Chinese Sculptures and Carvings

Step back in time with this stunning pair of antique wooden horses, meticulously carved in the style reminiscent of the illustrious Tang Dyna...

Monumental Chinese serpentine jade carved pagoda censer, early 20th century. A masterfully carved Chinese serpentine pagoda censer. The base of the tripod censer is set upon lion-he...

These are a very good PAIR of antique Chinese foo or lion dog sculptures, sometimes called temple lions, made of a brass-bronze metal alloy, with excellent detail, dating to the early 19th century, Qing period or possibly earlier back to the 18th century. They are a male and female pair, the male with the slightly larger head. These pieces are very well cast with good detail and wear, showing a very good depth of colour. Both dogs have a small hole on the top of the head for incense to be placed. Each piece weighs about 700gm unpacked Overall a lovely pair of antique Chinese Foo Dogs...

multi dimensional hand carved and hand painted wall hanging Depicting a Chinese Dynasty Emperor and Empress. Vivid detailed stone carving of the two looking forward in grace Except...

Antique mid Qing hand carved black hardstone snuff bottle. Produced in China towards the end of the 19th century. Beautiful shape with strong body and shoulders. Very well hollow...

Steep Mountain Peaks - Chinese extraordinary natural marble stone painting of a mythical sky and high mountains landscape called a dream stone Shih-hua. It is a large monumental masterwork of nature. Totally natural. Dimensions: Hardwood frame: 38.25 inches tall and 17.5 inches width Site: 35 inches tall and 14 inches width This thin marble stone painting is approximately 3/8 inch thick and is cut from a large slab of rough material revealing a unique, incredible pattern in white, cream and dark green colors. Signed with red seal of poetic artist upper left and includes hanger and hardware on reverse. This unique work of art was from historic Dali marble found in the Cangshan mountains of western China. These mysterious mountains, unique in the world, are known for yielding incredible and fantastic natural landscaped works of art created over tens of millions of years from mineral inclusions that affected the process of ancient organic material which transformed into limestone and finally resulted in marble- a metamorphic hard stone. This art form is centuries of years old since the Ming dynasty. Dream stones became favored art in the west particularly since the 19th century when French collectors named them Pierres de reve. History of Green Flower dream stone paintings...

A Very Fine Quality Chinese Export Hand Carved Religous Pagoda of traditional architectural form and generous proportions, late Nineteenth Century. The overall structure beautifull...

Antique Chinese Carved Hetain White/Celadon Jade "The Monkey Family" 3 monkeys, father, mother, and kid. They are pulling a lot of coins into a giant bag—good use of russet skin colo...

This exquisite pair of celadon jade guardian lions hails from the early Republic of China period, a testament to the era's craftsmanship. The lions are intricately carved from high-q...

An ideal garden ornament, sturdy weather proof planter display base or a rock solid all weather stone base for a special sculpture. From China, comes this large 20.5 inch rectangu...

Large 20th century Chinese head of Guanyin. This piece is quite large and has been hand crafted by a skilled artisan from a single log. It measures 27 1/2” ...

Pair of matching vintage 3 tier 39 inch towers please look over pictures for condition and measurements no breaks or missing parts feel free to reach out with any questions

Rare Pair -first we have seen Unusual find. One pair (2) "Longevity" calligraphy lanterns in the form of human effigies A fine and rare matching pair (2) of large 12 inch tall Chinese export hand cast lanterns with attractive longevity and mystical "human effigy...

Late Qing, pre-1891 carved soapstone figure, Chinese. Elegantly carved of a wise man holding a baby & a peach on a carved rocky outcropping soapstone attached stand. Unmarked. 7 5/8"...

A very beautiful, rare, and exotic Chinese dragon landline telephone, circa 1980s-1990s. Phone is a hard carved wood with all the details of a dragon (claws, tongue, horns, tail, etc.) Phone handle has a beautiful oval piece of polished emerald green jade or other similar stone along with carvings in Chinese. A 'red' light on top of dragon's pearl indicates phone is 'on'. Dragon's green eyes light up when phone rings...

A beautiful natural rock crystal quartz snuff bottle. Carved on the raised exterior, a vase with ruyi and evergreens atop an elephant. A large scholar's stone to the right with shoot...

