Maison Gerard

The Mura side table was created in collaboration with Toronto-based glass design and fabrication atelier, Goodman Studio (GS). It pairs STACKLAB’s signature solid-bronze Jupiter leg ...

This long Nijinksy bench features a set of eight newly designed legs by Marc Bankowsky in gold patinated bronze. The plush seat is upholstered in fabric embroidered by the Chilean-bo...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ex...

Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and execution, each work is perfectly tailored to it...

Jacques Adnet is a distinctive figure of French 20th century design. Spanning the Art Deco period while dipping his toe into Modernism, Adnet strove to create beautiful shapes which ...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ex...

Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and execution, each work is perfectly tailored to it...

Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and execution, each work is perfectly tailored to it...

This charming Louis XVI side chair possesses a remarkable solidity for a piece of its size. Built out of hand carved, painted wood, it is appointed in elegant lines of brass detailing, which perfectly frame its upholstered cushions. Provenance: Private collection of Hubert de Givenchy, Paris. Private collection of Mrs. Susan Gutfreund.

Michael Coffey blurs the line between carpenter and sculptor. A self-taught master with a career over fifty years in the making, Coffey has consistently broken the boundaries of styl...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and execution, each work is perfe...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ex...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ex...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ex...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ex...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and ...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and execution, each work is per...

Signed and dated. Antonio Pio Saracino’s furniture is of a piece with his sculptural and architectural projects. Of ingenious and meticulous design and execution, each work is per...

The celebrated Papa Bear chair with matching footrest. Dimensions listed are for chair.

A coffee table with a simple, elegant, iron base, and a top of rectangular tiles punctuated by beautifully inscribed images of grasses. Inscribed: R. Capron.

A large, rare rectangular coffee table in glazed lava stone and blackened metal by French designer Pierre Sabatier.

Shastool Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded over organic sculptural...

Contemporary glazed stoneware centerpiece by Matthew Solomon. Signed: Solomon '14. Using fine porcelain and glazes he crafted himself, ...

Stamped: Marolles Jean Touret moved to Pezay, a rural area near Marolles, in 1946. While there, he became highly conscious of the uncertainty that Industrial development would bri...

Tilework executed by Boleslaw Danikowski. Robert Guillerme placed equal emphasis on function and aesthetics, creating a look as staid as it was arresting. While his work was in ma...

This monumental swoosh of a sofa includes two integral side tables and an ottoman. The ottoman can be flanked by two cocktail tables to create two seating groups. The fiberglass side tables can be removed for additional seating. Shown in shearling and Ultrasuede. Finish options: custom colors available for side tables. Note: Custom sizes are available. Georgis & Mirgorodsky has designed and completed numerous residential, institutional, and commercial projects in the United States, Mexico and the Caribbean. These include new houses in Southampton, New York, the Bahamas, Montana, La Jolla, California, many New York City townhouses, a pied-à-terre for a South American couple at the Carlyle Hotel in Manhattan, the Tiffany Gallery at the Museum of the City of New York, Casa Lever restaurant in Manhattan, the interiors of a Gulfstream G650 jet, and the renovation of the public spaces of the landmarked Lever House in New York City. In addition the firm has completed the design of Manhattan condominium projects at 350 West Broadway and 530 Park Avenue, and completed designs for the Gramercy Park Hotel...

Zatfig is a modern take on a double-sided sofa, but with a sense of humor. COM requirements: Based on 54? plain (no repeat) fabric: 20 yards for sofa. 3.5 yards for 4 lumbar and 2 ball pillows. *All fabric contents and yardages should be confirmed with the gallery. Note: Custom sizes are available. Georgis & Mirgorodsky has designed and completed numerous residential, institutional, and commercial projects in the United States, Mexico and the Caribbean. These include new houses in Southampton, New York, the Bahamas, Montana, La Jolla, California, many New York City townhouses, a pied-à-terre for a South American couple at the Carlyle Hotel in Manhattan, the Tiffany Gallery at the Museum of the City of New York, Casa Lever restaurant in Manhattan, the interiors of a Gulfstream G650 jet, and the renovation of the public spaces of the landmarked Lever House in New York City. In addition the firm has completed the design of Manhattan condominium projects at 350 West Broadway and 530 Park Avenue, and completed designs for the Gramercy Park Hotel...

