Lynx Hollow Antiques Furniture

A rare and important late 19th / early 20th century American classical arched iron architectural fanlight header salvaged from a United States Embassy. Monumental size, lunete form, exceptionally executed stylized sunburt-like pediment sculpture with central "US" set within a circle, two-tone rustic heavily patinated and verdigris green patina finish. The large antique architectural salvaged decorative building element makes for fascinating sculptural object, wall decor, garden ornament gate trellis...

A stunning grand Italian midcentury Venetian Baroque patchwork burlwood sideboard. Exquisitely handcrafted of warm richly figured burled walnut, born in the Veneto region of North...

A breathtaking antique French Belle Époque period (1871-1914) porcelain mounted mixed metal mantel clock. Born in France in the late 19th / early 20th century, fine quality Parisian work, exceptionally executed in luxuriously opulent 18th century Louis XV Rocaille taste, finished on all sides so it can be placed anywhere in the room, featuring a visually striking sculptural floral fiolate adorned gilt metal case, heavily embellished with fine porcelain flowers...

A charming rustic country French Provincial oak vaisselier with beautifully aged patina. Born in France during the first half of the 19th century, hand-crafted of warm richly grai...

A scarce midcentury Italian modernist center table attributed to legendary designer Osvaldo Borsani (Italy, 1911-1985), circa 1950s. Featuring an octagonal rosewood and maple parque...

A fabulous French Empire period giltwood figural candlestick, early 19th century, now professionally electrified and fashioned as a single-light table lamp. Exquisitely hand carve...

A scarce very fine quality Napoleon III Period (1852-1870) gilt bronze ormolu mounted inlaid glove box by important Parisian ébéniste Paul Sormani (1817-1877) Exquisitely hand-cra...

A fine quality antique French Parisian marble-top mahogany bedside cabinet, circa 1890. Exquisitely hand-crafted in France in the late 19th century, exceptionally executed in refi...

A scarce elegant French Louis XV style nightstand with beautifully aged warm mellow patina. Born in France in the 19th century, having a partial undulating gallery framing the vis...

A rare and interesting French mahogany-cased barograph by Richard Jules. circa 1900 Exquisitely handcrafted in Paris, France, in the early 20th century, this fine weather forecasting scientific instrument is a barometer that records the barometric pressure over time in graphical form, as well as make a continuous recording of atmospheric pressure. Housed in a high-quality protective wooden case, having hinged lid with original glazed glass panel sides, barograph with centigrade thermometer scale, fitted with eight aneroid capsules stacked in series, cylindrical drum element with graph for data recording and analysis. Signed, retaining the maker's marks to top and interior. The metal plaque affixed to top reads: "Barometre Enregistreur Ancene Mon Richard Frères...

A fine antique American Art Deco Amronlite Sheaffer Fountain Pen banker's style desk lamp deluxe, circa late 1920s, featuring beautifully patinated original brass shade, rising on figural Egyptian winged sphinx form column on a shaped marble base mounted with fountain pen holder...

A rare American Mid-Century Modern headboard for a double (full) size bed with storage and adjustable backrests by important Modernist architect and designer George Nelson (American, 1908-1986) for Herman Miller, circa 1950, model 4647 from the Primavera Collection, walnut, tufted vinyl, ebonized feet. Dimensions: (approx) 40" High, 56.25" Wide, 12" Deep A superb example, in excellent original vintage condition, having a pair tufted vinyl doors that slide down to reveal individual storage compartments. Walnut veneer in excellent condition with one small (.75") stable bubble beneath the surface at top (no splitting or discoloration present). Bed retains both brackets and anchor pins...

A large brilliant natural amethyst specimen that displays large crystal terminations, rich inclusions and calcite formations throughout, and a single large hematite spike. Dimensi...

Petrified Conifer Slab Araucaria (Monkey Puzzle Tree) Triassic Period Chinle Formation Arizona, USA A stunning over 200 million year old petrified conifer slab, featuring a m...

Add a touch of whimsical elegance and sophistication to your dinner party with this boxed set of twelve fine French Art Deco silver plated figural animal knife rests. circa 1930s Born in France in the early/mid-20th century, styled in the manner of famous French illustrator and animator Benjamin...

A scarce fine quality neoclassical Empire style vasiform gilt bronze ormolu church religious relic altar monstrance reliquary. Exquisitely hand-crafted in Continental Europe in the second half of the 19th century, most likely French Napoleon III Period (1852-1870), having a fanned cross crest, above winged angel mask, central oval display...

