North American Folk Art

Amazing folk art military radio trunk with a painted bust of an native American Indian by artist Ira Yeager (American 1938-2022). WWI era canvas covered trunk used to store radio parts...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

Mixed Metals Footed Dish and Ashtrays, Mexico, circa 1960s Copper, Brass, Silver, Gold Married Metals three pieces: one dish and two ashtrays original vintage condition.

Pair of charming Bohemian Chic bleached white handwoven wicker table lamps with beaded shades. Brass Hardware for secure daily use. US Wiring and each Lamp takes 1 regular or LED Bul...

An amazing spider's web of a rollercoaster of design and line. This sculpture is just as delicate and light filled like a spider's web. A work that reaches, careens, and zigzags Constantly changing maze of line and perspective. Comprised of welded metal rods and airbrushed in different colors. Circa 1960. Good overall condition with all welds intact. Some minor rust and pitting, but that just adds to the piece's outsider art charm. Clipped corners on the piece's base. Reminiscent of a small skeletal sculpture by the artist, Lee Bontecou...

An exquisitely formed and deeply blue glazed set of six ceramic sake/ liqueur cups by renowned American West Coast Californian master ceramist Harrison McIntosh who was famed for his Mid-Century Modern designed ceramics. Mcintosh's works have been exhibited in such acclaimed venues as the Smithsonian in the United States the Louvre in France. Over his more than 60-year career, McIntosh had some 43 solo exhibitions from Los Angeles, New York, Belgium, Cannes, France to Japan. His work can be found in numerous collections and museums throughout the world including: Musée des Arts Décoratifs, Paris, France The National Museum of Art, Tokyo, Japan Museum of Fine Arts, Boston, Massachusetts Mingei International Museum, San Diego, California The Huntington Library, San Marino, California American Museum of Ceramic Art, Pomona, California Alfred Ceramic Art Museum, Alfred University, Alfred, New York American Museum of Ceramic Art, Pomona, California Arizona State University Art Museum, Tempe, Arizona Belgian...

Great vintage hand carved Eagle. Piece is carved both front and back. This piece is even better in person.

A handmade decorative American hooked rug from the middle of the 20th century with a few jolly ducks floating on a colorful striped field The condition is really nice. No stains, no...

Stunning little american folkhart water color of a young gentleman. Sitting with his arm over the back of what appears to be a tiger maple chair of the period. In the lower right corner we can see what is a tiger maple table...

Large pair of Native American beaded Cree gauntlets. Featuring five multicolored flowers and zigzag pattern banding done in colors of red, yellow, black, blue, green, and white. 18" ...

Vintage Inuit beaded belt - hand sewn - combination of black and multi-color opaque and semi-translucent beads - white metal buckle - one fixed belt loop...

Life size wood carved and painted hunting decoy of a trumpeter swan with patina iron weight attached. Unsigned. East Coast. Multiple layers of hunter repaint with surface wear. Multi...

A visually captivating mid-20th century Amish quilt from Lancaster County, Pennsylvania, expertly hand-crafted in the traditional “Sunshine and Shadows” pattern. This vibrant patchwork design features a striking interplay of blue and green tones, punctuated by hand-cut squares in red, black, and ivory. The meticulously even hand stitching highlights the skill and care that define Amish quilt making, while the use of repurposed household fabrics reflects a heritage of resourcefulness and sustainability. More than a utilitarian textile, this quilt stands as a work of folk art—perfect for collectors, designers, or anyone seeking a meaningful statement piece with historical and aesthetic significance. Dimensions: 47” x 55” Date of Manufacture: 3rd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot Gallery, SKU: 2244 vintage Amish quilt, Sunshine and Shadows quilt, hand-stitched patchwork quilt, antique American quilt, blue and green quilt, mid century Amish textile, Lancaster County quilt, handmade cotton quilt, repurposed fabric folk art, collectible Amish quilt, sustainable vintage decor, heirloom quilt, geometric patchwork quilt, Amish craftsmanship, quilt for interior design, Amish Sunshine and Shadows Quilt, American Amish Sunshine and Shadows Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

