Mahogany Cabinets

The antique Senempire corner cabinet from Northern Germany, made of polished mahogany and dated to the 1840s, is a splendid representative of the elegance and sophistication typical ...

A Fine French 19th Century Neo-Renaissance Style Gilt-Bronze Mounted Walnut and Mahogany Two-Door Bargueno or Cabinet on Stand, attributed to Paul Sormani (1817-1877), designed Édouard Lièvre (1828-1886) and retailed by Poujol - Paris. The spreading pediment Vitruvian scrolled fitted frieze centered by a crest and flanked by cartouches, the quarter paneled doors with pierced rinceaux reserves and centered by an ormolu portrait relief roundels of King Charles VII of France 'The Victorious' (1403-1461) and Agnès Sorel (1422-1450), flanking a gilt-bronze statuette of 'The Belvedere Hermes’, the base fronted by open arches centered by a pair of columns with Corinthian capitals, above a spreading platform, all raised on bun feet. Circa: Paris, 1870. Paul Sormani (1817-1877) was born in Venice, Paul Sormani set up in Paris in the middle of the 19th century. He specialized in creating furniture and works of art and was known for his high quality reproductions of Louis XV and XVI furniture...

Vintage Oriental Chinoiserie Asian Mahogany Hexagonal Lighted Display Curio Cabinet. Item features double sided entry and lower cabinets, bird carved details, 3 adjustable glass shel...

Edwardian display cabinet circa 1910 In Mahogany with a carved pediment showing a fluted design and carved rosettes Terminating on Sheraton style legs Complete with working key and l...

A very fine French 19th/20th century Louis XVI style mahogany, kingwood and tulipwood parquetry three-door vitrine with ormolu-mounted floral wreaths, ribbons, female masks and centr...

An antique Dutch marquetry display curio cabinet offers mahogany construction with arched form with double glass doors opening to shelved interior, satinwood inlay in floral design t...

Rectangular with rounded corners and cross banded top edge border over a conforming case with a pair banded silk lined brass grill doors opening to an interior with a shelf. Raised o...

Extraordinary 4 door Art Deco credenza in book-matched rosewood with ribbon inlays in pewter and bronze with solid brass artisan center medallion of 3 swimming dolphins and delicate ...

19th century George III style mahogany, satinwood and marquetry bookcase on stand, having a broken arch pediment with fan inlays above the frieze inl...

From Niagara Furniture a Vintage Potthast Demi Lune Cabinet in excellent original, condition, although the top has recently been French polished to r...

Designed by Harvey Probber, this ebonized mahogany cabinet features two large brass-trimmed medallions of rosewood on the sliding doors at top. Behind the doors are five shallow draw...

Introducing a distinguished 19th Century Antique Mahogany Pier Display Cabinet crafted by the esteemed maker Edwards & Roberts. This exceptional piece showcases intricate Chinoiserie...

Exclusive mahogany cabinet from Louis XVI epoque. With gilt bronze ornаments, brass cannelures and three shelves inside and a small drawer infront, France, circa 1790. The piece is i...

E.A. Taylor made by Wylie and Lochhead. An Arts & Crafts mahogany display cabinet or sideboard, with upper open shelf and gallery with capped uprights to the sides, a central upper ...

