Bronze Decorative Objects

Pair of Art Deco / Swedish Grace bronze candlesticks with amazing patina. Made by GAB Guldsmedsaktiebolaget, Sweden, 1930s. Good condition, some wear to the patination and some l...

Large Hammered Bronze Candelabrum attributed to Tommi Parzinger for Rena Rosenthal circa 1930s great patina .

Graceful even when standing still the Bronze Lion with Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bull Lion statue is created i...

Pair of Late 18th Century Louis XVI Gilt Bronze Candlesticks, France Elegant and finely crafted pair of candlesticks in classical Louis XVI style, made in France during the late 18...

Small unusual object in cast bronze. Freeform, Infinity symbolism and barbwire all in one unique piece. Its signed by an unknown Scandinavia Sculptor an...

This is an interesting vintage  pair of French bronze cannons dating from the late 20th century. The cannons have highly decorative barrels and splendid openwork carriages. They ar...

Sculpture loyalty bronze with all structure in solid bronze in brown finish.

Beautiful roaring lion in gold patinated bronze by the artist and sculptor Louis Vidal (1831-1892) of the Romantic period, France 19th century. Dimensions in cm ( H x L x l ) : 17 x 36 x 9 Secure shipping. Louis Vidal, Vidal the blind or Vidal-Navatel is a French sculptor born on December 6, 1831 in Nîmes and who passed on May 9th, 1892 in the 12th district of Paris. Born to an unknown father and Sophie Vidal-Navatel, he grew up in a family of artists, having for stepfather the painter Alexandre Colin who married his mother in second marriage and for half-brother Paul-Alfred Colin. He studied anatomy but became blind around 1853, which prevented him from pursuing this path. He studied with the animal sculptors Antoine-Louis Barye and Pierre Louis Rouillard and became an animal sculptor himself by replacing sight with touch. This faculty enabled him to create portraits, he perceived the shape of faces by touching them and sculpted them in clay, and remains known as the author of a sculpture representing a roaring lion, as well as that of a bull in bronze, donated by the State to the Musée des Beaux-Arts de Nîmes in 1867. Louis Vidal worked in particular with Alfred Barye, son of his master Antoine-Louis Barye. He became a professor of modeling in 1888 at the École Braille in Paris. A portrait of the artist taken by the photographer Étienne Carjat...

Lovely bronze inkwell from Tiffany Studios in the New York Bookmark pattern. Beautifully detailed octagonal design with round lid. Marked Tiffany Studios 1094. 3" x 3" x 2 1/2" tall.

Grand Tour 19th century bronze sculpture of Narcissus after the original found in 1862 at Pompeii. When first found in Pompeii it was identified as Narcissus. Years later it was identified as Dionysus. Mounted as a lamp. Early 20th century. Beautiful marble finial.

MEIJI PERIOD BRONZE OKIMONO OF ELEPHANT BEING ATTACKED BY TWO TIGERS Workshop of Omori Mitsumoto (kôgen), 大森光元, Japan, circa 1900 Cast and patinated bronze, hardwood base, two carved...

Handcrafted brutalist candelabra, sculpture with five bronze holders made in France, one piece unique five-arm candelabra a work of craftsmanship by an unknown artist. It's an except...

Art Deco Diana with bow bronze sculpture by Pierre Le Faguays. Founders signature Susse Frères Editeurs Paris and foundry seal. Green patina, France 19...

Charles Korschann Czechoslovakian Art Nouveau Gilt-Bronze Figural Bud Vase. Cast from a model by Charles (Karl) Korschann, circa 1899, of urn form, with a handle in the form of a...

This antique sculpture was done by the well known Hans Arnoldt of Germany and dates to the early 20th Century and done in an Art Deco style. The sculpture is composed of cast and pat...

Large Pair of Life Size Herons in Bronze, 1970s. Wonderful elegant pair of large (117 and 81 cm / 46 and 32 inch) herons in bronze. Beautifully cast with a lot of detail and very re...

A very fine and palatial French 19th/20th century Christofle & Cie Louis XV style silvered figural centerpiece, fitted with an oval diamond-cut-glass center-dish, attributed to Bacca...

Antique French Napoleon III "Portico" clock and pendulum. Inlaid wood, metal and bronze. Very good and working condition.

