Pier Giacomo Castiglioni Wall Lights and Sconces

Large Mid-Century Modern Cocoon ball pendant lamp by Achille & Pier Giacomo Castiglioni for Flos, designed and manufactured in Italy during the 1960s. With a single bulb holder for a...

Fantastic Mid-Century "Light Ball' sconce or ceiling lamp in chrome designed by Achille Castiglioni for Flos in Italy during the 1960s. This is the largest versions of the light ba...

Light Ball Lamp by: Achille & Pier Giacomo Castiglioni Classic 1950s Italian flush or wall mount light fixture in darkened brass and blown glass. Wired with a single E26 medium base...

Light Ball model 2 by Achille and Pier Giacomo Castiglioni for Flos. Minimal wall / ceiling lamp providing diffused light. Base in enameled spun aluminum, opal glass sphere with scre...

Velella Flush Mount or Wall Lamp by Achille & Pier Giacomo Castiglioni for Flos, Italy 1967. The Velella lamp designed by Achille and Piergiacomo Castiglioni for Flos features a har...

Model 'Light Ball' small size Wall or Ceiling Lamp by Achille Castiglioni & Pier Giacomo for Flos, 1960s, Italy Quantity : 7 available Minimal design Very high quality. Fully funct...

The Carrera marble base has very slight, barely noticeable yellowing. Telescoping arm shows signs of light oxidation, but operates well. The polished and coated/sealed aluminum shade shows light scuffs and scratches. Wiring is original. Lamp works as it should. In very good shape for being ~70 years old. This lamp is not signed. I'm guessing the manufacturer's sticker label dried out and fell off. Typically, the labels were adhered to the ceramic bulb socket, which would heat up and dry out the glue. Also notice the small hole perforated diffuser, on which the polished aluminum shade rests and pivots, is unusual. Many lamps have the larger holes found on the more recently made examples. The small holes diffuser is found on the vintage Flos Arco...

An iconic piece of Italian design, this Taccia table lamp by Achille and Pier Giacomo Castiglioni for Flos. It has been gently displayed only in a showroom window for a short period,...

Stunning set of 3 Mid-Century "Light Ball' sconces or ceiling lamps in white enameled metal and opaline glass designed by Achille Castiglioni for Flos in Italy during the 1960s. Th...

Fantastic midcentury "Noce" wall, ceiling or even floor/table lamp in painted die-cast grey aluminum, and opaline glass. This stylish lamp was designed by Achille Castiglioni and pro...

Achille Castiglioni (1918-2002) Riplissé A ceiling light or wall light, the circular ondulated white lacquered metal shade centered with an opalescent white light. Label of th...

Incredible mid-century "Light Ball large size" applique in smatised ivory metal and opal glass for Flos. This fantastic lamp was designed by Achille Castiglioni and produced in Italy for Flos in the 1960s. This fantastic light is unique because of the materials, made of ivory white enameled metal and opal glass. Requires an E27 bulb. A fantastic piece that will grace a mid-century living room or bathroom. Measures (cms): diameter - 42 height - 31 Literature: Casa Amica, 27 June 1972, p. 105 Octagon 30 September 1973, p. 149 Sergio Polano, Achille Castiglioni all the works, Electa, Milano, 2001, p. 224 Giuliana Gramigna, repertoire 1950-2000, Allemandi, Torino, 2003, p. 121. The beginnings of Flos (meaning “flower” in Latin) blossomed from a brilliant idea: to create objects, starting with a light bulb, that would change the way of life for both the Italian market and the foreign markets. Dino Gavina and the small Eisenkeil manufacturing facility in Merano, had already been creating furniture alongside design masters such as Achille and Pier Giacomo Castiglioni, Afra and Tobia Scarpa. But by the early 1960s, Gavina became convinced the time had come to create new lamps. Using the same technology – conceived in the USA and tested at Eisenkeil – used for the Cocoon lampthe Castiglioni brothers and the Scarpa duo began creating lamps such as the Taraxacum or the Fantasma, with many other beautiful and surprising lamps to follow. And so, from day one, Flos was already reinventing the idea of artificial lighting. Achille Castiglioni (born February 16, 1918, Milan–died December 2, 2002, Milan) was a prolific furniture, lighting, and product Italian designer renown for his ironic, joyful, creative and functional designs that, at times, intersected with ideas explored by conceptual artists. Achille Castiglioni was born into a family with deep appreciation for the arts, as he was the third son of sculptor and coin engraver Giannino Castiglioni and his wife Livia Bolla. He first studied the classics at the Liceo Classico Giuseppe Parini, but then switched to study art at the Accademia di Belle Arti di Brera in Milan. In 1937, he decided to follow the steps of his two elder brothers, architects Livio and Pier Giacomo Castiglioni, by enrolling in the Faculty of Architecture at the Politecnico di Milano, graduating in 1944–after having to interrupt his studies when he was stationed in Greece and Sicily during World War II. In 1944, immediately after graduating, Achille Castiglioni joined his brothers Livio and Pier Giacomo in the design studio that they had founded with Livio’s classmate Luigi Caccia Dominioni in 1937 in Milan. Fortunately for Achille, from the very beginning Livio and Pier Giacomo decided to focus almost entirely on designing exhibitions, furniture, housewares, and appliances since architectural commissions were difficult to come by during the war. This product-design focus, and the deep fraternal bound among the three brothers, would later allow the young Achille to experiment early in his career with emerging techniques and new materials that could communicate a fresh aesthetic sensibility suited for the positive outlook of the post-war European market. The Castiglioni brothers’ important collaboration with Phonola and Brionvega In 1940, Pier Giacomo Castiglioni, Livio Castiglioni, and Luigi Caccia Dominioni, in collaboration withe the Phonola company, presented in the VII Triennale di Milano (Milan Triennial), titled Exhibition of the Radio, a research study of radio devices that included the Fimi Phonola 547 radio, the first radio encased in Bakelite instead of wood. Shortly after the exhibition, Luigi Caccia Dominioni suspended his professional activity to serve in the military during World War II and left the studio. The development of the FImi Phonola 547 radio would prove fruitful for the three brothers, as it allowed Livio Castiglioni to cement his role as the leading design consultant for Phonola from 1940 until 1960, and for Brionvega, from 1960 until 1964. These relationships brought in further collaboration among the three brothers, and would eventually result in several designs for radio and sound appliances with innovative materials and shapes for which Achille Castiglioni played a key role, such as the RR 226 stereo system for Brinovega (1965), the radio phonograph...