Neoclassical Serveware, Ceramics, Silver and Glass

Catavinos or scrapie. Silver. Century XVIII. Container known as catavinos or tembladera (as it does not have a foot) made of silver in its color with two flat curved handles decorat...

A wonderful French gilt bronze and cut crystal ormolu-mounted pedestal bowl in the manner of Baccarat. The almost identical one is also available AC851.

Regency Revival: Herculaneum Neo-Classical Greek Pattern Printed Dish ________________________________________ This is an impressive English Trans...

Masters of the Seas: A Pair of Wedgwood Porcelain Plaques of Clipper Ships, This magnificent pair of Wedgwood porcelain plaques serves as a tribute to the golden age of sail and th...

19th century Large sponge ware crock with minor hairline crack. Sold as is.

Antique 19th century Wedgwood dark blue jasperware pitcher circa 1863. Nice size for water at the bar or table or for use as a vase with flowers. Measures 7" tall x 6 1/4" across ove...

A set of twelve sterling silver butter or patè spreaders, in the ‘Versailles’ pattern from the Gorham Manufacturing Co. Providence Rhode Island, circa 1888. Designed by Antone Hel...

A desk tray designed by Charles Asprey & Charles Asprey junior. This is a very elegant desk-tray created in London England by the silversmith company of Charles Asprey & Cha...

Pair of Egyptian Revival Porcelain Candlesticks Royal Worcester, England, circa 1852-1862 (During Kerr & Binns Aquisition) A striking pair of mid-Victorian porcelain candlesticks i...

Pair hotel silver rams' head salts. Pair neoclassical style tripod form silver plate salts with rams' heads terminating in hoof feet with stretcher to central ball finial all beneat...

Spectacular set of 40 pcs European blown Mercury glass Handpainted Christmas ornaments Christmas trees in different colours and shapes. Storage box included.

White porcelain neoclassical style amphora oil lamp. Sleek white Berlin porcelain amphora with entwined serpent handle raised on four lion monop...

Large pair of Neoclassical (made in the Victorian Period), sterling silver column-form candlesticks, Sheffield, England, year-hallmarked for 1898, Henry Wigful - maker. Each candlestick measures 11 1/6 inches high x 5 1/4 inches deep x 5 1/4 inches wide. Columns are swirled in design. The capital of each column is designed with acanthus leaves. The base of each candlestick is decorated with profiles of the Green Man (a good luck symbol...

Antique French Sèvres Style Cobalt Blue Gold Gilt Jewelled Porcelain Tea Set Service French, Late 19th Century Smallest (teapot): Height 15cm, width 18cm, depth 11cm Largest (tray)...

Crafted in Longport, Staffordshire, England during the early 19th century (circa 1815–1830). This highly collectible Neoclassical set features an ornate tangerine-orange base glaze l...

Very nice nice Caviar Set. Original boxes. Very good condition probably never used.

Classical Elegance: A Set of Four Spode ‘Greek Pattern’ Openwork Dessert Plates Staffordshire, England, Early 19th Century This exquisite set of four dessert plates represents the h...

Created for Tsar Nicholas II, this clear crystal bowl - overlaid in coloured crystal with a high stem, a scalloped base, and diamond and palm leaf decorations - is spectacular. This ...

Pair of large gilt-bronze mounted Sèvres-style porcelain vases with pedestals French, Early 20th century Measures: Vases: height 141cm, width 60cm, depth 44cm Stands: height 66cm,...

A Meissen porcelain cup and saucer from the Marcolini period, dating around 1795, decorated with silhouette designs attributed to Samu...

A scarce black Basalt engine-turned teapot, attributed to William Adams I (1746-1805) Burslem, Stoke-on-Trent, England, circa 1790. William Adams I was an accomplished potter whose best known products included stonewares, jasper and basalt of the highest quality. This teapot is beautifully modeled in the Neoclassical style with a parapet lip, and a lid finial representing the Sibyl, a seated female figure often referred to as the widow. The basket like pattern on the body and lid was achieved by the use of an engine-turning lathe, first introduced to the Staffordshire pottery industry by Josiah Wedgwood in 1763. Acanthus leaf detailing to handle and spout. Black basalt pottery...

Cupid neoclassical Creil creamware plate. Antique black and white soup plate "L'Amour la punit de son indiference" with grapevine border. Impressed and...

Burleigh is an American pattern by Rock Sharpe handcrafted in the 1940s. The bell shaped bowls are handcut and etched. We have a set of six. The delicate b...

Oliera italiana in Argento di provenienza lombarda, della città di Brescia 1812/1872. Servizio da tavola, cestello ovale in argento contenente le ampolle dell'olio e dell'aceto. Su d...