The Alaia dining table is an homage to pre-20 th century Hawaiian surfboards. The top, made from dramatically grained ziricote wood indigenous to Mexico, rests on an ebonized oak base. Ziricote is a non-threatened species often used for fine musical instruments. This table can be used with a pair of matching Alaia commodes, upon which the leaves rest when in its smallest configuration, eliminating the need for leaf storage. Leaf storage case available if used alone. Note: Custom sizes are available. Georgis...

The Alaia commode is made of dramatically grained ziricote wood, lacquer and wenge. Ziricote, indigenous to Mexico, is a non-threatened species often used for fine musical instruments. The interior is fitted with a wenge wood shelf and four Pacific cloth...

Inspired by the Moghul courts of India, this cocktail table is fabricated with a semi-precious inlaid stone top and plexiglass and bronze base. Made in India. Finish options: Green aventurine with green agate. Lapis Lazuli in two tones. Available with bronze edge at top or with inlaid stone edge. Note: Custom sizes are available. Georgis & Mirgorodsky has designed and completed numerous residential, institutional, and commercial projects in the United States, Mexico and the Caribbean. These include new houses in Southampton, New York, the Bahamas, Montana, La Jolla, California, many New York City townhouses, a pied-à-terre for a South American couple at the Carlyle Hotel in Manhattan, the Tiffany Gallery at the Museum of the City of New York, Casa Lever restaurant in Manhattan, the interiors of a Gulfstream G650 jet, and the renovation of the public spaces of the landmarked Lever House in New York City. In addition the firm has completed the design of Manhattan condominium projects at 350 West Broadway and 530 Park Avenue, and completed designs for the Gramercy Park Hotel...

Fabricated in Murano, Italy by storied glassblower Seguso, Nur is a beacon of light, comprised of three cylinders of Venetian bigolo glass with silver leaf and a plexiglass liner, hung on a bronze base. Electrical: Six G9 bulbs, incandescent 60 w max.  Six G9 LED 3-5 w max.  UL listed optional. Note: Custom sizes are available. Georgis & Mirgorodsky has designed and completed numerous residential, institutional, and commercial projects in the United States, Mexico and the Caribbean. These include new houses in Southampton, New York, the Bahamas, Montana, La Jolla, California, many New York City townhouses, a pied-à-terre for a South American couple at the Carlyle Hotel in Manhattan, the Tiffany Gallery at the Museum of the City of New York, Casa Lever restaurant in Manhattan, the interiors of a Gulfstream G650 jet, and the renovation of the public spaces of the landmarked Lever House in New York City. In addition the firm has completed the design of Manhattan condominium projects at 350 West Broadway and 530 Park Avenue, and completed designs for the Gramercy Park Hotel...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

Kiko Lopez is one of the few artisans working today in the traditional craft of églomisé. With this beautiful well of glass, which changes dramatically from whichever perspective one...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

Kiko Lopez is one of the few artisans working today in the traditional Craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

Ribbon Hook Aluminium by Henry Wilson Dimensions: D 7.7 x W 2 x H 9 cm Materials: Aluminium The Ribbon Hook is sand cast in solid aluminium. Ribbon hook has two protruding block...

Shastool Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded over organic sculptural...

Shastool Series consists of pieces felted by hand, recalling ancient textiles. Utilizing wool and silk, these one-of-a-kind fiber art pieces are softly molded over organic sculptural...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvered. This large mirror exhibits his mastery of the near-forgotten practise, as well as Lopez...

This monumental edition of the Whalebone series curves into a symmetrical semicircle of more than 180 degrees. The sofa's legs, which provide the piece's strong skeleton and, placed ...

This sculptural hand-carved bench is part of a line of contemporary furniture designed by blending digital technology with fine traditional craftsmanship. Carved of American Walnut, ...

Carol Egan's works are produced using 3D modeling software and are then crafted and hand finished using traditional woodworking techniques. Egan emphasizes unique form and structu...

Carol Egan's works are produced using 3D modeling software and are then crafted and hand finished using traditional woodworking techniques. Egan emphasizes unique form and structu...

