Neoclassical Sterling Silver

A sea shell centerpiece made of solid heavy gauge sterling silver and with conch shell feet by Buccellati, Italy 20th century. This rare neoclassical piece is rife with elegance and...

An assembled set of four vintage wide band Sterling Silver napkin rings, various makers, circa 1920s – 1930s. Wonderful examples: One ring is engraved with the name ‘Sylvia’ from th...

Charming, rare estate Tiffany & Co. sterling silver baby cup in the form of a miniature tankard 20th Century Marks: Tiffany & Co., Sterling, 2419 Engraving: Adam Condition: Very Good...

Circa 1910 Tiffany Sterling Silver "Winthrop" Flatware Service for 8. Arts & Crafts "E" monogram. Service for 8 of dinner knives (10.125"), forks (7.5") & teaspoons (5.625"). Luncheo...

Italian Sterling Silver Figural Horse Head & Silverplate Salad Set—Fork & Spoon Italy, 20th Century This exquisite Italian sterling silver and silver-pla...

Pair of Edwardian Period, tall, Neoclassical-Style, sterling silver Corinthian column candlesticks, Sheffield, England, year-hallmarked for 1906, James Dixon and Sons...

This exquisite set of 12 "Gilded Age" Sterling Silver Tiffany Charges was realized in America in 1905. Each plate has heavily detailed boarders featuring a Kylix cup amid scrolling s...

Maria Theresa Austria-Habsburg 1780 Silver Coin Letter Opener The coin is orignal and authentic minted 1780, the blade of the letter opener is sterling silver and hallmarked later a...

Tiffany & Company and George Paulding Farnham, A rare, lavish and monumental sterling silver centerpiece with original mirrored-glass sterling silver plateau, circa 1900. Museum quality. In the George III style, designed by Paulding Farnham for Tiffany and Co, New York. Of palatial and monumental size. Centerpiece: 15" high x 30" wide x 27" deep Plateau: 3" high x 39" wide x 34" deep In excellent condition, ready to place. Of oval form, the everted rims formed of openwork scrolling classical foliage and bellflower swags, the tops applied with standing scrolling foliage with four silver caryatid female figures, the bases overlaid with acanthus and palmettes. The original, silver mirrored plateau...

Tall, Empire-style sterling silver candelabra with removable arms, Preisner Silver Co., Wallingford, CT., Ca. 1935. Graceful design. Each of the pair, which is weighted, measures 15 ...

Beautiful pair of Victorian Period, neoclassical-style, sterling silver Corinthian column candlesticks, made in the city of Sheffield, England, year-hallmarked for 1898, Hawksworth, ...

This unique and highly ornate Pair of Neoclassical Sterling Silver & Bone Tongs originates from the United States, Circa 1890. The feature a spring mechanism and are rendered in beau...

A fine Neoclassical style cake plate or serving dish. In sterling silver and cut glass. By the International Silver Company. Stylistically similar to International's 'Wedgwood' pat...

Large pair of Neoclassical (made in the Victorian Period), sterling silver column-form candlesticks, Sheffield, England, year-hallmarked for 1898, Henry Wigful - maker. Each candlestick measures 11 1/6 inches high x 5 1/4 inches deep x 5 1/4 inches wide. Columns are swirled in design. The capital of each column is designed with acanthus leaves. The base of each candlestick is decorated with profiles of the Green Man (a good luck symbol...

Italian Sterling and Cobalt Murano Glass Fantasy Model of a Horse & Carriage Italy, late 20th century A captivating Italian Sterling and Cobalt ...

1907-1947 era sterling silver phone dialer by Tiffany & Co. For "Trixie". Immortalized in the 1962 film "Breakfast at Tiffany's" when Audrey Hepburn's cha...

Sterling Silver Picture Frame H & S co.

