Meiji Asian Art and Furniture

A fine signed antique Japanese Meiji period mixed metals vase. By Miyabe Atsuyoshi for Inoue of Kyoto. With a bronze body and d...

Highly carved sculptural Meiji dragon armchair.: dragon motif carried throughout arms and chair with fantastic detailed hand carvings.

A large pair of Meiji Period Japanese cloisonne enamel vases attributed to Goto Seizaburo, 19th century. These vases were made during the Meiji period (1868-1912) in Japan and are characterized by their blue enamel background with intricate designs of flowers, birds (including pigeons), butterflies and landscapes. The use of blue enamel as a background creates a striking contrast with the colorful designs, making these vases particularly visually appealing which are appreciated for their beauty, craftsmanship, and cultural significance. Goto Seizaburo (1852-1914) was a renowned Japanese cloisonne enamel artist...

A wonderful, powerful, and visually striking Meiji Period woodblock print by revered Japanese artist/ printmaker Yoshitoshi Tsukioka (1839 - 1892 )...

A super nice Meiji period 19th c Japanese Chamber Screen. Also usuable as wall mounted screen. Stunning piece!

A Japanese Meiji period keyaki wood Sendai tansu clothing chest from the late 19th century, with hand-cut iron hardware and safe box. Created in the Sendai Prefecture during the last quarter of the 19th century, this keyaki (elm) wood tansu is a fine example of Japan's traditional mobile cabinetry. Featuring a lacquered finish with reddish brown tones, the chest showcases a rectangular top, sitting above a perfectly organized façade. A long upper...

A miniature Japanese set made of wood and lacquered in a classic black with gold accents and lacquered red interiors. The set consists of a variety of...

A large and impressive Japanese Imari porcelain fluted charger with scalloped rim, signed Kaji(chu?), Edo to Meiji Period, mid 19th century, Japan. The magnificent Japanese Imari charger measures 25" in diameter, and is decorated in the typical imari palette of underglaze blue with overglaze red, orange, blue, and green enamels with gilt highlights. The large charger also features fluted sides and a scalloped gilt rim. The design of the charger is centered on a central floral medallion with three large chrysanthemum blossoms and vegetal scrolls. Radiating out from the central medallion are various brocade patterned sections that roughly follow the shape of the fluting. Some larger sections feature images of cranes and minogame (turtles with long tails), both symbols of longevity, while other feature dragons and phoenix, symbols of authority and power. Four large reserves depict charming scenes of a scholar and his students within a bamboo grove having discourse and examining scrolls. The back of the charger decorated in underglaze blue with bold floral and vegetal scrolls. With a three character inscription in underglaze blue reading Kaji(chu?) Sei. The charger is fitted with an antique metal hanger...

An antique Japanese copper vase with cloisonne enamel design. Late Meiji period, Hayashi school. Features a baluster shape, and a short neck. Deep cobalt blue ground color. The ename...

This is a lantern box from the old days of Japan. The box is pasted with Japanese paper and painted with black lacquer. There is a description of "Meiji 29" on the back. The lantern box is a box that stores folded lanterns...

This is a phallic statue made of natural wood produced in Japan. It is estimated to have been created during the Meiji and Taisho periods (1860s-1920s), and is made of richly texture...

A wonderful serene Japanese Amida Nyorai Buddha statue/sculpture with gilt decoration - likely applied as temple or shrine blessing or offerings. The B...

Flowers & Birds of the Four Seasons Pair of six-fold Japanese Screens. Ink, color, gofun and gold on paper. Second half of the 19th Centur...

A wonderfully glazed, impeccably made Chawan tea bowl by famed Japanese master potter the 13th Kichizaemon Raku, Seinyu (1887-1944) who was the eldest son of Konyu - the 12th Kichizaemon of the Raku family line of potters - known as the most noted and celebrated tradition of pottery within the world of Japanese tea. Kichizaemon Raku was the 13th master to carry on the family's esteemed name and tradition. The bowl features shifting textures and deep, rich colours which radiate in the light. The term "Raku" was derived from the site where clay was dug in Kyoto in the late 16th century. The Kanji character for Raku translates to "enjoyment" or "fun/delightful" For 15 generations it has been the title and seal used by a lineage of potters whose work formed the central tradition in Japan. This lineage believes that 'Raku' refers to the potters who use the technique, not the technique itself. In the 16th century, the first of these potters, Chojiro is said to have come under the patronage of the Japanese tea master, Sen-No-Rikyu. According to legend, in 1598 a few years after Chojiro's death, ruler, Hideyoshi Toyotomi bestowed upon his adopted son, Jokei, a golden seal with the written symbol "Raku." Both the name and the ceramic style have been passed down through the family to the present ever since. The name and the style of ware have become influential in both Japanese culture and literature. Raku ware marked an important point in the historical development of Japanese ceramics, as it was the first ware to use a seal mark and the first to focus on close collaboration between potter and patron. Other famous Japanese clay artists...