A beautiful set of 12 Coalport dinner plates with subtly shaped rims and acid-etched gold borders. The distinctive deep blue enamel ground is con...

Neoclassical gilt decorated plate with puma. A Naples Real Fabbrica Ferdinandea white porcelain painted and gilt decorated saucer dish with puma confr...

An elegant French 19th century Neo-Classical st. Ormolu and Mirror centerpiece/tray. The wonderful oval tray is raised by four toupie shaped Ormolu supports. The outer sides and inne...

An elegant and rare pair of Meissen serving dishes from the Marcolini period. The pair of legume dishes is made of the finest porcelain. Under each saucer we find the Meissen manufac...

A matched set of six or twelve monumental hand-blown Murano glass goblets, commissioned by Baroncelli and made in Murano by glassmaker Fabiano Amadi, circa 2010. Each goblet is indi...

Presented is a "Surrender of Cornwallis" blue-glazed transferware plate. The plate was issued as part of a series of George Washington Bicentenary Memorial Plates in 1932, celebratin...

An elegant French centerpiece from the Napoleon III period, crafted during the late 19th century, circa 1870–1890. This refined decorative object exemplifies the eclectic taste and l...

Italian Neoclassical silver coffee pot and sugar bowl. Italian Neoclassical Silver Coffee Pot and Sugar Bowl. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with acorn lid and camel spout of oviform body supported by three female hermes...

A French Neoclassical faïence transfer printed creamware plate produced by Montereau, Creil, circa 1824-1836. A black transfer of an architectural im...

Unique vintage European blown glass , Mercury I glass , skillfully painted winter landscape on a purple background.

antique neoclassical figural sculpture in cast in bronze depicting a winged cupid with arrows and quiver raising a well-delineated leaf-form vessel while standing on a turtle pedesta...

British and American, 19th/early 20th century, fifteen Wedgwood solid blue jasper ware two inch medallions, each depicting an individual horse in a unique pose, modeled by Edward Bir...

Royal Copenhagen Blue Fluted Plain bottle coasters, set of 2, 1980s. Set of two small bottle coasters in Blue Fluted Plain, made in the classic fluted form and decorated with hand-pa...

Royal Copenhagen Golden Basket, Cake Dish. Beautiful octagonal porcelain cake dish from Royal Copenhagen’s “Golden Basket” series, model 595/9047. Features a wide gilded rim, hand-pa...

Italian Neoclassical Sheffield three piece mirror plateau with engraved gallery, decorative figural & scrolled acanthus foliage motif, and resting on the original ball feet. Earl...

A fine antique Jasperware beaker or cup. In Wedgwood blue with white relief decoration depicting men, women, children, and trees in a Classical s...

Two pairs of maiolica baskets Antonio Ferretti Manufacture Lodi, circa 1770-1790 Maiolica polychrome decorated “a piccolo fuoco” (third fire). Measures: A) Height 3.54 x 6.69 x 9.84 in (9 x 17 x 25 cm); B) Height 3.93 x 7.48 x 11.02 in (10 x 19 x 28 cm). Total weight 4.85 lb (2.200 kg) State of conservation: A) One of the smaller baskets has some areas of restoration, the other slight chipping from use; B) One of the larger baskets is intact and the other shows a clearly glued break. The mold with which the baskets were forged simulates a wicker weave. The two larger works have high, vertical walls, with branch-shaped handles penetrating the weave. The painted decorations, small polychrome flowers applied only externally, highlight the points where the weaves intersect. The decision to leave the center of the basket devoid of decoration is highly unusual, but given the size and complexity of the shape, as well as the quality of the enamel, it is possible to hypothesize that it represents a precise choice in manufacturing or for a particular client. The two smaller baskets have small, twisted handles and, on the outside, reproduce more decisively the characteristic wicker weave, obtained through thin molded lines. The interior exhibits a rich, typical decoration of naturalistic flowers: a bunch centered around a main flower and secondary stems accompanied by small “semis”. The exterior of these works is also adorned with small little flowers where the weaves intersect. The size and morphological characteristics of the baskets confirm their attribution to the Lodi factory of Antonio Ferretti between 1770 and 1790, during its most successful period; by this point his original reworking of the "Strasbourg" decoration, known as "old Lodi", had achieved great fame even outside Italy. This decorative choice represented a strong point of the Lodi factory, which established itself thanks to the vivid nature of the colors made possible by the introduction of a new technique perfected by Paul Hannong in Strasbourg and which Antonio Ferretti introduced in Italy. This production process, called “piccolo fuoco” (third fire), allowed the use of a greater number of colors than in the past; in particular, the purple of Cassius, a red made from gold chloride, was introduced. Its use allowed for many more tones and shades, from pink to purple. The Ferretti family had started their maiolica manufacturing business in Lodi in 1725. The forefather Simpliciano had started the business by purchasing an ancient furnace in 1725 and, indeed, we have evidence of the full activity of the furnaces from April of the same year (Novasconi-Ferrari-Corvi, 1964, p. 26 n. 4). Simpliciano had started a production of excellence also thanks to the ownership of clay quarries in Stradella, not far from Pavia. The production was so successful that in 1726 a decree of the Turin Chamber came to prohibit the importation of foreign ceramics, especially from Lodi, to protect internal production (G. Lise, La ceramica a Lodi, Lodi 1981, p. 59). In its initial stages, the manufacture produced maolicas painted with the “a gran fuoco” (double fire) technique, often in turquoise monochrome, with ornamentation derived from compositional modules in vogue in Rouen in France. This was also thanks to the collaboration of painters like Giorgio Giacinto Rossetti, who placed his name on the best specimens next to the initials of the factory. In 1748 Simpliciano made his will (Gelmini, 1995, p. 30) appointing his son Giuseppe Antonio (known as Antonio) as universal heir. After 1750, when Simpliciano passed away, Antonio was directly involved in the maiolica factory, increasing its fortunes and achieving a reputation on a European level. Particularly important was the aforementioned introduction in 1760 of the innovative “a piccolo fuoco” (third fire) processing, which, expanding the ornamental repertoire with Saxon-inspired floral themes, could commercially compete with the German porcelains that had one of its most renowned offerings in the naturalistic Deutsche Blumen. Antonio Ferretti understood and promoted this technique and this decoration, proposing it in a fresher and more corrective version, less linked to botanical tables...