Tiffany & Co., sterling silver pierced condiment dish in pattern number 13835 from 1898. They measure 7 3/4'' in length by 4 7/8'' in width by 2'' in height and bear hallmarks as shown. Total weight is 7.6 troy ounces. The legendary Tiffany brand was founded in 1837 by Charles Lewis Tiffany and John B. Young in Connecticut as a "stationery and fancy goods emporium," with the help of Charles Tiffany's father who financed the store for only $1,000 with profits from a cotton mill. Tiffany & Co. soon became a highly regarded brand for jewelry, gemstones, and silver. In 1845, Tiffany was a pioneer when it launched the Blue Book, which at the time was the first mail-order catalog...

Italian Neoclassical Silver Coffee Pot. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with parrot l...

From S. Kirk & Son, Baltimore, Maryland, a ‘Repousse Rose’ long handled sterling silver berry spoon, circa 1930s. The longer handle is suited to serving ...

Tall, Edwardian, sterling silver, neoclassical, column-form candlesticks, Birmingham, England, 1914, Bayliss and Coulthard - makers. Measures: 12 1/2 high x 5 wide x 5 deep (at squar...

Medallion coin silver cruet stand. Made by Gorham in Providence, ca 1860. U-form handle mounted to columnar shaft threaded through 4-ring frame on tapering pillars; solid quatrefoil ...

Italian Neoclassical silver coffee pot and sugar bowl. Italian Neoclassical Silver Coffee Pot and Sugar Bowl. Neapolitan caffettiera in sterling silver with wood handle of neoclassical form and decoration with acorn lid and camel spout of oviform body supported by three female hermes...

Antique Milanese silver oil cruet consisting of an oval tray supported by four cast zoomorphic paw shaped feet; the edge of the tray is a ribbon decorated by...

The English sterling silver spoon has a lion hallmark depicting London and an "R" in a shield likely bears a hallmark indicating it was made in 1891. The lion represent the city ass...

Antique 1939 Reed & Barton sterling silver solo cocktail shaker, sold by Shreve, Crump, & Low Company, commemorating the 100th anniversary of Charles Goodyear’s successful vulcanization of rubber in 1839 and the ACS (American Chemical Society) of Boston. Charles Goodyear (December 29, 1800 – July 1, 1860) was an American self-taught chemist and manufacturing engineer who developed vulcanized rubber, for which he received patent number 3633 from the United States Patent Office on June 15, 1844. Goodyear is credited with inventing the chemical process to create and manufacture pliable, waterproof, moldable rubber. Goodyear's discovery of the vulcanization process followed five years of searching for a more stable rubber and stumbling upon the effectiveness of heating after Thomas Hancock...

A wonderful Tiffany sterling silver finely engraved round and footed serving tray or platter centerpiece.

Fine American sterling silver tea bag cup, circa 1930s, by the American firm of Lunt, featuring an openwork handle of loops and scrolls. 4 1/2 inch diameter and height of 1 1/2 inche...

Silver 925 Cutlery set for 12 people signed Bruckmann. Germany, late 19th century. Complete for 12 people. A total of 170 pieces: 12 large kni...

This exquisitely beautiful sterling silver coffee or tea breakfast service by Odiot Paris will create a refined ambiance for your table. Set consists of three matching, handmade pieces from the early twentieth century. The small serving vessel for coffee or tea features a carved, lacquered black wooden handle and a hinged lid with a decorative finial. Serving vessel measures approximately 7” high x 5.5” wide x 4” deep. A creamer with a carved, lacquered black wooden handle measures approximately 3” high x 4.25” wide x 2.75” deep. A sugar bowl with 2 silver handles and a lid with a decorative finial measures approximately 4” high x 5.75 wide x 4” deep. Founded in Paris in 1690, Jean-Baptiste-Claude Odiot began a silver and goldsmith house which to this day is among the most prestigious in the world. For centuries, the Odiot house has been an ambassador for French excellence. From the 17th to the 21st centuries, Odiot is synonymous with opulent luxury and timeless elegance. Monogrammed with an “M”, which may be removed. Hallmarked on the bottoms, “Mon Odiot...

An Earl’s Coronet, in silver-gilt, by Hunt & Roskell: the firm formerly known as Storr & Mortimer, a direct line to Paul Storr. Made in 1911, no doubt for...

