Syrian Asian Art and Furniture

Antique 19th century hand painted Chinese fan with mother of pearl faces, Qing dynasty, the fan features black and gold lacquered handled a colorful screen with a figural, hand painted, scene in shades of blue, green, purple and brown and red. With antique lacquer fan...

A large and rare antique Indian copper Yoni Shiva Lingam Ceremonial water Vessel dating from the 19th century. The Yoni represents the Hindu godd...

Ancient Chinese bronze sword with nice green patina. Age: China, Eastern Zhou Dynasty, 771 - 221 B.C. Size of sword only: Length 56.3 C.M. / Width 4.8 C.M. / Thickness 3.7 C.M. Heig...

This large vintage cloissone vase is signed by an unknown maker, and originated from China dating to approximately 1980 and done in a Chinese Export st...

Late 19th-early 20th century Chinese hand decorated porcelain figure. Beautifully hand decorated Chinese porcelain figure. This stunning colorful finely detailed figurine or sculptur...

An exceptional and very early Buddhist stone altar equipped with two handgrips for moving it to the spot of the planned sacrifice. Carved by hand from a si...

This 18th century bronze vessel with tripod feet was crafted by hand in a traditional Chinese shape known as "ding," that dates back to 1600 BC. Tripod bowls were originally used for making religious offerings to ancestral gods. This ding is mounted on a finely carved hardwood...

A unique pair (2), valuable and powerful Protection Amulet Dzi from Tibet An old Tibetan or Central Asian nine and four eye agates Dzi Beads dating to the ...

This pair of vases are unsigned, but presumed to have originated from Japan and date to approximately 1920 and done in an Anglo-Japanese style. The vases are done in engraved brass w...

I bought a very attractive copper tray. This is an item that was once used as a gong. In other words, it was used as a percussion instrument. It was also used in temples. The materi...

Antique Middle Eastern Islamic art Moorish brass bowl engraved with Thuluth Arabic calligraphy.The polished brass bowl is profusely chased with vines and vegetal motifs and inscribed with Islamic verses of the Holly Koran.This bowl has been professionally cleaned and polished.Measures: Diameter 7.25" x 4" height Mouth opening: 5".Great Middle Eastern brass metalwork decorative Islamic art objects.Handcrafted Moorish hand-etched Islamic metal brass bowl.Engraved, incised and hammered with very fine Arabic Islamic calligraphy writing and geometric designs on brass vessel.Very Intricate fine Middle eastern Moorish Islamic Art metalwork, museum quality artwork.Late 19th Century.Date of Manufacture: Circa 1880.Condition: Wear consistent with age and use. Islamic brass metalwork is an intricate and beautiful form of art that originated in the Islamic world. It encompasses a wide range of decorative objects made from brass or other metals such as copper, bronze, and silver. Brass trays, in particular, are highly regarded for their craftsmanship and intricate designs. Islamic brass metalwork has a rich history that dates back to the early Islamic period, with its roots in the metalworking traditions of ancient civilizations such as the Persians, Greeks, and Romans. However, Islamic artisans developed their own unique styles and techniques, blending elements from various cultures and creating distinctive motifs that reflected Islamic aesthetics and religious beliefs. The process of creating brass trays involves several steps, each requiring specialized skills. Here is a general overview of the traditional techniques involved: 1) Design: A skilled artist or calligrapher creates the design for the brass object. Islamic brass metalwork often incorporates intricate geometric patterns, arabesques, floral motifs, and calligraphy inspired by Quranic verses or poetry. 2) Metalworking: The object is typically made from a sheet of brass or another metal. The metal is cut into the desired shape and then hammered or pressed to create the object. Traditional techniques such as repoussé (hammering from the reverse side) or chasing (hammering on the front side) may be employed to shape the metal. 3) Engraving: The surface of the metal is often decorated with intricate engravings or etchings. Skilled artisans use chisels, gravers, or other specialized tools to create fine details and elaborate patterns. 4) Filigree and Inlay: Some brass trays feature additional decorative elements such as filigree or inlay work. Filigree involves shaping thin wires of brass into delicate patterns and soldering them onto the tray's surface. Inlay work, on the other hand, involves embedding contrasting materials such as silver or copper into the brass, creating intricate designs. 5) Surface Treatment: After the main decorative work is complete, the tray may undergo surface treatments to enhance its appearance. This can include processes like polishing, buffing, or applying various chemical patinas to create an aged or oxidized effect. While this bowl has certainly witnessed the passage of time, it remains in remarkably good condition, with only minor signs of age that add character to its appearance. The patina on the brass enhances its antique allure, making it a truly authentic and captivating collectible. Arabic Calligraphy: The Arabic writing on the bowl is a work of art in itself. The calligraphy showcases the mastery of the scribe's hand, with flowing curves and intricate details that form an elegant script. The script may include Quranic verses, blessings, or poetic verses, depending on the bowl's origin and purpose. The inscriptions are not only visually striking but also carry profound meaning, making this bowl a beautiful representation of Islamic heritage. Intricate Patterns: In addition to the Arabic calligraphy, the bowl features intricate geometric patterns and motifs that further enhance its visual appeal. These patterns are a hallmark of Islamic art and reflect the mathematical precision and artistic creativity that defined Islamic craftsmanship. This antique Islamic brass bowl...

A heavy and solidly cast, richly gilt, bronze caryatid figure from Densatil Monastery, Central Tibet, early 15th century or earlier. Cast in the form of two four armed figures standing back to back in tribhanga (thrice bent position) on a lotus platform, this piece would originally have served as a pillar for a larger seated deity...