Copeland Ceramics

George Jones Majolica Maple Leaf and Ferns Plate, English, ca. 1870, the relief molded dish with a central green-glazed maple leaf with ferns on a brown ground, the rim banded in yellow ocher, the reverse glazed in green and brown tortoiseshell mottling, with painted design number to the thumbprint reserve, '2584,' which corresponds to the entry, 'Plate, 'large maple leaf with ferns round' as recorded in the George Jones Majolica Pattern Books partially preserved in the Wedgwood Archives, Victoria and Albert Museum, and reprinted in Cluett. BOOK REFERENCES : Robert Cluett, GEORGE JONES CERAMICS 1861-1951. Atglen, PA: Schiffer Publishing, Ltd., 1998, p. 270. (George Jones Majolica Pattern Numbers, pp. 269--270). Nicholas M. Dawes, MAJOLICA. New York: Crown Publishers, 199, p. 121, Figure 211. Victoria Bergesen, MAJOLICA: British, Continental, and American Wares. London: Barrie & Jenkins, 1989, p. 75. Leslie Bockol, VICTORIAN MAJOLICA. Atglen, PA: Schiffer Publishing, Ltd., 1996, p. 79. Jeffrey B. Snyder...

A vibrant Neoclassical Revival decorative bowl in the 'Greek' pattern made by Copeland Spode in the late 19th century. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. This Copeland Spode Greek...

This fish platter is a true work of art! Classic Aesthetic Movement whimsical decoration with fish in motion and in conversation with the viewer, it has a three-dimensional feel. Rea...

A section of the Palladian motif artfully and elegantly frames the rim of this soup bowl. The composition expresses a fully-formed Palladian window, t...

This outstanding hand painted 19th century French ceramic charger was made by Hautin Boulenger & Cie at Creil & Montereau. The highly detailed Aesthetic Movement charger features polychrome decoration depicting a Japanese quail perched in a flowering cherry tree bearing vivid green foliage. The bird's gaze is fixed on a colorful butterfly with intricately patterned wings which is located off to one side. The image is set on a gilt ground which bears a series of repeating raised gilt motifs. The charger's shoulder is finished in cobalt blue with stylized gilt hearts separated by light blue floral and foliate elements. The 4lb 11oz charger bears an impressed mark used by Creil et Montereau between 1876-1884. The foot rim is not pierced. This beautifully executed hand painted French charger...

George Jones Majolica Maple Leaf and Ferns Plate, English, ca. 1870, the relief molded dish with a central green-glazed maple leaf with ferns on a brown ground, the rim banded in yellow ocher, the reverse glazed in green and brown tortoiseshell mottling, with painted design number to the thumbprint reserve, '2584,' which corresponds to the entry, 'Plate, 'large maple leaf with ferns round' as recorded in the George Jones Majolica Pattern Books partially preserved in the Wedgwood Archives, Victoria and Albert Museum, and reprinted in Cluett. BOOK REFERENCES : Robert Cluett, GEORGE JONES CERAMICS 1861-1951. Atglen, PA: Schiffer Publishing, Ltd., 1998, p. 270. (George Jones Majolica Pattern Numbers, pp. 269--270). Nicholas M. Dawes, MAJOLICA. New York: Crown Publishers, 199, p. 121, Figure 211. Victoria Bergesen, MAJOLICA: British, Continental, and American Wares. London: Barrie & Jenkins, 1989, p. 75. Leslie Bockol, VICTORIAN MAJOLICA. Atglen, PA: Schiffer Publishing, Ltd., 1996, p. 79. Jeffrey B. Snyder...

A brightly colored Neoclassical tazza or cake plate in the 'Greek' pattern made by Copeland Spode in the late 19th century. This tazza, in Copeland Spode’s ‘Greek...

A fox hunting set with all items listed below in the additional comments section.

The pieces are slip cast in London, made from stoneware in small batches. The hand painted details around the rim of each item in the collection is created by glaze in a complimentar...

An Aesthetic Movement heavy cast brass peacock trivet with fine detailing throughout.

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Refreshments for Phliasian Horseman’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Slight chip to the upper left corner measuring approximately 0.9 cm. in length. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A set of 11 bread and butter plates by Copeland for Spode. This set features 11 round plates with a yellow, blue, and green floral pattern on a cream background. A basketweave design...