A stunning antique Italian Baroque style silvered metal gilded wood monstrance reliquary. circa 1770-1820 Handmade in Italy in the late 18th / early 19th century, commissioned by the church to display an important religious relic, sculptural painted wood form, mounted with decorative silver repousse metal facing, open oval window where the philatory relic was once housed, rising on a gold gilt painted shaped plinth base. Dimensions: (approx) 17" High, 8" Wide, 5" Deep, 1.25lbs History: Reliquaries (also referred to as a shrine or châsse in French), are containers used to protect and display relics. A portable reliquary may be called a fereter, and a chapel in which it is housed a feretory. A monstrance, also known as an ostensorium (or an ostensory), is a vessel used in Roman Catholic, Old Catholic, High Church Lutheran and Anglican churches for the display on an altar of some object of piety, such as the consecrated Eucharistic host during Eucharistic adoration or Benediction of the Blessed Sacrament. It is also used as reliquary for the public display of relics of some saints. The use of reliquaries became an important part of Christian practices from at least the 4th century, initially in the Eastern Churches, which adopted the practice of moving and dividing the bodies of saints much earlier than the West, probably in part because the new capital of Constantinople, unlike Rome, lacked buried saints. Relics are venerated in the Oriental Orthodox, Eastern Orthodox, Roman Catholic and some Anglican Churches. Reliquaries provide a means of protecting and displaying relics. While frequently taking the form of caskets, they range in size from simple pendants or rings to very elaborate ossuaries. The relics were enshrined in containers crafted of or covered with gold, silver, gems, and enamel. These objects constituted a important form of artistic production across Europe and Byzantium throughout the Middle Ages. Many were designed with portability in mind, often being exhibited in public or carried in procession on the saint's feast day or on other holy days. Pilgrimages often centered on the veneration of relics. The faithful often venerate relics by bowing before the reliquary or kissing it; those churches which observe the veneration of relics distinguish between the honor given to the saints and the worship that is due to God alone. Sixteenth-century reformers such as Martin Luther opposed the use of relics since many had no proof of historical authenticity and objected to a cult of saints. Many reliquaries, particularly in northern Europe, were destroyed by Calvinists or Calvinist sympathizers during the Reformation...

A stunning fine quality antique, circa 1860s/1870s Italian chest of drawers commode. Hand-crafted in Italy in the third quarter of the 19th century, influenced by Napoleon III Se...

A charming vintage 18th century Louis XV style paint-decorated solid wood country French enfilade. Born in France in the Mid-20th Century, featuring quality solid wood constructio...

An authentic French country farm house harvest work table with attractive beautifully aged warm rustic patina. circa 1840 Created in Provincial France in the 19th century, likely So...

A French Empire style marble-top mahogany bedside cabinet (nightstand - end table) with elegant beautifully aged warm rustic patina. circa 1870 Hand-crafted in France in the secon...

A scarce example of early Biedermeier Period (1815-1848) chest of drawers commode. circa 1820 Finely hand-crafted in the Baltic Region of Northern Europe in the early 19th century...

Add a touch of sophisticated elegance, timeless luxury and romantic warmth with this striking Belle Époque period French gilt wood four seater long sofa. Exquisitely hand-crafted...

A stunning and exceptionally rare mid-century French Modern sculptural greyhound head two-tier table attributed to luxury Parisian design house Maison Jansen (Paris, France; 1880-198...

