Early Mid-Century Modern Lounge Chair by Russel Wright for Thonet

While industrial designer Russell Wright may be known to modern furniture enthusiasts for his streamlined end tables, dining chairs and other pieces, he is universally revered for a line of tableware he created called American Modern. Efficient, practical, and striking in their elegant forms and warm colors, the American Modern ceramic pieces, which included bowls, pitchers, dishes, and other items, became the best-selling dinnerware of all time. Today, vintage Russell Wright American Modern tableware is an evergreen favorite of art collectors and interior designers alike.

Born in 1904 in Ohio, Wright was surrounded by inspiration for the furniture he would one day design. He was raised in a Quaker household and grew up with the spare, meticulously handcrafted furniture for which the Quakers are known. As a young man, he studied art and sculpture at the Art Academy of Cincinnati and the Art Students League of New York, going on to study law at Princeton University in New Jersey. But Wright loved the arts and abandoned his pursuit of a law degree to create stage sets in Princeton and Paris alongside fellow noted designer Norman Bel Geddes.

In 1927, Wright married artist and sculptor Mary Einstein. Together, they moved to New York City, where Wright began to create sculptures. Mary convinced him to create metal bookends from his sculptures, and later, when he began to craft bar accessories from chrome, he turned to aluminum, a much cheaper material for the purposes of mass production (his barware was eventually included in the "Machine Art" show at the Museum of Modern Art in 1934, which was curated by Philip Johnson).

Mary worked on marketing Russell's products, successfully proposing everyday uses for Wright's beautifully designed housewares. She is said to have been a pioneer in the world of lifestyle marketing, coining the terms "American Modern" and "blonde" to describe the charming, light-colored maple furniture he created for Conant Ball, which was known at the time for its reproductions of American Colonial furniture.

While Wright had created some Art Deco furnishings for Heywood-Wakefield, it was this group of bedroom furniture for Conant Ball that got its name, American Modern, from Mary. Under her guidance, Wright's attractive, functional designs for the home gained renown, leading to commissions by prestigious companies like the Steubenville Pottery Company.

In 1935, Wright formed Russell Wright Associates with Irving Richards, an entrepreneur who had worked with Lightolier and would later establish Raymor. In collaboration with Richards, Wright debuted the first line of American Modern dinnerware in 1939, which was initially produced by Russell Wright Associates and then manufactured by Steubenville for two decades. The line sold over 200 million pieces during its 20 years of production. In 1955, Wright was selected by the U.S. State Department to research handicraft industries in Southeast Asia, a trip that influenced his later designs.

Throughout his life, Wright continued to design furniture and housewares, with the works' signature earth tones, curved forms, and clean silhouettes of his floor lamps, lounge chairs, and serveware remaining popular staples in American households. In his later years, he focused on designing and building his home, Manitoga, and working with the National Parks Service to develop the "Summer in the Parks" program.

Upon Wright's death in 1974, Manitoga was given to the Nature Conservancy. It was declared a National Historic Landmark in 2006 and today houses the Russell & Mary Wright Design Gallery, where many of Wright's works stand on permanent display. In 2011, stamps from the U.S. Postal Service featured Wright's image as one of the United States' twelve most influential industrial designers.

Find vintage Russel Wright lighting, seating, tables, serveware, ceramics and glass on 1stDibs. 

For more than 180 years, Thonet — or Gebrüder Thonet — has produced elegant and durable tables and cabinets as well as chairs, stools and other seating that wholly blur the lines between art and design. Widely known as a trailblazer in the use of bentwood in furniture, the European manufacturer has reimagined the places in which we gather.

Noted for his skill in parquetry, German-Austrian company founder Michael Thonet received an invitation from Austrian Chancellor Prince Metternich to contribute Neo-Rococo interiors to the Liechtenstein City Palace in Vienna. The Boppard-born Thonet had honed his carpentry skills in his father’s workshop, where he carried out experiments with plywood and modified the Biedermeier chairs that populated the studio. 

Thonet’s work for the chancellor raised his profile, and the cabinetmaker gained international recognition, including at London’s Great Exhibition of 1851, which featured works created by members of the Arts and Crafts movement as well as industrial products of the day. Thonet showed a range of furniture at the fair and won the bronze medal for his bentwood chairs. He ​​incorporated his family’s company, the Thonet Brothers, with his sons in 1853. 

Bentwood furniture dates as far back as the Middle Ages, but it is the 19th-century cabinetmaker Thonet who is most often associated with this now-classic technique. Thonet in 1856 patented a method for bending solid wood through the use of steam, and from there, the bentwood look skyrocketed to furniture fame. The works of renowned mid-century modern designers such as Alvar Aalto, Arne Jacobsen, and Charles and Ray Eames that put this technological advancement to use would not be as extensive or celebrated were it not for the efforts of the pioneering Thonet.

Considered the world’s oldest mass-produced chair, Michael Thonet’s ubiquitous Chair No. 14 demonstrated that his patented bentwood technology made it possible to efficiently produce furniture on an industrial scale. Now known as the 214, it won the German Sustainability Award Design for 2021, a recognition of the company’s commitment to environmentally responsible production.

Often called the Coffee House chair — the company’s first substantial order was for a Viennese coffeehouse — the No. 14 remains an icon. Thonet originally designed the chair in 1859, and it is considered the starting point for modern furniture.

The bentwood process opened doors — there were investments in machinery and new industrial processes, and the business began mass-producing furniture. By the end of the 1850s, there were additional Thonet workshops in Eastern Europe and hundreds of employees. Michael Thonet’s reputation attracted the attention of notable architects including Otto Wagner, Marcel Breuer and Ludwig Mies van der Rohe. 

The No. 14 was followed by the No. 18, or the Bistro chair, in 1867, and the 209, or the Architect’s chair, of which Le Corbusier was a fan. (The influential Swiss-French architect and designer used Thonet furniture in his Pavillon de l’Esprit Nouveau at the 1925 International Exposition of Decorative Arts in Paris.)

Thonet’s chair designs also appeared in artwork by Toulouse-Lautrec, John Sloan and Henri Matisse in his Interior with a Violin Case. The noteworthy Thonet rocking chair remains a marvel of construction — in the middle of the 19th century, Michael produced a series of rockers in which the different curved parts were integrated into fluid, sinuous wholes. Thanks to Thonet, the humble rocker acquired something unexpected: style. It was captured in the paintings of Pablo Picasso, Pierre-Auguste Renoir and James Tissot. 

Thonet is currently split into global divisions. Thonet Industries U.S.A. was acquired in 1987 by Shelby Williams and joined the CF Group in 1999, while the Thonet brand in Germany is owned by Thonet GmbH.

Find a collection of antique Thonet furniture on 1stDibs.