A fine French 19th-20th century kingwood and tulipwood marquetry and gilt-bronze mounted vitrine, in the manner of François Linke (1855-1946). The slender single door display cabinet with a red-velvet backing and bowed glass panels surmounted with acanthus and floral gilt-bronze mounts in the style of Léon Messagé (French, 1842-1901), the serpentine shaped front door with an ornate marquetry and ink colored panel depicting wreaths, ribbons and tied acantus leaves, all raised on four cabriolet legs ending with gilt-bronze paw-feet, Paris, circa 1900. Linke was born on 17 June 1855 in the small village of Pankraz, in what is now the Czech Republic. Records show that Linke served an apprenticeship with the master cabinet maker, Neumann, which he completed in 1877. Linke’s work book or Arbeits-Buch records that he was in Vienna from July 1872 to October 1873 at the time of the International Exhibition held there in 1873. He subsequently travelled to Prague, Budapest & Weimar before finally arriving in Paris in 1875. It is documented that he obtained employment with an unknown German cabinetmaker in Paris, and stylistic similarities, photographs and geographical proximity have led some to suggest that Emmanuel Zwiener was the most likely candidate. After a period back in his home town of Pankratz, he returned once and for all to Paris in 1877. In 1878 Paris hosted the third great International Exhibition, a remarkable success for a country ravaged by war only seven years earlier. It is known that the fledgling Linke workshops were active in the Faubourg St. Antoine as early as 1881, during this time he supplied furniture for other more established makers such as Jansen and Krieger. By 1889 another World’s Fair, as they were often referred to in America, took place in Paris. Monsieur Eiffel erected what has become the most iconic building in Paris for the exhibition and the atmosphere of wealth and confidence may well have encouraged Linke to think that he could contribute an important part to the next great exhibition. As early as 1892 this was decreed to take place at the end of the century, in an attempt to pre-empt Berlin from staging the last great show of the century. In 1892, Victor Champier (fr) one of the commissioners for the 1900 Paris Fair had appealed, “Create in the manner of the masters, do not copy what they have made”. It was an appeal against mere reproduction and Linke rose to this challenge in an unparalleled way with his unique display that was to include the Grand Bureau. Determined to outshine the competition at the Exhibition, Linke had set about creating the most ambitious pieces he could envisage, and more extravagant than had ever been displayed before. The items he exhibited marked a transition from the historicist interpretation of Louis XV and Louis XVI styles, an interpretation that was the mainstay of his nearest rivals, to something startlingly new and vital in its immediacy. [6] Together with Léon Messagé he developed a new style for the 1900 Exhibition that paid homage to the Louis XV rococo in the fluidity of its approach, but an approach fused with the lively flowing lines of the contemporary and progressive 'art nouveau'. The Art Journal reported in 1900 on Linke's stand: "The work of M. Linke ... was an example of what can be done by seeking inspiration amongst the classic examples of Louis XV and XVI without in any great sense copying these great works. M. Linke's work was original in the true sense of the word, and as such commended itself to the intelligent seeker after the really artistic things of the Exhibition. Wonderful talent was employed in producing the magnificent pieces of furniture displayed". Linke's stand would have appeared refreshingly new to contemporary onlookers, the traditional designs of the eighteenth century melting seamlessly into an exuberant naturalism. The 'Revue' described Linke's style as 'entièrement nouveaux' and noted "This opinion is universally accepted. Linke's stand is the biggest show in the history of art furniture in the year 1900". It is perhaps the most extraordinary and remarkable aspect of Linke’s personal history that he produced such expensive and luxurious furniture of exquisite quality for the 1900 exhibition without any commission or any potential buyer in mind. [9] At a time when other more established furniture businesses such as those of Beurdeley and Dasson were closing down, he made a huge investment in his stand and the furniture he supplied for it. Linke recognised that to move his business forward he needed to appeal to a more International clientele and the new emerging rich who were at this time amassing fortunes on an unprecedented scale. For this reason he gambled everything he had on his display for the 1900 exhibition. Had this not succeeded he would almost certainly have succumbed to bankruptcy. Linke’s notebook records visitors to his stand from England, Europe, the Americas, Egypt and Japan and including; the King of Sweden, three visits from the King of Belgium, Prince Radziwill, the Prince d’Arenberg, the Comte Alberic du Chastel, Miss Anna May Gould, the American heiress, distinguished furniture makers and the President of France Emile Loubet. This risky endeavour was a resounding success, and with his reputation established, La Maison Linke became the pre-eminent furniture house until outset of the Second World War. The technical brilliance of his work and the artistic change that it represented was never to be repeated. His showrooms expanded into prestigious premises in Paris, in the Place Vendôme as well as the Faubourg St. Antoine where his workshop had been established. He embarked on many important commissions in the years up to the outbreak of the First World War, making and designing furniture for leading international industrialists and bankers. After the 1914-1918 World War, Linke undertook the extraordinary commission to furnish the Ras al-Tin Palace in Alexandria for King Fuad of Egypt, possibly the largest single furniture commission ever conceived, eclipsing even Versailles. Linke flourished and remained active until the middle years of the 1930s and died in 1946 Léon Messagé (1842-1901) was a French sculptor, best known for his sculptural collaboration with François Linke for the 1900 Paris Exposition Universelle. Messagé was also responsible for much of the design and creative work for Roux et Brunet...