A set of seven, sterling silver butter pats, circa 1940s. Marked Sterling, with a running rope bordered rim. Each pat is faintly initialed with a G. The pats can also be used to hold a tea bag...

Embossed and engraved silver plaque La Madonna del lago (The Madonna of the Lake) Probably Milan, post 1824 Brass frame It measures 16.14 in x 13.85 in (41 x 35.2 cm) and it weighs 10.357 pounds (4.698 g): silver 1.31 pounds (598 g) + brass 9.03 pounds (4.100 g) State of conservation: some abrasions on the bottom. The frame is old, but not original. The plaque is made up of a sheet of embossed and engraved silver, and held in a solid brass frame. It depicts the “Madonna del lago” – “Madonna of the Lake” - (the Madonna with Child and San Giovannino) by Marco d'Oggiono (Oggiono, 1474 circa - Milan, 1524 circa), while changing only the background landscape. Almost certainly the subject reproduced in the plaque was taken from a famous engraving by Giuseppe Longhi (Monza, 1766 - Milan, 1831), one of the greatest engravers of his era. The silver is unmarked, probably because originally the Madonna was due to be exposed in a church: sometimes precious metals destined for worship and liturgical use would be exempted from payment and were, therefore, not marked. It is very likely that the plaque was made in Milan because in this city in 1824 the engraving by Giuseppe Longhi was made and printed. In addition, in Milan, the alleged lost painting by Leonardo da Vinci in his Milanese period (1482-1500) would be produced; this is the painting from which Marco d'Oggiono took his version. The painting Marco d?Oggiono was one of Leonardo da Vinci's most brilliant students and collaborators (D. Sedini, Marco d’Oggiono, tradizione e rinnovamento in Lombardia tra Quattrocento e Cinquecento, Roma 1989, pp. 151-153, n. 56; p. 225, n. 124, with previous bibliography). His style reflects in every way that of the Tuscan Maestro, so much so that he was the one who executed some copies of da Vinci's paintings. The execution of the “Madonna del Lago” probably draws inspiration from a lost painting by the Maestro, created while he was living in Milan (1482-1500). There are many similarities with other works by Leonardo such as the “Vergine delle rocce” or the “Vergine con il Bambino e San Giovannino, Sant’Anna e l’Agnello”. The painting, from which the drawing and then the famous engraving were taken, is found today at the M&G Museum of Bob Jones University in Greenville, South Carolina, where it came to rest after the sale of the Harrington Collection in London in 1917. The work appears in the inventories of the collection of Napoleon and Joséphine Bonaparte at the castle of Malmaison, before 1809. The Malmaison building was born and developed in the 17th and 18th centuries. In the 18th century it belonged to Jacques-Jean Le Coulteux du Molay, a wealthy banker. Later, during the Directory, Joséphine Bonaparte de Beauharnais bought it on April 21st, 1799, but settled at the castle definitively only after her husband separated from her in 1809. She remained there until 1814, the year of her death. When Joséphine died, the estate passed to her son Eugène de Beauharnais, who moved to Munich with his whole family in 1815, bringing with him the collection of paintings he inherited from his mother. Eugène died in 1824 and his wife Augusta of Bavaria (von Bayern), unable to keep it, in 1828 sold the Malmaison to the Swedish banker Jonas-Philip Hagerman. It is likely that in this period Augusta also sold part of the paintings inherited from her husband, including the “Madonna del Lago”. This painting then came into the possession of Leicester Stanhope, fifth Earl of Harrington (1784 - 1862) and then was passed down to his descendants. In 1917, at the death of Charles, eighth Earl of Harrington, his brother Dudley inherited the title and properties and he put up a part of his collections for sale. Among these, precisely, the painting by Marco d'Oggiono was to be found. On the occasion of that auction the painting was presented as a work by Cesare da Sesto, by virtue of a handwritten note by the Countess of Harrington on the back of the table. However, already in 1857, the German critic Gustav Waagen had identified Marco d'Oggiono as the author of the painting, then exhibited in the dining room of Harrington House in London (Treasures of Art in Great Britain, in 4 volumes, London, 1854 and 1857). The engraving Giuseppe Longhi was one of the most renowned engravers in Italy between the end of the 18th century and the first quarter of the 19th century. In 1824 Giuseppe Longhi, based on a design by Paolo Caronni, made a famous engraving of the painting of Marco d?Oggiono. The activity of Longhi was then at the peak of his notoriety, enough to earn him very substantial commissions; it is not risky to suppose that some of his successful engravings were also reproduced using other means: in our case in silver. (A. Crespi, a cura di, Giuseppe Longhi 1766–1831 e Raffaello Morghen...

