Lynx Hollow Antiques Furniture

A most amusing late 19th / early 20th century animated novelty clock, depicting monkey barber giving a haircut with disastrous results. Art Nouveau period, brass-cased, gimbal suppo...

A stunning pair of fine quality French Louis XV style doré bronze mounted kingwood side tables in the manner of famous Parisian ébéniste Francois Linke (1855-1946) and bronze sculpto...

A visually striking natural polished agate gemstone slice, sculptural organic free-form, stunning example with rich patterns of color, transparency and distinctive inclusions, mounte...

A lovely antique French Louis XVI style mahogany centre table. Hand-crafted in France in the late 19th / early 20th century, exceptionally executed in sophisticated 18th century Ki...

Add elegant warmth, sophistication, and deep rich color to any space with this stunning antique Moser Bohemian parcel gilt emerald green glass decanter. circa 1900 Born in Bohemia (...

A scarce pair of fine quality antique Bohemian parcel gilt enameled light cobalt blue glass decanter bottles, exquisitely decorated for the ...

A most charming nearly 300 year old Swedish country farmhouse painted corner cupboard with beautifully aged warm rustic heavily distressed patina! circa 1730 Born in Sweden in the f...

A beautiful 19th century Victorian era blown opaline glass hand-painted parcel gilt dresser cache pot. Elegant, sophisticated and luxurious, French Sèvres taste, hand-blown pale ro...

Beautiful antique Victorian era enameled blue opaline milk glass dresser box, (jewel casket - trinket case - decorative table box), late 19th centur...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

A most charming vintage, circa 1960, Italian Venetian writing table (desk - vanity - console) with beautifully aged heavily worn distressed pati...

A period French Empire (1804-1815) mahogany chest of drawers nightstand with beautifully aged patina. Born in France in the early 19th century, hand-crafted of warm rich solid mahog...

A spectacular early European castle altar processional / torchiere stand. circa 1730 or earlier. Born in Continental Europe in the early 18th century or earlier, some later elements, most likely Germanic, Medieval Gothic style, hand forged iron sculptural cross form mounted with primitive push-button panel opening to reveal heraldic coat of arms embossed brass plaque, with The Nelsons family banner, royal crown crest with cross, standing mythical goat and stag heraldic supporters, shield escutcheon castle, fleur-de-lis, three diamonds and eagle shield...

A rare and most charming antique Anglo Indian British Colonial brass bound hand turned hollowed log bucket. Early 19th century, India, handmade during the British rule on the Indian...

Scarce pair of vintage Italian Mid-Century Modern Italica ARS large hand-turned Fine pottery vases. Bright atomic red glaze with wide rim on tapered body, ...

A scarce nearly 200 year old English William IV Period rosewood and mahogany sewing stand work table with beautifully aged warm rustic patina. circa 1830s Combining sophisticated e...

A most charming antique French mirrored commode stand. Born in France in the late 19th / early 20th century, most likely Parisian work, except...

A period William IV English mahogany sewing stand work table with inlaid chessboard top. circa 1830s Combining sophisticated elegance, warmth, and functional design, this outstandin...

A large and most impressive antique country American farm house painted kitchen cupboard with beautifully aged warm rustic heavily distressed chipp...

Southwestern France, circa 1820, Provincial Picardie influences, having a rectangular three board planked top, over a trio of frieze drawers, featuring central open shelf wine bottle...

A wonderful antique religious carved wood and plaster Catholic Church altar figure. The large sculpture depicting Saint Anthony of Padua, dating to the la...

A scarce antique, circa 1920s /1930s, USG (United States Gypsum) porcelain enameled advertising sign, early 20th century, industrial American Art Deco Modern taste. The large blu...

A scarce, likely one-of-a-kind, antique American Frigidaire enameled metal advertising sign, early 20th century, period Art Deco styling, the sign reads: "See Arkadelphia Hardware Co...

A 19th century English Victorian era copper half-gallon ale measure. impressive size, hand-crafted in traditional haystack form with a deep lip and pour spout, small neck, tapering bulbous body on broad base, with a large handle. Vessel body inscribed "Half Gallon", stamped maker's marks, 10, and tax marks to rim interior. circa 1875 The measure was used in taverns to truthfully measure ale or cider to protect society from fraud during trading transactions. With a largely illiterate population at the time, the interests of every citizen needed to be considered and cared for so stamped and sealed measures were used throughout the British Isles. For example, in 1309 it was decreed “The Standard of bushels, gallIons and ells shalI be sealed with an iron seal...