A refined example of mid-20th century American luxury, this Tiffany & Co. sterling silver tray embodies understated elegance and timeless craftsmanship. Designed with a finely execut...

19th c cranberry glass pitcher and basket.

Barlaston, Staffordshire, 1973, molded, stepped, oval form with bas-relief depiction of a horse cowering from an imposing lion, impressed "WEDGWOOD" recto, "WEDGWOOD/MADE IN ENGLAND/...

A fabulous and pristine set of twelve neoclassical style 19th century Meissen Porcelain plates hand painted with putti, fruit, garland, and heavenly scenes. The center of each plate ...

A fine antique white opaline or opalescent glass cup & saucer. With handpainted flower garlands to the body of the cup & the rim of the saucer & traces of original gilding. Sim...

Impressive versatile glass plate from Tiffany. This tray or charger can be used as part of a traditional setting or stand alone even as a cheese tray on a kitchen or dining table.

These fine handmade pottery sponge ware mixing bowls are in pristine condition. Sold as a collection of four bowls with clam shell pattern.

Royal Copenhagen Blue Fluted Half Lace teacups with saucers, set of 4, 1980s. Set of 4 teacups with matching saucers in the Blue Fluted Half Lace pattern. Classic fluted forms with ...

Neoclassical Creil creamware plate. Antique black and white soup plate from the "An de Rome" series "Prise de Syracuse; Mort D'Archimide" with grapevin...

of oval form and having handles at the sides, the front with a cast coat of arms

This standing ashtray is made of brass and bronze with lily flower decor. This is a French work. Circa 1940

A Meissen Porcelain Greek Mythology’s Muse figurine playing the Lute. She can be Erato, the muse of lyric poetry, particularly erotic poetry and mimic imitation. It depicts a lady dr...

French Neoclassical Silver Oil Lamp. Antique French sterling silver oil lamp of neoclassical form with leaf and bead detailing on raised pedes...

Set of Six Early 19th Century French Botanical Dessert Plates with Green Borders and Fire-Gilt Trim A rare and refined set of six early 19th-...

Gorgeous 56-Piece Aynsley “Dunrobin” Antique Bone China Set Elevate your table with this stunning 56-piece set of Aynsley China in the coveted "Dunrobin...

Etruria, Staffordshire, 1929-1938 , turned Wedgwood shape no. 317, stoneware with crimson Jasper dip ground, decorated with sprigged white Jasper bas-relief classical cameos, ringed ...

Medallion coin silver coffee and tea set. Made by Gorham in Providence, ca 1860. This set comprises 5 pieces: coffeepot, teapot, creamer, sugar, and waste bowl. Globular bowls on ste...

A beautiful collectible plate by Wedgwood. This is the perfect piece for the true southerner. This decorative plate or vide poche would make a fantastic catchall. The motif is dedicated to the state of Georgia. The center bears the State Seal in an applied cream and says State of Georgia 1776. Around the rim, are applied cream stars. A well designed room is all in the details. And this small decorative...

Circa 1750 Delft blue & white deep serving dish or fruit bowl. By P. VanderStrom's pottery de vergulde Blompot (The Golden Flower Pot). Simply decorated in the peacock feather fan in...