Description: A fine depiction of Guanyin, possessing the regal tranquillity that the Chinese Bodhisattva of compassion has come to be visually associated with. Marked by an urna signifying her spiritual enlightenment and crowned with a diadem depicting the Buddha Amitabha, the figure is immediately recognisable as Guanyin. Her androgynous figure is gracefully poised in the Lalit asana or “royal ease”, the pose classical in representations of the deity. The figure is asymmetric, with the weight of her supple form falling upon her left hand placed against the base, her right knee raised and left pendant. Her right hand rests upon her raised knee, delicately pinching at her draped attire. At first unassuming, this gesture may be suggestive of the Apana Mudra, the seal of purification. This Mudra is associated with physical wellbeing, fecundity and the cleansing of the body. Though she is adorned in the princely garb of dhoti, she bears features of idealised feminine beauty as prescribed in Asian art. With plump cheeks and near pouted lips, her full face gazes down upon the viewer with an empathetic and half-lidded gaze, upholding her title as ‘One who hears the cries of the world.’ Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

China, a fine archaic male effigy hand carved from a granular medium to dark gray stone. Neolithic period, Hongshan culture (circa 4700-2900 BC) Likely a fertility fetish. Note the pecked surfaces and the stone carved hair line top knot. Quality: Fine original condition, no repairs, as collected. Dark varied patina from appropriate age. Dimensions: 13.5 inches tall and 6 inches width. About Hongshan Culture: The Hongshan culture was a Neolithic culture in northeastern China. Hongshan sites have been found in an area stretching from Inner Mongolia to Liaoning, and dated from about 4700-2900 BC. The culture is named after Hongshanhou, a site in Hongshan District, Chifeng. The Hongshanhou site was discovered by the Japanese archaeologist Torii Ryuzo in 1908 and extensively excavated in 1935 by Kosaku Hamada and Mizuno Seiichi. Provenance: Our private collection and accompanied by our Lifetime Guarantee of Authenticity. Originally collected in the area of Chifeng City, Inner Mongolia. In addition, our Hongshan stone effigy...

A fine and beautiful carved red gemstone snuff bottle, a deep carving interior with a dark stone cap.  

Stunning and unique pair of matching horse sculptures. With a combined experience of almost 30 years in the antiques trade, we were thrilled to once again find beautifully hand-crafted and decorative antiques that we had never seen before. From the density and the weight we can see and feel that these highly decorative horse sculptures are made of a tropical hardwood. Like, for example, with antique mirror frames or church sculptures these horses too were first covered with a mixture of chalk and glue so that the paint would hold longer. And, as so often is the case with antiques, the colors that were used for painting these horses are so much more beautiful than anything you find in this day and age that they truly are an absolute joy to look at. From the colors, the wear, the materials and the techniques that were used to create these horses we can see that these are 19th century antiques. However and unfortunately we lack the knowledge to be able to tell you from which country these highly decorative and sizeable works of art originate. We just can't find matching style horse sculptures anywhere on the worldwide web. They could be Chinese or Nepalese, but they could also be Persian or Arabian. We just have not been able to find out. What we do know is that they are definitely antique, they are in beautiful condition (with some wear, consistent with their age), they are highly decorative, probably unique and they have a look and feel that will instantly change the atmosphere of the room they are in. Mind you, our sharp price for this wonderful pair of horse sculptures...

An amazing earthenware Kwan Yin statue with lamp and reverse incense burner by master potter Liu Li Hui. Seated dhayana asana on wood ledge, Kwa...

Pair of Qing dynasty architecture carving panels, detail carvings with warriors riding horses.

