19th Century Ormolu-Mounted Parquetry Cabinet by François Linke

A Bois Citronnier Meuble d'Entre Deux By François Linke Constructed from satiné quarter-veneered bois citronnier, with rosewood crossbanding and ormolu mounts, the rectangular ca...

French kingwood parquetry and ormolu-mounted vitrine. In the Louis XV-XVI Transitional style, of kingwood and tulipwood crossbanding and o...

A French Bijouterie In the manner of François Linke Designed in the Louis XV style and constructed in a wonderfully marked Kingwood, with precise...

A Louis XVI style table Ambulante By Francois Linke The master ébéniste using kingwood and tulipwood to great effect, with foliate ormolu mounts, rising form hoof-foot and acanth...

A Very Fine Louis XV Style Two-Tier Table à Thé By François Linke. Index no. 610 The serpentine dual-handled upper-tier with removable glazed tray supported by four gilt bronze pu...

A Very Fine Marquetry Inlaid Occasional Table Firmly Attributed to François Linke This fine table, closely related to other examples by François Linke, is...

French rare 19th century cabinet. Kingwood and parquetry with fine quality gilt bronze mounts. Clock on top. Signed Francois Linke      

A late 19th century Louis XVI style gilt bronze-mounted mahogany cabinet by François Linke. Surmounted with a marble top, above a frieze and a bronze-mounted upper cupboard doo...

A unique late 19th century gilt bronze mounted parquetry cabinet by François Linke and Léon Messagé François Linke and Léon Messagé This unusual cabinet features a cube parquetry top with a back splash centered with a plume of bronze feathers and flowers, above a long single drawer with a bronze leaf-clasped scallop shell and two handles shaped as wings, the sides headed by foliate and flower-cast clasps. The cabinet was most likely made to store magazines or original phonograph records. Stamped FL under many of the bronze mounts, the lock stamped CT LINKE/PARIS Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a gold medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair in St. Louis, the Liege in Belgium and the 1908 Franco-British exhibition in London. Linke’s highly original designs sprang from the Régence and Rococo styles but were imbued with something quite new, Rococo curves were laden with gilt-bronze sculptural mounts in the tradition of A.-C. Boulle (1642-1732) or Charles Cressent (1685-1758). Stylistically, the new designs still adhered to the Rococo; the novelty, however, was Linke’s fusion of the Rococo with the liveliness and the fluidity of the ‘art nouveau’. The Revue called Linke’s creations entierement nouveau, and continued to say that ‘Linke’s stand...

A fine Late 19th century Gilt Bronze Mounted Transitional Style Tall Cabinet By François Linke François Linke The marble top above two long doors, the front and sides quarter veneered. The top centered with a gilt bronze mask of Bacchus, the legs mounted with faces of a bearded man with head wear. The doors opening to shelves. Signed F. Linke to the top right clasp, stamped FL to the underside of some of the bronze mounts, the lock stamped CT LINKE / SERRURERIE. Linke was born in Pankraz in Bohemia and was celebrated by the French as one of the greatest ébénistes of meubles de style at the turn of the century. He began his apprenticeship with a Bohemian master at the age of thirteen. Four years later, he toured Austria, settling and working in Vienna for two years. Linke arrived in Paris in 1875, and by 1881 he had established his own small workshop at 170 rue du Faubourg St. Antoine. Taking 18th century styles as his starting point and adapting earlier styles to contemporary taste, Linke produced fine quality furniture, steadily expanding his business during the next 20 years. He firmly established his reputation after receiving a Gold Medal at the Paris Universal Exhibition of 1900 for his extraordinary Grand Bureau. He continued to use international fairs as a means of exploring new markets, exhibiting at the 1904 World’s Fair...

A Very Rare Late 19th Century Gilt Bronze Mounted Louis XVI Style Desk/Cabinet By François Linke François Linke The cartonnier top surmounted by a pierced guilloche acanthus galler...

A Very Fine French 19th century Louis XV Style Ormolu-Mounted Kingwood and Satinwood Parquetry Vernis Martin Decorated Meuble D'Appui Side-Cabinet by François Linke (1855-1946) - Index Number 204 - Paris. The serpentine Griotte de Campan Rouge marble top above a single bombé door painted with a scène of a couple running through the forest flanked by cupids and angels over a waterfall, the interior fitted with one wooden shelf, the front angles each with a scrolling foliate clasp, the bombé sides decorated with square parquetry fields, on cabriole legs and acanthus-cast sabots. The lockplate engraved 'Ct. LINKE - PARIS'. The ormolu cast stamped 'FL' on the back. Circa: Paris, 1890-1900. François Linke (1855-1946) was one of the most celebrated ébénistes of his time. Born in Pankraz, Bohemia, Linke moved to Paris in 1875 and six years later established independent ateliers at 170, rue de Faubourg St. Antoine. As was the practice among contemporaries and noteworthy predecessors, such as Alfred Beurdeley and Henry Dasson, Linke initially produced furniture derived from styles popular during the 18th century ancien régime. By 1900, his worldwide reputation as an individualistic master of high quality furniture was already established. However, with a huge display, placing his extravagant pieces in room settings and winning the Médaille d'Or for his Grand Bureau...