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Oscar Niemeyer Pair of Armchairs Model “on”, for SESC Hotel, Brazil, 1990

$37,667.20per item

About

Oscar Niemeyer Pair of armchairs model “ON” Manufactured for SESC Hotel Brazil, 1990 Imbuia wood, wool upholstery From the archives of Side Gallery, Barcelona Measurements 100 cm x 85 cm x 70 H cm 39.37 in x 33.46 in x 27.55 H in Literature Móvel Brasileiro Moderno, Vasconcellos and Brage Brazil Modern, the rediscovery of 20th century Brazilian furniture – Aric Chen, 2016 Bio Oscar Niemeyer was a Brazilian architect who is considered to be one of the key figures in the development of modern architecture. His exceptional architectural work has been unanimously hailed, and his influence on how the world looks like today has been reminded. In 1960s Oscar Niemeyer started developing furniture projects, in collaboration with his daughter Ana Maria. The first piece designed by the team was “the Alta easy chair” and its footrest, but the most famous piece designed by Oscar and Ana is the “Rio Chaise Longue” probably one of the most important design pieces of the 20th century. Developed in 1977. Niemeyer passed away a week before his 105th birthday and Ana Maria dies in 2012, a few months before his father.

Details

  • Creator
    Oscar Niemeyer (Designer)
  • Dimensions
    Height: 27.56 in. (70 cm)Width: 39.38 in. (100 cm)Depth: 33.47 in. (85 cm)
  • Materials and Techniques
  • Place of Origin
  • Period
  • Date of Manufacture
    1990
  • Condition
    Wear consistent with age and use.
  • Seller Location
    Barcelona, ES
  • Reference Number
    1stDibs: LU2374317645632

Shipping & Returns

  • Shipping
    Rates vary by destination and complexity. We recommend this shipping type based on item size, type and fragility.
    Customs Duties & Taxes May Apply.
    Ships From: Barcelona, Spain
  • Return Policy

    A return for this item may be initiated within 2 days of delivery.

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About Oscar Niemeyer (Designer)

Oscar Niemeyer made modernist architecture sexy. In his signature designs, such as those for the planned capital city of Brasília, Niemeyer created a distinctively buoyant architectural vocabulary of sweeping curves, flowing lines and organic forms. As expressions of faith in the power of modern architecture and design to foster progress, Niemeyer’s buildings have a kind of heroic poetry.

Oscar Ribeiro de Almeida Niemeyer Soares Filho was born to an upper-middle-class family in Rio de Janeiro. (His father was a graphic designer.) While in graduate school, Niemeyer began working for Lúcio Costa, one of the few modernist architects working in Brazil in the 1930s. Niemeyer would be assigned to the design team for a new building in Rio for the Ministry of Education and Health. The famed Swiss-born French architect Le Corbusier was hired as a consultant on the project, and through him Niemeyer would absorb many lessons in bringing a sense of structural lightness to large buildings — though he would never embrace the geometric forms espoused by Le Corbusier and the members of the Bauhaus.

“I am not attracted to straight angles or to the straight line, hard and inflexible, created by man,” Niemeyer would write in his memoirs. “I am attracted to free-flowing sensual curves.” Nowhere would Niemeyer demonstrate his love of curvature more expressively and elegantly than in his designs for the principal buildings for Brasília, a project begun in 1956. The dramatic Congressional Palace features two stark towers flanked by a domed structure and a bowl-shaped edifice, for the upper and lower legislative houses. He placed the Palácio da Alvorada (the presidential residence) on a small peninsula jutting into a lake, so that the sequence of parabolic columns on its facade casts a mirror image on the water. Niemeyer’s grandest achievement was the city’s cathedral, a stunning composition of 16 arced vertical supports with tinted-glass interstices.

Four years after Brasília was completed, in 1960, Brazil’s elected government was overthrown in a military coup. Niemeyer, a member of the Communist party, was harassed continually by the junta. He left the country and did not return until democracy was restored, in 1985. While in exile, in the early 1970s, Niemeyer began collaborating on furniture designs with his daughter, Anna Maria Niemeyer. Their best known pieces, the Alta lounge chair and ottoman and the Rio rocking chaise, have flowing bases made of sheets of lacquered wood or stainless steel, share the aesthetics of Niemeyer’s architecture. The Alta’s deep, oversized seat pads nod — much like the chair designs of Niemeyer’s countryman Sergio Rodrigues — to the Brazilian penchant for long, languorous conversations. Examples of both designs are priced at about $20,000, depending on age, condition and materials. As you will see on these pages, Oscar Niemeyer’s furniture designs are sleek, sculptural, comfortable and elegant — as well as a compact emblem of the work of one of the great architects of our time.

About the Seller
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Located in Barcelona, Spain
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Established in 2015
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