Mahogany Cabinets

A custom ordered mahogany dry bar and storage cabinet from Blackwelder's in 1975 delivered to Newport, R.I. In good vintage condition.

Lamb of Manchester, an Aesthetic Movement ebonised and coromandel side cabinet, with a bevelled mirrored and shelved back, a glazed base with a spindle galleried undershelf, stamped ...

American Southern Mahogany plantation desk with a molded edge hinged top, upper case with a fall front revealing a leather writing surface with a f...

Napoleon III period cabinet stamped "GROHE". Napoleon III period cabinet in rosewood and mahogany. Inlaid with marquetry. Gold-plated bronze fittings. Late 19th century Signed by Guillaume Grohe...

Stylish Harvey Probber style mahogany two-door console cabinet with recessed trefoil design accents. Single stationary shelf interior with a chevron shaped top and cabinet, circa 197...

Constructed of solid birch, fir and mahogany and veneered in choice flame mahogany with birch banding, this Classic cabinet was often used as a pedestal, to display sculpture, a bust from antiquity...

Very fine 19th century English regency style mahogany wine cellarette of sarcophagus form. The cellarette features a hinged lid decorated with a beautiful mahogany / satinwood bandin...

Ideal for narrow spaces this Two Door Mahogany China Closet can fit when our larger cabinets cannot make it between a set of doorways, windows, radiat...

A mid-Century American Empire Style Carved Mahogany Hinged Box On Stand / Sewing Table in great vintage condition. Recently refinished. Measures 19" in width, 17" in depth and stand...

Cabinet Distinct Medium with all structure made in solid mahogany wood. With three shelves and two drawers. With two hand-carved wood handles. Al...

A pair of European mahogany secretary cabinets, fashioned from a double pedestal desk, born in Continental Europe in the early 20th century, each antique office cabinet...

If a piece feels like Tommi Parzinger, but is marked Johnson Furniture, there can be only one answer as to its Designer: Renzo Rutili. Mr. Rutili was a seminal furniture designer of ...

Sn4481 Stunning Edwardian, mahogany and inlaid china cabinet, having shaped and inlaid upstand, moulded cornice above neoclassical inlays to fri...

This circa 1910 Art Nouveau style marble-topped mahogany sideboard was found in France. The cabinet has four front legs and two back legs. Sideboard is topped with a pale beige marbl...

A stunning pair of Edwardian mahogany display cases line inlaid throughout. The shaped and moulded cornice supported above single astragal glaze...

A French 19th-20th century Louis XV style tulipwood parquetry and mahogany gilt-bronze mounted three-door Meuble d' Appui (Side cabinet) with marble top, Paris, circa 1900. Measur...

18th century oak and mahogany wall cupboard from the Lancashire region of England. The top has a molded edge and sits atop a gorgeous case. The sides are simple, and there are two dr...

Louis XVI Style Mahogany Cabinet with Bronze Mounts, France, Circa 1880 This refined Louis XVI style cabinet was crafted in France around 1880 and showcases the timeless elegance of ...

Mahogany bronze mounted detail parquetry / breakfront display cabinet / vitrine with four wooden shelves , supported by six tapering reeded leg...

Mid-Century Modern compact art deco two door credenza server cabinet by Gilbert Rhode. Burl wood front doors mahogany case.

Russian Neoclassic (late 18th/early 19th Century) mother of pearl and brass mounted ebonized and mahogany demilune cabinet with stepped pediment above 2 Pairs of doors.

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

A pair of vintage Mid-Century Modern Italian writing cabinets ( his and hers ), designed by Silvio Cavatorta in good condition. Each of the large detailed cabinets features a lower s...

Rare Dunbar cabinet designed by Edward Wormley with burl wood case, mahogany frame and legs with gold / yellow Lamartine Marble top. The two doors lock with the original key and open...

A 1940s French Continental Mahogany side console cabinet with exquisite, finely detailed Marquetry works on the front and sides and with Metal and brass mounts and decorations throu...

French Empire style (19th Century) mahogany chest with 4 drawers and bronze handles and escutcheons with a brown marble top.

