Neoclassical Serveware, Ceramics, Silver and Glass

With hallmarks. Set made in silver in its color and glass composed of two jugs with handle, elongated neck and peak, and body of circular base, with the faceted exterior, an oval tr...

Hallmarked in London in 1795 by John Hutson, this very handsome, George III period, Antique Sterling Silver Salver, is in the Neoclassical taste, and is oval in shape, engraved with ...

Hallmarked in London in 1798 by Crispin Fuller, this stunning, George III, Antique Sterling Silver Tray, is in the Neoclassical style, fea...

Hallmarked in London in 1798 by Henry Greenway, this handsome, George III, antique, sterling silver ink stand, is plain in style, and feature...

Left to right from cover image: 8.5"H x 4"Diameter. ~ 13.25"H x 4.5"Diameter. Has an illegible signature on the bottom. ~ 10.75"H x 5"Diameter. Available individually for $850 each

Wine Cooler English 19th Century England. An English early 19th century wine cooler made in mahogany with a brass insert. Gilt bronze handles and...

Soft white paste, circa 1784-1803. Piece of tender pasta with wavy edges used to hold the tops of the cups in them and cool them when filling the ice container or similar. On the outside, it has two handles in the shape of plant elements and small reliefs on the fronts (also enhanced by the gold) which frame floral bouquets with colored leaves. It is possible that the piece belongs to the second period or intermediate stage of the Real Fábrica de Porcelana del Buen Retiro...

Pair of rectangular plates in porcelain representing antique scenes on cartouches with languished odalisques and nymphs and surrounded by putti in greyness. First frame in the medieval style and gold color; second one in celestial blue, reminding the color created by the chemist...

With marks. Centerpiece circular base and oval body decorated to the interior with small bouquets of flowers and the outside with an elaborate composition based on architectural and...

The hallmarks of this piece are reproduced in "Enciclopedia de plata Española y Virreinal Americana" pag 200 number 1056, serving as a hallmark reference for the publication. Silver ...

Porcelain. With marks. Water pitcher set decorated with stripes with floral elements in floral in vivid blue, red and gold tones. The center of the e...

Porcelain Rosenthal Classic Rose Soup Bowl in perfect condition. Very nice size and proportions, elegant decorative motifs. Very nice texture too.

Silver spur raised on simple legs, located in the chamfered ends of the piece, decorated on the outside with garlands and other architectural elements of ...

B&G/ Bing & Grondahl centerpiece classical Thorvaldsen style. Early stamp, 1870s. 1st. factory quality. In perfect condition. Measures: 23 x 18 cm.

Blue Fan Royal Copenhagen porcelain dinnerware. Two pieces. Oval sauce boat on fixed base, no. 11550. One factory quality, perfect condition. Measures: H 8 cm, L 22.5 cm.

Set of 12 Soup Plates by Rosenthal. Perfect condition. Never used. Very elegant.

A pair of 19th century Louis XVI Style Royal Vienna Porcelain Iridescent pink vases with neoclassical scenes. Of rounded form these covered vases are spectacular. Each has a particul...

A Gorgeous Polish Silver Torah Shield, made by Pogorzelski in Warsaw, 1890. 19th-century Poland was home to one of the largest populations of Jewish people living in Europe in that...

Circa 1800 Pair of Floral Paris Porcelain Urns Beautiful pair purchased in France. Age appropriate wear, see detailed photos or message us with questions.

An elegant and high quality French 19th century Neo-Classical st. Ormolu and Baccarat Crystal centerpiece. This charming diamond shaped centerpiece is raised on four acanthus leaf de...

Vegetable or soup old tureen with ladle: a good idea for Christmas gift! Made and guaranteed by Meridien B.Company - USA - Ladle by: A.H.&F.H.L.5. ref. O/3564     

Bust coin silver fish slice. Made by Gorham in Providence, ca 1865. Flat shaped oval blade with stylized leaf and scroll ornament. Tapering rectilinear leaf-mounted handle with cast ...

An most impressive and extremely high quality French 19th century Neo-Classical st. Ormolu, white Carrara and Vert de Patricia marble Sur Tout de Table centerpiece. This stunning elongated rectangular three piece plateau...

Large silver plated charger with mythological and battle scenes English, 19th century Height 4cm, diameter 68cm This silver plated charger ...

Onyx, porcelain, gilt bronze and cloisonnè Sevres center. Neoclassical Style. France late 19th century.

Pair of antique French Empire red porcelain and ormolu-mounted lamps, attributed to Sèvres. The porcelain bases of the lamps are decorated with ovals depicting bouquets of hand paint...

A pair of early 19th century (1828 – 1859) Italian Antique silver oil lamps (Lucerne) by Vincenzo Belli II. They are in the “Retour d’Egypte St...

**19th Century Porcelain Plaque with Elegant Lady in Lace, Central Cartouche A5834** This plaque features a finely painted elegant lady at the center, depicted with lace details. T...

A gorgeous and finely hand-carved pair of grand-tour period neoclassical style Carrara marble covered bowls/centerpieces. Each piece is of oval form with...