Antique "Vaclaw Bernard Szczeblewski" French Bronze of Boy "The Whistler". Circa Late 19th Century. Measurements: 16" H x 6" W x 5 1/2" D.

A beautiful Art Deco Revival sculpture of Diana the Huntress with Hounds, after Josef Lorenzl, dating from the 20th Century. The decorative sculpture of silvered cast-bronze features a naked Diana the Huntress, with bow and a pair of hunting dogs, standing on a sloping naturalistic base raised on a rectangular black marble plinth. This high-quality hot cast solid bronze was produced using the traditional "lost wax" process, otherwise known as the "cire perdue" method. This is a splendid bronze sculpture and it will no doubt become the centrepiece of your collection. Condition: In really excellent condition, please see photos for confirmation of condition. Dimensions in cm: Height 30 cm x Width 11 cm x Depth 18.5 cm Weight 3 kg Dimensions in inches: Height 1 foot x Width 4 inches x Depth 7 inches Weight 6.6 lbs Josef Lorenzl (1 September 1892 – 15 August 1950) was an Austrian sculptor and ceramicist of the Art Deco period. While at the Vienna Arsenal, Lorenzl produced many bronze and chryselephantine sculptures, and captivated by the female form he became famed for his shapely dancing girls with long, elegant legs and closed eyes. These pieces of his were signed "Enzl", "Lor", "R. Lor", "Renz" or "Renzl". Occasionally the name "Crejo" appears on his pieces, Crejo having been a painter and one of Lorenzl's friends, and who sometimes applied colour to the pieces. These joint works are sought-after items. The large majority of Lorenzl's figurines were attached to Brazilian green onyx plinths. Lorenzl's talents also extended to being a gifted ceramicist. He produced pieces for Goldscheider, working from a studio on company grounds. As with his chryselephantine pieces, his ceramic works were in great demand and became the embodiment of the Art Déco period. Famous amongst these is "The Butterfly Girl" after the famous dancer Niddy Impekoven...

A Very Fine French 19th Century Gilt-Bronze Figural Mantel Clock, Horloge à Poser, by Henri Picard and Fedinand Barbedienne - ‘F. Barbédienne & Cie. / A Paris’, after the model by É...

Esa Fedrigolli mid-century decorative vide-poche, circa 1970, Italy. Gilt bronze, signed Esa Fedrigolli under the base. Dimensions: 14 cm diameter, 3 cm H. All purchases are covered ...