Pair of Korean Bandaji (blanket) chests on stands with intricate brass-work and hardware, and original interior printed rice paper lining. Were used as night stands by prior owner. ...

A very strong woodblock print - Fantastic depiction of the naval Battle of Haiyang Island during the Sino-Japanese War. An explosion rocks a Chinese ship at right, severing the mast...

This is a tasteful antique storage shelf made in the Meiji period. Made from cedar, the dark wood gives it a deep flavor. No nails are used for the joints, but the traditional "mor...

A handsome pair of Japanese hand cast Mandarin Duck screen holders with highly detailed plumage possessing a lovely original jade green finish , early Taisho period, early 20th cen...

This is a huge old Japanese lacquer wood bowl. It was manufactured in 1906 (Meiji period), and its age can be read from the writing on the bottom. The material used is cedar wood, ma...

Japanese Antique Choba Tansu (Merchant Chest) Meiji Era Antique Choba - Tansu (merchant's chest) from the Tohoku area of Northern Japan circa 1868-1912. Made with Kiri (Paulownia) wo...

A magnificent testament to the artistry of the Japanese Meiji period (1868-1912), this rare Satsuma earthenware urn is an extraordinary find. Crafted in Japan circa 1880, its delicat...

An exceptional quality antique Meiji period bronze Japanese Kagami mirror molded with cranes and presented in its original fitted case dating from the 19...

An antique Japanese enamel vase, Ota Kichisaburo, Meiji period, 1868 to 1912. The baluster body is adorned with a polychrome design representing panels with blossoming flowers and sa...

An antique Japanese, Meiji era, enamel over copper plate. Tray The ware is adorned with a polychrome cloisonne enamel medallion representing a flower and butterflies on the turquoise...

A lovely and luxurious Japanese silver incense burner of lobed melon form, akoda koro, marked jungin and signed Nomura, Meiji Period, circa 1900, Japan. The silver koro...

This is an antique Japanese bamboo door. It is from the Meiji period (1860s-1900s). It is made mainly of cedar and bamboo. It has a simple design that conveys the charm of the mater...

A signed Okimono from the Japanese Meiji period (1868-1912). Very rare, unusual and large sculptural assembling of a dysplaying piece of okimono. Created in Japan during the imperia...

This is an old Japanese black wooden box. It is from the Meiji period (1860s-1900s). The material is cedar. This is black and beautiful. Afte...

Meiji Period (1868-1912) From our Japanese collection, we are delighted to offer Japanese Meiji Period Satsuma Vases. The Satsuma Vase of hexagonal form with a slight waisted neck and tight rounded rim is extensively decorated with multiple figures to two large scenes. The first scene features a beach with waves to the background and a plethora of figures including multiple geisha holding traditional Japanese wagasa’s. The second scene follows on from the first with a large building in the foreground holding figures on a large platform under a pagoda roof with a pagoda building in the background and further figures in the foreground. The scenes are framed by a full detailed border with gilt shapes, flowers amongst pink shaded backgrounds and butterflies around the neck. The Satsuma Vase is unusually signed Fine Art, Satsuma Ware, Dai Nippon (Great Japan), Hattori Made, Gosuido Works, Taizan Painted. 美術, サツマヤキ(薩摩焼), 大日本, 服部造, 五スイ堂工, 對山画 and dates to the Meiji Period (1868-1912) and the turn of the 20th century circa 1905. Satsuma ware is a type of earthenware pottery originating from the Satsuma province in Southern Kyushu, Japan’s third largest island. Wagasa are traditional Japanese umbrellas made of washi paper attached to a bamboo frame and treated to ensure it is waterproof. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...

