European Sculptures

JESUS CHRIST CRUCIFIED European, Germany ? 19th century Christ and font in bronze, wooden cross, covered with enamel. Slight wear. Dim.: (cross) 50 x 30 cm; Height: (christ) 16 cm...

This gorgeous Mid-20th century bronze sculpture represents a poetic hunting scene. The young and strong subject is being at one with the rock he is standing on as he aims with his sp...

Rare Neolitico, Murano glass sculpture /paperweight in this Fish shape by Barovier & Toso, label.

Bronze statue on marble base in art deco style. Copy of a dancer sculpture by D.H.Chiparus.

A gorgeous Grand Tour style cast plaster sculpture of an Ancient Greek or Roman foot Greece, Late 20th Century Measures: 7.88"W x 3.13"D x 4.5"H. Very good original vintage ...

Beautiful and rare hand blown Murano elephant sculpture in black and white with spots. Documented to designer Archimede Seguso, from the "Bianco Nero"...

Mats Jonasson Whale Art Crystal, Sweden, 1980s

PAIR Murano art glass Barbini Aquarium paperweight sculptures with fish and seaweed encased in the solid glass sculpture. The shorter bookend is 6.25 ...

Unique piece sign by the artist. The seasonal flowering of the wisteria, its scent, the pergolas to which it acts as a roof, gave the artist the inspiration for the creation of this...

Beautiful and rare, vintage Murano hand blown Sommerso purple to blue Italian art glass toucan / parrot bird sculpture. Documented and signed "Salviati, designer L. Gaspari", with or...

Life-size statue of the goddess Hera with crown and her attribute of the peacock at her side. The sculpture has a beautiful, authentic patina. The garden sculpture is made of sandsto...

Very large mid-century period bronze sculpture of a parrot perched on tree branch after after Jules Moigniez (1835-1894), measuring 53 by 24 by 12 inches. Apparently unsigned.

Scroll down and click "view all from Seller" to see more than 400 other unique products. (2.2) Giovannoni's Kong is, surprisingly, technological and almost human. It shines in front...

Beautiful murano glass figurine of a clown riding a bicycle, perfect for those collectors who have a special love for them. high: 40 centimeters width: 24 centimeters Depth: 15 cen...

Large crucifix with stunning hand carved details and an amazing patina. This remarkable and large corpus of a deceased Christ on the cross is truly uniqu...

Metal, copper-plated (brass) statue of a falconer, woman on horseback, this sculpture probably represents Jacoba van Beieren, first half of the 20th century. The statue is made of 2...

solid hand carved fish sculpture circa 1950's made in Italy excellent condition great and unique piece reatins label.

A very cool set of three post-modern Memphis style art glass flower vases by Czech artist Rony Plesl, circa 1990s. The vases are in very good vintage condition with no chips or crac...

Rare Terracotta Stork for Garden Decoration, Germany ca. 1950s Item e7304 A large stork sculpture made of terracotta, produced as a garden decoration by Heissner, Germany, ca. 1950s....

19th century French bronze bust sculpture of Emperor Lucius Varus . This handsome Grand Tour bronze bust of is in the manner of F. Bard...

Stunning Art Deco Fox-Head door stop. Design by Peerage. Striking English design from the 1920s. Solid brass and solid iron. With impressed makers stamp. In very good condition ...

A delicate coastal-style composition crafted from a large natural scallop shell, which serves as a container for a carefully curated selection of conch shells, tropical shells, white...

Art Deco Rare Porcelain Figurine, Flower frog by the Porzellanfabrik Günthersfeld AG, Gehren, Germany 1930s. Rare find, this piece was made of porcelain trimmed in gold, it is in gre...

Vintage Italian marble alabaster mushroom sculpture hand-carved in Italy, early 1960s. Yellow color with veining. Made in Italy sticker on base still intact.

"Female Nude" Bronze sculpture with brown- green patina. Old edition Fonte performed by Alexis Rudier. Signed Hubert Yencesse. Foundry’s mark Alexis R...