A rare Art Deco period eight-piece study suite set in the manner of famous Austrian architect, designer, and Vienna Secession founder Josef Hoffman (Austria, 1870-1956), circa 1920. Exquisitely handcrafted in Austria in the early 20th century, most likely Vienna, featuring fine quality craftsmanship and solid wood construction, featuring Biedermeier inspired Viennese Art Deco styling of simplicity, strict, geometric lines with minimal surface embellishment, instead of ornamentation putting the focus on high-quality materials. The matching eight-piece set comprising a tanker writing desk with inset leather surface, surmounted with raised gallery fitted with drawers flanking richly figured quilted diamond inlay, rising on double pedestals with locking cupboard doors opening to stacked shelved tray interior, affixed with patinated brass pulls and escutcheons, retaining original keys, finished on all sides so it can be placed anywhere in the room, and paired with a comfortable armchair with upholstered seat and backrest. A large eight door bookcase storage cabinet with original glass panels, adjustable shelves, and cocktail drinks bar slide. A centre card table with rectangular shaped canted corner top featuring inset green baize felt games playing surface, over conforming apron fitted with dovetailed drawers, rising on square column pedestal, surrounded by four upholstered side chairs. PROVENANCE / ACQUISITION: Property from the important Estate of Myra Janco Daniels (1925-2022) Naples, Florida. A legendary business woman, philanthropist, and arts advocate who built the institution known today as Artis—Naples and made Naples a cultural destination. Additional info below. Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. Design Signature Auction catalog #8110 Condition Report: Great original antique condition with beautifully aged warm mellow patina. Strong, sturdy and structurally sound. Overall very attractive condition; no significant losses or restorations; wear consistent with over 100 years of age and indicative of use. Delivered cleaned, waxed, hand rubbed polished French patina finish, ready for immediate use and generational enjoyment! ABOUT THE LEGENDARY PREVIOUS OWNER: We normally don't post about the prior owners life, but in the case of Myra Janco Daniels (1925-2022) we felt her incredible story be shared. The arts visionary and advertising Pioneer who helped transform Southwest Florida into a nationally recognized cultural destination, died June 22, three days before her 97th birthday. Daniels was founder and longtime CEO of the Philharmonic Center for the Arts (now Artis-Naples), which since 1989 has brought world-class music, theater, dance, opera, and art to Naples. In 2000, she founded the Naples Museum of Art (now the Baker Museum) on that same campus. After a storied career as an advertising executive in Chicago, Daniels came out of retirement in the early 1980s to spearhead a fund-raising drive for a small classical music ensemble on MarCo Island, which would later become the Naples Philharmonic orchestra. She discovered “a great hunger for the arts,” she later wrote, and soon expanded her fundraising goal to building a permanent home for the orchestra and an arts center for Southwest Florida. Daniels’ vision for the Philharmonic Center was ambitious and unusual – combining world-class performing and visual arts in a single venue. The Community strongly supported the concept, and the Phil, as it became known, gave Naples a national arts profile. Then-First Lady Barbara Bush was in attendance on opening night in November 1989. The Wall Street Journal covered the opening. “Myra Daniels is a dreamer. But unlike most dreamers, Myra is a doer,” the late Muriel Seibert, the first woman to own a seat on the New York Stock Exchange, once said of Daniels. While the arts were a lifelong passion for Daniels, her first career was as a groundbreaking advertising executive in Chicago, where she won national Advertising Woman of the Year honors and was among the first women to head a national ad firm. Daniels said that she used some of the same principles learned in her advertising career to sell Southwest Florida on the arts. “You have to believe in what you’re doing and then you have to get people involved to the point that they feel it’s theirs. That’s what we did.” Born Myra Janco in Gary, Indiana, Daniels was raised during the Great Depression by parents who encouraged her interest in the arts. But her greatest influence growing up was her grandmother Sophie, who, like Daniels, stood only five feet tall but dreamed big. “Sophie showed me what was possible,” Daniels wrote. “Create something that people want and need and you’ll be successful, she said. I always remembered that.” Her grandmother, who ran her own real estate business, experienced some failures “but she always dusted herself off and went back out there swinging. She wanted me to be that way too.” Daniels earned her bachelor’s and master’s degrees from Indiana State and later became an associate professor of marketing at Indiana University, the first woman to hold that position. In her mid-20s, she started Wabash Advertising in Terre Haute, Indiana, which later became affiliated with larger agencies in Chicago and Cleveland. In 1963, she was named executive vice president of Roche, Rickard, Henri, Hurst, Inc. in Chicago. The National Advertising Federation honored Daniels as its Advertising Woman of the Year in 1965, the youngest woman to receive the award. That same year, she became president of a new national agency that she formed with ad man Draper Daniels. The merger was not just a professional one. Draper Daniels, who was responsible for many famous ad campaigns at the time, including the Marlboro Man and was later an inspiration for the Don Draper character on TV’s Mad Men, became her husband in 1967. Myra wrote about their unusual courtship and life together for Chicago magazine, in an article entitled “I Married a Mad Man,” which was included in her book Secrets of a Rutbuster. They ran the Draper Daniels, Incorporated agency, as it was called, until 1977. When Draper wanted to retire to Southwest Florida, Myra Daniels reluctantly left Chicago and advertising, and they settled on MarCo Island. But after Draper died of cancer in 1983, Myra turned her energies to the fundraising Campaign that led to the Philharmonic Center Cultural Complex. Daniels served as CEO of the Philharmonic Center from its inception in the 1980s to her retirement in 2011, building the Phil into a $100 million corporation. During that time, the Naples Philharmonic became a nationally recognized orchestra, with a Grammy nomination, CD and appearances on PBS; and the Naples Museum of Art developed an international reputation. The center also helped change people’s perception of Naples, which had been known mostly for its beaches and golfing. In 2005, Naples was named the Best Small Art Town in America in a book that singled out the Phil. More than just an arts venue, the Philharmonic Center also wove the arts into the culture of the Community, providing public school programs, adult and children’s education classes and workshops, and free concerts throughout Southwest Florida. Edward Villella, legendary dancer with the New York City Ballet and founder of Miami City...