A striking mid-20th century Amish cotton quilt from Lancaster County, Pennsylvania, meticulously hand-stitched in the traditional “Jacob’s Ladder” pattern. This quilt showcases a distinctive palette of purple, green, and teal, with each individual piece carefully hand-cut and assembled using time-honored techniques. The fine, even stitching and geometric symmetry speak to the exceptional skill and care of its maker. Created by the Amish community using repurposed materials from their households, this quilt exemplifies a tradition of sustainable craftsmanship and cultural expression. Both functional and deeply artistic, this heirloom-quality piece makes a meaningful addition to any vintage textile collection or thoughtfully designed interior. Dimensions: 34” x 54” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot Gallery, SKU: 2241 vintage Amish quilt, Jacob’s Ladder quilt, hand-stitched Amish cotton quilt, antique patchwork quilt, mid century American quilt, Lancaster County textile, repurposed fabric quilt, purple and green quilt, collectible Amish textile, handmade American quilt, heirloom quilt art, sustainable vintage decor, Amish craftsmanship, vintage cotton quilt, quilt for interior design, Amish Jacob’s Ladder Quilt, American Amish Jacob’s Ladder Quilts, Jacob’s Ladder Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of found steel is reworked, pr...

This Wild Goose Chase Quilt has a wonderful variety of fabrics, including glazed chintz from the mid 19th century. The generous size of 91" x 98 " would make it an excellent bedcover...

Large-scale Folk Art Carnival game board, American, circa 1940s. This painted carnival game board came from Texas and combines wonderfully patinate...

Cheyenne style war headdress. 30"H with Drops 26"W. Headdresses like this were constructed of award coup feathers. Ermine and stripped hawk feathers attached to the back of the crown...

Navajo Indian Weaving Pillow. Feather and down insert and zippered casing.

Circa late 1800s, wood, and glass, American, possibly New York. Charming beyond belief, this polychrome Folk Art House was originally made to feature a ...

This fine and unusual double handled Papago basket is in good condition. Its simple pattern and fine tight weave makes it very special and unusual.

19th C Nine patch chain with a saw tooth border. This early Pennsylvania nine patch is in fine condition.

Mosquitobush Stories and Prints by Francis Tolman. Richard R Smith, New Hampshire, 1963. Signed and inscribed by the author first edition hardcover with Broadart covered dust jacket....

Nicely faded American flag quilt. Excellent hand stitched dancing Folk Art stars. Skilled quilting, a nice graphic large-scale wall hanging. White ...

Early 19th century ladder back child's chair from New England in fantastic condition. This early chair is mortised and square nail construction.

Pair of beautiful Navajo Indian weaving bolster pillows. Feather and down inserts. Zippered casing.

Jim Rose, known primarily for his steel furniture, was an avid collector and scoured salvage yards for unique and interesting items. Here, a collection of spare parts come together ...

An amazing and unique piece by renowned American pottery and ceramic master Paul Soldner who in the 1950s was Peter Voulkos' first student and who later became famed for developing the technique now known as "American Raku...

A wonderfully made and glazed large low bowl by renowned American potter Laura Andreson. Gorgeous in its Mid-Century Modern design and glowing pale colo...

This fine oil painting of a Indian chief is in a custom made contemporary gilded wood frame. This listed artist Fred Crosson painting is also dated 1981 and in fine condition.

A Historical artifact once used in the HBO series Boardwalk Empire. Maple cabinet with brass plaques and painted iron mechanism. Costing two quarters and a penny to play. Not tested ...