Cylindrical with white marble top and carved and shaped border with conforming fluted case section with a door. Plinth base.

A Rare 18th Century Mahogany & Brass Two Door Table Cabinet Fitted With Pigeonholes & Fitted Drawers. Handmade quality cabinetmaking with each drawer constructed of hand made doveta...

Late 19th century the rectangular three-quarter galleried top with eared corners above the conforming case fitted with a fall-front opening to gilt and tooled leather-inset writing s...

A superb piece of craftsmanship this high quality Mahogany Tall File Cabinet from Niagara Furniture is made with figured mahogany. The edge of the top i...

This late 19th-0early 20th century English handsome large and tall chest of drawers in rich mahogany has a bow front, is outfitted with five total drawers, two smaller top drawers, w...

Cabinet in mahogni with brass handels. Designed and made in Denmark. Great condition.

***Reduced Delivery Rates - See Below or Click “Ask The Seller” to Request a Quote*** Antique RJ Horner School Mahogany Swell Front China Cabinet with Carved Foliate, Stylized Paw F...

Moore Industrial cabinet Overall Dimensions: 18" x 48" x 45" high.

Bertu outdoor bar, vita outdoor bar, glass and mahogany, modern This outdoor standalone modern vita bar is beautifully constructed from solid wood in Ohio, USA. This modern bar has soft glide sliding doors complete with inside shelves for glasses, plates, alcohol, or anything else. The Sapele wood is suitable for outdoor conditions and finished with a commercial grade exterior finish. Finish options include natural, grey-wash, dark walnut, and ebony. The slatted bar top is also topped with a thick piece of 1/2" glass. This isn't just for outdoor use! A wonderful piece of indoors as well. This modern bar is perfect for all your entertaining needs. There isn't anything in the market quite like it. Custom sizing available. Designer Inspiration: "When designing, I like to think about how people will truly use the item in their daily lives. Some of the best memories made in my own home are when it's full of energy, which always includes good food and drink. The Vita bar is a wonderful addition to anyone who likes to entertain. This piece is a perfect combination of warm wood, a modern aesthetic and functionality. Cheers!" -Gretta Jones specs Period/Model: New; Modern Specs: Mahogany, Natural Commercial Grade Exterior Finish Customizable: Yes! It's what we do :) dimensions H: 39.5" W: 60" D: 25" care Our furniture is solid wood, not veneer, and it requires special care. Please care for it! We recommend outdoor covers when pieces are not being used, especially in extreme weather. Outdoor covers are available through Bertu Home...

Edwards & Roberts. An Edwardian Aesthetic Movement Queen Anne Revival mahogany wall cabinet with floral inlaid swan neck pediment and chequer and line in...

A pair of mahogany oval cabinets, with columns and beaded moulding, Danish, circa 1910. With internal shelves of adjustable height.

Pair of 19th Century mahogany pedestal cabinets with wonderful colour and figure, panelled door reveals two drawers and a middle shelf sitting on pli...

Tall cabinet of polished mahogany in beautiful antique condition with 2 drawers and a door with shelves from the 1850s. Measurements in cm: H:155 W:6...

A Very Attractive Mid 18th Century, Georgian Mahogany Bureau bookcase Of Very Attractive, Rare, Small Proportions, With Dental Cornice Above Shaped Mirror Door Within Gilded Slip, Ov...

This charming writing and reading cabinet is made out of mahogany and oak. The top is covered by a warm yellow marble board fixated by an undulated mahogany frame. Two sliding doors ...

A very fine French Louis XV style ormolu and jasperware-mounted mahogany single door vitrine, attributed to François Linke (1855-1946). The two upper front corners surmounted with or...

An extremely rare pair of finely figured, mahogany pier cabinets or bookcases in the manner of Edwards and Roberts. This exceptional pair are finely carved with gorgeously rich pati...

Heavily inspired in Portuguese history and culture, the Dom Heritage is a cross between two of Boca do Lobo’s most iconic design pieces, keeping the form of the Dom Manuel cabinet, w...

