Rare Antique Engraving of Mount Fuji During an Earthquake in Tokyo, Japan, 1669

Antique print, titled: 'Beschryving van de Japansche Apen-tempel.' - ('Description of the Japanese Monkey Temple'). Interior of a temple filled wit...

Antique print, titled: 'De Stadt Saccai. La Ville de Saccai.' - ('The City Saccai'). This plate shows a view of Sakai in the Osaka Prefecture, Japan. Sakai has been one of the la...

Antique print, titled: 'Afbeeldinge vant Maghtich Keyserlyck Casteel Osacca geleegen int groot Ryck Jappan besuyden de Stadt Osacce inde provinsie Qioo.' - ('Image of the Mighty Imperial Castle Osaka'). A bird's eye view of Osaka Castle, Japan. Arnoldus Montanus' "Gedenkwaerdige Gesantschappen der Oost-Indische Maatschappy in 't Vereenigde Nederland aan de Kaisaren van Japan […]. Amsterdam: Jacob Meurs, 1669. Artists and Engravers: Made by an anonymous engraver after 'Arnoldus Montanus'. Condition: Very good, given age. Original middle fold, as issued. Some faint browning of the margin edges. A few small spots in the margins (from paper making...

Antique print, titled: ''t Vermoorde vande Keyser Cubus. Massacre de l'Empereur Cubo.' - ('Murder of the Emperor Cubo'). Two armies clash in Kyoto, where the reigning Emperor was...

This is the 1889 William H. Overend (1851-1898) and Lionel Smythe (1839-1918) first edition, photogravure of the Calcutta Cup – a Rugby match between Scotland and England, that has been played over 100 times, the first match...

Golf mezzotint of 'Henry Callender Esq' (Captain of the society of Golfers at Blackheath) after Lemuel Francis Abbott (1760-1803). Henry Callend...

Introducing an exquisite masterpiece: "Winter Serenity – Mount Fuji's Majestic Embrace." Embrace the timeless beauty of Japan's winter wonderland with this limited-edition woodblock ...

Presented here is an 1876 engraving of John B. Bachelder and James Walker’s Gettysburg. The Repulse of Longstreet’s Assault. The engraved scene depicts the decisive battle on the final day of the Battle of Gettysburg. Researched by the photographer and topographer John B. Bachelder and painted by James Walker, the original painting was created in 1870. This detailed engraving was done by H. B. Hall Jr. and published by James Drummond Ball. Otherwise called Pickett’s Charge, the battle occurred on July 3, 1863. Pickett’s corp commander, Lieutenant General James Longstreet was placed in charge of the attack despite his hesitations. Longstreet’s central role led to the title of the work, Repulse of Longstreet’s Assault. In an attempt to gain control of an important supply route, nine Confederate brigades charged across three-quarters of a mile of open ground against cannon fire to take Cemetery Ridge from the defending Union Army. Despite their overwhelming numbers, the Confederate forces were repelled with considerable casualties marking not only a decisive victory for the Union, but also the beginning of the slow defeat of Lee’s Army. The furthest the charging forces advanced before being repulsed would forever be known as the “High Water Mark of the Confederacy.” The Confederate army never recovered from the losses at Gettysburg and it effectively ended Lee’s campaign into Pennsylvania. The engraving gives the perspective from the Union rear, one that encompasses most of the battlefield, from Big Round Top on the left to the northern reaches of Cemetery Ridge on the right. The Confederate lines at Seminary Ridge are in the far distance, partially obscured by bursting shells. The image centers on the main Confederate assault, in the vicinity of what today are known as "The Copse" and "The Bloody Angle." The composition has elemen...