An impressive depiction of Guanyin, the Bodhisattva of compassion, whose name bears the meaning ‘One who hears the cries of the world.’ The rather androgynous figure is adorned with beaded jewellery and the princely regalia of a dhoti, draped across her body and spilling out over to partially obscure what she is resting upon. The goddess’ profile exhibits idealised features of Asian artistic convention; her face is soft and rounded, with full lips and relaxed eyes that provide a serene quality of youthfulness to the figure. Adhering to Chinese iconography of Guanyin, the figure is marked by an urna on her forehead, denoting her own enlightenment, as well as a diadem displaying Buddha Amitabha, the spiritual teacher of Guanyin. Seated in the Lalit asana pose, translated as ‘royal ease’, the figure exudes a fine example of the relaxed majesty typical in the characterisation of Guanyin. Whilst the figure’s left hand is placed restfully upon the left leg pendant, the right is raised in the gesture shuni mudra, the second finger held gently against the thumb. Otherwise known as the seal of patience, this gesture indicates the figure as one intended to bestow this virtue, along with compassion and understanding, upon the beholder. Notes on the item: Guanyin is the Chinese interpretation of Avalokiteshvara, the Indian Bodhisattva of compassion. The term “Bodhisattva” is derived from the Sanskrit “Bodhi”, meaning ‘awakening’ or ‘enlightenment’, combined with “Sattva”, meaning ‘spirit’ or ‘being’, referring to one on the path to achieving enlightenment. Bodhisattvas in Mayahana Buddhism are recognised as figures who have effectively achieved enlightenment yet relinquish their accension to nirvana in order to remain amongst mankind in the ultimate act of compassion to aid as spiritual guides. As such, the Bodhisattva inhabit a liminal space between samsara and nirvana; enlightened beings that maintain a relationship with humanity that buddhas cannot, as attaining Buddhahood necessitates the abandonment of all worldly attachments, including mankind. Guanyin’s very name, ‘One who hears the cries of the world’ highlights this role as a compassionate figure who acknowledges the suffering and strife of man. Along with Mahāsthāmaprāpta, a fellow bodhisattva, Guanyin serves as an attendant to Buddha Amitabha, with these three deities recognised as the Three Sages of Western Pure Land Buddhism, a sect of Mayahana Buddhism popular in East Asia. Avalokiteshvara is commonly posited to have been adopted from Indian Buddhism into China as Guanyin around 200-400 CE, however it was the Tang dynasty (618-907) which saw the popularisation of the deity. By the Ming (1358–1644) and Qing (1644–1911) dynasties, Guanyin held the position as the most popular female deity in China. The unique state of religion in China held no monolithic canon regarding Buddhism and saw the assimilation of several belief systems, primarily Daoism, Buddhism and Confucianism. Consequently, Guanyin became a deity to be revered beyond Buddhism alone, appointed as both an official imperial deity and Daoist deity in the 12th century. Guanyin may also be seen to fulfil the role of idealised femininity as prescribed by Confucianism, with the scarcity of female Chinese deities perhaps accounting for the gradual gender shift Guanyin underwent. The Indian Avalokiteshvara is unequivocally recognised as male, whilst the supposed gender of Guanyin remains contentious. Although there is a clear shift from the masculine Avalokiteshvara towards a more feminine representation, it is unclear if Guanyin is understood to be entirely feminine, to inhabit qualities of both genders or to be elevated beyond gender entirely, embodying neither. Depictions of Guanyin are highly androgynous, which some believe lends credence towards Guanyin symbolising the unity of dualistic forces as recognised in Daoism, displaying the anthropomorphism of yin and yang. Comparative Analysis: Market comparisons of similar Qing Dynasty polychrome figures of Guanyin include lot 767 (no.2) From Christies ‘Important Chinese Ceramics and Works of Art,’ New York, 25 March 2022, with the price realised USD 52,920 (Estimate USD 20,000 – USD 30,000). Christies also auctioned a comparable polychrome Guanyin...

A pair of very refined standing pottery statue of guardians, dramatic facial expression, beautiful detail, early Tang dynasty 618-907, come with one Oxford authentication TL test cer...

Beautiful 20th century oval Chinese cork diorama. Finely carved decoration in a glass case and black lacquered base. Chinese landscape view, a pagoda in a traditional garden featur...

A set of very refined green glazed attendants and one sedan chair, each with benevolent facial expression, beautiful colors and lines, Ming dynasty 1368-1644. Three glazed attendants...

Pair of patinated bronze Chinese foo dogs, circa 1930s. Excellent vintage condition with amazing detail and a gorgeous patina. Each dog measures 6.5" high x 3.5" deep x 4.75" wide. #...

A lovely and cute hand-carved antique, Heavy and Faty Chinese Carved Hetain White Jade with russet markings, very pure and clean in the body contents with the mutton fat appearance,...

A vintage Chinese butterfly relief blue glass snuff bottle, circa 1940s. The bottle has a unique tall thin shape and is in very good vintage condition. This bottle is a wonderful ...

6-9th Century Silla Dynasty style Korean Buddha-Looks to have a very good age, but not a period piece. Extremely large at 16.5 in tall. Superb face. Kore...