Ebonized Napolean III period Mahogany petite dressing table for jewels & other small valuables. Six small drawers with decorative pulls and lined...

This splendid and rare large furniture piece includes three doors with engraved signed keys from the artist Gaston Poisson, “GP”. This circa 1937 cabinet is made of green lacquered* mahogany and contains 12 interior shelves (three doors each with 4 shelves), each shelf featuring beautiful marquetry detail. The centerpiece of this beautiful cabinet is the large exterior mirror by Robert Pansart. This is made of "églomisé" glass with a polychrome geometric ribbon-like decor. Églomisé glass is a technique used often for mirrors that creates intricate decoration using golden leaves and silver. *THE LACQUER IS NOT ORIGINAL, THE CABINET HAS BEEN REFINISHED LATE 20 CENTURY Gaston Poisson, a cabinetmaker from Lille, France, is a renowned Renaissance designer best known for his modernist work. He has a unique taste for pure clean lines, mostly from the 1950s-1960s, which is exemplified in this particular piece. The square and diagonal motifs visible on the facade of the cabinet as well as the ornate marquetry on the interior shelves show that this piece was highly specialized, a well thought out piece made with incredible care. Robert Pansart is a French glassmaker and decorator who specialized in his unique technique of etching and oxidizing with “églomisé” glass. One of the most highly regarded glassmakers of his time, he mainly worked from post war years to the 1960s, and his work is reminiscent of a world based on fairy tales – evocative of the 1940s-1950s taste. His mirrors tend to appear in the antique art market and are valued as highly collectible pieces. Pansart mirrors were auctioned at very high prices at auctions at Artcurial and other major auction houses (see the last picture) Different works of the artist: Berliz Cinema in Paris Municipal Theater of Poitiers (see last picture) Theater of the Paquebot France

George III Mahogany Vanity Stand Early 19th Century, English An elegant and finely crafted George III mahogany vanity stand dating from the early 19th...

French Empire flame mahogany 2 door bibliothèque cabinet with with wire mesh and tapered square column sides having gilt bronze trim with classical heads.

These refined display cabinets, or vitrines, are perfect for elegantly complimenting the display of trinkets without outshining them. The cabinets are crafted in rectangular form fro...

The Round Tray Top Mahogany Display Table from Niagara Furniture is an exercise in elegance. The sweeping mahogany legs are created by hand and support the table’s finely carved ski...

For your consideration I have a solid wood swivel tv cabinet that has been gutted and was used as a more modern tv cabinet equipped with new ...

PRESENTING AN EXCEPTIONAL AND RARE 18C Irish Sheraton Satinwood Display Cabinet of GORGEOUS neat ‘diminutive’ proportions, from circa 1780-1800. Made of beautifully naturally patina...

Antique c.1800 Georgian Mahogany & Brass Wine Cooler, planter or Log Basket – Quality Period Piece A rare and charming Antique Georgian Mahogany and Brass Wine Cooler, dating from a...

English Mahogany Wood & Veneer Cabinet Circa 1890 A two-part piece of furniture consisting of a base on tall, turned legs and an upper section. The base features three doors, with t...

Albert-Lucien Guenot (1894-1993): A fine French Art Deco mottled mahogany cabinet with 1 central glass door in a bronze frame flanked by two wood doors; with bronze feet. Edited by ...

Beautiful Louis XVI Style Mahogany Vernis Martin Vitrine ormolu, with exterior panels depicting Napoleon and Josephine, two glass shelves and single fabric covered shelf, with mirror...

The stand features mahogany wood grain and a red beveled marble top. The case with two drawers rests on cabriole legs with mounted ormolu details.

Renzo Rutili was a seminal furniture designer of the 20th century who is sometimes overlooked in retrospect. Much of his work is as sophisticated, cutting edge and downright fabulous...

Early 20th century Italian Art Nouveau nightstand in cherrywood and mahogany inlaid, restored and polished to wax Measures cm: H 81+34, W 40, D 32.

Very nice pair of vintage mid century modern design bachelor chests with heavy geometrical solid brass pulls. Both chests are in good vintage condition with some signs of wear as pic...