A stunning Canadian studio pottery miniature bowl decorated in yellow glazes with an associated pottery stand by Lane Gordon Thorlaksson (Canadian, 1937-2009) dated 1976. Lane Gordon Thorlaksson was born in 1937 in Winnipeg, Manitoba and moved to Vancouver as a child. In his twenties, he represented Canada in the 1959 Chicago Pan-American Games, running alongside Henry 'Harry' Winston Jerome in both the 100 yard and 220-yard dash. Following this, he attended San Jose University of California and in 1966 received a BFA in Ceramics. Working with clay was Thorlaksson’s passion. He was fascinated with Asian ceramics, in particular the Song dynasty Chinese pot forms and glazes. In 1985, the Mayor of Vancouver, Mike Harcourt, visited China on a goodwill mission for the twinning of Vancouver with Guangzhou China. As gifts, he took with him several of Thorlaksson’s ceramics and presented them to Cao Yun-ping, Secretary-General of the People's Municipal Government of Guangzhou. The pieces were well received and local Chinese potters were interested to learn about his glazing techniques. In 1987, Thorlaksson was invited to visit China’s Guangzhou University to exhibit more of his work. He was aided in this exchange by Joanne Mah, the Director of Intercultural Training and Educational Consultants (ITEC), who had worked with the Harcourt exchange. In 1988, she and her husband sponsored a pre-gallery showing of Thorlaksson’s ceramics at the ITEC’s Hong Kong office, prior to an exhibition at Alvin Gallery in Hong Kong. Thorlaksson was celebrated and introduced to academics and the media, including the head of ceramics at the Guangzhou Institute of Fine Arts. Local Chinese potters were eager to learn about his firing techniques, which used multiple firings to create special glaze characteristics. They were also intrigued to understand how he designed his own stands as an integrated part of his presentation. Unlike Asian potters who used wooden stands, Thorlaksson produced his stands in clay, matching each stand in aesthetic and tone to its pot. This two-part process elevated his pieces to sculpture. He believed that ceramics should be viewed as fine art and not craft. He was inspired by the female form and was quoted as saying 'Most potters make pots; I make parts of people'. The bowl is of wide squat rounded form with a fold over rim and is decorated in pale yellow glazes over a brown ground and stands on a narrow round unglazed foot. The design is probably based and inspired by a Chinese brush washer...

Unusual form pie safe with lantern-style tins and striking, tomato red paint, circa 1840 Of all the pie safes that I have owned in thirty years of buy...

Presenting a unique set of early 20C hand painted large sized ceiling or wall panels by Nena Claiborne. Art Nouveau/Deco Era hand-painted ceiling or wa...

All muscle and motion, this early 19th-century American running horse weathervane still seems to gallop across whatever space it occupies. Fashioned from hand-wrought iron sheets—riv...

A weathervane in the form of a running horse, that was likely modeled after "Dexter" circa late 19th century on a custom display stand. The full body molded horse has a gilt surface with verdigris patina. Not entirely sure of the maker but possible by L. W. Cushing & Co. In Waltham or Harris. Co in Boston. The surface has been re-gilt historically likely dated from early 20th century. A lovely piece that transcends American fold art...

Fabulous grain painted solid wood paneled door. Painted in the Trompe loi style to imitate rosewood or another exotic wood. Door is grain painted on one side only. Other side is ol...

An interesting and rather unusual indigenous native North or Central/South American (Mesoamerican) primitive stone carved (steatite or soapstone) mythical creature figure. We are no...

Fantastic advertising sign from possibly a travel agency or transit system c1940. Excellent vintage condition with just the right amount of wear. Stainless border and mounting hardwa...

Monumental tall Hollywood Regency ceramic table lamp. This beautiful piece is in white or cream, with hand painted green bamboo detail at the sides. A deep brown wood base is affixed...

What makes this model so special is that all the hunting devices are still present: spears, harpoons, spear thrower, wood float board, and bladder, paddles and other equipment used for seal hunting. Please note how well these are made in a stunning combination of wood and bone and lashed on deck under bone and sinew spear securers. Despite the kayak frame...

Ditidaht First Nation TOTEM by Rick Williams the brother of John T. Williams partnered with other Native carvers to create at tribute to John in the form...