A lovely 19th century Italian neoclassical oil on leather folding screen room divider. Born in Italy, circa 1860, featuring patinated brass hinged three panel wooden frame wrapped in leather canvas hand painted with fantastical classical design depicting grotesque arabesque motif including putti cherub medzallions, floral wreaths, trailing foliage and ribbons on a pale olive green ground, accented by bronze stud tack trim sides and shaped top. Dimensions: (approx) 73" High, 66.5" Wide, 1" Deep Each panel: 22.25 Wide Folded closed: 3" Deep Detailed Condition Report: In overall great antique condition. Beautifully aged distressed patina. Wear consistent with age and use, retaining original antique character...

A rare and iconic Italian post-modern Donau Collection bed and matching nightstand designed by master architect and furniture designer Ettore Sottsass (Austria/Italy, 1917-2007) in collaboration with Marco Zanini (Milan, Italy; b.1971) for Leitner Interior Design, circa 1988. Scarce design, bold and dramatic, sculptural-form, exceptionally executed in bird’s-eye maple lacquered and laminated wood, including blue accents and columns that offer a visually striking contrast. Retaining the original manufacturer's label, signed, 195/88. Provenance / Acquisition: Acquired from highly reputable auction house Heritage Auctions, Dallas, Texas. Design Signature Auction catalog #8110 Dimensions: (approx) Bed: (Twin XL...

A scarce antique African tribal carved Hemba helmet mask, the Suku peoples, possibly Kwese culture, Democratic Republic of the Congo, Central Africa, early 20th century, surmounted by four-legged animal, over round face, with mouth ajar and incised jagged teeth exposed, protruding almond shaped eyes, scattered remnants of pigment, full raffia fiber fringe, mounted on wood stand. A superb museum quality example, this remarkable tribal folk art sculpture is a wonderful way to add rustic warmth, rich historical depth, and fascinating cultural interest to any space! Dimensions: (approx) Overall: 26" High, 9" Wide, 10.25" Deep; Mask only: 15" Tall; 7 lbs total Provenance / Acquisition: Acquired from the highly reputable auction house, Austin Auction Gallery, est.1983, Austin, Texas. Excellent Condition: Nicely aged distressed patina over the whole. Highly desirable wear consistent with age and indicative of use, including scattered losses, antique character marks and typical signs of aging throughout. Retaining scattered remnants of original pigment. Overall a superb museum quality example Primitive Arts Of Africa: Among the Suku of the southwestern part of the Democratic Republic of the Congo, masks plays crucial role in protecting boys during initiation, the vulnerable period between boyhood and manhood. The power contained in Hemba masks...

A magnificent over 200 year old French Empire Period (1804-1815) parcel gilt walnut armorial hall pedestal / plant stand. Born in France in the early 19th century, most likely near the Italian border or Napoleonic territory in present day Northern Italy, most impressive palatial scale, exceptionally executed one-of-a-kind sculptural work, having carved fiolate apron with H monogram, decorative scroll work, stylized grotesque satyr mask with acanthus leaf accent, over high relief crest mural crown depicting four towers representing fortified city walls, shield escutcheon coat of arms with three fleur-de-lis above wavy lines depicting sea water in front of castle tower, supported by figural winged female caryatid, flanked by volute supports, joined by turned stretcher. circa 1810 Provenance / Acquisition: An important San Antonio estate Acquired from highly reputable auction house Austin Auction Gallery, est.1983, Austin, Texas. Texas Mansion Carved French and Italian Antiques catalog...

An antique English Victorian finely hand carved mahogany gateleg side table by Thomas Simpson and Son. Born in England in the late 19th century, ha...

A scarce vintage ceramic art sculpture by legendary 20th century Mexican artist Sergio Bustamante (b.1949). Fantastical surrealist style hand pa...

