Niels Hvass Outdoor 'Cutter' Stool in Natural Oak for Skagerak

Niels Hvass outdoor 'Cutter' stool in FSC certified teak for Skagerak Skagerak was founded in 1976 by Jesper and Vibeke Panduro, who took inspiration from their love of Scandinavi...

Niels Hvass outdoor 'Cutter' bench in natural oak for Skagerak Skagerak was founded in 1976 by Jesper and Vibeke Panduro, who took inspiration from their love of Scandinavian desi...

Niels Hvass outdoor 'Cutter' bench in teak for Skagerak Skagerak was founded in 1976 by Jesper and Vibeke Panduro, who took inspiration from their love of Scandinavian design and ...

Niels Hvass outdoor 'Cutter' bench in black stained oak for Skagerak Skagerak was founded in 1976 by Jesper and Vibeke Panduro, who took inspiration from their love of Scandinavia...

This is a Skagerak Cutter bench, originally designed by Niels Hvass for Fritz Hansen in 1999. This particular example was produced in Denmark in 2024. The bench is comprised entirely...

Niels Hvass Newspaper Chair and Ottoman, 2006

In 1942, Mogens Lassen designed the Stool ML42 as a piece for a furniture exhibition held at the Danish Museum of Decorative Art. Drawing inspiration from the practical stools tradit...

Charlotte Perriand Mexique Stool Outdoor For Cassina Cassina interprets the Mexique designer tables and stools by Charlotte Perriand in new versions, for outdoor living enjoyment at its best. With materials and finishes suited to outdoor use that maintain the same harmony and purity of line that distinguish the entire collection. Charlotte Perriand began designing the “en forme libre” series of tables in 1938 and devised Mexique in 1952 for the students’ rooms in the Maison du Mexique at the Cité Universitaire Internationale in Paris. The iconic triangular shape with bevelled edges - designed to make the best use of the space - is the unmistakable feature of the seat of the Mexique Outdoor design stool, as well; it can be paired with the high bar table from the same collection. STRUCTURE AND FOOTREST In stainless steel, matt black powder-coat finish SEAT In okoume plywood, matt lacquer finish. FEET In black plastic Charlotte Perriand began designing the “en forme libre” series of tables in 1938 and devised Mexique in 1952 for the students’ rooms in the Maison du Mexique at the Cité Universitaire Internationale in Paris. Re-edited by Cassina for the first time in 2014, it gave rise to a collection that includes several iterations, all while staying true to the original designs. Now, working closely with Pernette Perriand-Barsac, daughter and sole heir of Charlotte Perriand, Cassina introduces the Mexique tables and stools in new versions for en plein air enjoyment to the max. The iconic triangular shape with bevelled edges - originally designed to make the best use of the available space - remains the unmistakable trait in the Mexique Outdoor line, launched this year as a low table, dining table and high table with matching stool, available in two heights. New materials available in fresh, novel finishes and colours differentiate and emphasize the elegant design of this family. For all of the pieces in the series, Okoume wood, ideal for outdoor use, comes with matt lacquer finish in the following colours: marron glacé, China red, comfort, petroleum, light grey, sage green, a new shade of blue and Capri blue; the low tables also come with glossy glazed ceramic finish in the following shades: mossy green, basalt grey and light grey, while a natural teak seat is also available for the stools. Thanks to this vast and varied product range, it is possible to mix and match the various styles to create dynamic, free-form arrangements in absolute Charlotte Perriand spirit. As is true of all the works in the Cassina I Maestri Collection, each piece is authenticated by the Cassina logo, Charlotte Perriand’s signature and by a serial number that corresponds to the data on its ID card. Important information regarding images of products: Please note that some of the images show other colors and variations of the model, these images are only to present interior design proposals. The item that is selling is on the first image. Important information regarding color(s) of products: Actual colors may vary. This is due to the fact that every computer monitor, laptop, tablet and phone screen has a different capability to display colors and that everyone sees these colors differently. We try to edit our photos to show all of our products as life-like as possible, but please understand the actual color may vary slightly from your monitor About The Designer: Charlotte Perriand full membership of that avant-garde cultural movement which, from the first decades of the twentieth century, brought about a profound change in aesthetic values and gave birth to a truly modern sensitivity towards everyday life. In this context, her specific contribution focuses on interior composition, conceived as creating a new way of living, still today at the heart of contemporary lifestyle.In the sphere of twentieth century furnishing history, the advent of modernity made possible the entrepreneurial audacity of this true reformer of interior design. At the beginning of her professional career she was acclaimed by critics for her Bar under the roof, exhibited at the Salon d’Automne in 1927 and constructed entirely in nickel-plated copper and anodized aluminium. In the same year, when she was just twenty-four years old, she began a decade-long collaboration with Le Corbusier and Pierre Jeanneret, at the famous design studios at 35, rue de Sèvres in Paris.Her presence in the Le Corbusier studio is visible in all the furnishings designed with him and with Pierre Jeanneret: and so Charlotte Perriand becomes a cornerstone in the reformation project promoted by the architect, adding a distinct dimension of humaneness to the often cold rationalism of Le Corbusier. In her creations she manages to animate the fundamental substance of daily life with new aesthetic values: in particular her talent and intuition in the discovery and use of new materials manifest themselves to their full extent.The ten-year long collaboration with Le Corbusier and Pierre Jeanneret, and her Japanese experience, represent periods of intense creative effervescence in the life of the artist. During her long stay in the Far East (‘40-‘46), she reveals her artistic talent to the full, through a reinterpretation of the reality of life to echo both tradition and modernity. By way of example, worthy of mention are the furnishings produced using traditional bamboo processing techniques, capable of enhancing the new forms already experimented using steel-tubing.After her work as a professional, she concentrates on a series of original and balanced productions, commissioned by top-level authorities and leading companies of the calibre of Air France, and by a number of foreign organizations, authenticating the fame she had by now gained on the international scene.The distinguishing factor of Charlotte Perriand’s personality is a sincere loyalty to the principles of humane and innovative rationalism, preserved intact in her projects, on which she worked with such passion, also in readiness for their revival in the “Cassina I Maestri” collection. 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