OHIO STATE FLAG WITH CIVIL WAR VETERANS' OVERPRINT FROM THE GRAND ARMY OF THE REPUBLIC POST IN COLUMBUS, MADE IN MOURNING OF THE 1925 PASSING OF NATIONAL G.A.R. COMMANDER IN CHIEF DANIEL M. HALL, WHO ALSO SERVED AS COMMANDER OF THE OHIO DEPARTMENT OF THE G.A.R., AS WELL AS THE LOCAL CHAPTER Flag of the State of Ohio, printed on oilcloth-like cotton, affixed to its original wooden staff. Made for Civil War veteran's use, the flag bears a stamped overprint in the striped field that consists of an open wreath of laurel branches, inside which is the following text: “GAR [Grand Army of the Republic] Post, Dan Hall, Columbus, OH”. Born on October 20th, 1842, Daniel M. Hall enlisted with the Union Army as a Private at the age of 18 on August 25th, 1861. On October 8th of that year he mustered into the Co. H of the 2nd Ohio Cavalry. Discharged for disability on June 28th, 1862, he reenlisted approximately 17 months later, on November 11th, 1863, and mustered into Co. F of the 12th Ohio Cavalry at Camp Cleveland. He was at some point promoted to the rank of Sergeant, and, on February 21st, 1864, to the rank of Corporal. He mustered out at Nashville on November 14th, 1865. Hall mustered into the Hamlin Post of the Ohio G.A.R. on May 23rd, 1883. He would go on to serve not only as Commander of the Dept. of Ohio for the organization, but as National Commander of the entire Grand Army of the Republic. The Grand Army of the Republic was the primary veterans association for Union Civil War soldiers. Founded in 1866, its members dressed up in Civil War uniforms, attended parades and reunions, and the organization was somewhat more fraternal in nature than today’s VFW or American Foreign Legion. Flags overprinted for the purpose of advertising are a specialized form in American flag collecting. A flag with a basic G.A.R. overprint is the most common type. This might be accompanied by a post number and a date. More elaborate the overprints are more highly desired, such as this one, which is the only variation I know of that honors a particular person who was not the namesake of the chapter itself. It is of interest to note that a sister variety of 48 star parade flag is known, printed on the same fabric, that bears the same overprint, accompanied by the words: “We Mourn Our Comrade." From the additional text on the 48 star variety, one can extrapolate that the flags were made to mourn the passing of this important leader of Civil War veterans on October 19th, 1925, just one day before his 83rd birthday. The State Flag of Ohio was designed in 1901 by Cleveland architect John Eisenmann, who designed the Ohio building for the state's exhibition at the Pan American Exposition World's Fair in Buffalo, New York. It was officially adopted by the Ohio legislature on May 19th, 1902. It's elements are centered on a red disc, set against a circular white ground that forms a letter "O." This simultaneously represents a buckeye, the fruit of the state tree and an iconic Ohio symbol. The flag's 5 stripes are said to represent the state's waterways and roads, while the triangular shape of the union is said to illustrate hills and valleys. The presentation of 13 stars along the hoist end, arranged in a semi-circular medallion with two off-set stars above and below, reflects the original 13 colonies. The diamond of stars, towards the fly end. bring the overall count to 17 to reflect Ohio's admission. When the design was adopted by the state legislature, the position of these stars was changed slightly, moving them further around the circle to form a wreath. Flag expert Whitney Smith, who coined the term Vexillology in the late 1950's (the accepted term for the study of flags), pointed out that the format of the flag itself was reminiscent of Civil War cavalry guidons, carried by Ohio regiments throughout the state. These were of swallowtail form, though with 13 stripes, all horizontal and 90 degrees to the hoist. Most often these had circular star patterns around an open center, which makes them even more similar to the Ohio flag...

A wonderfully crafted, hand painted Native American Navajo pottery black and white vase featuring images of the sun and various geometrical designs. Signed ("S. Begay") and dated ...

A Unique Table With Native American Motif, Signed This is a one-of-a-kind original and beautiful hand incised broad top wooden end table -a unique creation- finished in attractive n...