A fine bronze casted sculpture of a Elephant with a calf, resting on a black Belgium marble base. The bronze has the original olive-brown patina. It is made in France, circa 1930-1940. Signed: Irénée ROCHARD. The sculpture has a beautiful patina and is in good condition. After casting the bronze is finely finished with fine chisels, for the fine details. This chiseling process was an enormously time-consuming job. Irénée Rochard was born in Villefranche sur Saône France in 1906, In a family of artists: his mother was a painter and his brother became The actor-singer Armand MESTRAL. When he chose the course of an artist’s life too, he soon turned to animal Sculpting in order to,as he used to say: pay tribute to animal. In 22 years, on leaving the Beaux-Arts School, he was the first prize-winner for A life-size panther...

Antique pair of Neoclassical style terracotta recumbent lions - unsigned - Continental - late 19th/early 20th century. The over-all condition of this pair of pre-owned antique ite...

Guido Cacciapuoti ceramic horses, 1940.

Beautiful metal weathervane representing a rooster or cockerel, France, 1850-1900. Weathered and small losses. Measurement here below is inclusive the wooden base.

This elegant antique bronze sculpture of a standing horse was cast in France in the early 20th century and is signed “Milo” on the naturalistic base. The piece is mounted on a shaped...

A magnificent 19th century bronze of Ulysses stringing his bow on square base. After Jacques Bousseau (1681-1740). Circa 1830 French Dimensions: H: 35 in / 89 cm W: 11 i...

Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique. This incensed Barye, as he insisted a mate must be sculpted to oppose Lion Assis...

Provenance : In the same private collection for several generations, Burgundy. The canonical Gospels describe briefly the episode of the Nativity. It comprises three parts : • The Preludes : the Journey to Bethlehem, the Census • The Nativity • The Announce to the Shepherds and the Adoration of the Magi Only the Gospel according to Matthew (2, 1-12) speaks about the Adoration of the Magi. Staying vague about their number it does say they brought the newborn gold, incense and myrrh. The apocryphals, the fathers of the Church and many other authors have filled in the gaps of the evangelic tale. The sobriety and symbolic of the story have been a huge inspiration to artists. Although one of the oldest depictions of the Adoration of the Magi dates from the 2nd century the theme became very popular in Christian art during the late 14th century. One of the reasons explaining this success is that it celebrates both the Virgin and Christ at the same time. This important walnut panel is carved in a strong relief and depicts the different steps of the story of Jesus’ birth. On the left, the donkey and ox that have accompanied Mary and Joseph from Bethlehem are depicted behind a trough. On the thatch roof appears the star that would guide the magi to the place of birth of Jesus. Mary is wearing a veil and is seating on a bed. She holds her baby at arm’s length to present him to the magi. Saint Joseph is by her side. The old man is holding a cane in his left hand while from the right hand he seems to uncover himself to greet the visitors. A woman assists to the scene. In front of the holy family the three magi stand behind one another to pay their homage to the newborn. The first magi has a pointed beard. He is already kneeling out of deference and has placed his crown to his feet. He gives the baby a hanap filled with gold coins. This is Melchior as the legend describes him with white hair and a long beard. Caspar, the second magi bears a cup of incense. He is looking at the third magi and with his right hand he points to the star that has guided them there. He has a short beard and wears crakow shoes, breeches and a wide sleeved doublet. Finally Balthazar, the elegant last magi proceeds proudly towards the holy family with his one hand on the saber’s hilt and the other holding a cup. He brings the divine child the myrrh. He probably just dismounted as the horse can be seen behind him. The scene is set in a very detailed and narrative decor. In the right part of the panel the shepherd receive the announce of Jesus’ birth. An angel comes down from heaven with a scroll bearing the good news in his hands. The herding dog sleeps peacefully while sheeps graze. At the top of the cliff we notice the gilded sheeps enclosure. The panel’s moulded frame is carved with a foliated decor. In it’s centre appears a coat-of-arms. It is the alliance of the three magi’s arms. Indeed as it was common for legendary figures the three of them received imaginaries coat-of-arms. Thus, on a field of azure stands a star for Melchior, a crescent for Caspar and a pennon for Balthazar. This high-relief panel is undeniably the work of a very skilled and imaginative artist. This key moment in the New Testament is transposed to a contemporary environment thanks to the figures’ clothing and the rural daily life scene. This way the universal dimension of the episode is highlighted allowing a better understanding for the contemporaries. The sculptor has represented the episodes of the Adoration of the Magi and the Announce to the Shepherd with great talent and numerous details giving life to a picturesque and narrative scene. The important traces of polychromy give those already very animated scenes a stronger pictorial power and a rich dynamism. Because of the picturesque and familiar realism so dear to the artists of the late Medieval era, of the didactic function of this type of panel as well as the quality of the sculpture this piece is an astounding example of Burgundian art of the 15th century. Literature Louis Réau, Iconographie de l’Art chrétien...