A good pair of large antique Japanese Meiji period porcelain lidded jars, circa 1880. The jars having ribbed dome shaped lids topped with lion-dog (Komainu) finials, the baluster shaped jars also of corresponding ribbed form. The lids and jars are skillfully hand-decorated in the Imari palette with blue & iron red floral decoration over a white body, on one side are a pair of floral cartouches on another side is a fan shaped cartouche. Condition is very good indeed, no damage or restoration, a very handsome pair of 19th century Japanese Imari lidded jars...

Free international shipping Ando Cloisonne Company Mark From our Japanese collection, we are delighted to introduce this Japanese Cloisonne Enamel Vase by Ando Jubei. The Cloisonn...

Japanese Two-Panel Screen Kanō school, depicting a scene from the Tale of Genji , with various noble ladies and gentlemen in a landscape of cherry Blossoms - ink, colors and gold ...

A Japanese enamel over copper vase. The exterior of the ware is enameled with a polychrome design depicting an eagle seated on a rock over a seascape made in the Cloisonne technique....

Japanese chest-on-chest for clothing storage (isho kasane-dansu) from Yonezawa, constructed of hinoki (Chaemaecyparis obtusa) and keyaki (Zelkova serrata) drawer fronts, traditional ...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

An antique Japanese, late Meiji era, covered enamel over brass jewelry or trinket box. The body of the ware is enameled with floral and foliage motifs made in the Cloisonne technique...

This antique Japanese Imari porcelain plate charger dates to the Meiji period, circa 1880. It showcases a stunning blue and white chintz pattern with detailed floral and scrollwork m...

An antique Japanese, late Meiji era, covered enamel over brass jewelry or trinket box. The exterior of the ware is enameled with polychrome images of blossoming flowers surrounded by...

19th century antique Japanese Meiji bronze floor lamp. This finely cast, well composed, pedestal lamp depicts mythical creatures on the base, cranes in high relief on the stem are...

Meiji period Japanese lacquered and hand painted folding table top screen. The bas relief (heavily textured) sculptural painting of a serene quiet nature setting in an intricately ca...

Stunning late 19th century Japanese Meiji period six panel byobu screen featuring a deep blue waterscape with pheasants and ducks. Made in the Kano sch...

A pair of antique Japanese cloisonne vases from the Meiji period featuring an elegant form with high shoulders and a saturated brown color enamel. Decorated with mosaic patterns with...

A superb Meiji Era (1867-1912) intricately hand carved Japanese hardwood writing table with beautifully aged patina, warm wood coloring, richly figured grain patterns, and interestin...

A Japanese Cloisonne enamel over gilt copper brush pot. Circa: late 19th century. The cylindrical form pot is adorned with polychrome floral, foliage and geometric motifs made in the...

Extraordinary meuseum quality signed Japanese contemporary porcelain vase, referred to by the artist as the “lady with a golden shawl,” a masterpiece by a celebrated award-winning th...

A pair of antique Japanese Meiji era cloisonne enamel lidded vases. The vases have a similar shape: a rounded body with a slightly tapered base and a domed lid. Each lid has a bronze...

A Japanese carved sculpture of Daikoku. Magnificent sculpture of the god of the fortune Daikoku WITH OVER 100 YEARS OLD, created in Japan during the Meiji period, circa 1890. The ca...

Flowers & Birds of Spring and Autumn Unknown artist. Japan. Meiji period, circa 1900. A pair of six-fold screens. Ink, color, gofun and gold leaf on paper. Signed: Gaga S...

A beautiful pristine condition Ando Jubei wireless cloisonné vase in baluster form. In his signature green enamel, portraying an intricate arabesque design of a blooming clematis vin...

A rare and large Japanese Meiji period porcelain dish or charger. Japan, Late 19th – early 20th century. Why we like it Great scale combined with its traditional decoration make th...

It is a work drawn by Oi Kunii of the Maruyama school as you can see. It is a spring (cherry blossom)-colored landscape map that makes you feel a quiet...

Antique Meiji period Japanese satsuma style moriage vase featuring a multicolored floral enamel design in bold relief framing two scen...

DEPICTING BISHAMON ONE OF THE SEVEN LUCKY GODS From our Japanese Satsuma collection, we are delighted to offer this Japanese Satsuma Kogo by Taizan. The Satsuma Kogo of petit circul...