This beautifully hand-crafted Amish quilt, created in Lancaster County, Pennsylvania circa the mid-1900s, showcases the classic “Block and Star” pattern—an enduring design that reflects the harmony of geometry and tradition within Amish quiltmaking. The quilt features a soft, refined palette of lavender, gray, and pink, with each cotton piece meticulously hand-cut and hand-stitched. The exceptional workmanship and fine needlework speak to the quiet discipline and artistry passed down through generations within the Amish community. Crafted from repurposed household fabrics, this quilt embodies a spirit of resourcefulness, where everyday materials were transformed into objects of beauty and lasting significance. More than utilitarian, it is a cultural artifact—woven with meaning, memory, and the values of simplicity and sustainability. Now a highly collectible form of American folk art, this quilt’s delicate craftsmanship and visual appeal make it ideal for wall display, offering both historical depth and aesthetic grace. Please note: Some colors may appear distorted in photographs—please refer to the video for accurate color representation. Dimensions: 36” x 56” Date of Manufacture: 2nd Quarter of the 1900s Place of Origin: Pennsylvania, United States Material: Cotton Condition: Good The Persian Knot, SKU: 2240 Amish Block and Star Quilt, American Amish Block and Star Quilts, Block and Star Quilts, Vintage Amish Quilts, Antique Amish Quilts, Amish American Quilts, Pennsylvania Quilts, Lancaster County Quilts...

This fine cast iron door stop is in original painted surface and great condition. Really great paint. The basket is filled with vegetables and fruit.

19th century American hand carved gilded pediment eagle. Antique decorative hand carved and gilded wooden pediment eagle. The expressive sculpture w...

Wonderful intense handcrafted tall stoneware vessel or vase. Good size, just over a foot tall. Heavy. No chips, no cracks.

We offer this early 20th century Mexican Alms box.

19Thc Large pewter Santa clause in fantastic condition.These are hard to find in the large size.

New England Fine Fox Weathervane circa 1940's A very beautiful and expressive Folk art work . A finely rendered expression of the taste for freedom in the animal world... mounted...

Famed California Mid-Century Modern artist Beatrice wood signed bowl featuring her highly coveted deep ash blue iridescent lustre/luster glaze. In certain light, the glaze radiates as a purple hue in some areas. The glaze runs down the sides and gathers in areas underneath. This piece comes with an interesting history/ provenance. This piece came from Beatrice's personal collection. She was using it as a coin and key holder in her Ojai house which accounts for the cracks in the glaze. It was gifted to Maria Anderson who assisted Beatrice around her home. We considered having the work restored but because of its history feel that it offers more value to the next owner as shown. This was apparently the condition it was given in as Wood was famous for noting about her work that objects that are not quite perfect are simply that...perfect because of their imperfections. A very Wabi-Sabi view. Flawed Beauty. We love the piece and the history. Signed with her customary "Beato" on the underside. Would be an amazing addition to any collection of her work or a fabulous, eye-catching Stand-alone piece in any setting, Mid-Century Modern or otherwise. Know famously in the art world as "The Mama of Dada...

Lovely full length portrait of a young girl in this folk art painting; oil on canvas mounted on board. She is posing wearing an attractive and colorful red dress while holding a flor...

A round ceramic commemorative plate of President Dwight Eisenhower. The plate is circular, with gold detail around the edges, and a portrait of Presi...

This beautifully restored Frankl style rectangular rattan mirror features a single-strand rattan frame with an inner stick rattan border. Restored to new for you. All rattan, bamboo,...

This fine ceramic butter churn or crock is in fine condition for its age. Its body is cream, with a fluted top. Two blue stripes decorate the body, all ...

Beautiful custom made Navajo weaving pillows. Nice bright colors. (red, white, and blue) new down and feather inserts.

From an important thirty year old New England collection of hand decorated pyrography Arts & Crafts furnishings. Unique work of art with a Rhode Island origin. A romantic four panel Screen “Four Seasons...

A petite small clay roadside decorative touring bowl. This catchall or dish is short, and wide, and decorated with a malachite look green marbled design on the exterior. The inside is glazed in deep verdigris or turquoise. A lovely piece of earthenware, it is hand made and marked on the bottom with: Central City...