Beautiful and rare, vintage Murano hand blown Sommerso red and Neodymium gray Italian art glass sculptural bird flower vase. Documented to designer ...

An exceptional pair of large steel palm tree sculptures in the manner of Maison Jansen. Three metal trunks with patinated fronds in a polished steel planter with fixed gravel 'mulch.'

A hand-crafted sculpture specimen of natural red coral branches mounted on a 18th century giltwood urn fragment base.

Polished bronze hand cast miniature Nécora velvet crab sculpture by artist Javier de la Rosa. Javier De la Rosa has created a series of bronze cast miniature sculptures that celebra...

Napoleone Martinuzzi for Venini red Cactus Succulent sculpture, Signed, 1929. Exceedingly rare example of a signed Venini succulent by Matinuzzi. Museum-worthy masterwork by Martinuzzi during his groundbreaking tenure as artistic director of Venini. Large-scale. Original brass frame. This stunning pulegoso glass and gold leaf “pianta grassa” is in very good antique condition with no apparent signs of repair. Acid etched Venini signature is at bottom. Lovely contrasting white glass rim on pot. Playful use of co lot with the green pot...

A serving dish in metal in lovely Art Nouveau-style designed at WMF Württembergische Metallwarenfabrik in Germany. It is 35 x 16...

A Greco-Roman sculpture head or bust, England, 1965. A reproduction piece made of chalkware or plaster with a dark bronze-like finish. Marked on side as show in image #17. Vintage st...

A late 19th Century, antique Italian horse head sculpture with harness and mane in a classic style. This statuette was carved by hand in Carrara Marble. It has its’ original antique ...

An Exquisite and Rare French Louis XVI Style Ormolu-Mounted Bloodstone Inkwell, circa 1875. A truly exceptional and jewel like quality inkwell encrier, made with the finest ormolu, mounted on bloodstone. A true collectors and one of a kind piece. Revival of the ancient régime in the late 19th century was paramount to the French furniture and bronze casting firms of the Belle Epoque. Imitation in the highest regard and replication of those tastes and styles was prevalent throughout the Paris Faubourg, where the most talented bronziers and ébénistes established their workshops. The present inkwell encrier recalls the late 18th century's obsession with hardstones - a taste expounded above all by the duc d'Aumont and, subsequently Marie-Antoinette. Such hardstone-mounted pieces, reminiscent of Renaissance schatzkammer objects, enjoyed a revived popularity at the end of the 18th century through the impetus of both the marchands-mercier and, more importantly, the hôtel des Menus-Plaisirs, where the duc d'Aumont himself established a workshop in 1770 specializing in the cutting and polishing of precious hardstones. This exceptional inkwell encrier, sumptuously-mounted with finely chased gilt-bronzes, incorporates a highly-prized material such as bloodstone. Sometimes called the Sunstone, the meaning of Bloodstone comes entangled in fascinating history. The Ancient Greeks held the Bloodstone as a gem with glorious powers. They referred to it as Heliotrope, which directly translates to Sunstone. It was believed to have heavenly healing powers gifted by the gods and most certainly when it came to healing all things related to the blood. Even as we move forward into the Middle Ages, the Bloodstone takes another mystical story under its wing. It was believed to be formed from Christ's blood. It was said that during the Crucifixion, a few red spots of his blood dripped...

