Copeland Furniture

A very fine set of six porcelain bowls. By Copeland. Each bowl with an ornate rim with alternating floral garlands and underglaze cobalt blue cartouches that are decorated with gilt insects. The centers of the bowls have hand painted polychrome bird of paradise scenes as well as insects and butterflies. Retailed by L. Goode & Co. of London. Fully marked to the reverse. Simply a wonderful set of Copeland bowls! Date: 19th Century Overall Condition: They are in overall good, as-pictured, used estate condition. Condition Details: There is some rubbing to some of the gilding on some of the plates, and one bowl has a small chip under the rim. Otherwise, there are some fine and light surface scratches and other signs of light wear consistent with age. Marks or Signature: Marked to the reverse with a retailer's mark L. Goode & Co. London and with the backstamp for Copelands China England...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

This is a beautiful plate made by Copeland in 1848. It is decorated with a sublimely painted flower arrangement by the artist Greatbatch. We have two sets of 8 of these plates available, as well as a few more separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. This plate was potted in fine white bone china, the rim meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made this plate expensive. The sublimely painted flower arrangement painted in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. This plate would have belonged to a sublimely expensive dessert service. It is stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and...

This is a stunning set of 8 reticulated plates made by Copeland in 1848. Each plate is decorated with a unique sublimely painted flower arrangement by the artist Greatbatch. We have a second set of 8 of these plates available, as well as a few separate ones; please see separate listings. The Copeland factory was the third iteration of the famous Spode factory, after the "Copeland & Garrett" period which transitioned into the "Copeland" period in about 1833. The Spode/Copeland factory was one of the most prominent potteries right from the start of English porcelain production in the late 1700s to the demise of the industry in the 1960s and ultimate closure in the early 21st Century. In fact it was the founder Josiah Spode who was responsible for the recipe for bone china that made English china production so successful in the two centuries to come. Throughout all the changes, their items have always remained of exceptionally high quality and many of the designs have become iconic. These plates were potted in fine white bone china, the rims meticulously reticulated in the "Gothic" shape. Reticulation was very time consuming and difficult, and just this detail would have made these plates expensive. The sublimely painted flower arrangements in the centre were done by Greatbatch, one of the well-known floral artists working for Copeland. Greatbatch was active between 1845 and 1860, and worked together with his brother R. Greatbatch, who was a talented gilder. They exhibited at the Great Exhibition of 1851. These plates would have belonged to a sublimely expensive dessert service. They are all stamped with the small blue Copeland mark with interlocking C's, and painted in red with the pattern number 7913, dating it at the year 1848. Documentation: A plate of this service is shown on page 80 of Steven Smith's "Spode & Copeland: Over Two Hundred Years of Fine China and Porcelain...

A very fine antique Copeland parian bust of the Princess of Wales sculpted by F.L. Miller for the the Crystal Palace Art Union and dated 1863. Probabl...

A large English Imari polychrome charger or round tray with raised edge around the circumference by the celebrated pottery firm, Copeland, c 1850 -1867, featuring a stylized Japonism...

A stunning antique porcelain urn shaped twin handled vase and cover decorated in an Imari pattern by Copeland, England and dating from the early 20th...

An unusual antique Copeland Aesthetic Movement cabinet plate decorated with a titled stag hunting scene dated 1879. The large ceramic plate is of round sh...

A wonderful service for 11 hand painted porcelain Copeland raised bows and flowers dinner plates On the back: A. B. Daniels & Son 46 Wigmore St. London W Copeland China.

The top with three acid wash gilt swirl with finish panels. The carved top edge over four frieze drawers. The cabinet with double doors on each side carved in diamond shapes opening ...

Set of three large blue and white Copeland Indian tree plates. Set of three, in unusual blue and white model of this pattern in a hard glaze durable...

Al light green and white raised relief Jasperware pitcher by Copeland, in the Neoclassical style, circa 19th century, England. Beautiful as a standa...

An 'Edition De Luxe' Trafalgar centenary porcelain Tyg, 1905, subscribers copy #5. This rare English commemorative loving cup was retailed by T. Goode & Co.

A Renaissance Revival Majolica vase, WT Copeland & Sons, England, circa 1860-1875. The mythological theme shows Satyr masks with a floral pattern of twi...

Pair of Copeland Furniture Catalina nightstands combines clean, unadrned lines of the International Modernists with organic and geometric forms. F...

Set of three British porcelain plates with flowers by Copeland British, c. 1880 Height 2cm, diameter 24cm Crafted by Copeland, this charming set of three plates is adorned with a se...

COPELAND - Rare early Neoclassical style antique jasperware pitcher - massive size - featuring 36 royal portrait medallions to the exterior - continuous applied laurel leaf borders t...

Copeland porcelain plaque depicting the Casket Scene from The Merchant of Venice English, Late 19th Century Frame: height 47.5cm, width 65.5cm, de...

COPELAND - Rare - museum quality - antique porcelain ornithological luncheon or dessert service - each plate and comport hand painted with three different specimens of birds against leafy branches - floral sprays to the center and border of each piece - alternating sections of cobalt blue with the finest quality gilding - each piece with fluted & scalloped edges - incredible attention to detail with the underside of the tall comports completely decorated - total of 18 pieces (12 plates - 2 tall comports - 4 short comports) - impressed letters & numbers - hand painted model number on each piece - 1/2642 - each piece with under glaze blue factory stamp - United Kingdon - circa 1851-95. Excellent antique condition - restored tall comport - a few minor edge chips - minor gilding loss - otherwise in fine antique form...

We are offering this English Copeland Spode sixteen piece dessert service from 1879. It is amazing that all 12 dessert plates and two tall compotes and tw...

Antique English Parian King Charles Spaniels Group, by Copeland , Two lounging pooches on a tasseled cushion. Rare model.

Set of two desk lamps model "Tango" designed by Stephan Copeland for Arteluce, Italy. Flexible soft arms, adjustable in many positions. Height when fully...