Very large French solid mahogany Empire style bookcase with three upper glazed arched doors and lower solid mahogany paneled doors, the case acce...

Superb large antique glazed mahogany museum display cabinets from the V&A Museum, London. There are doors to each end, opening opposite to each other. Price is for each display cabinet. The Dodo skeleton...

A large mahogany cabinet with solid oak fitted file interior and ebony base. Designed by Mogens Koch for Rud Rasmussens. Each of the 108 compart...

Extraordinary Art Deco storage cabinet-bookcase, solid mahogany with mahogany veneer outside and sycamore inside with a wide base, french polish. Two curved doors...

Tall cabinet of walnut, in great antique condition from the 1850s. H - 155 cm, W - 65 cm and D - 39 cm.

French Empire style (late 19th Century) mahogany small chest with 4 drawers and bronze trim with a black marble top There are splits in the wood at the side of the piece.

A good example with rectangular original grey and white marble top over a drawer with central geometric string inlay and two brass ring handles over a pair of grill doors flanked by ...

Dimensions- H: 84 1/4in W: 58 3/4in D: 18 1/4 inches This 19th century French Louis XVI Style cabinet signed Linke With Ormolu Mounts i...

Pair of Russian (Circa 1820) plum pudding mahogany bookcase cabinets with brass trim and "X" design on 2 front doors, with 2 lower doors and fall...

This is a perfect example of Classic French Louis XVI design and available in your specific dimensions and finishes. Our Old Plank Workshop will build to suit, the old fashion way, b...

Pair of cabinets in mahogany veneer with their asymmetrical and square handles, the base and handles in black lacquered iron. Key in golden brass. Italian work realized in the 1950s...

PRICE DISCOUNTED FROM $6500 FOR 1STDIBS SATURDAY SALE – ONE WEEK ONLY. NO ADDITIONAL DISCOUNTS, NO HOLDS. ITEM WILL BE RETURNED TO REGULAR PRICING AFTER 7 DAYS.


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A very fine French 19th century Louis XVI Style mahogany and ormolu mounted two-door vitrine, after a model by Adam Weisweiler (French, 1744-1820) with two-doors below a finely chase...

This secretary from the 1880s is a masterpiece of craftsmanship and elegance. Crafted from polished mahogany and walnut, it exudes timeless beauty and sophistication. The secretary's...

Mahogany veneered pillar cupboard with two drawers and a slightly convex door. The door is flanked by solid columns with leaf capitals. The cabinet stands on square feet and ends wit...

The interior of this mahogany cupboard has three fixed shelves. The frieze has scalloped shelves and leaves carved in high relief. The doors each have two raised and molded panels. T...

Period Hepplewhite inlaid mahogany bowfront corner cupboard. There is a ten inch back gallery inlaid with boxwood string, four simulated dr...

A pair of early 20th century mahogany display cabinets, the moulded edge top with a panelled back, astragal glazed door opening to reveal a mirrored back and a single glass shelf, ha...

Antique French Louis XVI Style 2 Door Large 94" Curio China Display Cabinet with Bronze Ormolu. Item features 2 swing doors with beveled glass, mirrored interior, marquetry inlay. br...

Stunning French Art Deco / Moderne' vitrine, bar, cabinet attrib. to Jules Leleu 1940s. Classic design, wonderful grained cherry mahogany wood. Button-tufted interior, two glass shel...

A display cabinet in the manner of Thomas Chippendale. Constructed in a well-figured Honduras mahogany, with carved highlights; rising from cabriole leg 'ball and claw' feet, with acanthus carving at the knees, with swept and carved corner blocks; over, a running 'egg-and-dart moulding with a central leaf carved cartouche centred about a scallop shell, are two lockable glazed doors, with astragals delineating fifteen panes enclosing a shelved interior; surmounted by a pierced swan neck pediment with paterae teminals set about a turned finial, circa 1910. Thomas Chippendale the Elder (1718-1779) Yorkshire born, a highly skilled cabinet maker and designer, published in 1754 his 'Gentleman & Cabinet Maker's Director', a volume of instantly recognisable and idiosyncratic designs, that was reprinted time and again, serving as an essential manual for cabinet makers the length and breadth of England. Working from 60-62 St Martins Lane, London his output is regarded as the ne plus ultra of 18th century...