A fine French Napoleon III Second Empire Period (1852-1870) fliptop card game table. Make a statement with this striking example of high-quality Parisian craftsmanship. Exquisitel...

A pair of fine gilt bronze ormolu mounted porcelain tiered étagères. Decedent French Aesthetic Movement styling, circa 1890, brilliant bronze doré suppo...

A luxurious French Louis XVI style gilt bronze ormolu and alabaster (onyx-marble) three piece mantle clock and garniture set, possibly attributed to Raingo Freres. The fine quality antique originating in France in the late 19th century, exquisite Parisian work, exceptionally executed in opulent, elegant, and sophisticated King Louis XVI style, timeless neoclassical taste, comprising: classical architectural case mantel clock, having pointed bronze doré finial, flanked by scrolled foliates and lyre motifs, fancy enamel dial with Arabic numerals, inscribed F. Lapointe, Paris, eight-day time-and-strike movement signed Samuel Marti 1900 (Paris, 1870-1890), original Apollo mask sun-burst pendulum hanging below clock drum, flanked by matched pair of two arm candlestick garnitures, each with matching scrolled foliates and lyre finial, tapering column support with two candle nozzles, rising on stepped molded base, terminating in patinated brass disc feet. Markings: Pendulum stamped "R" "1721" ormolu on clock & garnitures stamped "1321"; possibly attributed to R. Freres / Raingo Freres. Dial signed by French enameller "F. Lapointe, Paris" Movement stamped by the firm of well-known French clockmaker Samuel Marti et Cie, Paris, second half of 19th century. Dimensions: (approx) As pictured: 18.5" High, 36" Wide, 5.5" Deep; 27.5 lbs total. Clock: 18.5" High, 13" Wide, 5.5" Deep; Candelabra garnitures: (each) 12" High, 8" Wide, 4.25" Deep; Condition: Presents splendidly. Great original unrestored antique condition. Currently not operating as it's lacking a suspension spring. Retaining bell, pendulum, and key. Losses to decorative elements. Wear consistent with age and use. To ensure the clock arrives as beautiful as it leaves here, and due to the rather delicate nature of antique clocks...

A one-of-a-kind antique wrought iron sculpture, comprising 18th and 19th century architectural elements, in a rustic parcel gilt finish, including door lock, latch, and skeleton key,...

A striking vintage Anglo-Indian silvered metal-clad chair, 20th century, influenced by the dowry wedding chairs of Indian Royalty during the British Raj Period (colonial crown rule i...

A vintage French Provincial walnut and oak semainier chest of drawers. Handcrafted in France in the Mid-20th Century, high quality solid wood construction, finished in elegantly s...

A scarce original antique European Baroque Period tooled leather clad cutlery caddy, circa 1740 Handcrafted in Continental Europe in the first half of...

A scarce French Louis XV Period (1715-1774) walnut sideboard server. Born in France in the second half of the 18th century, likely Lyon region, retaining the original shaped marble top with molded edge, atop conforming demilune case fitted with three centered drawers, each with dovetail joinery and serpentine shaped drawer-fronts, flanked by reeded columns and early wooden slat tambour doors, sliding open to reveal a single shelf, all rising on elegantly curved cabriole legs, ending in carved deer hoof feet. Remnants of old shipping label to top. circa 1770 For the most discriminating buyer, this rare antiques 250 year age is not obvious and only begins to reveal itself when a most discerning eye looks closely at every detail. Dimensions: (approx) 34.25" high, 36" wide, 15.5" deep Ideal size and proportions for a variety of different uses, including as a dining server...

A fine pair of French Louis XV style gilt bronze mounted marquetry inlaid mahogany side tables. Exquisitely hand-crafted in France, 20th century, fine quality, exceptionally executed in luxurious Louis XV style with Napoleon III Second Empire influences, featuring a round shaped top with protruding squared corners, decorated with elaborate exotic woods floral marquetry work, over frame with gracefully curved scalloped apron, adorned with finely sculpted brilliantly gilded bronze mounts, rising on long elegant cabriole legs, ending in chisled gilt bronze sabots. Dimensions: (approx) 30" High, 29" wide, 29" deep. Provenance/Acquisition: Acquired from highly reputable auction house, Heritage Auctions...

A exceptionally rare Period French Empire (1804-1814) walnut bureau a cylindre. Exquisitely hand-crafted in France, most likely Parisian work, dating to the early 19th century, the large antique cylinder desk...