Pair of patinated bronze Chinese foo dogs with a verdigris finish, circa 1980s. The pair are in very good condition with amazing detail and a gorgeous patina. Each dog measures 5.75"...

An Important Chinese Carved Wood Figure of Guanyin, Ming Dynasty, 17th Century Description: A dignified portrayal of the bodhisattva, respl...

Extraordinary pair of fine glazed porcelain Foo dogs came to us out of an estate here in Savannah, Georgia, belonging to an old general that long ago brought them from Thailand. Used...

The magnificent 31 lb bronze Buddha statue, crafted in the Ming dynasty style, captivates with its timeless beauty and serene presence. Depicting a young Shakyamuni, the statue exude...

An unusually large vintage Chinese carved and pierced gilt wood story panel, early to mid 20th century, Southern China. The intricately carved panel depicts images from "The Romance...

An exceptional and large Chinese carved coral figural group / statue of female Immortals. Very finely carved, very large and heav...

We kindly invite you to read the entire description carefully, as we aim to provide detailed technical and historical information to ensure the authenticity of our items. This extrao...

An exceptional Chinese carved coral figural group of a Guanyin, Kwan Yin with a Phoenix. Very finely carved. In a custom made glass...

Very rare Yuan/early Ming cast iron Buddha with integral mandorla- . Nearly exact example, with the same mudra. Illustrated in Sotheby's "Art of the B...

This is a guaranteed authentic ancient Chinese jade bi cache of ninety six (96) discs from the Qijia culture, Northwestern China, circa 3000-2000 BCE. Including Our Certificate of A...

A large vintage Chinese red cinnabar box with deep relief carved lid depicting peonies, trees and a landscape with a palace. The round box has...

***Reduced In-House Delivery Rates - Click on “Ask Seller” to Request a Quote*** Pair of Antique Chinese Floral Carved Rosewood & Rouge Marble Sculpture Stands C1920. Measures - 3...

This magnificent Chinese Blue and White Qing Emperor King figures set were hand made with famous Blue and White porcelain. Each statue has beautiful detailed carving works and shows ...

A finely carved soap stone sculpture of a wise ancient with a dragon on his shoulder standing on a braun soap stone base. In fine original conditi...

A pair of Chinese export elephant form garden stools, early 20th century. Carved wood with gilding and painting. On custom built plinths. Weighing over 100 pounds each. overall:...

Vitntage Cherry Amber resin made Sculpture. Very good condition. Beautiful glowing red color.

A monumental size (14kg) Chinese recumbent Tang Horse, circa mid to late 20th Century, possibly older. The sculpture is executed in Spinach Jade, a material highly prized for its dee...

This is a guaranteed authentic ancient Chinese jade bi cache of ninety four (94) discs from the Qijia culture, Northwestern China, circa 3000-2000 BCE. Including Our Certificate of ...

A fine antique Chinese red cinnabar lacquer lidded round box carved with a scene with a young boy and a seated elderly bearded sage within a rocky landscape with trees. The "dragon's...

A massive pottery pair of horses standing on all fours and striding with its right hoof forward. Extended snout ends in parted lips showing teeth beneath in a braying attitude. Low relief bridle on face and well defined eyes. Raised mane down back of the neck A fantastic example of the Wei dynasty horses. Large, exquisite walking Ferghana horses with great attention paid to anatomical detail were the choice of the wealthy. The horse was second only in importance to the dragon. It was supposed to possess magical powers which the early Chinese were eager to explore. It would be the horse that would carry the deceased to the next life and it would be the amount of horses that an individual owned that would guarantee his ongoing status in the hereafter. Thermoluminescence certificate from Madrid Labs included. In southern China, people turned to Daoism, and mingqi, as well as above-ground sculptures, became ever more infused with animal iconography and energized with dynamic lines. The north of China was eventually united by nomadic Tuoba invaders who founded the Northern Wei dynasty...

We kindly invite you to read the entire description carefully, as we aim to provide detailed technical and historical information to ensure the authenticity of our items. This extrao...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...

The image displays a statue of Guanyin, also known as Avalokiteshvara, a widely worshiped bodhisattva of compassion in Buddhism. It was made of camphor wood which has long history in...

Glistening and glazed ceramic form gold fish bowl or planter comes complete with its original hardwood display stand which perfectly complements this pl...

Vitntage Cherry Amber Resin Sculpture. Very good condition. Beautiful glowing red color. Amazing detailed work.

