Japanese Woodblock Print the Fifty-Three Stations of the Tokaido by Hiroshige
About the Item
- Creator:Utagawa Hiroshige (Ando Hiroshige) (Artist)
- Dimensions:Height: 19.25 in (48.9 cm)Width: 15.5 in (39.37 cm)Depth: 1 in (2.54 cm)
- Style:Edo (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1855
- Condition:Wear consistent with age and use. Print in fine condition with expected surface wear and toning, not examined out of the frame.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU945034111912
Utagawa Hiroshige (Ando Hiroshige)
Born in Edo as Tokutaro Ando, Utagawa Hiroshige (also known as Andō Hiroshige) grew up in a minor samurai family. His father belonged to the firefighting force assigned to Edo Castle. It is here that Hiroshige was given his first exposure to art: legend has it that a fellow fireman tutored him in the Kano school of painting, though Hiroshige’s first official teacher was Rinsai.
Though Hiroshige tried to join Utagawa Toyokuni's studio, he was turned away. In 1811, young Hiroshige entered an apprenticeship with the celebrated Utagawa Toyohiro. After only a year, he was bestowed with the artist name Hiroshige. He soon gave up his role in the fire department to focus entirely on painting and print design. During this time he studied painting, intrigued by the Shijo school. Hiroshige’s artistic genius went largely unnoticed until 1832.
In Hiroshige's groundbreaking series of Japanese woodblock prints, The “53 Stations of the Tokaido” (1832–33), he captured the journey along the Tokaido road, the highway connecting Edo to Kyoto, the imperial capital. With the Tokugawa Shogunate relaxing centuries of age-old restrictions on travel, urban populations embraced travel art and Hiroshige became one of the most prominent and successful ukiyo-e artists. He also produced kacho-e (bird-and-flower pictures) to enormous success. In 1858, at the age of 61, he passed away as a result of the Edo cholera epidemic.
Original Hiroshige woodblock prints continue to convey the beauty of Japan and provide insight into the everyday life of its citizens during the Edo period. The appeal of his tender, lyrical landscapes was not restricted to the Japanese audience. Hiroshige’s work had a profound influence on the Impressionists and Post-Impressionists of Europe: Toulouse-Lautrec was fascinated with Hiroshige’s daring diagonal compositions and inventive use of perspective, while Van Gogh literally copied two of Hiroshige's prints from the famous series, “100 Famous Views of Edo” in oil paint.
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(Biography provided by Robert Azensky Fine Art)
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