A large and impressive late 19th Century bronze study of the famous Venus de Milo sculpture of antiquity with excellent rich brown patina and good hand finished surface detail, inscribed F.Barbedienne foundry ADDITIONAL INFORMATION Height: 95 cm Width: 28 cm Depth: 28 cm Condition: Excellent Original Condition Circa: 1890 Materials: Bronze Foundry: F.Barbedienne SKU: 7741 ABOUT The Barbedienne Foundry is a famous 19th century bronze foundry, whose statues and art objects became rapidly very renowned. This bronze studio co-worked with other trades, and put his name to a great variety of works, such as furnishing in particular. Attending every World's Fair of its time, the Barbedienne Foundry was regularly awarded, notably at the World's Fair of 1855 where it was awarded the Great Medal of Honor. A Parisian bronze maker and caster, Ferdinand Barbedienne (1810-1892) creates a firm in 1839 in collaboration with Achille Collas, the inventor of the mechanical method to obtain copies of sculptures at a smaller scale. With this groundbreaking proceed, they facilitated an unprecedented production. Under the “Collas et Barbedienne” name, they specialized in Antiquity copies and perfected new chemical methods for the color and patina finish of their bronzes. As a true Romantic, Ferdinand Barbedienne is committed to democratization of arts, he thus realizes numerous Antiquity copies and stimulates his contemporaries’ works broadcasting. A great deal of famous sculptures are hence cast by the Barbedienne Foundry. All his life, Barbedienne co-worked with the greatest artists, sculptors or designers of his time, such as Edouard Lievre, Ferdinand Levillain, Attarge, Aizelin, Barye or Fremiet. Statues aside, he products a great deal of decorative artifacts, such as clocks, vases, mirrors, etc. Since 1855, Ferdinand Barbedienne collaborates with the famous decoration designer Louis-Constant Sévin (1821-1888). Joining the firm as a sculptor-designer, he stays loyal to it his life long, always finding more new designs for daily objects, which hence become true art works. Sevin’s creations, specialized in the “Neo-Greek” style, were particularly appreciated for antiquity reference in decorative arts, just like the great mirror preserved by the Orsay Museum. He also teams up with enamelers including Alfred Serre, and develops a set of “cloisonnés” enamels that made the headlines at the World's Fair of 1862 in London, which was the very beginning of the art of enamel’s return. In collaboration with Serre, Barbedienne realized between 1878 and 1889 the Monumental Clock in Renaissance style, decorated with enamels, which is preserved in the Paris City Hall. Venus de Milo Facts about Venus de Milo sculpture. For much of the world, the mystery of the Venus de Milo lies in her missing arms. But there’s much more to this iconic statue than a couple of absent appendages. 1. Venus de Milo‘s title is a bit misleading. It’s popularly believed that this Grecian statue depicts the Greek Goddess of love and beauty, who was often rendered half-naked. However, the Greeks would have called this deity Aphrodite. Nonetheless, the Roman-inspired Venus de Milo caught on. 2. She’s named in part for where she was discovered. On April 8, 1820, a farmer named Yorgos Kentrotas came across the statue in pieces within the ruins of an ancient city on the island of Milos (formerly known as Melos). 3. Alexandros of Antioch is credited with her creation. A sculptor of the Hellenistic period, Alexandros is believed to have carved this masterpiece between 130 and 100 BCE. The inscription on the plinth—the slab on which the statue rested—that identified him as Venus de Milo‘s creator was lost nearly 200 years ago. 4. She might not be Venus. Some have suggested the sculpture is not Aphrodite/Venus, but Amphitrite, the sea goddess who was particularly adored on Milos. Still others have proposed she’s Victory, or perhaps a prostitute. With her arms long missing, would-be context clues have been lost for centuries. A spear could have meant one thing, a spool of thread another. If she held an apple—as some reports claim—it could mean she was Aphrodite, holding the award given to her by Paris before the Trojan War began. To this day, it’s a matter of passionate debate. 5. She became a gift to the King of France. When Kentrotas called upon a French naval officer to help him unearth the spectacular sculpture, he began a chain of events that would eventually lead to the Marquis de Rivière presenting Venus de Milo to Louis XVIII. In turn, the ruler gave the statue to the Louvre, where it is on display to this very day. 6. The loss of her limbs is the fault of the French. Kentrotas did find fragments of an arm and a hand when he uncovered the statue in the ruins, but as Venus de Milo was being reassembled, those arms were discarded for having a “rougher” appearance. Modern art historians believe that the variation of finish does not mean those arms did not belong to Venus, but both the arms and the original plinth have been lost since the piece moved to Paris in 1820. 7. The original plinth was ditched on purpose. Sight unseen, early 19th century art historians decided the newly discovered Venus must have been the work of Greek artist Praxiteles, and publicized the work as such. This attribution would have placed the piece in the Classical period (5th through 4th centuries BCE), which was more respected artistically than the Hellenistic period. To save face and better promote Venus de Milo—even at the cost of misinforming the public—the plinth was removed before it was presented to the King. 8. Venus de Milo was meant to make up for a national embarrassment. During his conquests, Napoleon Bonaparte had plundered one of the finest examples of Greek sculpture, Venus de’ Medici, from Italy. In 1815, the French government returned that beloved sculpture, but in 1820, France embraced the chance to fill the hole its absence left in the French culture and national pride. As such, Venus de Milo was promoted as being even greater than Venus de’ Medici upon her Louvre debut. The ploy worked, and the piece was met with almost universal praise from artists and critics. 9. Renoir was not impressed. Perhaps the most famous of Venus de Milo‘s detractors, the celebrated Impressionist painter dismissed this delicate depiction of grace and female beauty as “a big gendarme.” 10. She went into hiding during World War II. By the autumn of 1939, war threatened to descend on Paris, so Venus de Milo along with some other priceless pieces, such as Winged Victory of Samothrace and Michelangelo’s Slaves, were whisked away for safekeeping at various châteaux in the French countryside. 11. She’s been robbed! Venus is missing more than just her arms. She was originally draped in jewellery including a bracelet, earrings and a headband. These flourishes are long lost, but the holes for fixing them to the piece remain in the marble, giving clues to the missing accessories. 12. She lost her colour. While it’s easy for today’s art admirers to think of Greek statues as white, the marble was often painted in the style of polychromy. However, no trace of the original paint scheme remains on Venus de Milo today. 13. She’s taller than most people. Even with her slight slouch, Venus de Milo stands at 6 feet 8 inches tall. 14. She could be a copy. Art historians have noted that Venus de Milo bears a striking resemblance to Aphrodite of Capua, which is a Roman era copy of a possibly late 4th century BCE bronze Greek original. That would be at least 170 years before Alexandros carved his goddess, leading some to speculate that both statues are actually replicas of an older statue...