Neoclassical, sterling silver mug/cup, Providence, Rhode Island, Ca. 1880's, Whiting Mfg. Co. - maker. Measures almost 4 inches high x 4 1/2 inches wide fr...

Russian malachite and silver table by Imperial silversmiths the Grachev Brothers Russian, 1884 Measures: Height 85cm, width 113cm, depth 63cm This beautiful silver table was man...

1907-47 era sterling silver phone dialer, Tiffany & Co. John C. More II for Tiffany. Fine hand engraving for the "Patterson" family. Immortalized in "Brea...

extremely rare french silver presentation plate/ dinner plate. this important plate is one of the best quality work and engraving i have ever seen in my life, the outer rim is all adorned and ornate with flowers in neoclassical style, and the actual plate is all hand engraved with the most incredible engraving with gold plating on just the engraved patterns what makes the plate looks like the gold plated part is 3 dimensional. This important plate was made in paris by the famous silver master Maurice Mayer...

A beautiful sterling silver picture frame crafted by Carrs LTD in England is a timeless and elegant piece. Carrs in known for producing high-quality silverware, and such a frame wou...

A group of 4 Mardi Gras sterling silver cordials, 1969 & 1970 dates, made by Gorham. Krewe of Athenians Ball souvenirs. 2.50 troy oz. 2.75" h., 1.25" dia. We are a family business t...

Embossed and engraved sterling silver coffee pot Tommaso Panizza (1805-1868) Milan, circa half of the 19th century It measures 13.97 in (cm 35.5) in height x 8.66 in (22 cm) x 4.7...

Neoclassical-Style, Continental Silver (.800), paw-footed chocolate pot with wood handle and hinged lid, Dutch, year-hallmarked for 1886, Ate deGroot Boersma Sneek - maker. Beautifu...

A sterling silver celery tray by Gorham, circa 1940s. A rectangular paneled tray with a rolled, shaped rim, very heavy in weight. Marked: Gorham Sterling...

1788 Old English pattern sterling silver tablespoon by Hester Bateman, London. Elegantly monogrammed "JLA". Very good condition, some tip wear commensurate with age & use. 1.85 troy ...

George III sterling silver epergne. Made by Thomas Pitts in London in 1774. Reeded and beaded oval frame; at base swags threaded through fixed rings with pendant oval vase medallions, overlapping four split-mounted leafing supports terminating in pierced and scrolled oval feet. Four reeded and scrolling leaf-capped and -wrapped arms, each terminating in oval basket, mounted to frame base alternating with four reeded and scrolling leaf-wrapped arms, each terminating in round basket, mounted to supports. Large oval basket...

This beautifully detailed and well balanced Reed and Barton Francis I Pattern Sterling Silver Serving Spoon originates from the United States, ...

Wonderful large sterling silver pierced flower urn basket centerpiece bowl stand.

A timeless set for tea and coffee in neoclassical form in silver 950 with wood handle, from the maker Jean E. Puiforcat These are a beautiful and timeless set for tea and coffee, co...

A pair of Gorham sterling silver Chambersticks, circa 1920-1930. A beautiful Repoussé pattern of roses, fans, shells, and scrolls. Each with a finger holder, charming for the bedsid...

Exceedingly Rare and Important pair of Museum quality old English sterling silver Cymric candlesticks.  Exceptional example of silver from the Art...