This pair of 19th Century George III style pedestal cabinets are crafted from mahogany in a distinctly Classical manner. Each cabinet is rectangular in shape, standing on a stepped ...

An antique French tambour door bookcase, made of solid mahogany wood. It's made in France, at the the end of the Napoleon III period, 1860-1870. ...

Louis XVI mahogany display showcase on stand. Cornice accented with dentil moldings above two doors. Copenhagen, circa 1800. New mahogany stand. We can shorten this if desired. ...

This stunning early 19th-century mahogany wood three-part French display china cabinet is a true testament to exquisite craftsmanship and timeless elegance. With its gracefully curve...

Antique Arts & Crafts Mahogany Medical Dental Cabinet with Green Marble Base and 15 Metal Lined Drawers and Original Glass Pulls. Weighs approx 150 lbs. Probably had a milk glass top...

Dry bar, mahogany veneer, central glass flap door with two small drawers inside, two glass shelves on top, brass handles. Design: Ico Parisi Italy, 1948.

The Four Door Breakfront is simply as elegant as china cabinets come. This breakfront accentuates and compliments any setting. The crown can be removed should you desire to display t...

Tommi Parzinger Ceruse Finish credenza A great early form on a sophisticated Plynth base. Original lacquered interior. The home this was in was featured in a 1956 House beautiful cov...

Cool mahogany chest of drawers by Josef Frank, with an amazing, playful silhouette. Elegant brass handles.

Rare pair of Harvey Probber two door cabinets with Tiffany blue leather covered recessed door panels. Bleached and toned mahogany casement, conica...

Mid-Century Modern Edward Wormley for Dunbar bachelors chest with flip-top mirror, drawers in center, flanked by two cabinet doors, in bleached mahogany, currently being refinished (...

19th century inlaid mahogany corner cabinet, having an inlaid swan neck pediment with a central turned finial, inlaid frieze below, a single astrigal glaz...

A 1940s French Continental Mahogany side console cabinet with exquisite, finely detailed Marquetry works on the front and sides and with Metal and brass mounts and decorations throu...

A dramatic neoclassic style mahogany cabinet by Lorin Jackson designed in 1940 for the "Glassic" line of Grosfeld House furniture. The exterior of the...

Custom crafted for us in England, this bookcase adds the functionality of two drawers. In yew wood with self banding, it offers enough space for about 100 medium-sized books. Class...

A flame mahogany oval pedestal cabinet, with carved Corinthian columns, gilt bronze escutcheon, and a shelved interior, Copenhagen, circa 1860.

Good Quality Mahogany Display Cabinet. Circa 1900 This Display Cabinet Stands Upon Shaped and Carved Legs with an Undertray. The Lower Paneled Doors Featuring Blind Fret Work. The Up...

From Niagara Furniture a Custom Built Display Cabinet, in ready to use in your home condition. Simple yet sophisticated this beautiful Custom Built Display Cabinet has everything go...

Beautiful commode with unusual combination of wood and black glass with 3 drawers. Made in former Czechoslovakia in the 1970's.

Antique Early 19th Century English Georgian Mahogany with Inlay Secretary Breakfront, Circa 1840. Secretary has a...

Antique Victorian quality mahogany and satinwood side cabinet having a quality walnut rectangular shaped top above a pair of walnut rectangular doors with satinwood panels, opening t...

Cylindrical with white marble top and carved and shaped border with conforming fluted case section with a door. Plinth base.

An exceptional and outstanding quality Regency period sarcophagus shaped mahogany wine cooler attributed to Gillows, constructed in the most beautifully figured mahogany and carved a...

An antique French Vernis Martin decorated vitrine offers mahogany construction with single glass door opening to shelved interior over drawer and single ...