This outstanding late 19th century Japanese Satsuma porcelain covered temple jar has a traditional form with a domed lid. The piece features exquisite hand painted decoration which includes brightly hued flowers and associated foliage along with highly detailed jewel-toned butterflies with gilt highlights, all of which are on a shaded blue ground. The jar and lid also bear large chrysanthemums executed in heavy white enamel with underlying hints of green. The collar of the jar and edge of the lid have wide gilt bands finished with fine incised linear decoration that has been accented with blue, black and white enamel. The underside of the jar is hand lettered with characters reading Dai Nippon...

Fine Japanese Meiji period cloisonne enamel Sake pot. The Sake pot of rounded form with with clean edges profusely decorated with blossoming flowers throughout upon a black ground ba...

Cylindrical jars glazed with striated colors in the top background. With overall dense raised colorful decoration of a mythological scene with a variety of figures. A prominent figur...

apanese Oribe style ceramic Abura-zara, an oil plate used to catch the drippings from a suspended oil dish in a lantern, simple flat circular form with slightly raised beaded edge an...

Featuring Seven Japanese Macaques Form our Japanese collection, we are delighted to offer this Japanese Bronze Monkey Group by Shosai. The Japanese Bronze Group displaying a male father monkey and his infants playing around and being mischievous with Persimmon fruit. The monkeys modelled as Japanese macaque monkeys (snow monkey). The bronze okimono is beautifully patinated with a highly lifelike and naturalistic casting signed to the underside Shosai 正齊鋳. The Bronze group dates to the Meiji Period (1868-1912) circa 1885. Japanese macaque (snow monkey) is a terrestrial Old World monkey species that is native to Japan. They are known as snow monkeys because some live in areas where snow covers the ground for long periods each year hence their nickname. No other non-human primate lives further north or in a colder climate than the snow monkey. Individuals have brownish grey fur, pinkish-red faces, and short tails. Two subspecies are known and their conservation Status is of least concern. In Japan, the species is known as Nihonzaru ニホンザル, 日本 (Japan/Nihon) and saru 猿 (monkey) to distinguish it from other primates, but the Japanese macaque is the only species of monkey in Japan. The Japanese macaque features heavily in the religion, folklore, and art of Japan, as well as in proverbs and idiomatic expressions in the Japanese language. They are often seen in paintings, block prints and represented in all manner of carvings from Okimono to netsuke. Many of these art forms reside in the world’s most famous museums and collections, some of the most prominent pieces by artists such as Mori Sosen and Kawanabe Kyosai. In Shinto belief (Japan’s indigenous religion/nature religion) legendary mythical beasts known as raiju sometimes appeared as monkeys and kept Raijin (the god of lightning/storms) company. In another well known tale the three wise monkeys who warn people to “see no evil, hear no evil and speak no evil” can be seen depicted in relief over the door of the famous Tosho-gu shrine in Nikko. Meiji Period was an era of Japanese history that spanned from 1868 to 1912. It was the first half of the Empire of Japan, when the Japanese people began to build a paradigm of a modern, industrialised nation state and emergent great power, influenced by Western countries and aesthetics. As a result of radically different ideas, the changes to Japan were profound and it affected the social structure, politics, economy, military, and foreign relations across the board. The period corresponded to the reign of Emperor Meiji and was preceded by the Keio era and was succeeded by the Taisho era. Cultural Art during the Meiji Period was of particular interest to the government and they overhauled the art export market which in turn promoted Japanese arts via various world’s fairs, beginning in Vienna at the world fair in 1873. The government heavily funded the fairs and took an active role organising how Japan’s culture was presented to the world including creating a semi-public company named Kiritsu Kosho Kaisha (First Industrial Manufacturing Company). The Kiritsu Kosho Kaisha was used to promote and commercialise exports of Japanese art and established the Hakurankai Jimukyoku (Exhibition Bureau) to maintain quality standards. For the 1876 Centennial International Exhibition in Philadelphia, the Japanese government created a Centennial Office and sent a special envoy to secure space for the 30,000 items that would be displayed. The Imperial Household also took an active interest in arts and crafts, commissioning works by select artists to be given as gifts for foreign dignitaries further emphasising the high quality and importance of Japanese art. Just before the end of the 19th century in 1890, the Teishitsu Gigeiin (Artist to the Imperial Household) system was created to recognise distinguished artists. These artists were selected for their exceptionally high quality wares and talent in their own industry. Over a period of 54 years Seventy artists were appointed, amongst these were ceramicist Makuzu Kozan and cloisonné enamel artist...