Entitled "Young Beethoven", this was a limited edition hand painted porcelain made in February 1997 and retired in 2005; manufactured by the Lladro Porcelain Company in Spain. This ...

Pair of large branches of Mediterranean red coral (Corallium Rubrum), mounted on large octagonal alabaster bases with guilt bronze profile. Connection with a spherical bronze element...

beautiful detailed piece

A large and impressive early 20th Century silvered and gilt bronze figure of an Art Deco beauty on one knee knelt down as her other leg is extended. The lady dressed in a flowing dre...

A very rare piece of 19th C. sculpture , a carved marble bust and pedestal, " Pharaoh's Daughter", late 19th C.. by James Adams- Acton. English, born 1834. This amazingly beautiful ...

Place this elegant antique horse composition in a man’s office or on a shelf in a study. Created in France, circa 1870, the spelter composition features a tall stallion figure and a ...

Large French Pottery Majolica Pheasant Tureen circa 1930.

This porcelain sculpture of a doe’s head, crafted in Spain circa 1960 by the renowned Lladró manufactory, is a breathtaking example of artistry and craftsmanship. Since 1953, Lladró ...

Completely hand-crafted in 18th century Spain, this sculpture of the Virgin stands 1.5 meters / 5 feet tall and was most certainly created for devotional purposes, to be displayed in a church or chapel. Besides its impressive size this sculpture is an excellent, museum-quality example of the Spanish “Estofado” polychrome technique, developed during the Gothic period to imitate rich brocade fabrics. The finely carved “fabric” areas of the sculpture would be first covered in gesso, and then a layer of gold leaf would be applied. The gold leaf would then be painted over with various colors of tempera paints. Once dry, the painted surface would be incised or scratched away in patterns, revealing the gold beneath. The sculpture was professionally restored in 2022 by a firm that is often hired by the Spanish government to work on historic building interiors and museum pieces. The virgin was carefully cleaned, repaired and its condition stabilized. A complete and fully-illustrated restoration report will be included with purchase. Often confused with the virgin birth of Jesus, the belief that the Blessed Virgin Mary herself was conceived “immaculately” without original sin has been variously defended and debated within the Catholic Church since the pre-Middle Ages. For centuries, artists struggled to create an acceptable visual representation of this highly abstract concept, in part taking inspiration from the Book of Revelation and other scriptural sources. We see the Virgin standing on a half moon (biblically inspired, though also an ancient symbol of chastity) with her long natural hair loose down her back, another indication of purity. Both her white tunic and flowing blue mantle...

Tango, Art Deco bronze sculpture cubist dancers Pierrot and Colombine by Thomas Cartier, France 1930. The bronze has a silver patina and stands on a Portor marble base. Literature...

Recently salvaged from old Downtown Buffalo New York church rectory, lifesize carved wood statue, "Joseph" which once adorned the vestibule, well executed, wonderful detail, great si...

Large decorative brown leather elephant sculpture, Mid-Century Modern.

Couple of Elephants by Charles Lemanceau at Saint-Clement's, France, 1920s. A beautiful example of French art ceramics, this pair of elephants by Charles Lemanceau was produced at th...

Philippe Berry (French, 1956-2019), number 2 of an edition of eight, entitled: ''Sans les Mains'' (Without Hands), 1996, cast aluminum, initialed ''P.B.'', d...

Hello Matisse Coral Totem

Emile Gallé (1846-1904) was one of the greatest French glassmakers and ceramists of the 20th century. The son of a master glassmaker, he came into contact with the art world at an ea...

An attractive late 19th Century bronze figure of an Art Nouveau beauty with a shawl wrapped around her midriff holding a bowl exhibiting fine colour and excellent hand finished surfa...

Unique MOSI sculptural sidetable by Marthine Spinnangr One of a Kind Dimensions: D 28 x W 24 x H 48 cm Materials: Ceramic Different glaze types available MOSI is inspired by a morf sketch process inspired by nature walks and human poses to capture an aliveness in the expression. The name MOSI is inspired by the moss that surrounded the trails on by the lakes, sea and mountain...