A most impressive antique Mediterranean threshing board repurposed as a bench or coffee table. This 19th century thresing board, also known as threshing sledge...

An incredible 20th century rustic industrial style repurposed dining table - kitchen island. Crafted from a heavy-duty utilitarian cast iron American factory - warehouse trolley...

A most charming and one-of-a-kind antique North Carolina bait shop trade sign with beautifully weathered patina! A wonderful example of American folk art, early 20th century, primitive hand-crafted construction, sculptural wooden form depicting large flounder fish, with distinctive fins and polychrome painted decoration. Wall hanging, easily secured using the two eye-screws, or the screws can be removed and the sign placed on a mantel. Dimensions: (approx) 31.5" High, 48.5" Wide, 2.5" Deep Sure to add elegant rustic warmth, antique character, charm, and rich historical interest to any space, especially traditional coastal, Hamptons chic, New England cottage, beach house modern, lake house, and rustic lodge, to name just a few! Provenance / Acquisition: Acquired from highly reputable auction house, Bright Star Antiques Co., Sulfur Springs, Texas. Specializing in early American antiques...

A monumental 12' Long Pennsylvania farmhouse painted wood bench. Born in the 19th Century, early American country style with Dutch / Scandinavian influence, simple primitive hand-crafted solid wood construction, featuring the original sky blue paint finish, with beautifully aged heavily worn and weathered chippy paint patina! Sure to add elegant rustic warmth, antique character, charm, and rich historical interest to any space! Dimensions: (approx) 18" High x 143" Wide (11 ft. 11 in.) X 10" Deep Great original unrestored antique condition with nicely aged warm rustic heavily distressed patina. Retaining remnants of original paint. Significant chippy paint losses. Some warping sagging to center. Overall a wonderful example with desirable wear consistent with age and use. *Please note, do to the age and construction we do not recommend using this as a seat / bench for sittin. It would make for a fabulous low hall console, decorative arts shelf / display table, patio plant stand...

A fabulous Art Deco era industrial department store round display table. circa 1930s Having a circular top with metal rim, rising on wooden pede...

A rare and important American Art Deco Century of Progress Sideboard by iconic designer Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana. circa 1933-1936 Created for the 1933 Chicago World's Fair, fine quality craftsmanship and construction, having a rectangular exotic rosewood veneered top over conforming solid wood case fitted with four drawers affixed with horizontal pulls, the top drawer opening to reveal felt lined divided interior for silverware, flanked by cabinet doors opening to shelved interior, subtle geometric lines add interest. Rosewood, mahogany, richly figured blonde - golden birch or primavera. Signed, top drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching display case - vitrine cabinet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic Collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

A rare and important Art Deco period Century of Progress Display Cabinet designed by Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana, United States of America. circa 1933-1936 Created for the 1933 Chicago World's Fair, one piece design, having a rectangular showcase top with glass panel sides and a pair of sliding glass doors, over solid wood chest fitted with four drawers affixed with horizontal pulls, flanked by cabinet doors, opening to shelved interior. Rosewood, mahogany, richly figured blonde - golden birch or primavera, and glass. Signed, original label to drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching sideboard - buffet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

A rare antique, circa 1890s, German hand carved and painted wood carousel horse carnival fair ride by Peter Schneider (famous for making the first double decker carousel in 1898). ...

I think it's safe to say you have never seen a bird this big before! A rare, nearly 8ft tall, one-of-a-kind antique architectural hand carved wood sculptural element, in the form ...

A stunning Georgian Revival burlwood silver chest / buffet server. Refined, elegant, sophisticated English styling, exquisitely hand-crafted in the mid-20th century, having a serp...

A charming primitive antique green paint decorated wood utensil holder - knife box - small tool tray with beautifully aged warm rustic distressed patina! Hand-crafted of reclaimed wood, rectangular shaped divided tray...

A monumental antique Victorian Gothic Revival carved oak church altar / synagogue lectern / book stand podium. Hand-crafted in the 19th century, having a sloped book-rest to the top...