Rare and exceptional 19th century silver oil lamp supported by the figure of Mercury after the model by Giambologna, by the Italian silversmith, Angelo Giannotti (1824-1865) of Bolog...

From Milan a 19th century Italian silver and crystal compote bowl in good condition from a private collection. This antique Neoclassical covered compote bowl has a very fine hand-chased vegetal decoration and engraving, a lovely cast engraved silver 800/000 finial and shows silver-maker’s mark for Cristoforo Corbella active in the first half of 19th century in Milan, contrada degli Orefici 3194. This antique silver compote of supreme craftsmanship stands on a three-lobed pedestal base with B L monogram engraved in the central part, features tripod legs decorated with neoclassical motifs, scrolls, flowers, rosettes supporting a circular upper ring adorned with elegant acanthus leafed piercing. Engraved crystal cup and a cover finely engraved with geometrical and vegetal pattern, surmounted by a cast gem finial. The following marks can be seen on the bottom of the foot and the upper edge of the compote, (the original descriptions are reported, as they appear on the documents of the State Archive of Milan): 1) “Forma eptagona. Globo col Zodiaco ed i setti (sic) Trioni” Heptagon form. Globe with the Zodiac and the seven Trioni (seven stars of the Ursa Major) Mark of the Guarantee Office in use in the Napoleonic Kingdom of Italy from 1812 for works with a title of 800 thousandths. 2) "Aratro" Plow Mark of the Guarantee Office in use in the Napoleonic Kingdom of Italy from 1812. 3) "insegna della Luna Piena...

Rare pair of German Salt-Species Cellars. An important matching pair of oversized salt and spicy cellars, created in Germany in the 19th century, circa 1870. These beautiful piece...

This is a set of Seven Royal Danish U.S.A. International Sterling silver cups, saucers and liners. They are from the Plain Prelude design and the liners are cream color adorned with ...

Elegant set of sterling silver cups and saucers with gold lined Lenox porcelain cup inserts. Cups are removable from the sterling cup holde...

Embossed and engraved silver coffee pot Antonio Garavaglia Milan, Circa 1830 It measures 16.92 in (43 cm) in height and weighs 3.35 lb (1.520 gr) State of conservation: very good The large silver coffee pot has a round mouthpiece with a marked everted rim on which a pagoda lid rests; this is surmounted by a cock-shaped knob with a border decorated with small pods...

GEORGE REEVERS (Maker - Silversmith) - Extraordinary and rare Dutch fine silver round biscuit box - 934/1000 silver - finest quality and timeless design (nearly 200 years old) - classic rope twist borders (two to the top and one to the base) - indent to the edge of the hinged lid for easy opening and grip - original green wool felt base liner (not photographed...

Pair of early 20th-century sterling silver serving spoons with an "E" monogram, cartouche, and ornate detailing. Such pieces often hold historical and aesthetic value.

A display round tray designed by Tiffany & Co. Beautiful antique three footed round display tray, created in New York city for Tiffany & Co. between the 1858-1859. This tray certainly is one of the first pieces made at the 550 Broadway avenue in solid .925/1000 sterling silver. It was made up with American classic patterns and mount in three elaborated legs. As with all Tiffany pieces, the quality and design are beyond compare. Exceptional and rare example of Tiffany's finest work. Weight: 175.85 Grams (112.72 Dwt). Measurements: Diameter of 146.05 mm and a height of 24.2 mm (5.75 x 0.95 inches). Hallmarks: Stamped twice with the maker's mark, the gothic letter "M" associated to J.C. Moore & Sons (1854-1869), the model number 867, the order numbers 9008 and signed in full. "TIFFANY & CO. M 867 ENGLISH STERLING 925/1000 M 9008 550 BROADWAY". In addition is engraved with the inventory numbers 441. Note: Tiffany silver hollowware and flatware is generally marked Tiffany & Co and generally includes date letters indicating the period it was made. Flatware also usually includes a pattern number. The first date...