An attractive Chinese Heavenly green jade Bi disk with beautiful translucent "cloud bands" patterns of light and medium green horizontal accents in the stone that depict appealing movements. This comes from our private collection which we formed over a period of twenty years while traveling extensively through out all of China. Dimensions: bi disc is 7 inches high with custom stand as shown Jades were handmade and hand abraided and hand polished using tools of the time: bamboo, stone, water and stone dust . Notice the considerable calcification on the bottom edge of this example- evidence of submersion and great age. Provenance: Our private collection and accompanied by our Schneible fine arts Lifetime Guarantee of Authenticity. Jade bi and Cong History These bi are regarded as cosmological symbols and as signifiers of status and wealth. These jades are hand abraided and hand polished using special polishing tools with stone, water. Notice the beautiful colors and "waves" pattern in the stone, uncommon in this kind of jade. Provenance: Our private collection and accompanied by our Lifetime Guarantee of Authenticity. Early History: Flat jade discs with a round central hole bi are among the earliest surviving artifacts of China and must be considered among great ancient art forms- masterpieces of the Neolithic period. Nephrite jade from which discs were fashioned is a prime hard and strong stone, arduous to work by hand using Primitive...

A large and magnificent near life-sized Chinese carved and lacquered wood figure of a Buddha, Qing Dynasty, 19th century or earlier, southern China. The figure likely represents one of the Five Tathagatas, also known as Dhyani Buddhas or Wisdom Buddhas. More specifically, either Amitabha or Amoghasiddhi. Amitabha is the Buddha of infinite light, and represents the wisdom of observation and recognition. Amoghasiddhi is the Buddha of accomplishment, and represents the wisdom of perfected practices. The size and scale of the Buddha indicates it was made for temple worship. The large Buddha is portrayed seated in vajrasana, or full lotus position, with the soles of both feet facing up. His elegant hands, with impossibly long and slender fingers, perform shuni mudra, the gesture of bestowing patience. His right arm is bent at the elbow, the right hand raised to heart level. The left arm resting gently in his lap, the left hand at navel level. The Buddha is dressed in voluminous robes that wrap around his shoulders and body, and tied at the waist. The heavy fabric draping and pooling elegantly all around his robust body. His broad chest and right arm exposed. The Buddha's face is both solemn and beatific - his expression seeming to change depending on the angle of view. The most notable feature of his face is the large urna to the center of his forehead, set between a pair of painted, high arching brows over heavily lidded almond shaped eyes. A strong nose is set above a small mouth pursed in an ever so slight smile. Long pendulous earlobes touch his shoulders. The Buddha's hair arranged in the typical fashion, with "spikes" representing tight curls. A prominent ushnisha rises from the crown of his head, covered by more hair, and topped with a rounded protuberance. The Buddha is constructed from several blocks of wood, joined, carved and lacquered a deep red-brown with gold flecks...

This huge Chinese Serpentine/Jade tower was Intricately and elaborately open carved dragons with a lot of free rings and chains works and details. I...

China, Ancient Bronze “Money Tree” Yaoqian Shu with original pottery base, Han dynasty (25 BCE – 220 CE) Dimensions: 155cm, 62 inches high A sculpted terracotta pottery base in the form of a tortoise with attendants and inserted with five individual bronze pole segments with twenty four individual hanging bronze open work money “branches” attached in tiers, four per tier and topped with a figure of a bronze phoenix as apex most bearing varying degrees of malachite and azurite encrustation from ancient burial. Important Description Details: Pottery "tortoise" base: 14.5" high and 11" wide Bronze sections: 7pcs pole bronze sections approximately 8" length each 1pc top "phoenix" bronze section approximately 7" high and 6" wide 20 pcs long bronze hanging wings approximately 10" long and 5" wide each 4 pcs short bronze hanging wings (near top) approximately 7" long and 4" wide each Total 32 pcs with ancient green and blue azurite patina. Catalog reference: Schneible Fine arts catalog - 35 Years Collecting Treasures- Number 11p. 28 (see photos) Provenance: Provenance: Private family collection formerly exhibited “Asia Week” New York City, Fuller Building, Zabriskie Gallery, 2008. History of money trees: In the late Han Dynasty tombs...

A Chinese Taihu scholar rock is displayed on a carved wood base in an vertical form. Well-balanced and resembling a mushroom head, the stone is of an uncommon deep yellow color with ...