Add sophisticated antique character, elegant rustic warmth, and timeless classic style with this lovely, most likely one-of-a-kind, French antique architectural column...

A one-of-a-kind Edwardian period (1901-1910) English Adam taste paint decorated satinwood extension dining breakfast table, professionally converted to a cocktail table, with reduced...

A rare antique Victorian Black Forest carved wood and glass cave a liqueur / tantalus cabinet set. circa 1880 Exquisitely hand-crafted in the late 19th century, Continental European...

A charming rustic antique country European side table with beautifully aged warm patina. Hand-crafted of solid oak in Continental Europe in the late 18th / early 19th century, Fr...

A rustic antique Italian country Neoclassical style walnut side cabinet with beautifully aged patina. Hand-crafted in Italy in the 19th century, most likely Tuscan region of Cent...

A rare, one-of-a-kind antique, circa 1860, country Swiss folk decorated wood immigrant's travel trunk. Handmade in the Meilen region of Zürich, Switzerland, in the mid-19th century, crafted of solid oak and pine, rectangular steamer chest...

A stunning period Louis XVI (1774-1793) French commode in the original paint finish. Hand-crafted in France in the 18th century, exceptionally executed in refined luxurious Neocl...

Make a statement with this most impressive patriotic antique American architectural painted metal eagle finial on later wooden base. Late 19th / ...

A rare, likely one-of-a-kind, large antique, circa 1860s, early American hand carved, painted, and sculpted wooden patriotic barber pole advertising trade sign / open sign...

A rare European antique hand painted cast iron carnival carousel embellishment. Once decorating a 19th century country fair carousel amusement ride, the sculptural ornament depict...

Add sophisticated antique character, elegant warmth, and rich historical depth to any space with this scarce period Louis Philippe (1830-1848) wash stand in stunning exotic burled am...

A fabulous French Art Deco period dining table in rare highly sought-after cerused oak. circa 1920s/1930s Hand-crafted in France in the early 20th century, high quality, most like...

A Victorian era antique bistro table, 19th century, having a round bleached wood top with molded edge, rising on ornate scrolled black wrought ir...

A rare, one-of-a-kind antique American folk decorated desk with beautifully aged distressed patina found in Mt. Juliet, Tennessee. Hand-crafted in the Southern United States in the late 19th century, featuring elaborate hand carving and pyrography wood burning decoration in classical motif, kneehole desk form with raised gallery dated "1899", having a topped with a single door cabinet, supported by two columns of three drawers. Provenance / Acquisition: Found in a Mt. Juliet, Tennessee farmhouse Acquired from highly reputable auction house, Bright Star Antiques, Sulfur Springs, Texas. Specializing in early American antiques...

A spectacular Mughal Empire Period (1526-1857) precious gemstone set gilt bronze ormolu mounted carved rock crystal vessel Buddhist altar offering bowl....

A fine quality pair of vintage French Louis XV style kingwood floral marquetry bronze doré and porcelain mounted tables. Francois Linke (1855-1946) taste, in the manner of famous Par...

A large late 19th century French Henri II hunt style carved black forest oak wall-mounted barometer, exceptionally executed sculptural form, featuring a figural hound hunting...

A visually striking pair of high-quality Baroque style sculptural silvered bronze one-light wall sconces attributed to EF Caldwell (American; 1895-1946), featuring figural scroll mot...

A shabby chic vintage country French Provincial Louis XV style distressed painted bombe chest of drawers commode, 20th century, having a serpentine shaped faux marble top, curvacious...

A framed original African midcentury oil on board painting, Democratic Republic of Congo, signed bottom right Atamb(?), (19)60, depicting abstract dancing figures, in a fiolated pati...

A scarce 300-year-old Spanish Colonial period leather clad and carved travel chest with beautifully aged patina. circa 1725 Born in the first half o...

A stunning antique Italian Baroque style hand-painted wooden hall bench. Born in Italy in the early 20th century, hand-crafted solid wood construc...

A large 19th century rustic Victorian era industrial general store counter tin bin tea / coffee dispenser - mercantile retail display with beautifully aged distressed patina. Pain...

A scarce antique European religious polychromed gilt wood and cast iron mounted church altar tabernacle. Hand-crafted in the 19th century, hig...