French Art Nouveau Bronze card tray or Pin Tray, Vide - Poche, 1920s This absolutely adorable card tray or pin tray, Vide - Poche, is made of bronze ...

Late 19th/Early 20th c., large Japanese Meiji bronze floor urn. The principal decoration on both sides of the vase is rendered in beautiful and strong relief. One side depicts birds, possibly skylarks, in flight and on flowering cherry blossom branches. The opposite side depicts herons wading and alighting on a flowering tree. the upper and lower portions of urn are decorated with repeating arched lozenges detailed with scrolls and flora. The urn is adorned with foo dog handles, unmarked. This is an impressive and beautiful bronze urn. In bronze-working, Meiji period craftsmen were newly empowered to attempt distinctive, innovative, and complex pieces. Makers were influenced less by the West than by China, which had had a relationship with Japan stretching back thousands of years, far further than Japan’s recent association with Western powers. Artistry in bronze-work reached new heights in the Meiji period, as a number of metalworking schools developed, creating intricate pieces including vases, sculptures...

Original 19th century French bronze, " Jeune Femme a la Mandoline", sculpture of a young girl seated with a mandolin resting on her lap by Auguste Moreau (1834-1917) France and retai...

This abstract bronze sculpture is a captivating exploration of form and space, combining organic curves with geometric precision. The composition features a dynamic, asymmetrical sha...

A beautiful, small, substantial bronze female head bust sculpture on cylindrical wood pedestal base, circa early-20th century or earlier. Artist is un...

A pair of sophisticated and elegant gilt bronze Candlesticks, Probably made in Paris, France. Directoire circa 1795. Beautifully decorated with leaves. Wear consistent with age an...

Superbly stylish is this wonderful Art Deco 8 day clock by Kienzel. Beautiful bluey grey colored glass and brass desk timepiece is typical of the 1930s. The bronze case is highly po...

A large and fine pair of 19th century Italian male nudes depicting the Greek boxers Creugas and Damoxenos. These bronzes have a wonderful old patina...

Graceful even when standing still the Bronze Horse and Foal on Marble Base is a striking addition to any setting. Using traditional lost wax cast...

Art Deco bronze sculpture oriental dancer Henry Fugère. Bronze sculpture, patinated. Portor Marble base. France 1925. Literature: Art Deco and other figures by Brian Catley Antique ...

Decorate a man's office or hunting lodge with this elegant antique bronze composition. Titled "Piqueur au Relais", and signed on the base by the artist, Hippolyte Moreau, the bronze ...

Ferdinand Barbedienne, A French Ormolu and Champleve Enamel Jardiniere, C. 1870, The Design Attributed to Louis Constant Sevin. An exceptional qualit...

French artist Monique Gerber vintage sculptural bronze abstract rock form vide poche or ashtray. Art du bronze. Patina is beautiful and shows its age. These bronze objects were often...

A Wooden Vase with bronze base from Alabama Sawyer is elegant and refined, ready to be integrated into modern context. Glass inserts hold water to nourish and extend the life of your...

Large bronze sculpture by Auguste Moreau, 19th century, Napoleon III period. Bronze sculpture of a young woman with a bird by Auguste Moreau, red marble base, Napoleon III period, 1...

A beautiful pair of small Empire candlesticks in gilt bronze from the 1820s. Very period design. Wear consistent with age and use

Sculpture "Nymph and Satyr", made by the author Claude "Clodion" Michel (1738-1814). Made of bronze and patinated in brown. Signed Clodion. France, CIRCA 1780.