A very fine pair of antique French Louis XV style gilt bronze ormolu mounted mahogany tiered side tables with breccia violetta marble tops. circa 1900 ...

A fabulous French antique, circa 1850, Sevres style porcelain mounted gilt metal mantel clock by Parisian sculptor and merchant Louis Hottot (1829-1905), with stamped Japy Freres sil...

A vintage French Provincial Louis XV style carved walnut sideboard. Hand-crafted in France in the mid-20th century, excellent quality, exceptionally executed in timeless 18th cent...

A most impressive pair of French Napoleon III Second Empire Period Egyptian Revival style gessoed, gilded and polychrome painted wood and gilt metal foliate scroll arm nine light candle sconces. Hand-crafted in France, most likely Parisian work, circa 1870s, exceptionally executed sculptural form, very high quality, extremely impressive statement pieces Dimensions: (approx) 36" High, 22" Wide, 10.5" Deep (each) Provenance/Acquisition: Acquired from reputable auction house, Heritage Auctions...

A classic Gustavian Period (1772-1809) Swedish painted pine two door kitchen cupboard sideboard. Handcrafted in Sweden around the turn of the late 18t...

Elegant sophistication at its finest, we present this exceptionally rare pair of early 19th century fine quality French Empire Period candlestick lamps. The original antique table lamps complete, with clear and frosted glass lotus hurricane shades, patinated gilt bronze leaf decorative accents, inner spring-loaded brass column candle tubes, within white opaline glass stems, resting on beautifully patinated brass and iron circular base. circa 1810; France PROVENANCE / ACQUISITION Property from the Collection of Pat and Michael York Acquired from highly reputable auction house, Heritage Auctions...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...

A scarce antique French fruitwood server / drinks table with beautifully aged warm patina. Born in France in the 19th century, hand-crafted...

A scarce antique country French rafraichissoir table (wine cooler) desserte server with beautifully aged patina. Circa 1800 Hand-crafted in Pro...

A high quality custom made walnut contemporary writing desk by luxury furniture maker Carrocel Interiors. Styled in timeless Art Deco Modern tas...

A scarce elegant and most distinctive Biedermeier Period (1815-1848) highly figured maple table. Hand-made in Continental Europe in the early/mid-19th...

A magnificent antique French Renaissance Revival hunt sideboard, signed, circa 1854. Exquisitely hand-crafted in France in the mid-19th century, fine...

A magnificent rare, large and most impressive 19th century Gothic Revival hand carved painted parcel gilt bibliothèque (bookcase - buffet sideboard - china cabinet hutch - vitrine) ...

A rare and important late 19th century Victorian era metal mounted horse hoof match holder by Rowland Ward. Museum quality example, this most unusual curiosity having a gilt brass hinged lid opening to striker and open receptacle. Signed "Roland Ward...

A scarce antique Chinese carved hardwood, most likely elm, adjustable candlestick stand floor torchère with beautifully aged warm rich pat...

A vintage carpentry woodworking - craftsman's pine workbench. Dating to the first half of the 20th century, having a thick rectangular solid pine top with desirable overhang and recessed chanel trough, single hand crank vice clamp with heavy iron and steel elements (easy to remove to free up tabletop space if needed), all rising on four strong straight block legs, joined by a sturdy lower tier stretcher shelf. circa 1940s Similar to the centuries old original Roubo workbench, circa 1769, designed by French carpenter and master cabinetmaker André Jacob Roubo (1739–1791). Simple, reliable, and effective, retaining original antique character marks and beautifully aged patina over the whole. As warm and attractive as it is useful, having the ideal size and proportions for a variety of different uses, including as originally intended as a functional work bench, repurposed as a kitchen island in an old farmhouse, industrial butcher block cutting board stand, Provincial vineyard wine tasting counter, rustic dining table or sideboard server, wooden writing desk, oversized hall console, or potting bench...

A life size Art Deco patinated bronze figural dog sculpture, most likely Italian, early/mid-20th century. Fine quality, exceptionally execute...

A stunning, rare fine quality French gilt bronze mounted Kingwood marquetry bibus (miniature bibliothèque). In the manner of/possibly by celebrated ébéniste Maison Paul Sormani; the ...

A stunning antique Bohemian enameled art glass hinged lid jewelry casket - table box by renowned luxury glass maker Moser. Exquisitely hand-made in Bohemia (present day Czech Republic) in the late 19th century, artistic Art Nouveau period opulence, featuring very fine quality hand-blown polished...