Volu...

Waterfall in green). Garden landscape. Figurative painting. Modern Acrylic and mixed media on panel. 122x60x3.5 cm. / 48.03x 23.62x1.38 Inches Author: Spanish artist Ángel Luis Úbeda...

Exuberance (Exuberancia). Green and leafy landscape. Acrylic and mixed media on panel, 82x60x3.5 cm. Author: Spanish artist Ángel Luis Úbeda. Exu...

In this pointillist interior scene, an artist's studio is carefully painted in colorful dots in acrylic and gouache on Duralar mounted on panel. Signed and dated on verso. Kirstin Lamb’s gridded, meticulously detailed paintings on transparent acetate are labor-intensive paintings of labor-intensive textiles and patterns. To create these embroidery paintings, Lamb starts by generating a digitized grid and painstakingly painting each individual gridded stitch by hand using acrylic and gouache on a wet media acetate. The process creates a one-to-one relationship of mark to stitch, the act of each brushstroke serving for the stitch of a needle. Lamb’s embroidery paintings draw patterns from French floral wallpaper of the 17th, 18th, and 19th centuries, while others draw inspiration from vintage embroidery patterns...

Colossal Flashlight in Place of Hoover Dam, 1982 By Claes Oldenburg (Swedish, American, 1929-2022) Signed Lower Right Dated Middle Right Unframed: 23" x 22" Framed: 36.5" x 27.5" Whimsical sculpture of pop culture objects, many of them large and out-of-doors, is the signature work of Swedish-born Claes Oldenburg who became one of America's leading Pop Artists. He was born in Stockholm, Sweden. His father was a diplomat, and during Claes' childhood moved his family from Stockholm to a variety of locations including Chicago where the father was general consul of Sweden and where Oldenburg spent most of his childhood. He attended the Latin School of Chicago, and then Yale University where he studied literature and art history, graduating in 1950, the same year Claes became an American citizen. Returning to Chicago, he enrolled at the Art Institute of Chicago from 1952 to 1954 and also worked as a reporter at the City News Bureau. He opened his own studio, and in 1953, some of his satirical drawings were included in his first group show at the Club St. Elmo, Chicago. He also painted at the Oxbow School of Painting in Michigan. In 1956, he moved to New York where he drew and painted while working as a clerk in the art libraries of Cooper-Union Museum for the Arts of Decoration. Selling his first artworks during this time, he earned 25 dollars for five pieces. Oldenburg became friends with numerous artists including Jim Dine, Red Grooms and Allan Kaprow, who with his "Happenings" was especially influential on Oldenburg's interest in environmental art. Another growing interest was soft sculpture, and in 1957, he created a piece later titled Sausage, a free-hanging woman's stocking stuffed with newspaper. In 1959, he had his first one-man show, held at the Judson Gallery at Washington Square. He exhibited wood and newspaper sculpture and painted papier-mache objects. Some viewers of the exhibit commented how refreshing Oldenburg's pieces were in contrast to the Abstract Expressionism, a style which much dominated the art world. During this time, he was influenced by the whimsical work of French artist, Bernard Buffet, and he experimented with materials and images of the junk-filled streets of New York. In 1960, Oldenburg created his first Pop-Art Environments and Happenings in a mock store full of plaster objects. He also did Performances with a cast of colleagues including artists Lucas Samaras, Tom Wesselman, Carolee Schneemann, Oyvind Fahlstrom and Richard Artschwager, dealer Annina Nosei, critic Barbara Rose, and screenwriter Rudy Wurlitzer. His first wife (1960-1970) Pat Muschinski, who sewed many of his early soft sculptures, was a constant performer in his Happenings. This brash, often humorous, approach to art was at great odds with the prevailing sensibility that, by its nature, art dealt with "profound" expressions or ideas. In December 1961, he rented a store on Manhattan's Lower East Side to house "The Store," a month-long installation he had first presented at the Martha Jackson Gallery in New York. This installation was stocked with sculptures roughly in the form of consumer goods. Oldenburg moved to Los Angeles in 1963 "because it was the most opposite thing to New York I could think of". That same year, he conceived AUT OBO DYS, performed in the parking lot of the American Institute of Aeronautics and Astronautics in December 1963. In 1965 he turned his attention to drawings and projects for imaginary outdoor monuments. Initially these monuments took the form of small collages such as a crayon image of a fat, fuzzy teddy bear looming over the grassy fields of New York's Central Park (1965) and Lipsticks in Piccadilly Circus, London (1966). Oldenburg realized his first outdoor public monument in 1967; Placid Civic Monument took the form of a Conceptual performance/action behind the Metropolitan Museum of Art, New York, with a crew of gravediggers digging a 6-by-3-foot rectangular hole in the ground. Many of Oldenburg's large-scale sculptures of mundane objects elicited public ridicule before being embraced as whimsical, insightful, and fun additions to public outdoor art. From the early 1970s Oldenburg concentrated almost exclusively on public commissions. Between 1969 and 1977 Oldenburg had been in a relationship with Hannah Wilke, feminist artist, but in 1977 he married Coosje van Bruggen, a Dutch-American writer and art historian who became collaborator with him on his artwork. He had met her in 1970, when she curated an exhibition for him at the Stedelijk Museum in Amsterdam. Their first collaboration came when Oldenburg was commissioned to rework Trowel I, a 1971 sculpture of an oversize garden tool, for the grounds of the Kröller-Müller Museum in Otterlo, the Netherlands. Oldenburg has officially signed all the work he has done since 1981 with both his own name and van Bruggen's. In 1988, the two created the iconic Spoonbridge and Cherry sculpture for the Walker Art Center in Minneapolis, Minnesota that remains a staple of the Minneapolis Sculpture Garden as well as a classic image of the city. Typewriter Eraser...