A very fine George III Neo Classical Sugar Basket made in London in 1779 by Hester Bateman. The Sugar Basket stands on a circular domed foot, with beaded edge, which is pierced with...

Pair of George III sterling silver sauce tureens. Made by William Pitts in London in 1785. Each: Ovoid body with upturned ends on oval foot; high looping tapering and leaf-mounted en...

Pair of Victorian Classical sterling silver bowls. Made by Tiffany & Co. in New York. Each: Round with plain well and curved and fluted sides. Turned-down lobed rim. Four ball su...

Sterling silver and cut-glass cruet set by Paul Storr. A pair of cruets and two footed condiment jars, crafted of finely cut glass mounted in silver, are held securely on a distincti...

These beautiful fish servers were created in the early 20th century by the prestigious Goldsmiths & Silversmiths Co Ltd. Founded in 1880...

Crafted by Wedgwood, this exquisite and rare assembled coffee cup and saucer set are comprised of the firm’s famous pale “Wedgwood blue” jasperwar...

A very fine pair of George III Neo Classical Wine Coasters made in London in 1773 by Robert Hennell The Wine Coasters are circular in form with a spreading base, which is decorated ...

A rare George III Neo Classical Water/Wine Ewer made in Sheffield in 1774 by John Rowbotham & Company. This beautiful Jug stands on a square pedestal foot, with four ball feet. The ...

This pedestal exhibits the style and grace of the famed Sèvres porcelain manufactory. Its lustrous deep blue porcelain base is Classic Sèvres in style, and it provides the perfect ba...

Bernegal, 18th century. Silver, with hallmarks. Weight: 55 g. Spanish 18th century wine vase, with Vidal hallmark and wide and low bowl, slightly rounded to the base, following the typology of this glass in the Hispanic Baroque. The two vertical handles...

Late Baroque pottery jug made and decorated with high temperature glazes over a white slip of tin. These motifs are combined with enameled decorations in relief obtained mold. The typology of the piece combines Italian jug with handle ovoid belly and vertical bow, with the peak jug typically Spanish, characterized by the outgoing peak of the mouth. Decorations reveal the oriental influence, with large floral bouquets arranged asymmetrically and complex landscapes with architecture and palm trees, which remove some figures, such as totally Western. The reasons appear pincelados in manganese black, and colored with ocher, blue, green and red, mainly enamels. Aragon ceramic least a century old will be characterized by a strong own, combined with the influences of personality Talavera and Catalonia. You will have three main centers: Teruel, Muel and Villafeliche, the first two with tradition since the 16th century, and the third created in the late 17th century. The Villafeliche will generally be very popular ceramics...

On three lines paw feet the dishes attach to the stands via a decorative threaded screw.

Pair Footed Fruit Coolers, about 1810-20 Stône, Coquerel, and Legros D’Anisy, Paris (active 1808–49) Porcelain, partially transfer printed in sepia and green and gilded Each, 13 1/2 in. high x 10 in. wide x 7 1/2 in. deep Signed and inscribed (on underside of one top and one base, with printed mark): STÔNE / COQUEREL / ET / LE GROS / PARIS / PAR BREVET D’INVENTION: Manufre de Décors sur Porcelaine Faience; variously inscribed with decorators’ initial in green and brown (on underside of one top and one base): M; variously inscribed with incised mark (on underside of one liner and both bottoms): 3; inscribed (in blue script, on the inside of one liner): 615 The Parisian firm of Stône, Coquerel, and Legros d'Anisy is distinguished for the important role that it played in the introduction of transfer-printed decoration on fine china in France. Although the process had been known and used in Great Britain since the eighteenth century, it was, according to Régine de Plinval de Guillebon in her book, Porcelain of Paris 1770–1850 (New York: Walker and Company, 1972), not until 1802 that Potter, Blancheron, Constant, Neppel, Cadet de Vaux & Denuelle took out a patent in France for transfer-printing on earthenware, and it was only on February 26, 1808, that John Hurford Stône, his brother-in-law, Athanase Marie Martin Coquerel, and Francois Antoine Legros d'Anisy not only took out a patent for transfer-printing on china, but also established a Stône, Coquerel, and d'Anisy partnership for the manufacture of transfer-printed ceramics. Their address from 1808 until 1818 was at 9, rue de Cadran, Paris. Prior to this, Stône and Coquerel had been partners at a creamware factory in Creil, France, and Legros d’Anisy had worked at the Sèvres factory, where he had apparently developed the transfer-printing technique for which his own firm became well known. “The process,” notes de Guillebon, was “based upon removing from the engraving a ‘pull’ made on a specially coated filter-paper, which was pressed onto the object to be decorated; this object itself was covered with a film. Firing took...

A very elegant French 19th century Empire Neo-Classical st. silvered bronze three tier plateau. The centerpiece is raised on three paw shaped feet. Each tier in graduating size has a...

An extremely elegant pair of French 19th century neo-classical st. Porcelain de Paris and gilt, two tiered Presentoirs. Each is raised by a circular socle pedestal with a gilt band a...