As in its namesake, the wavelike movement in Sandra Nunnerley's contemporary console resembles the visual Nova of a celestial star – flaring up in brightness before returning to its ...

As in its namesake, the wavelike movement in Sandra Nunnerley's contemporary console resembles the visual Nova of a celestial star – flaring up in brightness before returning to its ...

This sculptural stool is part of a line of contemporary furniture designed by blending digital technology with fine traditional craftsmanship. Cast in stainless steel, the stool feat...

This sculptural hand carved stool is part of a line of contemporary furniture designed by blending digital technology with Fine traditional craftsmanship. The stool features two cris...

Tilework executed by Boleslaw Danikowski. Robert Guillerme studied design and architecture at the École Boule, graduating in 1934. After the Second World War he moved to Lille, in...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...

The artist Dozer has struggled from a young age with hearing and verbal communication—a challenge that he credits with making him a highly tactile person. Raised a self-described “la...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker says, “all gentle grace and warmth” … [the sculptor] “engages with the stone as an equal—like wayfarers meeting on a path, Han and a stone spend time together and when they part, both are marked and changed forever.” Yongjin Han's career spanned decades and continents, and included several prestigious large-scale public commissions. In Seoul his work can be found at the National Museum of Contemporary Art, the IE Young Museum of Contemporary Art, the Whanki Museum, the Ewha Woman’s University Museum, Posong High School, and the 88 Olympics...

Yongjin Han was born in Seoul, South Korea in 1934. After the Korean War—in which he fought, lying about his age in order to enlist—he was one of six students admitted to the sculpture program at the Seoul National University. At the time of his enrollment little of his native city remained intact; nonetheless, he had never felt more responsible to his work, firm in the conviction that artistic expression is every bit as essential to life and human nature as eating, drinking, or breathing. One of Han’s teachers was Kim Chong Yung, a pioneer of Korean abstract sculpture, and by the time of his graduation he had adopted the abstraction that had seized both Europe and the United States several years before. . In 1967 he relocated to the USA, where he studied at Dartmouth and Columbia. Over the course of his long career the artist returned to Korea with frequency and made extended stays in Japan and Europe. Trips to Korea signified something more than mere homesickness: Han’s work, though made largely in America, remained grounded in his rich cultural heritage. Korea rests on a bedrock of granite, and freestanding sculpture produced of the stone has for centuries demarcated sites of historical and religious significance. Han’s sculpture bridges this past with modernity. Richard A. Born, former Curator at the Smart Museum at the University of Chicago, has said that Han “brought Korea’s tradition of direct stone carving out of figuration into a refined, non-objective abstraction.” For his part, Han put very little stock in designations; his focus, instead, was on the stone itself. His pieces explore a certain harmonization with nature. Han, when describing his work, said, "As stone has been around since the beginning of time, it has much to teach us if we care to slow down and listen." He believed that each stone has its own history, character, and energy and that his task was to draw out these inherently spiritual qualities. He described his process as a “dialogue” with his material: "The stone tells me it has an itch in a certain spot, so I scratch it—and we both feel better!" Han worked alone and with manual tools, and the process is arduous. Carving stone this way takes time, and, what’s more, required great force—yet Han’s sculptures, even the monumental ones, are, as friend and fellow artist David Parker says, “all gentle grace and warmth” … [the sculptor] “engages with the stone as an equal—like wayfarers meeting on a path, Han and a stone spend time together and when they part, both are marked and changed forever.” Yongjin Han's career spanned decades and continents, and included several prestigious large-scale public commissions. In Seoul his work can be found at the National Museum of Contemporary Art, the IE Young Museum of Contemporary Art, the Whanki Museum, the Ewha Woman’s University Museum, Posong High School, and the 88 Olympics...

Mont’s designs set him apart as a singular figure of the American midcentury. Straddling the overlapping worlds of Art Deco, Hollywood Regency, and Mid- century Modern, he conformed ...

After 1910 Dufrêne’s work took on the forms of neoclassicism, and at last, an aesthetic that would coalesce into the Art Deco. While he didn’t shy from metal, ceramic, glass, or fabr...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...

Zigor’s work is shaped by his relationship to the environment of the Basque region-both by the natural landscape as well as the significance of the Basque identity. His sculptures an...