Mid-20th Century Modern Luxor Swiss 8-day movement bronze table clock with marine motif By: Luxor Material: bronze, copper, metal, glass, crystal Technique: cast, molded, metalwork,...

Lovely WMF German Art Deco (Württembergische Metallwarenfabrik) patinated bronze Ikora vase decorated with a stylized trailing flower vines and and butterfl...

This unique bronze mortar and pestle would have been used in a Spanish apothecary during the 1800s. A pair of downward facing dogs serve as handles that extend well beyond the main b...

Immerse your space in opulence with this captivating pair of Louis XVI style bronze-mounted porcelain urns. Each urn is a masterpiece, adorned with a meticulously crafted bronze-moun...

Branch of Mediterranean red coral (Corallium Rubrum), mounted on a square-shaped marble base, with a parallelepiped-shaped central body. The entire body is enriched by a mosaic of la...

A delightful Thai Rattanakosin Period lacquered and gilt cast bronze figure of the Buddha in royal attire, mid 19th century, Thailand. The charming figure depicts the Buddha in dhyanasana, the gesture of meditation. The Buddha sits serenely in half lotus position, his hands resting comfortably upon his lap, one on top of the other. The Buddha is dressed in elaborate robes, cast with floral and foliate designs in high relief. Over his robe, he wears the regalia of Thai kings, with a heavy cape...

Large pair of luxury handmade bronze and crystal amphorae in 24klt gold by Domenico Rugiano

This is a 15 jewels Swiss round clock. It depicts an enamel round frontal panel painted with a colorful beautiful bouquet of flowers framed by gilded bronze Roman numerals dial. In t...

Mounted Sculpture Bust in Bronze on Base Bibelot Decorative Object Center piece. Excellent color and details decorative hand finished On a Desk as garniture on a mantle fireplace, on...

Beautifully handcrafted and meaningful religious plaque. This heavy and high quality bronze wall plaque depicts Christ with a realistic crown of thorns and a stylized Art Deco halo ...

Bronze bust mounted on travertine marble base by Sabin Howard, 2005. Signed, numbered 7/12. Sabin Howard is a classical figurative sculptor based in New York City with a studio in the Bronx. he is a board member of the national Sculpture Society. His work has been shown at numerous solo and group shows. he is the sculptor for a project entitled "The Weight of Sacrifice" that is one of five finalists for the World War I Memorial in Pershing Park, Washington D.C.. His notable works include the recent national WWI memorial sculpture. Howard is the creator of the large-scale pieces Hermes, Aphrodite, and Apollo, as well as many smaller pieces. His Works are owned by private collectors and museums including The Mount, Edith Wharton's home. Art critic James Cooper...

This large branch of Mediterranean coral, 'Corallium Rubrum' is mounted on a gilt bronze base. The creation of the vase-shaped base involves various techniques: lost wax casting, mol...

Saint Nazaire Sword, Late Bronze Age, circa 800-900 B.C. An exceptionally well preserved Bronze Age sword, with elegant, finely incised decorations,...

An attractive early 20th Century Art Deco cold painted silver bronze figure of a young energetic beauty in a stretched pose, raised on a decorative black and green onyx base and sign...

Pair of Empire candlesticks with bronze karyatids and white marble pedestals, crafted by Werner & Mieth in Berlin during the early 19th century.

A rare and extraordinary offering, this remarkable pair of bronze statues of Bodhisattvas reflects the epitome of fine Chinese figure bronze making with superb skill and artistry. Ea...

An antique and beautiful bronze paperweight by the renowned French artist Ferdinand Barbedienne (1810-1892). This piece is a meticulous representation of the left hand of Maria Pavlo...

An Italian cast bronze sculpture from the mid 20th century, depicting a ram's head. Created in Italy during the Midcentury period, this bronze sculpture captures our attention with i...

A lovely Thai lacquered and gilt cast bronze figure of the historical Buddha, Shakyamuni, portrayed in Maravijaya, Rattanakosin Period, early to mid 19th century, Thailand. The B...

Boleslaw Biegas was one of a large number of Polish artists working in fin-de-siecle Paris. There he found a more kindred artistic environment in which...